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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Sonata
Non classifié
1 008
Piano & claviers
Piano seul
1 103
Piano Facile
123
Orgue
46
Accompagnement Piano
41
Piano, Voix
22
1 Piano, 4 mains
13
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
11
Clavecin
9
Instruments en Do
9
Piano, Voix et Guitare
7
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
2
Orgue, Piano (duo)
1
+ 13 instrumentations
Retracter
Guitares
Guitare
231
Guitare notes et tablatures
99
2 Guitares (duo)
58
Piano, Guitare (duo)
8
Ukulele
6
3 Guitares (trio)
5
Banjo
3
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
1
4 Guitares (Quatuor)
1
Orchestre à Plectres
1
2 Mandolines (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
12
Chorale 2 parties
6
Chorale 3 parties
3
Voix Baryton, Piano
3
Voix duo, Piano
2
Voix Mezzo-Soprano, Piano
1
Chorale Unison
1
Chorale SSAA
1
+ 3 instrumentations
Retracter
Vents
Flûte traversière et Piano
145
Clarinette et Piano
100
Flûte et Guitare
97
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
83
2 Flûtes traversières (duo)
70
Flûte traversière
70
Hautbois, Piano (duo)
62
Saxophone Alto et Piano
61
3 Clarinettes (trio)
50
Flûte, Hautbois, Clarinette (trio)
42
Flûte, Hautbois, Clarinette, Basson
42
Quatuor de Saxophones: 4 saxophones
41
3 Saxophones (trio)
38
2 Saxophones (duo)
37
Clarinette
37
Saxophone Tenor et Piano
35
2 Clarinettes (duo)
31
Flûte, Hautbois, Basson
31
Trio de Flûtes: 3 flûtes
30
Saxophone Soprano et Piano
27
Quatuor de Clarinettes: 4 clarinettes
27
Flûte, Clarinette et Basson
24
Saxophone Baryton, Piano
19
Quintette de Saxophone: 5 saxophones
18
Ensemble de Clarinettes
17
Flûte, Violon et Violoncelle
17
Flûte à Bec
15
Quintette de Clarinettes: 5 clarinettes
15
Ensemble de saxophones
14
2 Flûte à bec (duo)
14
2 Clarinettes, Basson
12
Quatuor de Flûtes : 4 flûtes
12
Hautbois, Clarinette, Basson (trio d'anches)
11
Quatuor de Flûtes à bec
11
Flûte, Clarinette (duo)
10
Clarinette Basse, Piano
10
Saxophone Alto
10
Ensemble de Flûtes
8
Cor anglais, Piano
8
Flûte, Alto (duo)
7
Flûte, Violoncelle
7
Flûte à bec Alto, Basse continue
6
2 Hautbois (duo)
6
Hautbois, Basson (duo)
6
Clarinette et Alto
6
Flûte traversière, Basse continue
5
Clarinette (partie séparée)
5
Ensemble De Flûte à bec
5
Flûte, Violon
4
Saxophone, Clarinette (duo)
4
Quintette de Flûte : 5 flûtes
4
Saxophone
4
Hautbois (partie séparée)
4
Flûte, Violon, Piano
4
2 Hautbois et Basson
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte à bec Soprano
3
2 Flûtes, Basse continue
3
3 Flûtes à bec (trio)
3
2 Cors Anglais Et Pianoforte
2
Clarinette, Guitare (duo)
2
Clarinette, Trompette (duo)
2
Flûte, Saxophone (duo)
2
Clarinette, Violon (duo)
2
Ensemble à vent
2
Clarinette, Violoncelle, Piano (trio)
2
Piccolo, Piano
2
5 Flûtes à bec
2
Saxophone Tenor
2
Clarinette, Violoncelle (duo)
2
Flûte à bec Soprano, Piano
2
Saxophone (partie séparée)
2
2 Flûtes traversières, Piano
2
Flûte, alto et harpe
2
Flûte à bec Alto, Piano
2
Hautbois, Clarinette (duo)
1
Flûte irlandaise
1
Hautbois, Guitare (duo)
1
Hautbois, Flûte
1
Flûte, Basson et Piano
1
Clarinette, Basson (duo)
1
Flute (partie séparée)
1
Flûte, Trompette (duo)
1
Flûte à Bec, Piano
1
Hautbois
1
Saxophone et Orgue
1
Clarinette, Harpe (duo)
1
Flûte à bec Tenor
1
4 Hautbois
1
Flûte à bec Alto
1
+ 85 instrumentations
Retracter
Cuivres
Trombone et Piano
61
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
50
Trompette, Piano
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
Cor et Piano
35
Trompette
