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ACCORDEON
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AUTOHARPE
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CHORALE - CHAN…
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1
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33
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16
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16
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13
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6
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5
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5
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1
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1
Flûte, Alto et Piano
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Trombone et Piano
18
Euphonium, Piano (duo)
17
Cor anglais, Piano
16
Cor et Piano
14
Quatuor de Cuivres
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Trompette
9
Trompette, Piano
8
Ensemble de Trombones
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Ensemble de Trompettes
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Ensemble de Cors
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 trombones
4
2 Trombones (duo)
3
2 Trompettes (duo)
3
Trompette, Trombone (duo)
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Quatuor de cuivres: 4 cors
3
Cor
3
Trombone
2
Tuba et Piano
2
2 Tubas (duo)
1
Bass Clef Instruments
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2 Cors (duo)
1
Ensemble de Tubas
1
2 Euphoniums (duo)
1
Trompette, Cor (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
71
Violon et Piano
66
Violoncelle, Piano
40
Trio à Cordes: violon, alto, violoncelle
30
Alto, Piano
28
Violon
18
2 Violons (duo)
17
Harpe
11
Violon, Violoncelle (duo)
10
2 Violoncelles (duo)
8
Violon, Alto (duo)
8
Alto seul
7
Violon, Guitare (duo)
6
Violoncelle
5
2 Altos (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Piano Trio: Violon, Alto, Piano
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Contrebasse, Piano (duo)
1
Violon, Orgue
1
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 violins
1
Ensemble d'Altos
1
Trio à cordes: 3 altos
1
Violon, Basse continue
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
4 Violoncelles
1
Ensemble de Violons
1
Quatuor à cordes : 4 altos
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
59
Orchestre à Cordes
58
Orchestre de chambre
39
Marimba
17
Ensemble de cuivres
14
Orchestre
14
Ensemble Jazz
4
Vibraphone
2
Fanfare
1
Ensemble de Percussions
1
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AUTRES
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And He Died
Orchestre d'harmonie
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National Anthem of the Faroe Islands: Mítt alfagra land
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.522166 Composed by Petur Alberg (…
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Concert Band - Level 2 - Digital Download SKU: A0.522166 Composed by Petur Alberg (1885-1940). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 31 pages. Colin Kirkpatrick Publications #4295401. Published by Colin Kirkpatrick Publications (A0.522166). This quick and easy national anthem arrangement is essential for traveling musicians,bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band,clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!This arrangement is in five independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a two-page score with five instrumental staves (including timpani) and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file.Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute,oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in British-style brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin, oboe); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone,bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium,bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn).Part 5 in B flat (bass clarinet, B flat tuba); Part 5 in E flat (baritone sax, E flat tuba); Part 5 in C (bass clef for trombone, euphonium, bassoon, tuba, double bass. There’s also apart for timpani, percussion (3 players) and a piano reduction.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$9.99
9.01 €
#
Orchestre d'harmonie
#
Petur Alberg
#
Colin Kirkpatrick
#
National Anthem of the Faroe Islands: Mítt alfagra land
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Elegy for Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.939469 Composed by Ivan Levyc'kyj…
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Concert Band - Level 3 - Digital Download SKU: A0.939469 Composed by Ivan Levyc'kyj. Arranged by David Hawkins. 20th Century,Contemporary,World. Score and parts. 31 pages. David Hawkins #3553737. Published by David Hawkins (A0.939469). Elegy was originally written for violin and piano by Ivan Levyc’kyj (1875-1938). Ivan Levyckyj (Levytskyj) was born in Luka Mala near Ternopil, West Ukraine. He was a musician, violin teacher and amateur composer. He studied violin at the Lviv Conservatory and composition in Vienna, writing about 19 music miniatures for violin and piano. He died in Lviv in 1938.In memory of the Holodomor, the Ukrainian Genocide of 1932-33.
