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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Church
Non classifié
6 418
Piano & claviers
Piano seul
3 181
Piano, Voix
2 409
Orgue
909
Piano, Voix et Guitare
794
Piano Facile
412
Accompagnement Piano
201
Piano Trio: piano, violon, violoncelle
151
Piano Quatuor: piano, 2 violons, violoncelle
108
Instruments en Do
90
1 Piano, 4 mains
70
Orgue, Piano (duo)
59
Piano Quatuor: piano, violon, alto, violoncelle
41
Orgue, Trompette (duo)
33
2 Pianos, 4 mains
30
Accordéon
30
Piano grosses notes
28
Clavecin
22
Orgue, Voix
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
2
Fake Book
2
Piano (partie séparée)
1
+ 17 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
106
Guitare notes et tablatures
66
Guitare
45
Piano, Guitare (duo)
29
Ukulele
28
Paroles et Accords
14
4 Guitares (Quatuor)
9
3 Guitares (trio)
8
2 Guitares (duo)
7
Mandoline
4
Dulcimer
4
Guitare (partie séparée)
2
Guitare, Violon, Violoncelle (trio)
1
Basse electrique
1
Banjo
1
+ 10 instrumentations
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Voix
Chorale SATB
3 481
Chorale 2 parties
3 130
Chorale 3 parties
1 474
Voix duo, Piano
1 413
Chorale Unison
1 215
Voix duo
536
Chorale TTBB
176
Chorale SSAA
74
Voix Soprano, Piano
52
Voix haute
46
Voix moyenne, Piano
31
Voix seule
29
Pack Instrumental pour Chorale
26
Voix Alto, Piano
17
Chorale
14
Voix Tenor, Piano
13
Voix Baryton, Piano
12
Voix basse, Piano
10
Voix basse
8
Chorale SSATTB
6
Chorale SSATB
4
Chorale SSAATTBB
4
Voix Tenor
3
Voix Mezzo-Soprano, Piano
2
Chorale, Orgue
1
Chorale SATTBB A Cappella
1
+ 21 instrumentations
Retracter
Vents
Saxophone Tenor et Piano
624
Saxophone Alto et Piano
547
Saxophone Soprano et Piano
545
Flûte traversière et Piano
517
Clarinette et Piano
474
Quatuor de Saxophones: 4 saxophones
418
Hautbois, Piano (duo)
405
2 Saxophones (duo)
368
Flûte, Hautbois, Clarinette, Basson
348
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
218
Flûte, Clarinette (duo)
192
Quintette de Saxophone: 5 saxophones
182
Saxophone Baryton, Piano
178
2 Flûtes traversières (duo)
147
Flûte traversière
137
Quatuor de Clarinettes: 4 clarinettes
120
3 Saxophones (trio)
116
Saxophone Alto
112
Clarinette
111
2 Clarinettes (duo)
104
Ensemble de saxophones
101
Ensemble de Clarinettes
87
Saxophone Tenor
64
Saxophone (partie séparée)
62
3 Clarinettes (trio)
60
Clarinette Basse, Piano
58
Quatuor de Flûtes : 4 flûtes
57
Trio de Flûtes: 3 flûtes
55
Flûte, Violon, Piano
53
Cor anglais, Piano
48
Ensemble de Flûtes
47
Hautbois (partie séparée)
43
Flûte, Clarinette, Piano (trio)
39
Quintette de Flûte : 5 flûtes
38
Hautbois
36
Quintette de Clarinettes: 5 clarinettes
36
Saxophone et Orgue
31
2 Flûtes traversières, Piano
30
2 Hautbois (duo)
29
Flûte, Clarinette et Basson
29
Clarinette, Violon (duo)
28
Flûte, Violon et Violoncelle
28
Flûte, Violoncelle, Piano (trio)
27
Hautbois, Basson (duo)
25
2 Clarinettes, Piano
24
Flûte, trombone et piano
23
Saxophone Soprano
21
Clarinette, Violoncelle, Piano (trio)
21
Flûte, Alto et Piano
21
Flûte, Hautbois, Basson
20
Flute (partie séparée)
19
Clarinette (partie séparée)
18
Hautbois, Clarinette (duo)
16
Flûte, Hautbois, Piano (trio)
16
Flûte, Basson et Piano
16
Saxophone, Clarinette (duo)
16
Flûte à Bec
16
