Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
As It Was - Piano Accompaniment
Non classifié
272
Piano & claviers
Instruments en Do
5
Orgue
5
Clavecin
1
Guitares
Guitare
16
Guitare notes et tablatures
9
Ukulele
7
2 Guitares (duo)
4
Dulcimer
2
Mandoline
2
Ensemble de guitares
2
Mandoline, Guitare (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
42
Chorale 3 parties
9
Chorale Unison
7
Chorale TTBB
7
Chorale SSAA
7
Chorale 2 parties
3
Chorale SSAATTBB
1
Voix duo
1
+ 3 instrumentations
Retracter
Vents
2 Saxophones (duo)
37
Quintette de Saxophone: 5 saxophones
36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Ensemble de saxophones
24
Saxophone, Clarinette (duo)
17
2 Clarinettes (duo)
17
Flûte, Hautbois, Clarinette, Basson
16
Quatuor de Saxophones: 4 saxophones
16
2 Flûtes traversières (duo)
16
Clarinette, Violon (duo)
12
Ensemble de Clarinettes
12
Clarinette, Trompette (duo)
10
2 Hautbois (duo)
9
Flûte traversière
7
Clarinette et Alto
6
Flûte, Clarinette (duo)
6
Hautbois, Clarinette (duo)
6
Ensemble de Flûtes
6
Flûte, Trompette (duo)
6
Flûte, Saxophone (duo)
5
Flûte, Violon
5
Hautbois, Basson (duo)
5
Hautbois, Flûte
5
Saxophone Alto
4
Hautbois (partie séparée)
4
Quintette de Flûte : 5 flûtes
4
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Alto (duo)
3
Flûte et Guitare
3
3 Saxophones (trio)
2
Saxophone (partie séparée)
2
Flute (partie séparée)
2
Clarinette
2
3 Clarinettes (trio)
2
Saxophone Tenor
2
Quatuor de Clarinettes: 4 clarinettes
1
Piccolo
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Guitare (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
2 Cors Anglais Et Pianoforte
1
Trio de Flûtes: 3 flûtes
1
Flute, harpe et violon
1
+ 38 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Quatuor de Cuivres
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Trompette, Saxophone (duo)
12
Ensemble de Trombones
9
2 Trombones (duo)
8
Trompette, Trombone (duo)
8
2 Trompettes (duo)
7
Cor
7
Trompette
6
Ensemble de Trompettes
5
2 Cors (duo)
3
Quatuor de cuivres: 4 cors
3
Trombone
3
Trompette (partie séparée)
2
Ensemble de Cors
1
Trombone, Orgue
1
Trombone basse
1
Cor et Orgue
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
2 Euphoniums (duo)
1
2 Cors Anglais Et Pianoforte
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Violon
10
Violoncelle
10
2 Violoncelles (duo)
9
2 Violons (duo)
9
Violon, Violoncelle (duo)
8
Violon, Alto (duo)
7
2 Altos (duo)
7
Harpe
6
Trio à Cordes: violon, alto, violoncelle
5
Ensemble de Violons
5
Ensemble d'Altos
5
Trio à Cordes: 2 violons, violoncelle
4
Contre Basse
3
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 violins
2
Alto (partie séparée)
2
Alto seul
2
Quatuor à cordes: 4 violons
1
2 Contrebasses (duo)
1
Alto, Guitare (duo)
1
Harpe, Flûte (duo)
1
Violoncelle, Basse continue
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
38
Orchestre
18
Ensemble de cuivres
16
Orchestre à Cordes
11
Orchestre de chambre
7
Ensemble de Percussions
4
Ensemble Jazz
4
Cloches
4
Jazz combo
2
Batterie
2
Vibraphone
1
+ 6 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
225
Partitions Numériques
38
Librairie Musicale
180
Matériel de Musique
15
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
As It Was - Piano Accompaniment
Orchestre d'harmonie
Partitions à imprimer
38 partitions trouvées
<
1
26
Yemanya (for Symphonic Band)
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Becca Schack
#
Yemanya
#
Ingenue Music
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1028006 Composed by Becca Schack. 20th Century,Contemporary,Jazz. Score and parts. 123 pages. Ingenue Music #3140879. P...
