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33
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12
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Trio à Cordes: 2 violons, violoncelle
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Orchestre d'harmonie
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26
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13
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6
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
46.21 €
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Orchestre d'harmonie
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A
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Stephen Davies
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Stephen Davies
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SheetMusicPlus
Merry-go-round Of Life
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1292695 By Kumiko. By Joe Hisaish…
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Concert Band - Level 4 - Digital Download SKU: A0.1292695 By Kumiko. By Joe Hisaishi. Arranged by Elaine Kennedy. 21st Century,Classical,Film/TV. Score and Parts. 64 pages. Elaine Kennedy #883258. Published by Elaine Kennedy (A0.1292695). The famous works of Joe Hisaishi throughout the world of Studio Ghibli continues to transform the world around us. His work titled Merry Go Round of Life exemplifies the essence that the world around is always changing. The movie, Howl's Moving Castle, displays the true art of how being selfless can bring a better world around us and that even the darkest minds are able to see the light.
$65.00
60.09 €
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Orchestre d'harmonie
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Kumiko
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Elaine Kennedy
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Merry-go-round Of Life
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Elaine Kennedy
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SheetMusicPlus
Nellie
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.860983 Composed by Jayne Groves, …
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Concert Band - Level 4 - Digital Download SKU: A0.860983 Composed by Jayne Groves, Matt Moore. Contemporary. Score and parts. 135 pages. M Moore & J Groves #4269961. Published by M Moore & J Groves (A0.860983). Duration 6:40 | Published by Sticks and StavesThis composition is a response to a letter, dated Sept 21st 1880, from the engineer of the S.S. Gwendoline to the wife of Donald Thompson, the ship’s Captain. The four pages contain a detailed and tender account of tragic events at sea leading to the death of Captain Thompson: a storm; a crush injury sustained as the Captain himself carried out a dangerous repair; his crew, in vain, attending to their beloved captain and trying to return him to land in time for medical assistance; the captain’s stoic acceptance that his life was up and his final comforting words to his daughter, Nellie, who was on board and by his side.
$85.00
78.58 €
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Orchestre d'harmonie
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Jayne Groves, Matt Moore
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Nellie
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M Moore & J Groves
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SheetMusicPlus
Killarney Carnivale
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1281978 Composed by John P.W. Hud…
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Concert Band - Level 4 - Digital Download SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.
$60.00
55.47 €
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Orchestre d'harmonie
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John P
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Killarney Carnivale
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John P.W. Hudson #872903.
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SheetMusicPlus
Trapped
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Sc…
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Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
23.11 €
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Orchestre d'harmonie
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Arizona Centennial Overture - Band Version
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.755100 Composed by Sy Brandon. 20…
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Concert Band - Level 4 - Digital Download SKU: A0.755100 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 130 pages. Sy Brandon #3384569. Published by Sy Brandon (A0.755100). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99
36.97 €
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Orchestre d'harmonie
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Sy Brandon
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Arizona Centennial Overture - Band Version
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Sy Brandon
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SheetMusicPlus
The Fog Meets the Storm for small wind band and percussion
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnso…
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Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
46.22 €
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Orchestre d'harmonie
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James M Johnson
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The Fog Meets the Storm for small wind band and percussion
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Myles Music James Johnson
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SheetMusicPlus
The Palatka Port March - Score Only
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stew…
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Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00
9.24 €
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Orchestre d'harmonie
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David M
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The Palatka Port March - Score Only
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DMStewart Music
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SheetMusicPlus
The Palatka Port March
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stew…
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Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!