Flûte, Violon
16
Flûte, Trombone (duo)
14
2 Saxophones, Piano
14
Flûte, Violoncelle
14
Flûte et Guitare
13
Hautbois, Flûte
13
4 Hautbois
12
3 Hautbois
11
Flûte, Hautbois, Clarinette (trio)
11
Flûte, Violon, Violoncelle et Piano
10
Clarinette, Basson (duo)
10
Saxophone Baryton
9
Clarinette, trompette et piano
9
Clarinette et Alto
8
Clarinette, Basson, Piano (trio)
8
Cor Anglais
7
Flûte, Saxophone (duo)
6
Clarinette, Trompette (duo)
6
Piccolo, Piano
6
2 Flûte à bec (duo)
5
Flûte, Hautbois (duo)
5
Flute, Cor (duo)
5
Flûte, Alto (duo)
5
Harmonica
5
Quatuor de Flûtes à bec
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Orgue
4
Clarinette, Violoncelle (duo)
4
Flûte, Violoncelle, Guitare
4
Clarinette, Alto et Piano (trio)
4
Flûte à bec Soprano
4
Flûte, Trompette (duo)
4
Hautbois, Clarinette et Piano (Trio)
3
Flûte traversière, Orgue (duo)
3
Flûte, Violon, Guitare
3
Clarinette, Harpe (duo)
3
Hautbois, Harpe
3
Hautbois, Violoncelle
3
Flûte à bec Soprano, Piano
2
Ensemble De Flûte à bec
2
Flûte, Hautbois, Violon
2
Ensemble de Hautbois
2
3 Flûtes à bec (trio)
2
Flûte à bec Tenor
2
Flûte, Clarinette, Violon (trio)
1
Hautbois, violon (duo)
1
Flûte traversière, Basse continue
1
Flûte à bec Alto
1
Hautbois, Basson et Piano
1
Piccolo
1
Clarinette, Guitare (duo)
1
Hautbois, Violoncelle et Piano
1
Clarinette Basse
1
Hautbois et alto (duo)
1
Clarinette, Saxophone, Piano
1
2 Clarinettes, Basson
1
Flute, harpe et violon
1
Saxophone
1
Flûte, Harpe et Violoncelle
1
Flûte et Trio à cordes
1
Instruments en Mib
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
+ 114 instrumentations
Retracter
Cuivres
Trombone et Piano
691
Trompette, Piano
542
Cor et Piano
350
Quatuor de Cuivres: 2 trompettes, Cor, trombone
263
Trompette
258
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
238
Quatuor de Cuivres : 2 trompettes, trombone, tuba
228
2 Trompettes (duo)
155
Trompette, Cor (duo)
147
2 Trombones (duo)
114
Trompette, Trombone (duo)
96
Trombone
89
Euphonium, Piano (duo)
77
Cor
69
Tuba et Piano
62
Quatuor de Cuivres
60
Ensemble de Trompettes
56
2 Cors (duo)
56
Quatuor de cuivres: 2 trompettes, 2 trombones
49
Cor anglais, Piano
48
Ensemble de Trombones
44
Trompette (partie séparée)
39
Quatuor de cuivres: 4 trombones
34
Tuba
26
Quatuor de cuivres: 4 cors
25
Quatuor de cuivres: 4 trompettes
22
Trombone, Orgue
22
Trompette, Violoncelle et Piano
18
Trombone (partie séparée)
17
Trompette, Saxophone (duo)
12
Trio de Cuivres
11
Cor et Orgue
11
Trompette, Trombone, Piano
9
2 Trompettes, Clavier (piano ou orgue)
8
3 Trombones (trio)
8
Ensemble de Cors
7
Cor Anglais
7
3 Trompettes (trio)
7
2 Trombones, Piano
5
2 Tubas (duo)
5
Trompette et Guitare
4
Euphonium
4
Cor (partie séparée)
3
2 Euphoniums et 2 Tubas
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Cors (trio)
3
Bass Clef Instruments
3
Tuba et Orgue
3
4 Tubas
2
Trombone basse
2
Euphonium, Tuba (duo)
1
2 Euphoniums (duo)
1
Cor, Trompette, Trombone (trio)
1
Instruments en Fa
1
Trombone basse et Piano
1
Instruments en Sib
1
Trombone, Violon (duo)
1
4 Euphoniums
1
Cor, Violoncelle et Piano
1
3 Tubas (trio)
1
Trombone, Cor (duo)
1
Clarinette, Cor (duo)
1
+ 57 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
737
Violon et Piano
589
Violoncelle, Piano
556
Alto, Piano
504