(+)
Concert Band - Level 4 - SKU: A0.1028006 Composed by Becca Schack. 20th Century,Contemporary,Jazz. Score and parts. 123 pages. Ingenue Music #3140879. Published by Ingenue Music (A0.1028006). Commissioned by the International School Of Luxembourg (ISL). Premiered in Luxembourg, in December 2010, conducted by Dimosthenis Dimitrakoulakos.Program Notes:This piece is named for Yemanya (pronounced Yeh-MAHN-jah or Yeh-MAHN-jee), the Brazilian/African nurturing mother goddess of the ocean. She's known as a protector, supplier, and one who grants wishes. Every December 31st, Brazilians celebrate Yemanya by casting white flowers and miniature boats into the sea. If Yemanya grants your wish, her waves will swallow the boat and if she denies the wish the boat will wash up on shore. Yemanya teaches us to dive in at the very moment of golden opportunity, to enjoy the rhythms of life, and to allow all doubts to be washed away. The fluid, oceanic themes of the instruments represent the flow of the water and magic of Yemanya. The piece starts off with a soft wind chime accompanied by gong/tam-tam. Then the vibraphone enters mysteriously as the main theme that drives the whole piece as it subtly changes. The double bass creates a rhythmic pulse beneath the other sections. The gentle melodies in the flute dance around jazzy articulations in the trumpets and saxophones. There's an interplay of Afro-Cuban beats in the marimba and a bossa nova rhythm between the temple blocks and xylophone. Throughout the piece I have tried to capture the water's motion and the ever-changing face of the sea. As the vibraphone returns to the original melody, we are reminded of Yemanya's eternal beauty and peaceful nature.
$60.00
Sans Day Carol (Now The Holly Bears The Berry) - Concert Band PDF
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Noël
#
Traditional Cornish Tune
#
Brendan Elliget MAGA 537
#
Sans Day Carol
#
BJE Music
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750993 Composed by Traditional Cornish Tune. Arranged by Brendan Elliget MAGA 537. Christmas. Score and parts. 40 pages...
(+)
Concert Band - Level 3 - SKU: A0.750993 Composed by Traditional Cornish Tune. Arranged by Brendan Elliget MAGA 537. Christmas. Score and parts. 40 pages. BJE Music #6038757. Published by BJE Music (A0.750993). The Sans Day Carol or St. Day Carol is one of the many Cornish Christmas carols written in the 19th century. This carol and its melody were first transcribed from the singing of Thomas Beard, a villager in St Day in the parish of Gwennap, Cornwall. The fourth verse is a translation from the Cornish version, Ma gron war'n gelln. The lyrics of Now the holly bears a berry, the text most associated with the Sans Day Carol.The arrangement here is for full Concert Band - which could be used as an accompaniment to the singing of the traditional words.Grade = 3 Duration = 3:25 minsThe lyricsNow the holly bears a berry as white as the milk, And Mary bore Jesus, all wrapped up in silk, And Mary bore Jesus Christ our Saviour for to be, And the first tree in the greenwood, it was the holly. Holly! Holly!And the first tree in the greenwood, it was the holly! Now the holly bears a berry as green as the grass, And Mary bore Jesus, who died on the cross, And Mary bore Jesus Christ our Saviour for to be, And the first tree in the greenwood, it was the holly. Holly! Holly!And the first tree in the greenwood, it was the holly! Now the holly bears a berry as black as the coal, And Mary bore Jesus, who died for us all, And Mary bore Jesus Christ our Saviour for to be, And the first tree in the greenwood, it was the holly. Holly! Holly!And the first tree in the greenwood, it was the holly! Now the holly bears a berry as blood is it red, And Mary bore Jesus who rose from the dead, And Mary bore Jesus Christ our Saviour for to be, And the first tree in the greenwood, it was the holly. Holly! Holly! And the first tree in the greenwood, it was the holly!
$25.00
The Four Seasons in the Basque Country
#
Orchestre d'harmonie
#
Gregory Fritze
#
The Four Seasons in the Basque
#
Musica Nova USA
#
SheetMusicPlus
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Publishe...
(+)
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
Born This Way
#
Orchestre d'harmonie
#
FACILE
#
Lady Gaga
#
Fernando Garibay, Stefani Germ
#
Simone Orsini
#
Born This Way
#
Simone Orsini
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1422717 By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Arranged by Simone Orsini...