$49.99
45.09 €
#
Orchestre d'harmonie
#
Ivan Levyc'kyj
#
David Hawkins
#
Elegy for Band
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David Hawkins
#
SheetMusicPlus
Republic of Iceland National Anthem: Lofsöngur
Orchestre d'harmonie
Large Ensemble - Level 2 - Digital Download SKU: A0.522133 Composed by Sveinbjör…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522133 Composed by Sveinbjörn Sveinbjörnsson (1847-1926). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3455007. Published by Colin Kirkpatrick Publications (A0.522133). REPUBLIC OF ICELAND: Lofsöngur (Song of Praise) This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a three-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in pdf files at 1,200 dpi which can produce professional-looking printed copies. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$6.99
6.31 €
#
Orchestre d'harmonie
#
Sveinbjörn Sveinbjörnsson
#
Colin Kirkpatrick
#
Republic of Iceland National Anthem: Lofsöngur
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Estonia National Anthem: Mu Isamaa (My Fatherland)
Orchestre d'harmonie
Large Ensemble - Level 2 - Digital Download SKU: A0.522128 Composed by Fredrik Paci…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522128 Composed by Fredrik Pacius (1809 - 1891). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 35 pages. Colin Kirkpatrick Publications #3382783. Published by Colin Kirkpatrick Publications (A0.522128). Colin Kirkpatrick’s National Anthems Express ESTONIA: Mu Isamaa This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a two-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$4.99
4.5 €
#
Orchestre d'harmonie
#
Fredrik Pacius
#
Colin Kirkpatrick
#
Estonia National Anthem: Mu Isamaa
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Andante (from Prince Igor): (wp) 1st B-flat Trombone T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014921_WPTN1TC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0014921_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Alexander Borodin. Arranged by Jack Bullock. Classical. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014921_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014921_WPTN1TC). UPC: 038081419831.Alexander Borodin (1833--1887) was a well-known Russian composer, particularly for his opera, Prince Igor. Borodin was in the middle of composing the piece when he suddenly died. Rimsky-Korsakov and another Russian composer, Alexander Glazanov, completed the unfinished score and the opera had its debut in November of 1890. During the overture prelude, a beautiful flowing melody from Act III, entitled Andante, is an emotional addition to the young band literature. Most musical! This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.71 €
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Orchestre d'harmonie
#
Alexander Borodin
#
Jack Bullock
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Festival.
#
Andante
#
Alfred Music - Digital Sheet Music
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SheetMusicPlus
Andante (from Prince Igor): (wp) B-flat Tuba B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014921_WPTBBBC (wp) B-flat Tuba B…
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Concert Band - Digital Download SKU: AX.00-PC-0014921_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Alexander Borodin. Arranged by Jack Bullock. Classical. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014921_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014921_WPTBBBC). UPC: 038081419831.Alexander Borodin (1833--1887) was a well-known Russian composer, particularly for his opera, Prince Igor. Borodin was in the middle of composing the piece when he suddenly died. Rimsky-Korsakov and another Russian composer, Alexander Glazanov, completed the unfinished score and the opera had its debut in November of 1890. During the overture prelude, a beautiful flowing melody from Act III, entitled Andante, is an emotional addition to the young band literature. Most musical! This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.71 €
#
Orchestre d'harmonie
#
Alexander Borodin
#
Jack Bullock
#
Festival.
#
Andante
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Andante (from Prince Igor): (wp) 1st Horn in E-flat
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014921_WPEH1 (wp) 1st Horn in E-f…
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Concert Band - Digital Download SKU: AX.00-PC-0014921_WPEH1 (wp) 1st Horn in E-flat. Composed by Alexander Borodin. Arranged by Jack Bullock. Classical. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014921_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014921_WPEH1). UPC: 038081419831.Alexander Borodin (1833--1887) was a well-known Russian composer, particularly for his opera, Prince Igor. Borodin was in the middle of composing the piece when he suddenly died. Rimsky-Korsakov and another Russian composer, Alexander Glazanov, completed the unfinished score and the opera had its debut in November of 1890. During the overture prelude, a beautiful flowing melody from Act III, entitled Andante, is an emotional addition to the young band literature. Most musical! This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.71 €
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Orchestre d'harmonie
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Alexander Borodin
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Jack Bullock
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Festival.