Violon, Violoncelle (duo)
319
Violon
250
Trio à Cordes: violon, alto, violoncelle
228
Piano Trio: Violon, Alto, Piano
170
2 Violoncelles (duo)
156
Violoncelle
127
Violon, Alto (duo)
100
2 Violons (duo)
96
Harpe
86
Alto seul
79
Contrebasse, Piano (duo)
66
Trio à Cordes: 2 violons, violoncelle
49
Quintette à cordes: 2 violons, alto, violoncelle, basse
47
2 Altos (duo)
41
Trio à cordes: 3 violins
39
4 Violoncelles
31
Ensemble de Violons
30
Contre Basse
26
Ensemble d'Altos
26
Trio à Cordes: 3 violoncelles
25
Alto, Violoncelle (duo)
25
Quatuor à cordes: 4 violons
23
Alto (partie séparée)
18
Harpe, Flûte (duo)
16
Harpe, Violon (duo)
15
Violon (partie séparée)
15
Violon, Basson (duo)
14
2 Harpes (duo)
13
Violoncelle, Orgue
12
Harpe, Violoncelle (duo)
11
Trio à Cordes: 2 violons, alto
10
Alto et Harpe
10
Violon, Clarinette, Piano (trio)
10
Violoncelle (partie séparée)
6
Violon, Orgue
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à cordes: 3 altos
5
Harpe, Voix
4
Quatuor à cordes : 4 altos
3
Alto, Orgue
3
Violoncelle , Guitare (duo)
3
2 Violons, Piano
3
Violon, Trompette et Piano
3
2 Contrebasses (duo)
3
Violon, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
2
Harpe (partie séparée)
2
2 Violoncelles, Piano
2
4 Harpes
2
Contrebasse (partie séparée)
2
Ensemble de Violoncelles
1
4 Contrebasses
1
+ 51 instrumentations
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Orchestre & Percussions
Jazz combo
314
Cloches
283
Ensemble de cuivres
280
Orchestre à Cordes
174
Orchestre d'harmonie
145
Orchestre
125
Orchestre de chambre
69
Ensemble Jazz
56
Ensemble de Percussions
23
Xylophone, Piano
18
Marimba
7
Xylophone
4
Fanfare
4
Batterie
3
3 Marimbas
2
Percussion
2
Instrumentation Flexible
1
Timbales
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
+ 15 instrumentations
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The Church
Orchestre d'harmonie
Partitions à imprimer
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126
1917: The Halifax Disaster
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
William Brenner
#
1917: The Halifax Disaster
#
William Brenner
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
(+)
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
The Best Hymns of All Time (for Wind Instruments) Book 3
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Orchestre d'harmonie
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FACILE
#
Musique Sacrée
#
Various
#
Colin Kirkpatrick
#
The Best Hymns of All Time
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin K...
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Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
America the Beautiful - Concert Band (with Optional Strings) Score and Parts PDF
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Orchestre d'harmonie
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FACILE
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Samuel A
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Brendan Elliget MAGA 537
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America the Beautiful - Concer
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.750976 Composed by Samuel A. Ward (1848-1903). Arranged by Brendan Elliget MAGA 537. Folk,Patriotic. Score and parts....
