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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All For One
Non classifié
20 310
Piano & claviers
Piano seul
3 950
Piano, Voix
2 062
Piano Facile
1 339
Piano, Voix et Guitare
1 246
Instruments en Do
513
Orgue
401
Accompagnement Piano
328
Piano grosses notes
186
1 Piano, 4 mains
182
Piano Trio: piano, violon, violoncelle
109
Piano (partie séparée)
88
2 Pianos, 4 mains
74
Accordéon
68
Piano Quatuor: piano, violon, alto, violoncelle
27
Orgue, Trompette (duo)
24
1 Piano, 6 mains
15
Piano Quatuor: piano, 2 violons, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue, Piano (duo)
9
Clavier
8
2 Pianos, 8 mains
7
Clavecin
7
2 Accordéons
2
Concertina
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
641
Guitare
487
Basse electrique
403
Ligne De Mélodie, (Paroles) et Accords
235
Guitare (partie séparée)
184
Ukulele
181
Paroles et Accords
73
2 Guitares (duo)
64
4 Guitares (Quatuor)
44
Mandoline
29
Dulcimer
27
Piano, Guitare (duo)
26
3 Guitares (trio)
24
Ukulele Baryton
22
Banjo
21
Ensemble de guitares
12
Guitare, Violon, Violoncelle (trio)
7
Mandoline, Guitare (duo)
4
2 Mandolines (duo)
3
2 Dulcimers (duo)
3
Mandoline, Piano (duo)
2
Ensemble de Ukulélés
2
Orchestre à Plectres
1
2 Ukuleles
1
Guitare Pedal Steel
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
2 770
Chorale 3 parties
810
Chorale TTBB
643
Chorale 2 parties
550
Chorale SSAA
331
Chorale Unison
326
Voix Baryton, Piano
166
Voix duo, Piano
124
Voix seule
114
Voix duo
98
Voix Soprano, Piano
95
Voix Alto, Piano
70
Voix Tenor, Piano
69
Voix haute
54
Pack Instrumental pour Chorale
37
Chorale
27
Voix moyenne, Piano
15
Voix basse, Piano
10
Chorale SSAATTBB
9
Voix Tenor
9
Voix Soprano
8
Chorale SSATTB
6
Chorale SSATB
5
Soli, choeur mixte et accompagnement
4
Voix d'Enfants
4
Chorale SSAB, Piano
3
Voix Mezzo-Soprano, Piano
3
Voix Soprano, Orchestre
1
Voix basse
1
Voix Baryton
1
Chorale SAATB A Cappella
1
Voix, Guitare
1
+ 27 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
2 342
2 Saxophones (duo)
2 155
Saxophone (partie séparée)
1 926
Saxophone Alto et Piano
1 373
Saxophone Alto
1 328
Saxophone Tenor et Piano
1 096
Saxophone Tenor
1 038
Quintette de Saxophone: 5 saxophones
934
Saxophone Soprano et Piano
774
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
716
Saxophone
696
Flûte traversière et Piano
681
Flûte, Hautbois, Clarinette, Basson
627
Clarinette et Piano
555
3 Saxophones (trio)
548
Hautbois, Piano (duo)
484
2 Clarinettes (duo)
460
2 Flûtes traversières (duo)
446
Saxophone Baryton, Piano
445
Quatuor de Clarinettes: 4 clarinettes
397
Clarinette
372
Flûte traversière
351
Saxophone, Clarinette (duo)
342
Ensemble de saxophones
340
Clarinette, Violon (duo)
230
Flûte, Clarinette (duo)
212
Quatuor de Flûtes : 4 flûtes
185
Saxophone Soprano
184
Hautbois (partie séparée)
179
Clarinette, Trompette (duo)
176
2 Hautbois (duo)
163
Hautbois, Basson (duo)
161
Ensemble de Clarinettes
151
Hautbois, Clarinette (duo)
143
Ocarina
128
Flûte, Saxophone (duo)
126
3 Clarinettes (trio)
123
Clarinette et Alto
118
Ensemble de Flûtes
117
Quintette de Clarinettes: 5 clarinettes
116
Flûte, Violon
115
Hautbois, Flûte
99
Hautbois
98
Saxophone Baryton
97
2 Flûte à bec (duo)
97
Flûte, Alto (duo)
94
Cor anglais, Piano
89
Flûte, Trompette (duo)
88
Clarinette Basse, Piano
82
Flute (partie séparée)
75
Trio de Flûtes: 3 flûtes
75
Flûte et Guitare
74
Flûte à bec Soprano
72
Clarinette (partie séparée)
69
Quatuor de Flûtes à bec
65
Quintette de Flûte : 5 flûtes
48
Flûte, Violon, Piano
45
2 Saxophones, Piano
40
Flûte à Bec
39
Flûte, Hautbois (duo)
36
Clarinette, Basson (duo)
36
Flûte, Trombone (duo)
34
Clarinette, Guitare (duo)
31
Hautbois, Violoncelle
31
Instruments en Mib