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Andante
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Andante (from Prince Igor): (wp) B-flat Tuba T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014921_WPTBBTC (wp) B-flat Tuba T…
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Concert Band - Digital Download SKU: AX.00-PC-0014921_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Alexander Borodin. Arranged by Jack Bullock. Classical. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014921_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014921_WPTBBTC). UPC: 038081419831.Alexander Borodin (1833--1887) was a well-known Russian composer, particularly for his opera, Prince Igor. Borodin was in the middle of composing the piece when he suddenly died. Rimsky-Korsakov and another Russian composer, Alexander Glazanov, completed the unfinished score and the opera had its debut in November of 1890. During the overture prelude, a beautiful flowing melody from Act III, entitled Andante, is an emotional addition to the young band literature. Most musical! This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.71 €
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Orchestre d'harmonie
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Alexander Borodin
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Jack Bullock
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Festival.
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Andante
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Andante (from Prince Igor): (wp) Baritone T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014921_WPBTC1 (wp) Baritone T.C.
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Concert Band - Digital Download SKU: AX.00-PC-0014921_WPBTC1 (wp) Baritone T.C.. Composed by Alexander Borodin. Arranged by Jack Bullock. Classical. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014921_wpBTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014921_WPBTC1). UPC: 038081419831.Alexander Borodin (1833--1887) was a well-known Russian composer, particularly for his opera, Prince Igor. Borodin was in the middle of composing the piece when he suddenly died. Rimsky-Korsakov and another Russian composer, Alexander Glazanov, completed the unfinished score and the opera had its debut in November of 1890. During the overture prelude, a beautiful flowing melody from Act III, entitled Andante, is an emotional addition to the young band literature. Most musical! This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.71 €
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Orchestre d'harmonie
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Alexander Borodin
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Jack Bullock
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Festival.
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Andante
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Andante (from Prince Igor): (wp) B-flat Baritone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014921_WPBBBC (wp) B-flat Bariton…
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Concert Band - Digital Download SKU: AX.00-PC-0014921_WPBBBC (wp) B-flat Baritone B.C.. Composed by Alexander Borodin. Arranged by Jack Bullock. Classical. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014921_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014921_WPBBBC). UPC: 038081419831.Alexander Borodin (1833--1887) was a well-known Russian composer, particularly for his opera, Prince Igor. Borodin was in the middle of composing the piece when he suddenly died. Rimsky-Korsakov and another Russian composer, Alexander Glazanov, completed the unfinished score and the opera had its debut in November of 1890. During the overture prelude, a beautiful flowing melody from Act III, entitled Andante, is an emotional addition to the young band literature. Most musical! This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.71 €
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Orchestre d'harmonie
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Alexander Borodin
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Jack Bullock
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Festival.