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Full Orchestra - Level 2 - SKU: A0.750976 Composed by Samuel A. Ward (1848-1903). Arranged by Brendan Elliget MAGA 537. Folk,Patriotic. Score and parts. 38 pages. BJE Music #5793315. Published by BJE Music (A0.750976). America the Beautiful is an American patriotic song. The lyrics were written by Katharine Lee Bates, and the music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met. Bates originally wrote the words as a poem, Pikes Peak, first published in the Fourth of July edition of the church periodical The Congregationalist in 1895. At that time, the poem was titled America for publication. Ward had originally written the music, Materna, for the hymn O Mother dear, Jerusalem in 1882, though it was not first published until 1892. Ward's music combined with the Bates poem was first published in 1910 and titled America the Beautiful. The song is one of the most popular of the many U.S. patriotic songs. [Wikipedia]It has been arranged here for Concert Band [Key of Bb]. There is also an optional Piano Part (Not shown on the score) and well as Optional String Parts (Not shown on the score) for an orchestral arrangement. There are parts for Descant Trumpet and Horn in F in the last verse (the 3rd verse in the MP3 recording).The MP3 was recorded with NotePerformer 3 - There are 3 verses:1. Clarinets only then Flutes and Saxophones successively added during this 1st verse2. All Brass and Percussion added for the 2nd verse.3. Full Band with the Descant line played by a Solo Trumpet and Solo F Horn in the 3rd verseGrade = 2.5 Duration = 2:28 mins (3 verses)
$25.00
The Best Hymns of All Time (for Wind Instruments) Book 2
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin K...
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Concert Band - Level 2 - SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin Kirkpatrick Publications #5726781. Published by Colin Kirkpatrick Publications (A0.522171). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 123-page PDF file for instant download. Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland) Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflügen); Lead Us, Heavenly Father, Lead Us (Mannheim). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
The Cross Kirk and the lang walk
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Ha...
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Concert Band - Level 3 - SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
"Elsa's Procession to the Cathedral" from "Lohengrin" for Concert Band
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Orchestre d'harmonie
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Richard Wagner
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Kazys DaugÄ—la
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"Elsa's Procession to the
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Kazys Daugela
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SheetMusicPlus
Concert Band - SKU: A0.935510 Composed by Richard Wagner (1813-1883). Arranged by Kazys DaugÄ—la. Romantic Period,Wedding. Score and parts. 14 pages....
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Concert Band - SKU: A0.935510 Composed by Richard Wagner (1813-1883). Arranged by Kazys Daugėla. Romantic Period,Wedding. Score and parts. 14 pages. Kazys Daugela #6685623. Published by Kazys Daugela (A0.935510). Elsa's Procession to the Cathedral arranged for concert band (Grade 4) by Kazys Daugėla comes originally from the second act, scene 4 of Richard Wagner’s famous romantic opera Lohengrin. This solemn and stately music accompanies the wedding procession that carries Elsa, a princess in Brabant (Antwerp), and her rescuer and hero to the church. Wagner himself recommended this music as an addition to the band repertoire.
$10.00
"Elsa's Procession to the Cathedral" from "Lohengrin" for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Richard Wagner
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Kazys DaugÄ—la
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"Elsa's Procession to the
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Kazys Daugela
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.935509 Composed by Richard Wagner (1813-1883). Arranged by Kazys DaugÄ—la. Romantic Period,Wedding. Score and parts....
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Concert Band - Level 4 - SKU: A0.935509 Composed by Richard Wagner (1813-1883). Arranged by Kazys Daugėla. Romantic Period,Wedding. Score and parts. 110 pages. Kazys Daugela #6685619. Published by Kazys Daugela (A0.935509). Elsa's Procession to the Cathedral arranged for concert band (Grade 4) by Kazys Daugėla comes originally from the second act, scene 4 of Richard Wagner’s famous romantic opera Lohengrin. This solemn and stately music accompanies the wedding procession that carries Elsa, a princess in Brabant (Antwerp), and her rescuer and hero to the church. Wagner himself recommended this music as an addition to the band repertoire.