24
Euphonium, Piano (duo)
23
Tuba et Piano
16
2 Trompettes (duo)
16
Cor
14
2 Cors (duo)
11
Quatuor de cuivres: 4 cors
10
Quatuor de Cuivres
9
2 Trombones (duo)
9
Ensemble de Cors
9
Trompette, Trombone (duo)
8
Cor anglais, Piano
8
Quatuor de cuivres: 4 trombones
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba
5
Ensemble de Trompettes
4
Ensemble de Trombones
4
2 Tubas (duo)
4
Trombone
4
3 Trombones (trio)
4
Trompette (partie séparée)
4
4 Tubas
3
2 Euphoniums (duo)
3
2 Cors Anglais Et Pianoforte
2
Trombone basse et Piano
2
3 Trompettes (trio)
2
Euphonium, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Saxophone (duo)
2
3 Euphoniums
2
3 Cors (trio)
2
Cor (partie séparée)
1
Trombone (partie séparée)
1
Euphonium
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
Trompette, Harpe
1
3 Tubas (trio)
1
Trombone, Cor (duo)
1
Tuba (partie séparée)
1
Trio de Cuivres
1
Cor et Harpe
1
+ 42 instrumentations
Retracter
Cordes
Violon et Piano
225
Quatuor à cordes: 2 violons, alto, violoncelle
162
Violon
153
Violoncelle, Piano
127
Alto, Piano
89
Trio à Cordes: violon, alto, violoncelle
46
2 Violons (duo)
45
Violoncelle
38
Alto seul
31
Harpe
29
Violon, Violoncelle (duo)
26
Violon, Alto (duo)
24
Trio à Cordes: 2 violons, violoncelle
24
2 Violoncelles (duo)
23
Trio à cordes: 3 violins
21
Violon (partie séparée)
19
2 Altos (duo)
18
Violoncelle, Contrebasse (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Contrebasse, Piano (duo)
11
Violoncelle, Basse continue
11
Violon, Basse continue
10
Alto (partie séparée)
7
Trio à Cordes: 3 violoncelles
6
4 Violoncelles
6
Contre Basse
5
Flûte, Contrebasse (duo)
5
Violoncelle (partie séparée)
5
Alto, Violoncelle (duo)
5
Trio à Cordes: 2 violons, alto
4
2 Contrebasses (duo)
4
Quatuor à cordes: 4 violons
3
Contrebasse (partie séparée)
3
Violoncelle , Guitare (duo)
3
2 Violons, Piano
2
2 Harpes (duo)
2
Ensemble de Violoncelles
2
Violon, Guitare (duo)
2
Trio à cordes: 3 altos
2
Harpe, Flûte (duo)
2
Alto, Guitare (duo)
2
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
Alto et Harpe
1
Piano Trio: Violon, Alto, Piano
1
Ensemble d'Altos
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orgue
1
2 Violons et Basse continue
1
Ensemble de Violons
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
110
Orchestre
67
Orchestre de chambre
50
Orchestre d'harmonie
44
Ensemble de cuivres
16
Ensemble Jazz
4
Ensemble de Percussions
2
Percussion
1
Percussion (partie séparée)
1
Marimba
1
Xylophone
1
+ 6 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
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BASSE
BASSON
BATTERIE
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CORNET
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DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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MARIAGE - AMOUR - BA…
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Vous avez sélectionné:
A Sonata
Orchestre d'harmonie
Partitions à imprimer
44 partitions trouvées
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1
26
Telemann Sonata for Band Score and Woodwind Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Georg Philip Telemann
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Bud Caputo
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Telemann Sonata for Band Score
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Bud Caputo
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.826599 Composed by Georg Philip Telemann. Arranged by Bud Caputo. Baroque,Standards. Score and parts. 37 pages. Bud Cap...