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Andante
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Andorra National Anthem: Himne Andorra
Orchestre d'harmonie
Large Ensemble - Level 3 - Digital Download SKU: A0.522106 Composed by Father Enric…
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Large Ensemble - Level 3 - Digital Download SKU: A0.522106 Composed by Father Enric Marfany Bons (1871-1942). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 35 pages. Colin Kirkpatrick Publications #3362511. Published by Colin Kirkpatrick Publications (A0.522106). Colin Kirkpatrick’s National Anthems Express ANDORRA: Himne Andorra This quick and easy national anthem arrangement is essential for travelling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a three-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in pdf files at 1,200 dpi which can produce professional-looking printed copies on US letter-size paper. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$5.99
5.4 €
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Orchestre d'harmonie
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Father Enric Marfany Bons
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Colin Kirkpatrick
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Andorra National Anthem: Himne Andorra
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Colin Kirkpatrick Publications
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SheetMusicPlus
Amazing Grace (And Then Some)
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.733028 Composed by Marc Oliver. Arranged by…
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Concert Band - Digital Download SKU: A0.733028 Composed by Marc Oliver. Arranged by Ayotte Custom Musical Engravings. Praise & Worship,Sacred,Spiritual. Score and parts. 42 pages. Ayotte Custom Musical Engravings #2347283. Published by Ayotte Custom Musical Engravings (A0.733028). Almost everybody and his mother on the Planet have written their own arrangements of Amazing Grace so I guess I should not be the exception. Amazing Grace (And Then some) is written for Solo Tuba, accompanied by a wind band. I was inspired to write this chart by a young man named Brandon Jones who lives in the Mobile, Alabama area. He was about 20 years old at the time of this writing (in 2012). He wanted to dedicate it to his father who had died when Brandon was about 4 or 5 years old. My arrangement of Amazing Grace (And Then Some) is not just another theme and variations type of work. Instead, I have interwoven two additional hymns (Praise to the Lord, the Almighty and I Will Sing of My Redeemer) in order to break up the monotony of just the one hymn (hence the subtitle And Then Some) Oh, did I mention that Brandon plays a C tuba that was passed down from his father?
$49.99
45.09 €
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Orchestre d'harmonie
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Marc Oliver
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Amazing Grace
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Coleridge-Taylor Danse Negre from the African Suite Op. 34, No. 4 transcribed for Concert Band by Mi
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.733220 Composed by Samuel Coleridge-Taylor.…
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Concert Band - Digital Download SKU: A0.733220 Composed by Samuel Coleridge-Taylor. Arranged by Michael Shaw. Romantic Period. Score and parts. 161 pages. Ayotte Custom Musical Engravings #6341569. Published by Ayotte Custom Musical Engravings (A0.733220). Samuel Coleridge-Taylor was born in Holborn, London on August 15, 1875 and died from pneumonia at the age of 37 in Croy- don, England on September 1, 1912. At an early age his grandfather began teaching him how to play the violin. His musical ability was obvious and at the age of 15, his extended family arranged for Taylor to study at the Royal College of Music. While at RCM he changed from violin to composition, working under professor Charles Villiers Stanford. His classmates included Ralph Vaughan Williams and Gustav Holst. He was later helped by Edward Elgar in 1898, who described Coleridge-Taylor as far and away the cleverest fellow going amongst the young men. By 1896, Coleridge-Taylor was earning a reputation as a composer and was also accepted as an excellent conductor. In 1898 at the age of 23 he composed the African Suite. Danse Nègre is the last of the four movements that make up the African Suite, Op. 35 (proceeded by Introduction, A Negro Love Song, and Valse). Coleridge-Taylor saw it as his mission in life to help establish the dignity of the black man. He was greatly influenced by black American poet P. L. Dunbar. He made three successful visits to the United States to great acclaim. In 1904, on his first USA tour he was received by President Theodore Roosevelt at the White House. Above all, though, Samuel Coleridge-Taylor was known as a man of great dignity and patience.
$79.99
72.15 €
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Orchestre d'harmonie
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1896, Coleridge-Taylor was earning a reputation as a composer and was also accepted as an excellent conductor
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Samuel Coleridge-Taylor
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Michael Shaw
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Coleridge-Taylor Danse Negre from the African Suite Op. 34, No. 4 transcribed for Concert Band by Mi
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.25 €
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Orchestre d'harmonie
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.25 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
43.25 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
Grieg: Funeral March for Rikhard Nordraak (Grieg's Military Band version)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.768480 Composed by Edvard Grieg. …
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Concert Band - Level 3 - Digital Download SKU: A0.768480 Composed by Edvard Grieg. Arranged by Roar Kvam. Romantic Period. Score and parts. 53 pages. KVAMusic Edition #33841. Published by KVAMusic Edition (A0.768480). Edvard Grieg composed his Funeral March in Memory of Rikard Nordraak in 1866, in honour of his friend and fellow Norwegian composer Rikard Nordraak, who had died in March of that year at the age of 23. Grieg deeply respected his fellow musician and took no delay in producing the work. The march was originally written as a piano piece in A minor; Grieg also produced transcriptions of it for brass choir and wind band, in Bâ™ minor. Grieg valued the work greatly, bringing it along on all of his travels. In one letter he made it clear that he wished the piece to be played at his own funeral, as best as possible. It was played, in an orchestration by Grieg's friend and colleague Johan Halvorsen. This edition follows Grieg's own instrumentation but in a modern transposisition for the piccolo, flutes, trumpets, horns and trombones.