$50.00
46.22 €
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Orchestre d'harmonie
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David M
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The Palatka Port March
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DMStewart Music
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SheetMusicPlus
Rhapsody for Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. …
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
18.49 €
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Orchestre d'harmonie
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July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Echoes Of The American West
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.870387 Composed by Randy A. Stein…
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Concert Band - Level 4 - Digital Download SKU: A0.870387 Composed by Randy A. Steinberg. Contemporary,Folk. Score and parts. 181 pages. Randy A. Steinberg #1932601. Published by Randy A. Steinberg (A0.870387). This work commemorates the founding and settlement of the western United States. The piece consists of a number of musical episodes that evoke key historic milestones that took place as the west developed and grew over time. The work opens with a fanfare tribute to the mountains and valleys that were first seen by those arriving there. The fanfare starts out majestically and leads into a chorale tune that evokes the calmness of the river and the greenery around it. The clock then moves to a later time when the area was settled by bands of Indian tribes, dwellings and villages. This then melds into tribal life along the river and growth of the Indian culture. Suddenly, the sound of Indian raiding tribes is heard. This then settles down and Pioneer Wagon Trains are heard heading west, their wheels stumbling through mud and rock. In comes the U.S. Calvary. Trumpet calls are heard as the Calvary advances and eventually overcome the Indians, pushing them out of the west. The choral tune heard earlier is brought back which then leads to the sounds of the first trains heading west. As more and more trains arrive, the sound of towns and cities sprouting up is heard. At this point, the music gains momentum as more and more settlers arrive. Dance hall music can suddenly be heard followed by a segment that evokes the building of farms and raising of livestock. The music picks up into the 20th century culminating in a grand return of the opening River Valley fanfare heard at the start of the piece. A popular piece that resonates well with audiences bringing them a spirit of renewal and hope that they will find most uplifting.
$45.00
41.6 €
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Orchestre d'harmonie
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Randy A
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Echoes Of The American West
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Randy A. Steinberg
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SheetMusicPlus
Elegy-Field of Blood
Orchestre d'harmonie
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eisme…
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
11.09 €
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Orchestre d'harmonie
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
In Spite Of All The Danger
Orchestre d'harmonie
Acoustic Guitar,Drum Set,Electric Bass Guitar,Piano,Violin - Level 4 - Digital Download
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Acoustic Guitar,Drum Set,Electric Bass Guitar,Piano,Violin - Level 4 - Digital Download SKU: A0.1221991 By The Beatles. By George Harrison and Paul McCartney. Arranged by Peyber Augusto Medina Hidalgo. Classical,Funk,Historic,Multicultural,Rock,World. 12 pages. Peyber Medina #818266. Published by Peyber Medina (A0.1221991). Peyber A. Medina H. has created an exceptional and awe-inspiring arrangement for violin and classic 50's Rock'n Roll Band of In Spite Of All The Danger by The Beatles, originally written for The Quarrymen by Paul McCartney & George Harrison. This multi-talented musician has breathed new life into this classic track, infusing it with a modern energy that is sure to captivate audiences of all ages. Also, this is probably the first arrangement of this classical 50's rock tune made for a violin cover.With intricate instrumentation and dynamic violin performance, this rendition of In Spite Of All The Danger is a true masterpiece. Medina's attention to detail is evident in every note, creating a rich and immersive listening experience that will leave you wanting more.From the soaring violin solos (accompanied by the band) to the infectious rhythm section, every aspect of this arrangement is carefully crafted to perfection. Whether you're a die-hard Beatles fan or simply appreciate great music, you won't want to miss this extraordinary performance.So if you're looking for a truly unforgettable musical experience, look no further than Peyber A. Medina H.'s rendition of In Spite Of All The Danger for Violin & 50's Rock'n Roll Band. With its captivating sound and impeccable execution, this arrangement is sure to take the music world by storm and earn a well-deserved place in music history..