30
Clarinette, Trombone (duo)
30
2 Flûtes traversières, Piano
30
Hautbois, Clarinette, Basson (trio d'anches)
29
Flûte, Hautbois, Clarinette (trio)
26
Flûte, Violoncelle
26
Flûte à bec Alto
25
Clarinette, Violoncelle (duo)
24
3 Flûtes à bec (trio)
22
5 Flûtes à bec
22
Harmonica
22
Ensemble De Flûte à bec
20
Cor Anglais
19
Hautbois, violon (duo)
18
Flûte, Clarinette et Basson
17
Saxophone et Guitare
15
Flûte, Violon et Violoncelle
14
4 Hautbois
13
Saxophone et Orgue
13
Flûte, Hautbois, Basson
13
Saxophone, Violon (duo)
12
Piccolo, Piano
12
Hautbois, Guitare (duo)
12
Flûte à bec Soprano, Piano
11
Flûte, Clarinette, Cor, Basson (Quartet)
10
Flûte, Clarinette, Piano (trio)
10
3 Hautbois
9
Clarinette, Violoncelle, Piano (trio)
9
Flute, harpe et violon
9
Piccolo
9
Saxophone et Harpe
8
Flûte, Violoncelle, Piano (trio)
8
Cor anglais, Guitare (duo)
7
Saxophone et Piano
7
Flûte, Hautbois, Piano (trio)
7
Ensemble à vent
6
Clarinette Basse
6
Flûte à bec Alto, Piano
6
2 Clarinettes, Piano
5
Flûte et Trio à cordes
5
Hautbois et alto (duo)
5
Hautbois, trombone (duo)
5
Flûte, Violon, Violoncelle et Piano
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte irlandaise
4
Flûte, Harpe et Violoncelle
3
Clarinette, Harpe (duo)
3
2 Cors Anglais Et Pianoforte
3
Flûte, Clarinette, Violon (trio)
3
Flûte, trombone et piano
3
Flûte à bec Tenor
3
Flûte, Basson et Piano
3
Flûte, Alto et Piano
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Saxophone, Basson (duo)
2
Flûte traversière, Basse continue
2
Saxophone, Tuba (duo)
2
Hautbois, Violon, Piano
2
Flûte, alto et harpe
2
Clarinette, trompette et piano
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Clarinette, Orgue
1
Flûte, Violoncelle, Guitare
1
Flûte traversière, Orgue (duo)
1
Hautbois, Basson et Piano
1
Clarinette, Tuba
1
Flûte, Hautbois, Violon
1
Flûte de Pan
1
Flûte, Tuba (duo)
1
Clarinette, Contrebasse (duo)
1
Ensemble de Hautbois
1
Flûte à Bec, Piano
1
Clarinette, Basson, Piano (trio)
1
Clarinette, Orchestre
1
Clarinette, Alto et Piano (trio)
1
Flûte à bec, Guitare (duo)
1
+ 135 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2 287
Trombone et Piano
1 322
Trombone
1 312
Trombone (partie séparée)
1 271
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1 200
2 Trombones (duo)
677
Quatuor de Cuivres: 2 trompettes, Cor, trombone
544
Quatuor de Cuivres
400
Trompette
387
Trompette, Piano
379
Trompette, Trombone (duo)
374
Trompette (partie séparée)
347
Cor et Piano
321
Quatuor de cuivres: 4 trombones
318
Trompette, Saxophone (duo)
256
2 Trompettes (duo)
205
Ensemble de Trombones
200
Cor
199
Tuba
177
Tuba et Piano
164
Euphonium, Piano (duo)
134
Ensemble de Trompettes
104
2 Cors (duo)
91
3 Trombones (trio)
89
Cor anglais, Piano
89
Cor (partie séparée)
80
Trio de Cuivres
74
Tuba (partie séparée)
66
2 Tubas (duo)
45
Trompette, Cor (duo)
43
Quatuor de cuivres: 4 cors
38
Bass Clef Instruments
36
Instruments en Sib
36
Euphonium
35
Trombone, Tuba (duo)
32
2 Euphoniums et 2 Tubas
31
Trombone basse
28
2 Euphoniums (duo)
28
Quatuor de cuivres: 2 trompettes, 2 trombones
25
Ensemble de Cors
25
Trombone, Cor (duo)
21
4 Tubas
20
Trombone basse et Piano
20
Cor Anglais
19
Tuba ou Euphonium ou Saxhorn
18
Quatuor de cuivres: 4 trompettes
17
Trompette, Trombone, Piano
16
Euphonium, Tuba (duo)
16
Trombone, Orgue
16
Trompette, Basson (duo)
13
Trombone, violoncelle (duo)
12
Trombone, Violon (duo)
11
2 Trombones, Piano
11
Cor, Violoncelle (duo)
9
Trompette, Violoncelle (duo)
8
Tuba et Orgue
7
Cor anglais, Guitare (duo)
7
3 Trompettes (trio)
7
Cor et Basson (duo)
7
3 Tubas (trio)
5
3 Cors (trio)
4
Trompette, Tuba (duo)
4
2 Trompettes, Clavier (piano ou orgue)
4
Trompette, Violoncelle et Piano
3
2 Cors Anglais Et Pianoforte
3
Trombone et orchestre