$60.00
Nearer my God to Thee
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Auther Sulivan
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Pete Cross
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Nearer my God to Thee
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Robert Peter Cross
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1104815 Composed by Auther Sulivan. Arranged by Pete Cross. Christian,Classical,Easter,Jewish,Praise & Worship. Score a...
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Concert Band - Level 2 - SKU: A0.1104815 Composed by Auther Sulivan. Arranged by Pete Cross. Christian,Classical,Easter,Jewish,Praise & Worship. Score and parts. 6 pages. Robert Peter Cross #708052. Published by Robert Peter Cross (A0.1104815). Arranged to be performed in a church setting, the wonderful things about hymns is that whichever way they are arranged there is always a freshness about them.
$50.00
Ain't No Rest For The Wicked
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Cage The Elephant
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Jeffrey Bowen
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Ain't No Rest For The Wicked
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Music Arrangement Services Inc.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1235771 By Cage The Elephant. By Daniel Tichenor, Donald Schultz, Jared Champion, Lincoln Parish, and Matthew Schultz. ...
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Concert Band - Level 4 - SKU: A0.1235771 By Cage The Elephant. By Daniel Tichenor, Donald Schultz, Jared Champion, Lincoln Parish, and Matthew Schultz. Arranged by Jeffrey Bowen. Contest,Festival,Pop,Rock. Score and Parts. 44 pages. Music Arrangement Services Inc. #831282. Published by Music Arrangement Services Inc. (A0.1235771). Performed by Cage The Elephant. Â This Concert Band Scores accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. . Â This song is about no rest for the wicked (or eternal work for evil doers). Â The song refers to money not growing on trees, working unethically to make money, making a living any way possible, a girl offering company, a man attempting to rob, a preacher robbing from the church. Â This arrangement includes a dance break and is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 3:00.
$49.99
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
In The Bleak Midwinter
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Orchestre d'harmonie
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FACILE
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Christina Rossetti and Rebecca
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John Ivor Holland
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In The Bleak Midwinter
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1492465 Composed by Christina Rossetti and Rebecca Dale. Arranged by John Ivor Holland. 21st Century,Christmas,Holiday,...
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Concert Band - Level 2 - SKU: A0.1492465 Composed by Christina Rossetti and Rebecca Dale. Arranged by John Ivor Holland. 21st Century,Christmas,Holiday,Religious,Sacred. 45 pages. John Ivor Holland #1069142. Published by John Ivor Holland (A0.1492465). British composer Rebecca Dale has emerged from film and television work with music that has found great success on the crossover-oriented Classic FM radio network. She became the first female composer signed to the Decca label, which rarely signs composers of any gender. Dale was born in 1985 and took to composing at a young age, by the time she was ten she had written a musical, and by 15 a piano concerto. Her vocal music has been performed across Europe and the US by groups such as Voces 8 and The Kings Singers. This new setting of Christina Rosetti's poem 'In The Bleak Midwinter' was composed in 2021 and released as a Christmas single by the Church of England - it reached number one in the classical chart and is now available for full concert band, featuring beautiful solo passages throughout and contemporary harmonies to bring something new to your usual holiday concert. Arranged as part of an ongoing project to bring more music by women composers into the worldwide concert band repertoire.
$49.99
LEANING ON THE EVERLASTING ARMS
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Orchestre d'harmonie
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FACILE
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Contemporain
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A
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Ron Flintjer
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LEANING ON THE EVERLASTING ARM
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Ron Flintjer
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1005104 Composed by A.J. Showalter. Arranged by Ron Flintjer. Contemporary. Score and parts. 25 pages. Ron Flintjer #50...