$54.00
48.71 €
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Orchestre d'harmonie
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Edvard Grieg
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Roar Kvam
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Grieg: Funeral March for Rikhard Nordraak
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KVAMusic Edition
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SheetMusicPlus
Meditation
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1385649 Composed by John Ireland.…
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Concert Band - Level 4 - Digital Download SKU: A0.1385649 Composed by John Ireland. Arranged by John Ivor Holland. 20th Century,Christian,Classical,Religious. 82 pages. John Ivor Holland #969580. Published by John Ivor Holland (A0.1385649). John Ireland studied piano with Frederick Cliffe and composition with Charles Villers Stanford at the Royal College of Music in London, where he himself taught between 1923 and 1939, his pupils including Benjamin Britten. He worked as organist and choirmaster at St Luke's Chelsea between 1904 and 1926, while developing his career as a composer. Ireland retired in 1953, settling in the hamlet of Rock in Sussex, where he lived in a converted windmill for the rest of his life. It was there he met the young pianist Alan Rowlands who would be Ireland's choice to record his complete piano music.He died of heart failure aged 82 at Rock Mill in Washington, Sussex, and is buried at St. Mary the Virgin in Shipley, near his home. His epitaph reads Many waters cannot quench love and One of God's noblest works lies here. His organ music belongs largely to the early years of his composing career (1902-1911), however, the 'Meditation' on John Keble's Rogationtide Hymn was written in 1958, and was his very last composition. Arranged for concert band, including parts for string bass and contrabass woodwind, as well as attractive moments for Cor Anglais.
$59.99
54.11 €
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Orchestre d'harmonie
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John Ireland
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John Ivor Holland
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Meditation
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John Ivor Holland
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SheetMusicPlus
Gortnamona is an Irish song - Concert Band by Jim Goodman
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.1021404 Composed by Percy French. Arranged …
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Concert Band - Digital Download SKU: A0.1021404 Composed by Percy French. Arranged by Jim Goodman. Celtic,Folk. Score and parts. 8 pages. Jim Goodman Music #5987305. Published by Jim Goodman Music (A0.1021404). Percy French was an artist, writer and entertainer who died in 1910. He attended Foyle College Derry and this arrangement by Jim Goodman for Concert Band was written in his honour.
$10.00
9.02 €
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Orchestre d'harmonie
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Percy French
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Jim Goodman
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Gortnamona is an Irish song - Concert Band by Jim Goodman
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Jim Goodman Music
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SheetMusicPlus
Golden Helmet Of Cortez
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.870372 Composed by Randy A. Stein…
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Concert Band - Level 3 - Digital Download SKU: A0.870372 Composed by Randy A. Steinberg. Contemporary,Latin. Score and parts. 156 pages. Randy A. Steinberg #1885815. Published by Randy A. Steinberg (A0.870372). Born in 1485, Hernando Cortez was a Spanish adventurer rewarded for his courage and skills in battle. In the spring of 1519 with 11 ships and 700 men, he landed on the newly discovered gulf coast of Mexico looking for gold that was rumored to be found there. To ensure that none of his men deserted him, he burned all except one of his fleet of ships. He quickly conquered the Aztec empire and its emperor Montezuma. There, he eventually killed Montezuma and seized the gold and treasure that had belonged to the Aztecs for centuries. By the end of 1520, he had won Mexico for Spain and put it under Spanish rule. As a reward, King Charles V of Spain made him governor and captain general of Mexico. He died in Seville, Spain in 1536. Although Cortez’ aims were for conquest and gold – many which resulted in suffering and misery for the Aztecs, there were interesting cultural side effects as Spain ruled Mexico. Ancient Indian folk tunes and ceremonial music were suddenly intermixed with the higher culture of the baroque and renaissance music from Spain. Much of what we now know of today in the way of Latin styles of music owes its roots to the invasion of Cortez and culture changes he inadvertently brought with him. The Golden Helmet Of Cortez musically commemorates the story of Cortez as he landed in Mexico on that spring day in 1519. The piece is a compilation of many Latin and Mexican musical styles. Some of these are light in style, others evoke the battles that took place. These are all brought together in an exciting programmatic style to be enjoyed by all. 2016 Arrangement New Release.