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Concert Band - Level 3 - SKU: A0.826599 Composed by Georg Philip Telemann. Arranged by Bud Caputo. Baroque,Standards. Score and parts. 37 pages. Bud Caputo #1892485. Published by Bud Caputo (A0.826599). 2016 Arrangement New Release Sonata in F minor - Movements 1 and 4- by George Philip Telemann is a D minor arrangement for full band that uses the themes and harmonies from the original sonata for solo flute. The two contrasting movements make this a challenging, yet solid, grade 3 work for advanced middle school and younger high school bands. Brass and Percussion parts are under separate cover.
$20.00
Sonata in F Major
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
Calvin Mark
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Calvin Mark
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Sonata in F Major
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Calvin Mark
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1486449 By Calvin Mark. By Calvin Mark. Arranged by Calvin Mark. 19th Century,Classical,March,Romantic Period. 65 pages...
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Concert Band - Level 4 - SKU: A0.1486449 By Calvin Mark. By Calvin Mark. Arranged by Calvin Mark. 19th Century,Classical,March,Romantic Period. 65 pages. Calvin Mark #1062965. Published by Calvin Mark (A0.1486449). Sonata in F Major is a grand composition for concert band that follows the typical sonata form. It takes heavy inspiration from Holst’s First Suite in E-Flat and is made with intermediate level/high school level bands in mind. Sonata in F Major is filled to the brim with all of the glory of the hero’s journey. From the excitement to the uncertainty to the triumph, your audiences are sure to love it.
$20.99
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Sonata # 1 - 3rd movement, for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Aere Greenway
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Sonata # 1 - 3rd movement, for
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Aere R Greenway
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.935333 Composed by Aere Greenway. Contemporary,Romantic Period. Score and parts. 41 pages. Aere R Greenway #6367167. Pu...
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Concert Band - Level 4 - SKU: A0.935333 Composed by Aere Greenway. Contemporary,Romantic Period. Score and parts. 41 pages. Aere R Greenway #6367167. Published by Aere R Greenway (A0.935333). In the mid 1960's, I performed the 3rd movement of my piano sonata at a school assembly, at the time a member of the high school band. Decades later, I have arranged this piece for concert band, so that a high school band, such as I was then in, can perform it. It's a lively, martial piece, just over 3 minutes long.
$14.97
A peu del "Picayo"
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Orchestre d'harmonie
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INTERMÉDIAIRE
#
Salvador Rojo Gamón
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A peu del "Picayo"
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Salvador Rojo-Gamon
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.962401 Composed by Salvador Rojo Gamón. Contemporary,Instructional,Multicultural,Standards,World. Score and Parts. 4...
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Concert Band - Level 3 - SKU: A0.962401 Composed by Salvador Rojo Gamón. Contemporary,Instructional,Multicultural,Standards,World. Score and Parts. 48 pages. Salvador Rojo-Gamon #4897799. Published by Salvador Rojo-Gamon (A0.962401). AGRADECIMIENTOSAntes de nada dar las gracias a la Unión Musical de Algimia por confiar en mi para componer una composición que conmemore el 30 aniversario.Al peu del Picayo está como casi todas mis composiciones inspiradas en hechos ya sea verÃdicos o ficticios. En este aspecto tengo que agradecer a Helios Borja Cortijo su gran contribución a mis conocimientos sobre la historia de Algimia. Mis composiciones nunca narran historias, se inspiran en ellas, en los sentimientos que de ellas extraemos, sentimos o transmitimos, Estas historias tan sólo nos facilitan la comprensión de la obra.ANÃLISISFormalmente la obra está compuesta en la forma sonata, con algunas licencias respecto a la que podrÃamos calificar –si es posible- Sonata Escolástica.INTRODUCCIÓN Inicio hasta compás 59.La introducción comienza con el acompañamiento de un clúster de cinco notas octatónicas. A partir del segundo compás va apareciendo –siempre de forma desfigurada- el tema principal de esta composición. Este no aparecerá claramente hasta el compás 62TEMA PRINCIPALCompás 60 hasta 101Alrededor de la tonalidad de LA se construye el tema principal que aparece en los graves de la banda, pasando a los agudos mientras los graves hacen un canon a la 4ª Justa.A nivel comprensivo y tan sólo como recomendación diré que la introducción y el tema principal corresponden históricamente a ALGIMIA MUDEJARTEMA SECUNDARIOCompás 102 a 136Esta parte inspirada en la ÉPOCA MORISCA de Algimia está formada por diferentes elementos siendo cuatro los más importantes.Al igual que la Introducción el tema segundario está iniciado por un Clúster, en éste caso el Clúster es cromático.El siguiente elemento en aparecer –Corno Inglés- es el propio nombre de Algimia en movimiento contrario, tomando el Abecedario como modelo y partiendo de la nota LALa inquisición está representada por las trompetas