3
Cor, Trompette, Trombone (trio)
2
Cor, Tuba (duo)
2
3 Euphoniums
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Cor et Orgue
2
Ensemble de Tubas
1
2 Cors, Piano
1
Trompette, Euphonium (duo)
1
Cornet et orchestre
1
Trombone, Alto (duo)
1
Trompette et Guitare
1
Trompette, violon (duo)
1
+ 73 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 793
Violon et Piano
776
Violon
755
Violon, Violoncelle (duo)
618
Violoncelle, Piano
577
Violoncelle
473
Trio à Cordes: violon, alto, violoncelle
451
Harpe
449
Alto, Piano
441
2 Violons (duo)
293
Quintette à cordes: 2 violons, alto, violoncelle, basse
278
Violon, Alto (duo)
248
Alto seul
241
2 Violoncelles (duo)
237
2 Altos (duo)
201
Contre Basse
156
Contrebasse, Piano (duo)
144
Contrebasse (partie séparée)
138
Trio à Cordes: 2 violons, violoncelle
131
Violon (partie séparée)
86
Alto (partie séparée)
72
Alto, Violoncelle (duo)
69
4 Violoncelles
54
Trio à cordes: 3 violins
42
2 Harpes (duo)
40
2 Contrebasses (duo)
37
Violon, Guitare (duo)
35
Violoncelle, Contrebasse (duo)
32
Piano Trio: Violon, Alto, Piano
31
Trio à cordes: 3 altos
27
Trio à Cordes: 3 violoncelles
26
Ensemble de Violons
23
Violon, Basson (duo)
22
Quatuor à cordes: 4 violons
22
Violoncelle , Guitare (duo)
20
Ensemble d'Altos
20
Quatuor à cordes : 4 altos
19
Violoncelle (partie séparée)
14
Harpe, Voix
13
Harpe, Flûte (duo)
12
Trio à Cordes: 2 violons, alto
11
Alto et Basson
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Alto, Guitare (duo)
10
Flûte, Contrebasse (duo)
7
Harpe, Violon (duo)
6
Trio à cordes
6
2 Violons, Piano
5
Harpe, Trombone (duo)
5
4 Contrebasses
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Harpe, Violon, Violoncelle
4
Violoncelle, Orgue
4
Alto et Harpe
3
Violon, Clarinette, Piano (trio)
3
3 Harpes
3
Ensemble de Violoncelles
3
Harpe, Violoncelle (duo)
2
Alto et orchestre
2
Harpe et Piano
2
5 Harpes
2
Autoharp
1
Violoncelle, Orchestre
1
Violon, Tuba (duo)
1
Violon, Basse continue
1
Violoncelle, Basse continue
1
3 Contrebasses
1
Violon, Trompette et Piano
1
2 Violoncelles, Piano
1
Harpe, Quatuor à cordes
1
4 Harpes
1
Harpe et mandoline
1
Harpe (partie séparée)
1
+ 68 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
4 653
Ensemble Jazz
1 352
Orchestre
980
Orchestre à Cordes
829
Ensemble de cuivres
798
Fanfare
361
Orchestre de chambre
337
Cloches
331
Jazz combo
254
Ensemble de Percussions
167
Batterie
112
Batterie (partie séparée)
95
Xylophone
58
Xylophone, Piano
53
Marimba
51
Percussion (partie séparée)
51
Percussion
25
2 Xylophones
21
Vibraphone
17
Ensemble d'École
8
Instrumentation Flexible
5
Xylophone ou Marimba ou Vibraphone
4
Vibraphone et Marimba
3
Orchestre, Violon
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Caisse Claire
2
Piano et Orchestre
2
3 Marimbas
2
Quintette de Cuivres: autres combinaisons
2
Quintette à Vent
1
Big band
1
Marimba ou Xylophone et Piano
1
Marimba et Orgue
1
Marimba, Saxophone (duo)
1
Timbales (partie séparée)
1
Bongos
1
Marimba, Piano (duo)
1
+ 32 instrumentations
Retracter
Autres
Formation musicale - Solfège
4
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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All For One
Orchestre d'harmonie
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4 653 partitions trouvées
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4651
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
#
Orchestre d'harmonie
#
FACILE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
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Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Symbology for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Symbology for Concert Band
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Publ...