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Concert Band - Level 2 - SKU: A0.1005104 Composed by A.J. Showalter. Arranged by Ron Flintjer. Contemporary. Score and parts. 25 pages. Ron Flintjer #5044359. Published by Ron Flintjer (A0.1005104). Of all church hymns, a longstanding classic is the upbeat, Leaning on the Everlasting Arms by A.J. Showalter. Written all the way back in 1887, I can still hear the choir and congregation belting out this wonderful hymn, while the piano and organ accompany them at full force. This arrangement for elementary band begins with the verse in a very laid-back, cantabile style. The chorus then joins in, led by snare drums in a stirring march style. Great moving lower brass lead all to a big broad ending. This piece is a perennial audience favorite, and one your group will enjoy performing time and again.All parts are written within the range of young elementary grade musicians. To produce a full sound, many instruments double other instruments, i.e. Eb sax and French horn, low brass and tenor sax, flute and oboe.Includes: Full score, flute, oboe, bells, Bb clarinet, Eb alto sax, tenor sax, (baritone horn), bass clarinet, French horn, Bb cornet, trombone (baritone horn), tuba, percussion.Should you have any questions, feel free to contact the composer ronflintjer@gmail.com
$16.00
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
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Orchestre d'harmonie
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Contemporain
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Neal Endicott
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Isn't It Enough to Think...Wit
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Neal Endicott Music
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SheetMusicPlus
Concert Band - SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott...
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Concert Band - SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
$25.00
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Orchestre d'harmonie
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
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Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
SOUTHERN HYMN
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Orchestre d'harmonie
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DÉBUTANT
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Unknown
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Mark Danner
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SOUTHERN HYMN
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Mark Danner
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1166852 Composed by Unknown. Arranged by Mark Danner. Contest,Festival,Folk,Sacred,Spiritual,Traditional. Score and par...
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Concert Band - Level 1 - SKU: A0.1166852 Composed by Unknown. Arranged by Mark Danner. Contest,Festival,Folk,Sacred,Spiritual,Traditional. Score and parts. 28 pages. Mark Danner #767230. Published by Mark Danner (A0.1166852). I am sure your parents and grandparents remember this when they attend church. This adaptation is a simple and quiet lyrical and a great tempo change from a fast peice.
$40.00
The King Is Coming
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Bill Gaither, Charles Millhuff
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Ewerton Rocha
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The King Is Coming
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Ewerton Rocha
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1236256 Composed by Bill Gaither, Charles Millhuff, and Gloria Gaither. Arranged by Ewerton Rocha. Christian,Praise & W...
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Concert Band - Level 2 - SKU: A0.1236256 Composed by Bill Gaither, Charles Millhuff, and Gloria Gaither. Arranged by Ewerton Rocha. Christian,Praise & Worship,Religious,Singer/Songwriter,Spiritual. Score and Parts. 19 pages. Ewerton Rocha #831769. Published by Ewerton Rocha (A0.1236256). A beautiful arrangement for Banda without strings. Perfect for playing in church with orchestra and congregational singing.The Formation of the Arrangement is for:Flute 1,2Clarinet 1,2,3,4soprano saxAlto Sax 1.2Tenor Sax 1.2baritone saxtrumpet 1,2Trombone 1,2Electric Bass (with chord for the entire base)Any questions, send me an email: mewertonrocha@gmail.com...Um lindo arranjo para Banda sem strings. Perfeito para tocar na igreja com orquestra e canto congregacional.A Formação do Arranjo é para:Flauta 1,2Clarinete 1,2,3,4Sax SopranoSax Alto 1,2Sax Tenor 1,2Sax BarÃtonoTrompete 1,2Trombone 1,2Baixo Elétrico (com cifra para toda a base)Qualquer dúvida, me envie um email: mewertonrocha@gmail.com.
$49.99
3 Easter Hymns for Flexible ensembles (Thine be the Glory, When I Survey, Amazing Grace)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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David Catherwood
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3 Easter Hymns for Flexible en
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.739539 Composed by Various. Arranged by David Catherwood. Easter,Sacred. Score and parts. 58 pages. Opus 3 Music #63112...