y los trombones.Estos elementos están acompañados de la simbologÃa mayormente personal del número once, representado por los cuartos y las once campanadas.En el compás 112 aparece el Elemento Cristiano de este Tema Secundario, este está en modo Dórico, también llamado Protus o Auténtico. Primero aparece en el registro grave de la banda y posteriormente en el registro grave de las maderas.DESARROLLOCompás 137 hasta el 217Basado en el Periodo de la ÉPOCA CRISTIANA MODERNA elabora los elementos presentados en la exposición con cambios a veces muy significativos.Lo primera sensación es que estamos reexponiendo los materiales, sin embargo, se está creando una falsa reexposición que en este caso nos lleva a SIb dándonos sensación de cadencia rota con un inesperado SIb.Después de un breve comentario del Tema Secundario –Tema cristiano- aparece muy desfigurado el Tema principal en oposición al Tema Cristiano, éste último en modo octatónico.Tema PrincipalTema CristianoA partir del 182 está inspirado en la expulsión de los Moriscos. Después de una breve introducción con elementos del Tema Principal y del tema Cristiano, compases 182 a 189, aparece el Tema Principal en forma de llamamiento a la guerra. Éste se repite tres veces, una pequeña coda de tres compases 214 al 217 da paso a la reexposición.REEXPOSICIÓN
$100.00
Sonata No. 2 for Horn and Wind Ensemble
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Luigi Cherubini
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Richard Decker
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Sonata No. 2 for Horn and Wind
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Gordon Cherry
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.792736 Composed by Luigi Cherubini. Arranged by Richard Decker. Classical,Romantic Period. Score and parts. 83 pages. G...
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Concert Band - Level 5 - SKU: A0.792736 Composed by Luigi Cherubini. Arranged by Richard Decker. Classical,Romantic Period. Score and parts. 83 pages. Gordon Cherry #6132593. Published by Gordon Cherry (A0.792736). Sonata No. 2 for Horn by Luigi Cherubini was first published in 1804 and is comprised of two movements: a slow introduction, Largo, and a showy technical fast section, Allegro Moderato. The work has two cadenzas that show off the technical side of the instrument. Richard Decker has beautifully arranged this popular solo for Horn and Wind Ensemble or Concert Band.The work is about 6 minutes in length and appropriate for advanced performers.
$52.50
Sonata Pathétique
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Orchestre d'harmonie
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FACILE
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Classique
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Ludwig van Beethoven
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Juan A
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Sonata Pathétique
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Juan A. Perez
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by Juan A. Perez. Classical. Score and parts. 27 pages. Juan A. Perez #677554. Published by Jua...
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Juan A. Perez. Classical. Score and parts. 27 pages. Juan A. Perez #677554. Published by Juan A. Perez
$10.00
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Orchestre d'harmonie
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FACILE
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Gregory Fritze
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Sinfonietta - A Symphony in Th
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pa...
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Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
A Beethoven Celebration
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Orchestre d'harmonie
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Classique
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Ludwig van Beethoven
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James E
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A Beethoven Celebration
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James Goodwin
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SheetMusicPlus
Concert Band - SKU: A0.926710 Composed by Ludwig van Beethoven. Arranged by James E. Goodwin. Classical. Score and parts. 110 pages. James Goodwin #5302...
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Concert Band - SKU: A0.926710 Composed by Ludwig van Beethoven. Arranged by James E. Goodwin. Classical. Score and parts. 110 pages. James Goodwin #5302777. Published by James Goodwin (A0.926710). This year marks the 250th anniversary of Ludwig van Beethoven's birth. In commemoration of this historic event, and because of the greatness of his music, I composed A Beethoven Celebration for concert band. Included is music from five different pieces: Symphony #3 (The Eroica); Piano Sonata #8 (The Pathetique); Symphony #5; March for Military Music in F; and Symphony #9 (Ode to Joy). Optional parts for harp (or piano) and soprano saxophone (substitute for oboe) are included.
$80.00
Beethoven’s Browne
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Stephen R Dalrymple
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Beethoven’s Browne
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818277 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Classical. ...