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Concert Band - Level 4 - SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Published by Sy Brandon (A0.755270). This composition is inspired by the symbology present in the suits of a deck of cards. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money’s sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A dissonant chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between forces. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again. The score prints on legal size paper and the parts on letter.
$39.99
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Te...
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Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
The Seventh Resolution: Mallets
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Orchestre d'harmonie
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Methodes
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Roland Barrett
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Festival.
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The Seventh Resolution: Mallet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016755_M1 Mallets. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00...
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Concert Band - SKU: AX.00-PC-0016755_M1 Mallets. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016755_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016755_M1). UPC: 038081504513.In the final days of November, as the nights grew longer and the vicious North winds began to pound the embattled city, the kingdom was rapidly nearing its darkest hour. As enemy forces threatened from every side, the exhausted council gathered in the great hall for one final desperate meeting. With all hope waning, with all other options exhausted, and with one last chance to save his people, the king summoned all remaining forces and invoked The Seventh Resolution. A contemporary bold work! (4:30)Concert/Contest; Festival.
$3.00
The Seventh Resolution: E-flat Baritone Saxophone
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Orchestre d'harmonie
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Methodes
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Roland Barrett
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Festival.
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The Seventh Resolution: E-flat
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016755_BTX E-flat Baritone Saxophone. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digi...
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Concert Band - SKU: AX.00-PC-0016755_BTX E-flat Baritone Saxophone. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016755_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016755_BTX). UPC: 038081504513.In the final days of November, as the nights grew longer and the vicious North winds began to pound the embattled city, the kingdom was rapidly nearing its darkest hour. As enemy forces threatened from every side, the exhausted council gathered in the great hall for one final desperate meeting. With all hope waning, with all other options exhausted, and with one last chance to save his people, the king summoned all remaining forces and invoked The Seventh Resolution. A contemporary bold work! (4:30)Concert/Contest; Festival.
$3.00
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Orchestre d'harmonie
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FACILE
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Gregory Fritze
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Sinfonietta - A Symphony in Th
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pa...
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Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
The Seventh Resolution: Baritone T.C.
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Orchestre d'harmonie
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Methodes
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Roland Barrett
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Festival.
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The Seventh Resolution: Barito
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016755_BTC1 Baritone T.C.. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet M...
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Concert Band - SKU: AX.00-PC-0016755_BTC1 Baritone T.C.. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016755_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016755_BTC1). UPC: 038081504513.In the final days of November, as the nights grew longer and the vicious North winds began to pound the embattled city, the kingdom was rapidly nearing its darkest hour. As enemy forces threatened from every side, the exhausted council gathered in the great hall for one final desperate meeting. With all hope waning, with all other options exhausted, and with one last chance to save his people, the king summoned all remaining forces and invoked The Seventh Resolution. A contemporary bold work! (4:30)Concert/Contest; Festival.
$3.00
The Seventh Resolution: Baritone B.C.
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Orchestre d'harmonie
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Methodes
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Roland Barrett
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Festival.
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The Seventh Resolution: Barito
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016755_BBC1 Baritone B.C.. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet M...
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Concert Band - SKU: AX.00-PC-0016755_BBC1 Baritone B.C.. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016755_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016755_BBC1). UPC: 038081504513.In the final days of November, as the nights grew longer and the vicious North winds began to pound the embattled city, the kingdom was rapidly nearing its darkest hour. As enemy forces threatened from every side, the exhausted council gathered in the great hall for one final desperate meeting. With all hope waning, with all other options exhausted, and with one last chance to save his people, the king summoned all remaining forces and invoked The Seventh Resolution. A contemporary bold work! (4:30)Concert/Contest; Festival.
$3.00
The Seventh Resolution: 1st Trombone
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Orchestre d'harmonie
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Methodes
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Roland Barrett
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Festival.
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The Seventh Resolution: 1st Tr
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016755_TN1 1st Trombone. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Mus...
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Concert Band - SKU: AX.00-PC-0016755_TN1 1st Trombone. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016755_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016755_TN1). UPC: 038081504513.In the final days of November, as the nights grew longer and the vicious North winds began to pound the embattled city, the kingdom was rapidly nearing its darkest hour. As enemy forces threatened from every side, the exhausted council gathered in the great hall for one final desperate meeting. With all hope waning, with all other options exhausted, and with one last chance to save his people, the king summoned all remaining forces and invoked The Seventh Resolution. A contemporary bold work! (4:30)Concert/Contest; Festival.
$3.00
The Seventh Resolution: E-flat Alto Saxophone
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Orchestre d'harmonie
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Methodes
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Roland Barrett
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Festival.
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The Seventh Resolution: E-flat
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016755_AX1 E-flat Alto Saxophone. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital ...