$24.99
22.54 €
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Orchestre d'harmonie
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the end of 1520, he had won Mexico for Spain and put it under Spanish rule
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Randy A
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Golden Helmet Of Cortez
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Randy A. Steinberg
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SheetMusicPlus
I Want It All
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1430294 By Queen. By Brian May, F…
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Concert Band - Level 3 - Digital Download SKU: A0.1430294 By Queen. By Brian May, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Lorenzo Bocci. Pop,Rock. 105 pages. Lorenzo Bocci #1010936. Published by Lorenzo Bocci (A0.1430294). I WANT IT ALL performed by Queenfor Concert Band - Grade 3 - Digital Download Composed by John Deacon, Roger Taylor, Brian May, Freddie Mercury. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 3'57''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Shaker), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.I Want It All is a song by British rock band Queen, featured on their 1989 studio album, The Miracle. Written by guitarist and vocalist Brian May (but credited to Queen) it was released as the first single from the album on 2 May 1989. I Want It All reached number three on the singles charts of the United Kingdom, Finland, Ireland and New Zealand, as well as on the US Billboard Album Rock Tracks chart. The song was first played live on 20 April 1992, three years after its release, during The Freddie Mercury Tribute Concert, performed by the three remaining members of Queen, with Roger Daltrey of The Who singing lead vocals and Tony Iommi of Black Sabbath playing rhythm guitar. Freddie Mercury himself never performed the song live, as he died in November 1991 from AIDS at the age of 45, and his final performance with Queen was at the end of The Magic Tour, at Knebworth Park on 9 August 1986. Subscribe to my YouTube Channel to stay updated on new releases.
$99.00
89.3 €
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Orchestre d'harmonie
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Queen
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John Deacon, Roger Taylor, Brian May, Freddie Mercury
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Lorenzo Bocci
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I Want It All
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Lorenzo Bocci
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SheetMusicPlus
In A Chinese Temple Garden
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1433990 By Albert Ketelbey. By Al…
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Concert Band - Level 4 - Digital Download SKU: A0.1433990 By Albert Ketelbey. By Albert Ketelbey. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. 85 pages. John Ivor Holland #1014221. Published by John Ivor Holland (A0.1433990). Albert William Ketèlbey (1875-1959) was an English composer, conductor and pianist, best known for his short pieces of light orchestral music. He was born in Birmingham and moved to London in 1889 to study at Trinity College of Music. After a brilliant studentship he did not pursue the classical career predicted for him, becoming musical director of the Vaudeville Theatre before gaining fame as a composer of light music and as a conductor of his own works. One of his earliest works in the genre, 'In a Monastery Garden' (1915), sold over a million copies and brought him to widespread notice; his later musical depictions of exotic scenes caught the public imagination and established his fortune. Such works as 'In a Persian Market' (1920), 'In a Chinese Temple-Garden' (1923), and 'In the Mystic Land of Egypt' (1931) became best-sellers in print and on records; by the late 1920s he was Britain's first millionaire composer. Ketèlbey's popularity began to wane during the Second World War and his originality also declined; many of his post-war works were re-workings of older pieces and he increasingly found his music ignored by the BBC. In 1949 he moved to the Isle of Wight, where he spent his retirement, and he died at home in obscurity. On the last night of the 2009 Proms season, the orchestra performed his 'In a Monastery Garden', marking the fiftieth anniversary of Ketèlbey's death—the first time his music had been included in the festival's finale. This arrangement of 'In a Chinese Temple-Garden' has been created with the modern concert band in mind and is sensitively cross-cued for smaller ensembles.