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Concert Band - Level 3 - SKU: A0.818277 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Classical. Score and parts. 60 pages. Stephen R Dalrymple #4855443. Published by Stephen R Dalrymple (A0.818277). Beethoven’s Browne ♫ transcription of Piano Sonata 6 Movement 2 by Ludwig van Beethoven Opus 10 Number 2 ♫ arranged by Stephen R Dalrymple for Concert Band ♫ arrangement © 2001, 2020 Stephen R Dalrymple ♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission is granted to make photocopies of parts and additional scores for a medium size school band. ♫ Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, F Horn, Trombone/Baritone/Bassoon, Treble Clef Baritone, Tuba, Electric Bass, Snare/Triangle and Timpani. ♫ Beethoven’s 6th Piano Sonata is dedicated to Countess Anna Margarete von Braun. It was written during 1796-1798. Beethoven was 25 to 28 years old at the time. ♫ In Sonata Six Beethoven substituted a 3:4 movement for the typical slow movement. Although he used the common Minuet, Trio, Minuet formula, he experimented with the form by eliminating literal repetitions. Sonata 6 consists of 3 movements. This piece is based on the middle movement of the middle sonata. This middle movement has 3 sections. It is written in 3:4 time. The middle section of the movement is written in trio form. ♫ The YouTube video contains a full recording.
$19.00
Concertino for Trombone and Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Richard E Brown
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Concertino for Trombone and Ba
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Dacker Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.814807 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 196 pages. Dacker Music #5771449. Publishe...
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Concert Band - Level 4 - SKU: A0.814807 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 196 pages. Dacker Music #5771449. Published by Dacker Music (A0.814807). The Italian word concertino means little concerto, and as that title indicates, Concertino for Trombone and Band closely follows traditional sonata form on a somewhat smaller scale. With a home key of D minor, the three movements are: 1. Allegro moderatto - sonata-allegro - D minor 2. Andante con moto - passacaglia - F major 3. Allegro - abridged sonata-rondo - D minorThis composition is the composer's transcription of his Sonatina for Trombone and Piano.The price includes license to make as many copies of each part as necessary. Grade: Solo 5 - Band 3+ Duration: 8:45
$65.00
Concertino for Clarinet and Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Richard E Brown
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Concertino for Clarinet and Ba
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Dacker Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.814764 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 230 pages. Dacker Music #3594469. Publishe...
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Concert Band - Level 4 - SKU: A0.814764 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 230 pages. Dacker Music #3594469. Published by Dacker Music (A0.814764). The Italian word concertino means little concerto, and as that title indicates, Concertino for Clarinet and Band closely follows traditional sonata form on a somewhat smaller scale. With a home key of G minor, the three movements are: 1. Allegro agitato- sonata-allegro - G minor 2. Andante tranquillo - chaconne - C major 3. Allegro - abridged sonata-rondo - G minor. This composition is the composer's transcription of his Sonatina for Clarinet and Piano. Grade: Solo 4 - Band 3+ Duration: 9:30Price includes license to make as many copies of each part as required.
$65.00
The Poor Soldier Suite for Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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William Shield
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Brett L
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The Poor Soldier Suite for Ban
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Sonata Grendel Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.837498 Composed by William Shield. Arranged by Brett L. Wery. Classical. Score and parts. 272 pages. Sonata Grendel Pub...
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Concert Band - Level 4 - SKU: A0.837498 Composed by William Shield. Arranged by Brett L. Wery. Classical. Score and parts. 272 pages. Sonata Grendel Publishing #5776765. Published by Sonata Grendel Publishing (A0.837498). The score is formatted for 8.5 X 14 (legal) size paper and is 67 pages. The parts are formatted for 8.5 X 11 (letter) size paper. Duration: 16 minutes Written in 1783 by English composer William Shield to a famous libretto by Irish playwright John O’Keeffe, The Poor Soldier was a hit at its premier in November 1783 at Covent Garden in London. Quickly reaching American theaters by the following year, it became a frequently performed American Colonial musical theater piece, remaining in the repertory for over fifty years. So popular were the tunes from The Poor Soldier that even as late as 1850, some of the opera’s songs were music hall staples. Apparently George Washington adored this work and had excerpts performed for him at Mount Vernon. In 2008 I was hired to reconstruct the opera the The Poor Soldier from a series of piano sketches and individually sold arias dating back to the late eighteen hundreds. The 2008 production was premiered at SUNY Schenectady County Community College by Musicians of Ma’alwyck. This band suite was created in 2010 and premiered by the Capital Region Wind Ensemble.