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Concert Band - SKU: AX.00-PC-0016755_AX1 E-flat Alto Saxophone. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016755_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016755_AX1). UPC: 038081504513.In the final days of November, as the nights grew longer and the vicious North winds began to pound the embattled city, the kingdom was rapidly nearing its darkest hour. As enemy forces threatened from every side, the exhausted council gathered in the great hall for one final desperate meeting. With all hope waning, with all other options exhausted, and with one last chance to save his people, the king summoned all remaining forces and invoked The Seventh Resolution. A contemporary bold work! (4:30)Concert/Contest; Festival.
$3.00
The Seventh Resolution: B-flat Tenor Saxophone
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Orchestre d'harmonie
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Methodes
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Roland Barrett
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Festival.
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The Seventh Resolution: B-flat
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016755_TX1 B-flat Tenor Saxophone. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital...
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Concert Band - SKU: AX.00-PC-0016755_TX1 B-flat Tenor Saxophone. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016755_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016755_TX1). UPC: 038081504513.In the final days of November, as the nights grew longer and the vicious North winds began to pound the embattled city, the kingdom was rapidly nearing its darkest hour. As enemy forces threatened from every side, the exhausted council gathered in the great hall for one final desperate meeting. With all hope waning, with all other options exhausted, and with one last chance to save his people, the king summoned all remaining forces and invoked The Seventh Resolution. A contemporary bold work! (4:30)Concert/Contest; Festival.
$3.00
Issue 10, Series 3 - The Sage from Strange Myths and Wondrous Images - A Comic Book Chronicle for Co
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 10, Series 3 - The Sage
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886128 Composed by Jason McChristian. Contemporary. Score and parts. 61 pages. Jason Gary McChristian #553001. Publishe...
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Concert Band - Level 4 - SKU: A0.886128 Composed by Jason McChristian. Contemporary. Score and parts. 61 pages. Jason Gary McChristian #553001. Published by Jason Gary McChristian (A0.886128). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The Sage - ...A CALL FOR AID ECHOES ACROSS TIME AND SPACE. KNOWING THE STAKES, THE WISE-ONE PREPARES TO TAKE HER PLACE IN THE CHAOS.
$40.00
Indonesia National Anthem: Indonesia Raya
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Orchestre d'harmonie
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FACILE
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Patriotique
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Wage Rudolf Supratman
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Colin Kirkpatrick
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Part 1 in C (oboe, violin)
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Indonesia National Anthem: Ind
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - SKU: A0.522144 Composed by Wage Rudolf Supratman (1903-1938). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 3...
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Large Ensemble - Level 2 - SKU: A0.522144 Composed by Wage Rudolf Supratman (1903-1938). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 36 pages. Colin Kirkpatrick Publications #3471763. Published by Colin Kirkpatrick Publications (A0.522144). Colin Kirkpatrick’sNational Anthems ExpressINDONESIA: Indonesia RayaThis quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file.Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (oboe, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band).Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn); Part 4 in F (French horn).Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon.Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in pdf files at 1,200 dpi which can produce professional-looking printed copies. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser in the UK. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$6.99
National Anthem (for advanced band)
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Orchestre d'harmonie
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AVANCÉ
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Patriotique
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John Smith/F
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James K
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National Anthem
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James K. Taylor
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.872472 Composed by John Smith/F.S. Key. Arranged by James K. Taylor. Folk,Graduation,Patriotic,Standards. Score and par...
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Concert Band - Level 5 - SKU: A0.872472 Composed by John Smith/F.S. Key. Arranged by James K. Taylor. Folk,Graduation,Patriotic,Standards. Score and parts. 64 pages. James K. Taylor #2852185. Published by James K. Taylor (A0.872472). This advanced version of the NATIONAL ANTHEM has many familiar harmonies and walking bass lines, but I have added a few new musical items I think you will enjoy. For one thing, I put a big emphasis on FLAG WAS SITLL THERE!. You are welcome to use your own percussion parts as the ones I have written (with the exception of the mallets) are pretty much traditional. Instrumentation: picc, flute, oboe, bassoon, clar. 1,2,3, bass clar, alto 1,2, tenor, bari, tpt 1,2,3, horn 1,2,3, trombone 1,2,3, baritone (both TC and BC parts), tuba, mallets, perc (snare, bass drum and crash cym)The MP3 recording was created with the FINALE sounds. Naturally, it does not reproduce MARCATO style unless I input input all quarters as dotted 8ths. Actually, I start the piece CANTABILE and switch to MARCATO at and the rocket's red glare. I never could get the percussion sounds I wanted so I entered the snare roll as individual notes. Thanks.
$30.00
Your Favorite Thanksgiving and Harvest Hymns for Wind Instruments
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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Your Favorite Thanksgiving and
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522168 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Holiday,Praise & Worship,Sacred. Score and parts. ...
