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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
PIANO Early 20th century
Non classifié
166
Piano & claviers
Piano seul
773
Piano Facile
246
Piano, Voix et Guitare
36
Piano, Voix
32
1 Piano, 4 mains
26
Piano Trio: piano, violon, violoncelle
13
Accompagnement Piano
5
Orgue
4
2 Pianos, 4 mains
4
Instruments en Do
3
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
1 Piano, 6 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
7
Piano, Guitare (duo)
5
Guitare
4
Mandoline, Piano (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Ukulele
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
34
Chorale 3 parties
20
Chorale 2 parties
7
Voix duo, Piano
5
Chorale
5
Voix Soprano, Piano
4
Chorale TTBB
3
Chorale SSAA
3
Voix duo
2
Voix Tenor
2
Voix Tenor, Piano
1
Voix haute
1
Chorale Unison
1
Voix Alto, Piano
1
+ 9 instrumentations
Retracter
Vents
Flûte traversière et Piano
56
Clarinette et Piano
53
Saxophone Alto et Piano
36
Hautbois, Piano (duo)
34
2 Flûtes traversières, Piano
27
Saxophone Soprano et Piano
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Saxophone Tenor et Piano
12
Saxophone Baryton, Piano
8
Clarinette Basse, Piano
7
2 Saxophones (duo)
6
Quatuor de Saxophones: 4 saxophones
5
Flûte, Clarinette, Piano (trio)
5
Flûte, Violon, Piano
5
2 Clarinettes (duo)
5
Clarinette
5
2 Flûtes traversières (duo)
4
Cor anglais, Piano
4
2 Hautbois (duo)
3
Quintette de Saxophone: 5 saxophones
2
Flûte traversière
2
Quatuor de Flûtes : 4 flûtes
2
Ensemble à vent
1
Ensemble de Clarinettes
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Ensemble de saxophones
1
3 Saxophones (trio)
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte, Clarinette (duo)
1
3 Clarinettes (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Clarinette, Basson
1
+ 28 instrumentations
Retracter
Cuivres
Trombone et Piano
26
Trompette, Piano
19
Cor et Piano
16
Euphonium, Piano (duo)
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Tuba et Piano
7
Trompette
6
2 Cors (duo)
4
Cor anglais, Piano
4
2 Trombones (duo)
3
2 Euphoniums (duo)
2
Trio de Cuivres
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
Cor et Harpe
1
+ 11 instrumentations
Retracter
Cordes
Violon et Piano
86
Alto, Piano
42
Violoncelle, Piano
40
Quatuor à cordes: 2 violons, alto, violoncelle
10
Trio à Cordes: violon, alto, violoncelle
6
Violon, Guitare (duo)
4
Contrebasse, Piano (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon (partie séparée)
2
Violon
2
Harpe
2
Trio à Cordes: 2 violons, violoncelle
1
Alto (partie séparée)
1
Harpe, Violon (duo)
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
2 Violoncelles (duo)
1
Violoncelle
1
4 Violoncelles
1
2 Violons (duo)
1
Violon, Alto (duo)
1
Violoncelle (partie séparée)
1
Harpe, Flûte (duo)
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
14
Orchestre d'harmonie
10
Orchestre
9
Orchestre de chambre
6
Ensemble de cuivres
3
Ensemble de Percussions
2
Piano et Orchestre
1
Marimba, Piano (duo)
1
Jazz combo
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
PIANO Early 20th century
Orchestre d'harmonie
Partitions à imprimer
10 partitions trouvées
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1
Variants on a Sea Shanty: Piano Accompaniment
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Robert Sheldon
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Festival.
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Variants on a Sea Shanty: Pian
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016395_K Piano Accompaniment. Arranged by Robert Sheldon. Instructional. Part. 3 pages. Alfred Music - Digital Shee...
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Concert Band - SKU: AX.00-PC-0016395_K Piano Accompaniment. Arranged by Robert Sheldon. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016395_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016395_K). UPC: 038081482392.Drunken Sailor is among the best-known of the sea shanties and became a popular song among non-sailors during the 20th century. The infectious tune has lyrics that ask the question, What do we do with a drunken sailor early in the morning? Each subsequent verse suggests various forms of punishment for the poor chap. This spirited arrangement is sure to delight audiences with a sparkling and energetic setting of this familiar tune. (1:25) Variants on a Sea Shanty correlates to Book 2, Level 3 of Sound Innovations for Concert Band.Concert/Contest; Festival.
$3.00
Marche Militaire No. 3
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Schubert
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Ted R
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Marche Militaire No. 3
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Ted R. Marcus
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1416281 Composed by Franz Schubert. Arranged by Ted R. Marcus. 19th Century,Classical,March,Romantic Period. 82 pages. ...