$21.99
20.33 €
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Orchestre d'harmonie
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The Beatles
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Peyber Augusto Medina Hidalgo
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George Harrison
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In Spite Of All The Danger
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Peyber Medina
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SheetMusicPlus
The Six Seasons of Kakadu
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.755176 Composed by Sy Brandon. 20…
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Concert Band - Level 4 - Digital Download SKU: A0.755176 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 132 pages. Sy Brandon #3409931. Published by Sy Brandon (A0.755176). This composition won Franklin and Marshall College’s wind Ensemble Composition Contest in 2001. Kakadu, Australia's ancient wilderness, comprises 8,000 square miles of the Northern Territory and boasts the longest continuous surviving human cultures in the world. Aborigines have been living in this region for at least 40,000 years. The region also contains abundant wild life. It is a land of varied extremes that creates a constant cycle of destruction and renewal. The composition is loosely programmatic. It does not depict the six seasons sequentially nor does it depict the six seasons with specific thematic material. The composition does attempt to capture both the primitiveness and beauty of this ancient wilderness and the cycles of its seasons, each with its own uniqueness and its challenge for the sustaining of life. The score prints on legal size paper and the parts on letter.
$39.99
36.97 €
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Orchestre d'harmonie
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Sy Brandon
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The Six Seasons of Kakadu
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Sy Brandon
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SheetMusicPlus
Requiem for the Pequod
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1303052 By Jay Jordan. By Jay Jor…
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Concert Band - Level 4 - Digital Download SKU: A0.1303052 By Jay Jordan. By Jay Jordan. Arranged by Jay Jordan. Classical,Contemporary,Contest,Festival,Historic. Score and Parts. 105 pages. Pro Creations Music #892637. Published by Pro Creations Music (A0.1303052). Requiem for the PequodCaptain Ahab’s story of obsession, and ultimate failure at the hands of Moby Dick is, of course, a well-worn cautionary tale. The tale of the Pequod, the ship that also met its demise as a result of Ahab’s actions is, in my eyes, worth examining. Requiem for the Pequod begins with Two Bells, tolled to mark the end of the day before Ahab and his crew set sail. The minor theme, played by a solo flute, sets the mood as restful, but somewhat ominous at the same time; treatments by the brass in chorale style and then the full ensemble follow. The next three sections beginning at letter A feature up-tempo variations on the main theme (Setting Sail) followed by a lively Sailor’s Shanty at letter D, both depicting carefree life at sea. A return to a melancholy minor theme at letter E portrays the tedium of Months at Sea as the Pequod and her crew travel toward their destination, unaware of the fate that awaits them. The penultimate section beginning at letter F (Fait Awaits) depicts the culminating battle, from the stirring of Moby Dick beneath the waves to the sinking of the Pequod and the death of Ahab and the crew, save Ishmael, who recounts the tragic tale in the final section Epilogue.Â
$50.00
46.22 €
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Orchestre d'harmonie
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Jay Jordan
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Jay Jordan
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Requiem for the Pequod
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Pro Creations Music
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SheetMusicPlus
Golden Hour
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1217259 By Jvke. By Jake Lawson a…
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Concert Band - Level 4 - Digital Download SKU: A0.1217259 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Matteo Sohn. Classical,Contemporary,Pop,R & B,Singer/Songwriter. Score and Parts. 94 pages. Matteo Sohn #813780. Published by Matteo Sohn (A0.1217259). Golden Hour by JVKE-Arranged by Matteo Sohn, for Concert Band/Wind EnsembleGOLDEN HOUR is the third release of JVKE’s debut album, “this is what____ feels likeâ€. The original song embodies beauty as a whole, but the lyrics use that embodiment to describe the beauty of a partner the singer is falling in love with. The verse section of the song is soft but eventually thrusts the listener into a powerful chorus section. The song creates this warm summer like feeling, hence its use of major and minor 7th chords, which is very fitting for its time of release (July 15, 2022). To add to the warmth of the song, JVKE changes the pitch of the song to A=432 hertz tuning, instead of the conventional A=440 hertz tuning. Many people believe that A=432 hertz tuning decreases the listener’s heart rate and sounds more peaceful, which which perfectly fits the mood of the song. With these lyrics and musical techniques combined, GOLDEN HOUR gives the listener an amazing and moving experience, and is why it is one of the most viral songs on the internet.  This song was chosen to be arranged for the Scarsdale High School Honors Wind Ensemble because of its popularity among teenage students, as well as to welcome the new director of bands, Mr. Brian Zeller. A new band director marks a new “golden hourâ€, or chapter of life for both the students and the director, with new thrilling musical experiences to learn from.