$225.00
Mortals, Gods, and Heroes
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brett L
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Mortals, Gods, and Heroes
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Sonata Grendel Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.837492 Composed by Brett L. Wery. Contemporary. Score and parts. 261 pages. Sonata Grendel Publishing #5722157. Publish...
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Concert Band - Level 4 - SKU: A0.837492 Composed by Brett L. Wery. Contemporary. Score and parts. 261 pages. Sonata Grendel Publishing #5722157. Published by Sonata Grendel Publishing (A0.837492). Mortals, Gods, and Heroes was commissioned by Andrew Janack for the Maple Avenue Middles School Select Band in Saratoga Springs, NY. The school was doing a curriculum-wide reading project on Greek mythology. It seemed natural to create a wind ensemble suite based on three stories from Greek mythology. Each movement creates a miniature tone poem with clear motifs for each character in the myths. The characters include Athena (who makes a return in the final movement), Arachne, Orpheus, Charon the ferryman, Cerberus the three-headed dog, Sisyphus, Persephone, Eurydice, Perseus, and Medusa. The eleven-minute piece is colorful and inventive with plenty of special techniques in the percussion especially designed for middle school students. Mortals, Gods, and Heroes is in three movements: I. Arachne’s Web II. The Passage of OrpheusIII. Perseus and the Gorgon The score is formatted for 8.5 X 14 (legal) size paper and is 57 pages. The parts are formatted for 8.5 X 11 (letter) size paper.
$225.00
Oot-kwa-tah, Dance of the Seven Sisters
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Publish...
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Concert Band - Level 4 - SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75
Concertino for Trumpet and Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
#
Richard E Brown
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#
Concertino for Trumpet and Ban
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Dacker Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.814738 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 149 pages. Dacker Music #3049061. Publishe...
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Concert Band - Level 3 - SKU: A0.814738 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 149 pages. Dacker Music #3049061. Published by Dacker Music (A0.814738). The Italian word concertino means little concerto, and as that title indicates, Concertino for Trumpet and Band closely follows traditional sonata form on a somewhat smaller scale. With a home key of G minor, the three movements are: 1. Allegro agitato - sonata-allegro - G minor 2. Andante cantabile - passacaglia - A-flat major 3. Allegro con fuoco - rondo-tarantella - G minorThis composition is the composer's transcription of his Sonatina for Trumpet and Piano.The price includes license to make as many copies of each part as necessary. Grade: Solo 4 - Band 3+ Duration: 7:00
$65.00
Concertino for Alto Saxophone and Band
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Sy Brandon
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Concertino for Alto Saxophone
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.755114 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 177 pages. Sy Brandon #3392241. Publ...
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Concert Band - Level 5 - SKU: A0.755114 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 177 pages. Sy Brandon #3392241. Published by Sy Brandon (A0.755114). Concertino was composed during 2009 at the request of Dr. Andy Wen and premiered by him at the Region 4 NASA Conference in April 2011. The work is in three movements. The first movement is in an abbreviated sonata form in a spirited Vivace tempo. The first theme group consists more of motives rather than an actual theme and is characterized by interplay between the soloist and the band. The second theme group has a lyrical saxophone line over a staccato bass line. The development begins quietly with the treatment of a syncopated idea from the second theme using a trio of solo saxophone, timpani and euphonium. After further development, a variant of the first theme group returns. The recapitulation consists only of first theme group ideas before ending with a brief coda. The second and third movements are performed with out pause between them. While the first movement was created during 2009, the second and third movements are a reworking of an earlier work by the composer for alto saxophone and piano soloists with orchestra. A rubato Lento theme containing many triplets that is accompanied by lush harmony begins the second movement. It is followed by a more scale-wise melody that is treated contrapuntally. Both these ideas develop during the movement leading to a strong climax before returning to a quiet conclusion. The third movement is an Allegro, once again with a rhythmic opening idea that changes meter often, and a more lyrical second idea with scale-wise passages as counterpoint. The development of these ideas leads to a cadenza for the solo saxophonist, followed by a coda that brings the composition to a rousing conclusion. The score prints on legal size paper and the parts on letter.