$69.99
63.13 €
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Orchestre d'harmonie
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Albert Ketelbey
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John Ivor Holland
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In A Chinese Temple Garden
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John Ivor Holland
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SheetMusicPlus
Marche Lorraine
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.733026 Composed by Gustave Louis …
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Concert Band - Level 4 - Digital Download SKU: A0.733026 Composed by Gustave Louis Ganne. Arranged by Marc Oliver. 20th Century. Score and parts. 75 pages. Ayotte Custom Musical Engravings #2347279. Published by Ayotte Custom Musical Engravings (A0.733026). Gustave Louis Ganne was one of the leading composers of light music in France during his lifetime. As a young man he enrolled at the Paris Conservatory and while there Ganne studied composition with Jules Massenet and organ with Cesar Franck. Soon after leaving the conservatory Ganne made a name for himself with his compositions: marches waltzes mazurkas and many other types of music. He is best remembered for his theatrical works first his ballets and later the operettas. Ganne was also a highly competent conductor in the theaters of Paris and later in Monte Carlo. In Monte Carlo he established a series of extremely popular orchestral presentations known as Les Concerts de Louis Ganne. In 1901 he was elected president of the Societ des Auteurs Compositeurs et Editeurs de Musique. The French government later presented him with the Legion of Honor with extra orders. Ganne was loved and admired by those who knew him because of his character and prodigious talent. He died in Paris on July 13 (or 14) 1923. Marche Lorraine is one of Gustav Louis Gannes most well loved marches. It radiates a luminous sophisticated elegance. This march has played an important historic role in France and the Alsace Lorraine area.
$59.99
54.11 €
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Orchestre d'harmonie
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Gustave Louis Ganne
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Marc Oliver
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Marche Lorraine
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Sinfonia Venezia - Pasquale Anfossi (1727 - 1797) - Primo Tempo (First part)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.896391 Composed by Pasquale Anfos…
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Concert Band - Level 3 - Digital Download SKU: A0.896391 Composed by Pasquale Anfossi (Taggia 1727 - Rome 1797). Arranged by Fabrizio Brezzo. Baroque. Score and parts. 19 pages. Fabrizio Brezzo #4633087. Published by Fabrizio Brezzo (A0.896391). Pasquale Anfossi (5 April 1727 – February 1797) was an Italian opera composer. Born in Taggia, Liguria, he studied with Niccolò Piccinni and Antonio Sacchini, and worked mainly in London, Venice and Rome.He wrote more than 80 operas, both opera seria and opera buffa, although he concentrated on church music, especially oratorios, during his last years. Anfossi died in Rome in 1797.As an operatic composer, Anfossi remained forgotten for a long time, despite his great popularity with his contemporaries, because his works were overshadowed by those of Salieri, Rossini and Mozart. Nevertheless, Johann Wolfgang von Goethe staged Anfossi's farsetta La maga Circe (Circe, the Sorceress) in his role as the theatre director of Weimar. He adapted the libretto with Christian August Vulpius and also made plans for a continuation, which never came to bear.Only in the last 20 years has Anfossi's work been appreciated anew, through diverse productions such as Giuseppe riconosciuto. His work was featured at the 2005 Salzburg Summer Festival.Fabrizio Brezzo, this arranger, lives in Taggia, the town where Anfossi was born.In the second half of this symphony, you can hear the theme that Mozart used, 9 years later, for his Confutatis maledictis of the requiem mass.
$8.50
7.67 €
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Orchestre d'harmonie
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Pasquale Anfossi
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Fabrizio Brezzo
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Sinfonia Venezia - Pasquale Anfossi
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Fabrizio Brezzo
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SheetMusicPlus
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