$59.99
55.46 €
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Orchestre d'harmonie
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Jvke
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Matteo Sohn
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Golden Hour
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Matteo Sohn
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SheetMusicPlus
Elegy-Field of Blood
Orchestre d'harmonie
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeie…
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
73.96 €
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Orchestre d'harmonie
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Yemanya (for Symphonic Band)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1028006 Composed by Becca Schack.…
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Concert Band - Level 4 - Digital Download SKU: A0.1028006 Composed by Becca Schack. 20th Century,Contemporary,Jazz. Score and parts. 123 pages. Ingenue Music #3140879. Published by Ingenue Music (A0.1028006). Commissioned by the International School Of Luxembourg (ISL). Premiered in Luxembourg, in December 2010, conducted by Dimosthenis Dimitrakoulakos.Program Notes:This piece is named for Yemanya (pronounced Yeh-MAHN-jah or Yeh-MAHN-jee), the Brazilian/African nurturing mother goddess of the ocean. She's known as a protector, supplier, and one who grants wishes. Every December 31st, Brazilians celebrate Yemanya by casting white flowers and miniature boats into the sea. If Yemanya grants your wish, her waves will swallow the boat and if she denies the wish the boat will wash up on shore. Yemanya teaches us to dive in at the very moment of golden opportunity, to enjoy the rhythms of life, and to allow all doubts to be washed away. The fluid, oceanic themes of the instruments represent the flow of the water and magic of Yemanya. The piece starts off with a soft wind chime accompanied by gong/tam-tam. Then the vibraphone enters mysteriously as the main theme that drives the whole piece as it subtly changes. The double bass creates a rhythmic pulse beneath the other sections. The gentle melodies in the flute dance around jazzy articulations in the trumpets and saxophones. There's an interplay of Afro-Cuban beats in the marimba and a bossa nova rhythm between the temple blocks and xylophone. Throughout the piece I have tried to capture the water's motion and the ever-changing face of the sea. As the vibraphone returns to the original melody, we are reminded of Yemanya's eternal beauty and peaceful nature.
$60.00
55.47 €
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Orchestre d'harmonie
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Becca Schack
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Yemanya
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Ingenue Music
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SheetMusicPlus
Pie Jesu
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1464007 Composed by Juliette Mari…
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Concert Band - Level 4 - Digital Download SKU: A0.1464007 Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,Religious,Romantic Period,World. 42 pages. John Ivor Holland #1042718. Published by John Ivor Holland (A0.1464007). Marie-Juliette Olga Lili Boulanger (21 August 1893 – 15 March 1918) was a French composer; her older sister was the noted composer and composition teacher Nadia Boulanger. As a child prodigy born in Paris, Boulanger's talent was apparent at a very young age; at the age of two, she was already singing melodies by ear. Her parents, both of whom were musicians, encouraged their daughter's musical education. In 1912, Boulanger competed in the Prix de Rome but during her performance she collapsed from illness. She returned in 1913 at the age of 19 to win the composition prize for her cantata 'Faust et Hélène', becoming the first woman to win the prize. Boulanger grew up in a time of musical transition and her music fits easily into what was becoming defined as a post-Romantic style. She finished this 'Pie Jesu' (1918) towards the end of her life, but the first of Lili Boulanger's sketches for the Pie Jesu are to be found in a composition book she used between 1909 and 1913. Scholars such as biographer Léonie Rosenstiel and Olivia Mattis speculate that Boulanger intended to write a complete Requiem Mass but did not live to complete it. This arrangement has been created from the original solo voice, string quartet, harp and organ for modern concert band as part of an ongoing project to bring more works by women into the worldwide repertoire.