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Concert Band - Level 2 - SKU: A0.522168 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Holiday,Praise & Worship,Sacred. Score and parts. 185 pages. Colin Kirkpatrick Publications #4727417. Published by Colin Kirkpatrick Publications (A0.522168). This new collection of Thanksgiving and Harvest hymns contains all your favorites, or at least, most of them. It’s probably all you’ll ever need for thanksgiving and harvest festivals and the arrangements can be used for virtually any combination of wind instruments. This is an essential title for any band library or for any ensembles that are called upon to provide music for schools or churches. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. The score and all the parts are contained in a single PDF file. The following 25 hymns are included: All Creatures of our God and King (Lasst uns Erfreuen); As the Sun doth Daily Rise (Innocents); All Things Bright and Beautiful (Bright and Beautiful); Bringing in the Sheaves (George Minor); Come Ye Thankful People Come (St George’s Windsor); Fair Waved the Golden Corn (Holyrood); Fill your hearts with Joy and Gladness (Ode to Joy); For the Beauty of the Earth (Dix); For the Fruits of His Creation (Ar Hyd y Nos); Glorious Things of Thee are Spoken (Austrian Hymn); Immortal, Invisible (St Denio); Let all Things now Living (Ash Grove); Let us with a Gladsome Mind (Monkland); Now Thank we all Our God (Nun danket); Praise and Thanksgiving (Bunessan); Praise God for the Harvest (Stowey); Praise my Soul the King of Heaven (Lauda anima); Praise to the Lord the Almighty (Lob den herren); Rejoice the Lord is King (Darwall’s 148th); Sing to the Lord of Harvest (Wie lieblich ist der maien); This is my Father’s World (Terra Beata); To thee, O Lord, our Hearts we Raise (Golden Sheaves); We Gather Together (Kremser); We plough the Fields and Scatter (Wir pflügen); Praise God from whom all Blessings Flow (Old Hundredth) The publication consists of a four-staff score for each hymn plus: Part 1 in B flat (clarinet, trumpet, cornet, soprano sax); Part 1 in C (8ve higher for flute, oboe); Part 1 in E flat (alto saxophone, E flat clarinet); Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn); Part 2 in C (8ve higher for flute, oboe); Part 2 in E flat (alto saxophone); Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in E flat (E flat tenor horn, alto saxophone, alto clarinet); Part 3 in F (French horn in F); Part 4 in B flat (B flat bass clarinet, B flat bass); Part 4 in C (bass clef for trombone, bass trombone, bassoon, tuba); Part 4 in E flat (E flat baritone saxophone, E flat bass).
$29.95
Elegy Sentimentale for Concert Band
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Orchestre d'harmonie
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Keith Terrett
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Elegy Sentimentale for Concert
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Keith Terrett
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SheetMusicPlus
Concert Band - SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749).
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Concert Band - SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749). Here at last is my ’’Elegy sentimentale’’ for Concert Band, and an original composition.I hope it makes an excellent piece for amateur and professional bands alike; with some challenging and interesting woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
Air from Rinaldo - "Lascia ch'io pianga" (Handel arr. for flexible ensemble by David Catherwood)
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Orchestre d'harmonie
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FACILE
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Classique
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George Frideric Handel
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David Catherwood
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Air from Rinaldo - "Lasci
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.739395 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Contemporary,Instructional,Wedding. Sc...
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Concert Band - Level 2 - SKU: A0.739395 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Contemporary,Instructional,Wedding. Score and parts. 17 pages. Opus 3 Music #3142059. Published by Opus 3 Music (A0.739395). Air from Rinaldo by Handel (A memorable tune by Handel arranged for young players)This arrangement is suitable for school orchestras and ensembles. The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring and generous supply of parts allows for expansion up to a full symphonic orchestra, concert band or brass band.As with all music available from Opus 3 Music this arrangement has been well tried and tested in performance - In this case in Campbell College where the orchestra of around forty young players use arrangements such as this regularly in Services and concerts in the college.THIS IS ONE OF A SERIES OF PIECES ARRANGED IN THIS FLEXIBLE INSTRUMENTATION AND AS A SPECIAL INTRODUCTION TO THE SERIES IT IS PRICED AT THE MINIMUM PRICE SMP WILL ALLOW OF $1.99 (Regular price for the series is between $9.50 and $15Each set contains a score and a full set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Flute, Oboe 1, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)PercussionÂ
$1.99
Goin' Home For Band (also called Going Home)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak Arranged by Jar
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Antonin Dvorak
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Jari A
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Goin' Home For Band
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JV MUSIC
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.722762 Composed by Antonin Dvorak. Arranged by Jari A. Villanueva. Christian,Contemporary,Patriotic,Romantic Period. Sc...