$39.99
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Orchestre d'harmonie
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
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Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Nimrod (Flex-Band)
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Orchestre d'harmonie
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FACILE
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Edward Elgar
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James Symington
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Nimrod
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James Edward Ernest Symington
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1518069 Composed by Edward Elgar. Arranged by James Symington. 20th Century,Classical,Film/TV,Historic,Patriotic. 29 pa...
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Concert Band - Level 2 - SKU: A0.1518069 Composed by Edward Elgar. Arranged by James Symington. 20th Century,Classical,Film/TV,Historic,Patriotic. 29 pages. James Edward Ernest Symington #1092231. Published by James Edward Ernest Symington (A0.1518069). The name of the variation refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as a mighty hunter before the Lord, Jäger being German for hunter. In 1904 Elgar told Dora Penny (Dorabella) that this variation is not really a portrait, but the story of something that happened. Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. And that is what you must do, Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Pathétique. Elgar disclosed to Dora that the opening bars of Nimrod were made to suggest that theme. Can't you hear it at the beginning? Only a hint, not a quotation. This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The “Nimrod” variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks. An adaptation of the piece appears at the ending of the 2017 film Dunkirk in the score by Hans Zimmer. This arrangement for Flex-Band has been adapted to suit the instrumentalists. The key has changed and this makes it much more playable and more secure.
$49.99
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Clarinet Concerto in B-flat major
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Karol Kurpiński
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Kazys DaugÄ—la
#
Clarinet Concerto in B-flat ma
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Kazys Daugela
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.935506 Composed by Karol Kurpiński (1785-1857). Arranged by Kazys Daugėla. Romantic Period. Score and parts. 67...
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Concert Band - Level 4 - SKU: A0.935506 Composed by Karol Kurpiński (1785-1857). Arranged by Kazys Daugėla. Romantic Period. Score and parts. 67 pages. Kazys Daugela #6666179. Published by Kazys Daugela (A0.935506). Karol Kurpiński (1785-1857) was a romanticist and one of the most revered composers before Frédéric Chopin, and helped to lay the foundations of a national style and prepared the ground for Polish music of the Romantic period. He’s a largely forgotten figure, but in his day he was Warsaw’s leading opera composer. A single-movement concerto by Weber’s Polish contemporary Karol Kurpiński is skilfully written, with a melancholy slow section whose melody is attractive. Elsewhere, the piece isn’t without its moments of note-spinning and overlong harmonic sequences, but it’s a welcome discovery nevertheless. The premiere of the work took place on the eve of Kurpiński's departure from Paris in 1823. Up to date only the first movement of the Clarinet Concerto, in the sonata allegro form with three themes, has survived. Concerto will be a fine way to demonstrate the clarinetist's potential for brilliant display and heartfelt lyricism.
$30.00
Clarinet Concerto in B-flat major
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Karol Kurpiński
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Kazys DaugÄ—la
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Clarinet Concerto in B-flat ma
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Kazys Daugela
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.935505 Composed by Karol Kurpiński (1785-1857). Arranged by Kazys Daugėla. Romantic Period. Score and parts. 28...
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Concert Band - Level 4 - SKU: A0.935505 Composed by Karol Kurpiński (1785-1857). Arranged by Kazys Daugėla. Romantic Period. Score and parts. 280 pages. Kazys Daugela #6666171. Published by Kazys Daugela (A0.935505). Karol Kurpiński (1785-1857) was a romanticist and one of the most revered composers before Frédéric Chopin, and helped to lay the foundations of a national style and prepared the ground for Polish music of the Romantic period. He’s a largely forgotten figure, but in his day he was Warsaw’s leading opera composer. A single-movement concerto by Weber’s Polish contemporary Karol Kurpiński is skilfully written, with a melancholy slow section whose melody is attractive. Elsewhere, the piece isn’t without its moments of note-spinning and overlong harmonic sequences, but it’s a welcome discovery nevertheless. The premiere of the work took place on the eve of Kurpiński's departure from Paris in 1823. Up to date only the first movement of the Clarinet Concerto, in the sonata allegro form with three themes, has survived. Concerto will be a fine way to demonstrate the clarinetist's potential for brilliant display and heartfelt lyricism.