$59.99
55.46 €
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Orchestre d'harmonie
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Juliette Marie Olga
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John Ivor Holland
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Pie Jesu
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John Ivor Holland
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SheetMusicPlus
Rainy Days
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1389148 Composed by Caiden Christ…
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Concert Band - Level 4 - Digital Download SKU: A0.1389148 Composed by Caiden Christensen. Classical,Contest,Festival,Instructional,Romantic Period. 36 pages. Caiden Christensen #972676. Published by Caiden Christensen (A0.1389148). This piece was written with the idea that sometimes it rains, but the sun will always come back out! Although, sometimes, the rainstorm doesn't cease for a long time and the sun doesn't come back out for a while. During these times is when it's most important to be optimistic and be happy with what you have! Life isn't about waiting for the storm to pass... It's about learning to dance in the rain. -Vivian Greene.
$34.99
32.35 €
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Orchestre d'harmonie
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Caiden Christensen
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Rainy Days
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Caiden Christensen
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SheetMusicPlus
Revelation (score only - legal size)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.983168 Composed by Craig Wadley. …
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Concert Band - Level 4 - Digital Download SKU: A0.983168 Composed by Craig Wadley. 20th Century,Concert,Contemporary,Standards. Score and parts. 16 pages. Wadley Publications #3046241. Published by Wadley Publications (A0.983168). This is a full score in LEGAL SIZE format for Revelation by Craig Wadley, PARTS SOLD SEPARATELY.Revelation was commissioned in 2002 by Dru Davison, then Director of the Brookland High School Band in Brookland, Arkansas. In 2002, the United States was still reeling from the deadly and devastating terrorist attacks of September 11, 2001. In the wake of the tragic loss of life and the shaking of the nation’s sense of security, many people feared what the future might bring. Revelation begins with a question: Where do we go from here? The piece presents the uncertainty and sense of foreboding felt by so many Americans at that point in history, followed shortly by the only possible response: We must move forward. The music moves toward its climax with new energy, driving onward with a sense of urgency, reflecting the heart and will of a nation determined to rise above tragedy. Soli section for Flute, Clarinet, Alto Sax, and Tuba soloists, with percussion.
$1.99
1.84 €
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Orchestre d'harmonie
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Craig Wadley
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Revelation
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Wadley Publications
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SheetMusicPlus
Revelation (score only - standard size)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.983169 Composed by Craig Wadley. …
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Concert Band - Level 4 - Digital Download SKU: A0.983169 Composed by Craig Wadley. 20th Century,Concert,Contemporary,Standards. Score and parts. 13 pages. Wadley Publications #3046247. Published by Wadley Publications (A0.983169). This is a full score in STANDARD SIZE (8.5 X 11) format for Revelation by Craig Wadley, ATTENTION - SMALL PRINT, recommended only for adjudication purposes.PARTS SOLD SEPARATELY.Revelation was commissioned in 2002 by Dru Davison, then Director of the Brookland High School Band in Brookland, Arkansas. In 2002, the United States was still reeling from the deadly and devastating terrorist attacks of September 11, 2001. In the wake of the tragic loss of life and the shaking of the nation’s sense of security, many people feared what the future might bring. Revelation begins with a question: Where do we go from here? The piece presents the uncertainty and sense of foreboding felt by so many Americans at that point in history, followed shortly by the only possible response: We must move forward. The music moves toward its climax with new energy, driving onward with a sense of urgency, reflecting the heart and will of a nation determined to rise above tragedy.Soli section for Flute, Clarinet, Alto Sax, and Tuba soloists, with percussion.