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Concert Band - Level 4 - SKU: A0.1416281 Composed by Franz Schubert. Arranged by Ted R. Marcus. 19th Century,Classical,March,Romantic Period. 82 pages. Ted R. Marcus #997962. Published by Ted R. Marcus (A0.1416281). Many of us may not be aware that Franz Schubert's famous Marche Militaire in D is only the first in a set of three military marches for piano duet published in 1826. This is a colorful arrangement the third Marche Militaire in E-flat for concert band. It's a little gem with enough delightful melody, high spirits, and audience appeal to stand proudly beside its renowned sibling.This arrangement interprets Schubert's march for a modern band, but it alludes to the sound of early 20th century European marches. The horns have interesting and important parts rather than the usual pecking afterbeats! Â Written for an adult community band, this arrangement is suitable for a good high school concert band (American Grade 3.5).Duration: approx. 5:35 with all repeats.Instrumentation: Piccolo / Flute 1-2 / Oboe 1-2 / E-flat Clarinet / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Â Bassoon 1-2 / Alto Saxophone 1-2 / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 (3rd is Bass Trombone) / Euphonium / Baritone T. C. / Tuba / String Bass / Percussion (Snare Drum, Crash Cymbals) / Bells / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$40.00
Killarney Carnivale
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John P
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Killarney Carnivale
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John P.W. Hudson #872903.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W....
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Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.
$60.00
Elegie (Op. 34)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Dora Pejačević
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John Ivor Holland
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Elegie
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1472832 Composed by Dora Pejačević. Arranged by John Ivor Holland. 20th Century,Classical,Romantic Period. 39 pages. ...
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Concert Band - Level 3 - SKU: A0.1472832 Composed by Dora Pejačević. Arranged by John Ivor Holland. 20th Century,Classical,Romantic Period. 39 pages. John Ivor Holland #1050464. Published by John Ivor Holland (A0.1472832). Countess Maria Theodora Paulina Dora Pejačević (10 September 1885 – 5 March 1923) was a Croatian composer, pianist and violinist and one of the first composers to introduce the orchestral song to Croatian music. Her Symphony in F-sharp minor is considered by scholars to be the first modern symphony in Croatian music. Pejačević is noted for her vocal compositions, piano miniatures, and string quartets, which were heavily influenced by the expressionist and modernist trends of the time. In her early career, Pejačević’s primary themes were highly representative of the Romantic period, but this would change after her experience working as a paramedic in the First World War after which her works reflected the philosophic movement of nihilism and discussed motifs of death, isolation, and futility of war. This wonderful 'Elegie', originally composed for violin and piano, dates from 1913, just before the outbreak of war and is dedicated to Johannes Nádherny-Borutin, an important Czech politician. This arrangement has been made as part of an ongoing project to bring more music by women composers into the worldwide concert band repertoire.
$59.99
Meditation
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John Ireland
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John Ivor Holland
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Meditation
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1385649 Composed by John Ireland. Arranged by John Ivor Holland. 20th Century,Christian,Classical,Religious. 82 pages. ...
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Concert Band - Level 4 - SKU: A0.1385649 Composed by John Ireland. Arranged by John Ivor Holland. 20th Century,Christian,Classical,Religious. 82 pages. John Ivor Holland #969580. Published by John Ivor Holland (A0.1385649). John Ireland studied piano with Frederick Cliffe and composition with Charles Villers Stanford at the Royal College of Music in London, where he himself taught between 1923 and 1939, his pupils including Benjamin Britten. He worked as organist and choirmaster at St Luke's Chelsea between 1904 and 1926, while developing his career as a composer. Ireland retired in 1953, settling in the hamlet of Rock in Sussex, where he lived in a converted windmill for the rest of his life. It was there he met the young pianist Alan Rowlands who would be Ireland's choice to record his complete piano music.He died of heart failure aged 82 at Rock Mill in Washington, Sussex, and is buried at St. Mary the Virgin in Shipley, near his home. His epitaph reads Many waters cannot quench love and One of God's noblest works lies here. His organ music belongs largely to the early years of his composing career (1902-1911), however, the 'Meditation' on John Keble's Rogationtide Hymn was written in 1958, and was his very last composition. Arranged for concert band, including parts for string bass and contrabass woodwind, as well as attractive moments for Cor Anglais.
$59.99
Our Flirtations
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John Philip Sousa
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Wesley Besancon
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Our Flirtations
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesl...
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Concert Band - Level 4 - SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99
The Oak
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Orchestre d'harmonie
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AVANCÉ
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Florence Beatrice Price
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John Ivor Holland
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The Oak
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1389302 Composed by Florence Beatrice Price. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World....
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Concert Band - Level 5 - SKU: A0.1389302 Composed by Florence Beatrice Price. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. 188 pages. John Ivor Holland #972867. Published by John Ivor Holland (A0.1389302). Born in Little Rock, Arkansas in 1887, Florence Price received early musical training from her mother, going on to study at the prestigious New England Conservatory of Music, graduating in 1906 with a Soloist’s Diploma in Organ Performance, and a Teacher’s Diploma in Piano Performance. After completing her degree, Price returned back to the south to teach music and after about 20 years, moved her family moved to Chicago to ultimately escape the racial tension in the south. It was here that she was able to properly establish herself as a concert pianist, organist and composer. She composed over 300 works, including 20 full orchestral pieces and over 110 art songs, many performed by leading American orchestras and esteemed vocalists. Price was the first African-American woman composer to earn national recognition. Seen as a pioneer among women, she was celebrated constantly for her achievements. Composed in 1943, about 10 years before her death, 'The Oak' is an unpublished tone poem, perhaps more appropriately described as an 'orchestral essay', quite serious in tone and character. The foreboding opening slowly grows as more instruments enter the mix. The piece explores a number of different moods and atmospheres, from mysterious to more aggressive and irritated. Arranged for symphonic wind ensemble, 'The Oak' is a major contribution to the repertoire and deserves detailed attention - there are two different endings, the second, one that resolves quietly, is written in the score as 'the composer's preference'.