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Concert Band - Level 3 - SKU: A0.739539 Composed by Various. Arranged by David Catherwood. Easter,Sacred. Score and parts. 58 pages. Opus 3 Music #6311235. Published by Opus 3 Music (A0.739539). These versions of Three Popular Easter Hymns are straightforward arrangement for Flexible ensembles in 4 Parts and are suitable for any combination of Brass, Woodwind or Strings plus Percussion. The keys chosen are perfect to accompany singing and whilst the arrangements are suitable for school and church ensembles they will also work well with experienced players.The arrangements also allow for a great deal of flexibility in presentation and will sound complete with a few players, yet the scoring allows for parts for all orchestra, concert band or brass band players.A full set contains a score and a generous set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Flute, Oboe, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in F (Horn in F)Part 2 in Eb (Alto Saxophone, Eb Horn 1)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn 2)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)Percussion
$14.99
There is a Redeemer
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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GREEN
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Pete Cross
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There is a Redeemer
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Robert Peter Cross
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1108333 Composed by GREEN. Arranged by Pete Cross. Christian,Country,Easter,Praise & Worship. Score and parts. 4 pages....
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Concert Band - Level 2 - SKU: A0.1108333 Composed by GREEN. Arranged by Pete Cross. Christian,Country,Easter,Praise & Worship. Score and parts. 4 pages. Robert Peter Cross #710972. Published by Robert Peter Cross (A0.1108333). In church music there are some great tunes and I have used this tune for Concert Band and can be played in most setting church or concert.
$40.00
The Day Thou Gavest Lord Is Ended (St. Clement) - For 4 Horns and Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rev
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Brendan Elliget MAGA 537
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The Day Thou Gavest Lord Is En
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BJE Music
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SheetMusicPlus
Brass Ensemble Horn - Level 3 - SKU: A0.750821 Composed by Rev. Clement Cotterill Scholefield (1839–1904). Arranged by Brendan Elliget MAGA 537. ...
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Brass Ensemble Horn - Level 3 - SKU: A0.750821 Composed by Rev. Clement Cotterill Scholefield (1839–1904). Arranged by Brendan Elliget MAGA 537. Christian,Contemporary,Sacred. Score and parts. 38 pages. BJE Music #3630323. Published by BJE Music (A0.750821). This piece of music is dedicated to the memory of Vic Sykes (1929-2018) - who was Principal Horn player for my local orchestra - The Frankston Symphony Orchestra - for over 50 years!It is an arrangement of the hymn tune St. Clement - The Day Thou Gavest Lord Is Ended - or Evening Hymn. It features, of course, the French Horn - a Horn Quartet in fact with Concert Band accompaniment. The Solo Horn parts are also cued on the Sax and Trombone parts where appropriate. There are also Trombones 1 and 2 in Treble Clef [Bb] included.St Clement, in 98. 98. meter is a popular British tune to John Ellerton's hymn The Day Thou Gavest, Lord, is Ended. The tune is generally credited to the Rev. Clement Cotterill Scholefield (1839–1904). It first appeared in Sir Arthur Sullivan's Church Hymns with Tunes (1874). Scholefield was born at Edgbaston, Birmingham, and was the youngest son of William Scholefield, MP for Birmingham. [Wikipedia]Grade = 3.5 Duration = 3:05 mins.The MP3 recording was done with NotePerformer 3.
$30.00
All Hail the Power of Jesus' Name
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Orchestre d'harmonie
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AVANCÉ
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S
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SRT Music
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All Hail the Power of Jesus' N
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S.R.T. Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.931872 Composed by S.R. Thomas. Arranged by SRT Music. Christian,Holiday,Sacred,Standards. Score and parts. 30 pages. S...
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Concert Band - Level 5 - SKU: A0.931872 Composed by S.R. Thomas. Arranged by SRT Music. Christian,Holiday,Sacred,Standards. Score and parts. 30 pages. S.R.T. Music #4580527. Published by S.R.T. Music (A0.931872). All Hail the Power of Jesus’ Name is a composition based on the traditional church hymn of the same name. This advanced level arrangement is appropriate for church ensembles as well as parochial/christian schools. This would be an exciting number for church preludes, offertories and school concerts.