$1.99
1.84 €
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Orchestre d'harmonie
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Craig Wadley
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Revelation
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Wadley Publications
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SheetMusicPlus
Marceline: The Clown - Score Only
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1333010 Composed by Victor Rebull…
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Concert Band - Level 4 - Digital Download SKU: A0.1333010 Composed by Victor Rebullida. 21st Century,Comedy,Holiday,March. 27 pages. Victor Rebullida #919390. Published by Victor Rebullida (A0.1333010). With this composition I wanted to pay tribute to an artist who was famous in his time and fell into oblivion until recent times when his figure has been recovered by various research works.May this work serve as a vindication of the great Marceline.The piece has an optimistic character and in its nearly five minutes of duration I make nods to circus music and the atmosphere of the shows in which Marceline participated.Marceline is the stage name of Marcelino Orbés. He was a Spanish clown, mime, acrobat, comic actor and circus artist, with American nationality since 1922, who is considered the best clown in the world of his time.Marceline was Spanish artist born in 1873 who performed in several European countries. Around 1895 he had success at the London Hippodrome and then enticed by producers Thompson and Dundy to come to the New York Hippodrome, where he arrived with great fanfare in 1905. He was a part of shows at the Hippodrome through 1915, by which time his pantomime routine and falling gags were falling out of favor with the public. He did reappear at the Hippodrome for some later shows in 1920-21 and 1922-23.Attempts to succeed in the restaurant business in New York and Connecticut both failed, and he lost money in real estate ventures. Out of work and out of savings, Marceline was found dead by suicide in his hotel room on November 5, 1927, with photographs of his glory days on the bed.Marceline was long admired by Charlie Chaplin, who worked with Marceline at the London Hippodrome from December 1900 to April 1901, and is one of just a few performers from this period of his life that Chaplin discusses in his autobiography. Chaplin recounts seeing him years later in the United States with a circus, and though expecting to see him be a featured star, was surprised to see him only amongst other clowns.
$19.50
18.03 €
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Orchestre d'harmonie
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Victor Rebullida
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Marceline: The Clown - Score Only
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Victor Rebullida
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SheetMusicPlus
Revelation (set of parts)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.983167 Composed by Craig Wadley. …
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Concert Band - Level 4 - Digital Download SKU: A0.983167 Composed by Craig Wadley. 20th Century,Concert,Contemporary,Standards. Score and parts. 48 pages. Wadley Publications #3046237. Published by Wadley Publications (A0.983167). This is a complete set of parts for Revelation by Craig Wadley, SCORE SOLD SEPARATELY.Revelation was commissioned in 2002 by Dru Davison, then Director of the Brookland High School Band in Brookland, Arkansas. In 2002, the United States was still reeling from the deadly and devastating terrorist attacks of September 11, 2001. In the wake of the tragic loss of life and the shaking of the nation’s sense of security, many people feared what the future might bring. Revelation begins with a question: Where do we go from here? The piece presents the uncertainty and sense of foreboding felt by so many Americans at that point in history, followed shortly by the only possible response: We must move forward. The music moves toward its climax with new energy, driving onward with a sense of urgency, reflecting the heart and will of a nation determined to rise above tragedy. Soli section for Flute, Clarinet, Alto Sax, and Tuba soloists, with percussion.
$19.99
18.48 €
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Orchestre d'harmonie
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Craig Wadley
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Revelation
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Wadley Publications
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SheetMusicPlus
Narrabeen Hustle
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.797661 Composed by Brendan Collin…
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Concert Band - Level 4 - Digital Download SKU: A0.797661 Composed by Brendan Collins. Contemporary,Jazz. Score and parts. 86 pages. Brendan Collins #4838091. Published by Brendan Collins (A0.797661). This fast-paced, brash work for solo piano and wind band with its heavy jazz influences is sure to have your audiences dancing in the aisles. Narrabeen Hustle began life as a persistent theme that pounded away in the mind of the composer as he went for his daily run along Sydney's famous Narrabeen beach. Performing this work will leave you as breathless as Collins was on the sands of Narrabeen!!
$50.00
46.22 €
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Orchestre d'harmonie
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Brendan Collins
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Narrabeen Hustle
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Brendan Collins
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SheetMusicPlus
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