$159.99
Short Piece For Large Orchestra
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Orchestre d'harmonie
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AVANCÉ
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Julia Perry
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John Ivor Holland
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Short Piece For Large Orchestr
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1184257 Composed by Julia Perry. Arranged by John Ivor Holland. 20th Century,Classical,Contemporary,Contest,Festival. S...
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Concert Band - Level 5 - SKU: A0.1184257 Composed by Julia Perry. Arranged by John Ivor Holland. 20th Century,Classical,Contemporary,Contest,Festival. Score and parts. 116 pages. John Ivor Holland #783973. Published by John Ivor Holland (A0.1184257). A fantastic work for more advanced bands, 'Short Piece' was originally composed by Julie Perry for chamber orchestra in 1952 and then expanded for full forces. The African-American composer and conductor was born in Kentucky, studying at Westminster Choir College and then Juilliard; she also worked with Nadia Boulanger, winning the Boulanger Grand Prix for her Viola Sonata. Her work includes a dozen symphonies and a pair of piano concertos; also three operas and a ballet. In the words of John Henken, this piece is 'an initially raucous, highly energised essay...There are edgy lyrical contrasts, and the work closes in a haunted Lento, before a whiplash ending returns the aggressive opening thunder.' Arranged to champion the music of women composers for band as part of a pledge throughout 2023 #ArrangeMeGoals2023.
$80.00
Éxodo (Reduced version) - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Salvador Rojo Gamón
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Éxodo
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Salvador Rojo-Gamon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1083309 Composed by Salvador Rojo Gamón. Classical,Contemporary,Instructional,Traditional. Score and parts. 64 pages...
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Concert Band - Level 4 - SKU: A0.1083309 Composed by Salvador Rojo Gamón. Classical,Contemporary,Instructional,Traditional. Score and parts. 64 pages. Salvador Rojo-Gamon #687511. Published by Salvador Rojo-Gamon (A0.1083309). This version was commisioned for the band Unió Musical d'Algimia d'Alfara. The instrumentation was reduced keeping the essence. This composition was premiered of Premio Maestro Villa 2010 as a wind band composition. This recording was made at the premiere of the work on November 8, 2011 in charge of the Banda Sinfónica Municipal de Madrid under conducting Enrique GarcÃa Asensio. Esta composición fue estrenada de Premio Maestro Villa 2010 como una banda de viento composición. Esta grabación se realizó en el estreno de la obra el 8 de noviembre de 2011 a cargo de la Banda Sinfónica Municipal de Madrid bajo la dirección de Enrique GarcÃa Asensio. Éxodo es un poema sinfónico en un solo movimiento, inspirado en los sentimientos y las diferentes sensaciones provocadas por el éxodo sufrido por diferentes pueblos a lo largo de la historia. Musicalmente intercala dos amplias secciones que se van entrelazando como si de un rondó se tratase, siendo su estructura final la sonata.
$40.00
Éxodo (Reduced version)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Salvador Rojo Gamón
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Éxodo
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Salvador Rojo-Gamon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1083325 Composed by Salvador Rojo Gamón. Classical,Contemporary,Contest,Festival,Instructional,Traditional. Score an...
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Concert Band - Level 4 - SKU: A0.1083325 Composed by Salvador Rojo Gamón. Classical,Contemporary,Contest,Festival,Instructional,Traditional. Score and parts. 279 pages. Salvador Rojo-Gamon #687526. Published by Salvador Rojo-Gamon (A0.1083325). This version was commisioned for the band Unió Musical d'Algimia d'Alfara. The instrumentation was reduced keeping the essence. This composition was premiered of Premio Maestro Villa 2010 as a wind band composition. This recording was made at the premiere of the work on November 8, 2011 in charge of the Banda Sinfónica Municipal de Madrid under conducting Enrique GarcÃa Asensio. Esta composición fue estrenada de Premio Maestro Villa 2010 como una banda de viento composición. Esta grabación se realizó en el estreno de la obra el 8 de noviembre de 2011 a cargo de la Banda Sinfónica Municipal de Madrid bajo la dirección de Enrique GarcÃa Asensio. Éxodo es un poema sinfónico en un solo movimiento, inspirado en los sentimientos y las diferentes sensaciones provocadas por el éxodo sufrido por diferentes pueblos a lo largo de la historia. Musicalmente intercala dos amplias secciones que se van entrelazando como si de un rondó se tratase, siendo su estructura final la sonata.
$200.00
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