$19.95
The Lord Bless You and Keep You
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Orchestre d'harmonie
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AVANCÉ
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S
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SRT Music
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The Lord Bless You and Keep Yo
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S.R.T. Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.931876 Composed by S.R. Thomas. Arranged by SRT Music. Christian,Sacred,Standards. Score and parts. 19 pages. S.R.T. Mu...
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Concert Band - Level 5 - SKU: A0.931876 Composed by S.R. Thomas. Arranged by SRT Music. Christian,Sacred,Standards. Score and parts. 19 pages. S.R.T. Music #4604461. Published by S.R.T. Music (A0.931876). The Lord Bless You and Keep You is a composition based on the traditional sacred choral arrangement by Peter C. Kutkin of the same name. This advanced level arrangement is appropriate for church ensembles as well as parochial/christian schools. This would be an exciting number for church preludes, offertories and school concerts. This arrangement can be used as an independent band arrangement or combined with a Choral ensemble.
$19.95
And All the Bells on Earth Shall Ring: 2nd F Horn
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Orchestre d'harmonie
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Musique Sacrée
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Douglas E
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And All the Bells on Earth Sha
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016778_H2 2nd F Horn. Arranged by Douglas E. Wagner. Sacred. Part. 2 pages. Alfred Music - Digital Sheet Music #00-...
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Concert Band - SKU: AX.00-PC-0016778_H2 2nd F Horn. Arranged by Douglas E. Wagner. Sacred. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016778_H2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016778_H2). UPC: 038081504599.One of the most anticipated experiences of the holiday season each year is listening to the sounds of bells, the quintessential instrument of Christmas celebrations. Including; I Saw Three Ships, Ding! Dong! Merrily on High, I Heard the Bells on Christmas Day, and Ukrainian Bell Carol, the bells are all around us in December, ringing from church towers, in shopping malls, and on street corners, never failing to bring smiles and happy feelings. (3:30).
$3.00
And All the Bells on Earth Shall Ring: 3rd B-flat Clarinet
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Orchestre d'harmonie
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Musique Sacrée
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Douglas E
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And All the Bells on Earth Sha
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016778_C3 3rd B-flat Clarinet. Arranged by Douglas E. Wagner. Sacred. Part. 2 pages. Alfred Music - Digital Sheet M...
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Concert Band - SKU: AX.00-PC-0016778_C3 3rd B-flat Clarinet. Arranged by Douglas E. Wagner. Sacred. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016778_C3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016778_C3). UPC: 038081504599.One of the most anticipated experiences of the holiday season each year is listening to the sounds of bells, the quintessential instrument of Christmas celebrations. Including; I Saw Three Ships, Ding! Dong! Merrily on High, I Heard the Bells on Christmas Day, and Ukrainian Bell Carol, the bells are all around us in December, ringing from church towers, in shopping malls, and on street corners, never failing to bring smiles and happy feelings. (3:30).
$3.00
And All the Bells on Earth Shall Ring: 1st B-flat Clarinet
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Orchestre d'harmonie
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Musique Sacrée
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Douglas E
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And All the Bells on Earth Sha
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016778_C1 1st B-flat Clarinet. Arranged by Douglas E. Wagner. Sacred. Part. 2 pages. Alfred Music - Digital Sheet M...
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Concert Band - SKU: AX.00-PC-0016778_C1 1st B-flat Clarinet. Arranged by Douglas E. Wagner. Sacred. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016778_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016778_C1). UPC: 038081504599.One of the most anticipated experiences of the holiday season each year is listening to the sounds of bells, the quintessential instrument of Christmas celebrations. Including; I Saw Three Ships, Ding! Dong! Merrily on High, I Heard the Bells on Christmas Day, and Ukrainian Bell Carol, the bells are all around us in December, ringing from church towers, in shopping malls, and on street corners, never failing to bring smiles and happy feelings. (3:30).
$3.00
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