$99.99
Adoration
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Orchestre d'harmonie
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FACILE
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Florence Beatrice Price
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John Ivor Holland
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Adoration
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1389361 Composed by Florence Beatrice Price. Arranged by John Ivor Holland. 20th Century,Christian,Classical,Multicultu...
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Concert Band - Level 2 - SKU: A0.1389361 Composed by Florence Beatrice Price. Arranged by John Ivor Holland. 20th Century,Christian,Classical,Multicultural,World. 41 pages. John Ivor Holland #972946. Published by John Ivor Holland (A0.1389361). Born in Little Rock, Arkansas in 1887, Florence Price received early musical training from her mother, going on to study at the prestigious New England Conservatory of Music, graduating in 1906 with a Soloist’s Diploma in Organ Performance, and a Teacher’s Diploma in Piano Performance. After completing her degree, Price returned back to the south to teach music and after about 20 years, moved her family moved to Chicago to ultimately escape the racial tension in the south. It was here that she was able to properly establish herself as a concert pianist, organist and composer. She composed over 300 works, including 20 full orchestral pieces and over 110 art songs, many performed by leading American orchestras and esteemed vocalists. Price was the first African-American woman composer to earn national recognition. Seen as a pioneer among women, she was celebrated constantly for her achievements.Originally, written for organ, 'Adoration' (dating from 1951, just a few years before her death), is one of Florence Price’s best-known works, available in several different versions. Beginning in the 1930s, Price earned a living by playing organ in churches as well as in theatres. Adoration is a work of deep devotion and sincerity, a simple yet beautiful work suitable for church concerts and for remembrance/memorial events.
$39.99
Chanson De Matin (Flexible Instrumentation)
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Orchestre d'harmonie
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FACILE
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Edward Elgar and Paul Barker M
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Paul Barker
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Chanson De Matin
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Paul Barker Music
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.725155 By Edward Elgar and Paul Barker Music. By Edward Elgar. Arranged by Paul Barker. 20th Century,Contemporary,Conte...
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Concert Band - Level 2 - SKU: A0.725155 By Edward Elgar and Paul Barker Music. By Edward Elgar. Arranged by Paul Barker. 20th Century,Contemporary,Contest,Festival,Instructional,Pop. Score and parts. 38 pages. Paul Barker Music #3667553. Published by Paul Barker Music (A0.725155). Elgar’s Chanson De Matin is another superb arrangement in a smooth pop-ballad style for Flexi-Band, Orchestras and Bands of all sizes. Strong melodic lines using Elgar’s famous string themes together with modern harmony supported by a robust rhythm section make this suitable for any combination of players. Backing track featuring Rhythm Section also available from www.paulbarkermusic.com The Flexi-Band Classical Pop Series allows conductors to mix and match orchestration to meet available resources. Piano, Drum Kit/Set, Rhythm Guitar and Bass Guitar provide strong harmonic and rhythmical support for common combinations of C, Bb, Eb, F, Treble/Viola/Bass Clef instruments including Lead Guitar and Nuvo instruments. ​Duration: 2:10 Level: Early Intermediate - Intermediate (UK Grades 3+ and USA Grade 2+) Occasion: General Concert - Band Repertoire - Ensemble Examinations Orchestration: Flexi-Band (Mix & Match Orchestration)
$29.95
Harry Jentes: Bantam Step (Rag), 1916: for full band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Harry Jentes
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Derrick Thomas Lewis
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Harry Jentes: Bantam Step
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Derrick Thom. Lewis
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1451675 Composed by Harry Jentes. Arranged by Derrick Thomas Lewis. 20th Century,Ragtime. 52 pages. Derrick Thom. Lewis...
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Concert Band - Level 3 - SKU: A0.1451675 Composed by Harry Jentes. Arranged by Derrick Thomas Lewis. 20th Century,Ragtime. 52 pages. Derrick Thom. Lewis #1030977. Published by Derrick Thom. Lewis (A0.1451675). Intermediate to advanced band students will have lots of fun and learn new playing skills with this Bantam Step rag by Harry Jentes composed originally for piano, now available for full band. Some elements of the score (mainly in the piccolo part) are not in the original score aand is a result of the arranger's own ideas. Suitable for honors bands, mixed high school/middle school bands and relatively advanced community bands with full or nearly full instrumentation. Enjoy!
$42.99
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PIANO Early 20th century 