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Concert Band - Level 3 - SKU: A0.722762 Composed by Antonin Dvorak. Arranged by Jari A. Villanueva. Christian,Contemporary,Patriotic,Romantic Period. Score and parts. 28 pages. JV MUSIC #3904135. Published by JV MUSIC (A0.722762). Goin' Home For Band (also called Going Home)Based on the Largo from the New World Symphony By Antonin Dvorak Arranged by Jari Villanueva ScoreSet of PartsSubstitute part for Baritone TC providedGoin' Home, is based on the Czech composer Antonin Dvorak's famous Largo theme from his Symphony No. 9 (5) (From the New World), Op. 95. His symphony was composed while he was in America and was first performed by the New York Philharmonic at Carnegie Hall on December 16, 1893. It has been said that Dvorak's themes in his symphony were inspired by American folk melodies, especially Afro-American or American Indian. But his themes are just as similar to Bohemian folk music and most likely from that music. This arrangement is based on the one played in the movie Clear and Present Danger by the United States Air Force Band. It has been used at presidential funerals for the departure ceremonies at Andrews Air Force Base for Presidents Reagan, Ford and Bush. It was used in 1998 for the dis-interment ceremony for the Vietnam Unknown at Arlington National Cemetery and is still used today by military bands at Arlington.Jari Villanueva earned a Bachelor of Music Education degree from the Peabody Conservatory of the Johns Hopkins University and a Master of Music from Kent State University, Ohio. He retired from the US Air Force Band in Washington DC where he spent 23 years as a trumpeter, bugler and staff arranger. He started his publishing company JV MUSIC in 1995. A student of Bill Holcombe, he continues writing for different ensembles and his arrangements are played by bands, brass ensembles and brass quintets all over the country.https://youtu.be/hflXQEZtoCk
$40.00
Holy, Holy, Holy - Tune Nicaea by JB Dykes - Flexible ensemble by David Catherwood
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Orchestre d'harmonie
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INTERMÉDIAIRE
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JB Dykes
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David Catherwood
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Holy, Holy, Holy - Tune Nicaea
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.739480 Composed by JB Dykes. Arranged by David Catherwood. Multicultural,Sacred,World. Score and parts. 20 pages. Opus ...
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Concert Band - Level 3 - SKU: A0.739480 Composed by JB Dykes. Arranged by David Catherwood. Multicultural,Sacred,World. Score and parts. 20 pages. Opus 3 Music #5287663. Published by Opus 3 Music (A0.739480). JB Dykes famous hymn tune Nicaea is associated with the wordsHoly, holy, holy Lord God Almighty, Early in the morning our song shall rise to thee...This arrangement will be useful to accompany congregational or choral singing as it is in suitable keys or it can be used as a purely instrumental piece. After a short introduction the tune is presented simply - a key change before the final verse leads to a majestic presentation of the tune with an effective descant. This arrangement is suitable for school orchestras and ensembles as well as more experienced players. The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass bandAs with all music available from Opus 3 Music this arrangement has been well tried and tested in performance - In this case by the Campbell College Orchestra where this orchestra of around forty players use arrangements such as this regularly in Services and concerts in the college.A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Oboe 1, Violin 1)Part 1 in C (Flute)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone 1, Eb Horn 1)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone 2, Eb Horn 2)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)PercussionOrgan/Keyboard
$9.50
When I Survey the Wondrous Cross (Folk Tune - O Waly, Waly) arr. David Catherwood for Flex. ensemble
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Traditional
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David Catherwood
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When I Survey the Wondrous Cro
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.739479 Composed by Traditional. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,World. Score and parts....
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Concert Band - Level 3 - SKU: A0.739479 Composed by Traditional. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,World. Score and parts. 19 pages. Opus 3 Music #5030855. Published by Opus 3 Music (A0.739479). This arrangement of the well loved English Folk song O Waly, Waly will work equally well as an accompaniment for Choirs or Congregations singing When I survey the Wondrous Cross or it may also be used as an effective instrumental item during the Easter period.For secular use the folk song would also work well for smaller groups playing at weddings or other functions.The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass bandAs with all music available from Opus 3 Music this arrangement has been well tried and tested in performanceA full set contains a score and a generous set of parts (with permissionto copy to suit your own requirements) for the following instruments:Part 1 in C (Oboe 1, Violin 1)Part 1 in C (Flute)Part 1 in Bb (Clarinet 1 in Bb, Trumpet/Cornet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet/Cornet 2 in Bb)Part 2 in Eb (Ato Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone/Baritone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb Bb Bass Tuba (treble clef)Extra optional part in Bb (Euphonium (treble clef)PercussionWhen I survey the wondrous crossOn which the Prince of glory diedMy richest gain I count but lossAnd pour contempt on all my pride
$9.50
Before He Cheats
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Carrie Underwood
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David McKeown
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Before He Cheats
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David McKeown
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1272699 By Carrie Underwood. By Chris Tompkins and Josh Kear. Arranged by David McKeown. 21st Century,Country,Pop,Rock,...
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Concert Band - Level 3 - SKU: A0.1272699 By Carrie Underwood. By Chris Tompkins and Josh Kear. Arranged by David McKeown. 21st Century,Country,Pop,Rock,Singer/Songwriter. Score and Parts. 28 pages. David McKeown #864903. Published by David McKeown (A0.1272699). Before he Cheats was a huge crossover hit for Carrie Underwood in 2007, charting long and high on Mainstream and Country US charts and winning Grammies for both the singer and the writers, Josh Kear and Chris Tompkins. This version is a flexible band arrangement scored for Solo Voice along with Rhythm Section, Alto, Tenor and Baritone Saxophones, Trumpet, Trombone, Clarinet, Flute, French Horn and Violin. You will download a single 28 page pdf which combines the full score (in landscape format) with all the separate parts (in portrait). It suits players at an intermediate standard and is guaranteed to be popular with young and old. The arrangement is designed to be flexible as not all instruments need to be present for a convincing performance. Once the rhythm section picks up the shuffle groove the rest of the band will play with confidence. This version is equally ideal for school bands and professional bands looking to add a big hit to their repertoire.The overall performance time is three and a half minutes. Listen to the audio MIDI sample to get an impression of the arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1.
$49.99
Andaluza
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Manuel de Falla
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Robert Myers
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Baritone T.C. 1, 2
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Andaluza
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WheatMyer Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. Whea...
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Concert Band - Level 3 - SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. WheatMyer Music #6621545. Published by WheatMyer Music (A0.976737). Andaluza, taken from Manuel de Falla’s piano suite Cuatro Piezas Españolas, is aimed at the mainstream high school band in the United States at the grade 4 level. Boisterous tuttis, intimate solos, and passionate melodies make for an engaging excursion into Spanish folk music that allows students to explore the adventurous harmonies of de Falla's impressionistic vocabulary. The variety of colors and energy in the modern concert band amplify the life, drama, and humanity de Falla poured into his piano version. Andaluza will thus prove a thrill for both performers and audience as it celebrates this life, drama, and humanity.Soprano Sax is called for on an expressive solo but is fully cued in oboe. The absence of this instrument need not prevent an integral performance of the music.Optional parts are provided for Eb Clarinet, Treble Clef Baritone, and Double Bass for those bands having these available.View a full preview score of Andaluza at my website (wheatmyermusic.com/product/andaluza) or drop an email and I'll provide a pdf of the score for your perusal.Andaluza is the fourth member of Manuel de Falla’s Cuatro Piezas Españolas for solo piano first published in 1909. My imagination runs wild contemplating what may be pictured in de Falla’s music. It certainly seems to be a civic gathering: perhaps a wedding, a baptism, a dedication, or a feast taking place in the civic square of perhaps on a hacienda. There are scenes that may be dancing, speeches, passionate sonnets, arguments, celebrations, all ending in a lingering mysterious question with a tinge of hopefulness. Whatever Falla may have have had in mind it is full of life, drama, and humanity.I first became aware of de Falla’s work, particularly Andaluza, in the summer of 2021 during an online orchestration seminar. Each of Cuatro Piezas’s movements expresses Spanish folk music idioms through an impressionistic lens reflecting Debussy’s influence on de Falla. Andaluza immediately struck me as music that would shine in the realm of the concert band. It was a joy to explore de Falla’s music, transforming the implications of the piano stylings into the nuances and colors available to the modern wind ensemble. It was just as much if not more challenging to develop this arrangement than creating my own original music typically proves to be. But it was so rewarding to have done so and I hope you find the rewards of listening just as much worth your effort.Robert MyersS.D.G.INSTRUMENTATION:PiccoloFlute 1, 2OboeBassoon 1,2Bb Clarinet 1, 2Bb Bass ClarinetBb Soprano SaxophoneEb Alto Saxophone 1, 2Bb Tenor SaxophoneEb Baritone SaxophoneBb Trumpet 1, 2, 3Horn in F 1, 2, 3, 4Trombone 1, 2Bass TromboneEuphonium TubaTimpani (4) Mallets: Xylophone, Glockenspiel, Vibraphone, MarimbaPercussion 1: Almglocken/Cowbell, Suspended Cymbal, Marimba, Snare Drum, Glockenspiel, Triangle, XylophonePercussion 2: Hand Cymbals, Suspended Cymbals, Snare Drum, Bongos, Mark TreePercussion 3: Tambourine, Castanets, Hand Cymbals, Rainstick, Gong, Tam, TamPercussion 4: Bass Drum, Suspended Cymbal, Gong, Tam Tam, WoodblocksOptional Parts: Eb Clarinet; Baritone T.C. 1, 2; Double Bass
$75.00
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