(+)
Concert Band - Level 2 - SKU: A0.1422717 By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Arranged by Simone Orsini. 21st Century,Pop. 104 pages. Simone Orsini #1004068. Published by Simone Orsini (A0.1422717). BORN THIS WAY performed by Lady GagaFor Concert Band - Performance Time 3:40 - Composed by Fernando Garibay, Stefani Germanotta, Paul Blair, Jeppe LaursenArranged by Simone OrsiniInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion 1 (Tamb., Shaker), Percussion 2 (Bongos, Cowbell) El. Guitar, keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.Born This Way is a song by American singer Lady Gaga, and the lead single from her second studio album of the same name. Written by Gaga and Jeppe Laursen, who produced it along with Fernando Garibay and DJ White Shadow, the track was developed while Gaga was on the road with the Monster Ball Tour. Inspired by 1990s music which empowered women, minorities, and the LGBT community, Gaga explained that Born This Way was her freedom song. It was also inspired by Carl Bean and his song I Was Born This Way, released in 1977. She sang part of the chorus at the 2010 MTV Video Music Awards and announced it as the lead single from the album, released on February 11, 2011.The song is backed by rumbling synth sounds, a humming bass and additional chorus percussion, with sole organ toward the end. The lyrics discuss the self-empowerment of the LGBT community and racial minorities. Critics positively reviewed the song, calling it a club-ready anthem. In 2023, Rolling Stone named Born This Way the Most Inspirational LGBT Song of All Time. It reached number one in over 25 countries and was her third single to top the US Billboard Hot 100 chart and the 1,000th song in that chart's history (since 1958) to reach number one. Born This Way has sold 8.2 million copies worldwide, making it one of the best-selling singles of all time.Nick Knight directed the accompanying music video, which was inspired by surrealist painters like Salvador Dalí and Francis Bacon. Gaga is depicted as giving birth to a new race during a prologue. After a series of dance sequences, the video concludes with the view of a city populated by this race. Critics noted the video's references to the work of Madonna, Michael Jackson and fashion designer Alexander McQueen, as well as to Greek mythology and surrealism.Gaga performed the song at the 53rd Annual Grammy Awards after coming out of an incubating vessel. Shortly after, she added it to the setlist of the last leg of the Monster Ball Tour. Born This Way was later performed on television shows, such as Saturday Night Live, Dick Clark's New Year's Rockin' Eve and Good Morning America, many of the singer's tours, and it was notably part of her Super Bowl LI halftime show set. The song was treated with different remixes, including a Country Road version recorded by Gaga herself and another by Indian production duo Salim–Sulaiman. It has been covered by artists such as Alice Cooper, Madonna, and Katy Perry.
$68.00
Firework
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Pop musique
#
Katy Perry
#
Kevin Riley
#
Firework
#
Kevin Riley
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.525264 By Katy Perry. By Esther Dean, Katy Perry, Mikkel Eriksen, Sandy Wilhelm, and Tor Erik Hermansen. Arranged by Ke...
(+)
Concert Band - Level 3 - SKU: A0.525264 By Katy Perry. By Esther Dean, Katy Perry, Mikkel Eriksen, Sandy Wilhelm, and Tor Erik Hermansen. Arranged by Kevin Riley. Pop. Score and parts. 47 pages. Kevin Riley #135799. Published by Kevin Riley (A0.525264). Firework is a song by American singer Katy Perry from her third studio album, Teenage Dream (2010). Perry co-wrote the song with Ester Dean and its producers Stargate and Sandy Vee. It is a dance-pop self-empowerment anthem with inspirational lyrics, and Perry felt it was an important song for her on the record. Capitol Records released it as the album's third single on October 26, 2010. The song was commercially successful, reaching number 1 on the Billboard Hot 100 and the top five on 20 charts around the world. Firework has sold over 1 million copies in the United Kingdom, and was certified 12× platinum by the Recording Industry Association of America (RIAA) for shipments of over 12 million copies in the United States. An accompanying music video, directed by Dave Meyers, was released on October 28, 2010. It portrays Perry singing and dancing around Budapest, with interspersed scenes of young people becoming confident in themselves. An open casting call for the music video drew an unprecedented 38,000 applicants. On MuchMusic's top 50 videos of 2010, Firework reached the top position. The music video was said to be a more upbeat take on Christina Aguilera's message in Beautiful. It was nominated for three awards at the 2011 MTV Video Music Awards, eventually winning one of those, the Video of the Year, the main and final award. Firework was nominated for Record of the Year and Best Pop Solo Performance at the 54th Grammy Awards. On January 5, 2012, Firework was elected the fifth most played single on US radio during 2011 by Nielsen Broadcast Data Systems, with 509,000 plays.
$50.00
Fantasia on Moravian Hymns
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Sy Brandon
#
fast, slow, fast
#
Fantasia on Moravian Hymns
#
Sy Brandon
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.755118 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Sacred. Score and parts. 134 pages. Sy Brandon #339612...
(+)
Concert Band - Level 4 - SKU: A0.755118 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Sacred. Score and parts. 134 pages. Sy Brandon #3396121. Published by Sy Brandon (A0.755118). Fantasia On Moravian Hymns was composed during 1998 as a result of a commission by the 20th Moravian Music festival. The work is in three sections; fast, slow, fast. The first section uses phrases from the hymns Sing Hallelujah, Praise the Lord and Jesus Makes My Heart Rejoice in a festive duple meter with a continuous triplet accompaniment. The phrases are used separately, in canon, and in counterpoint against each other. The second section uses the hymn When My Love To Christ Grows Weak which is turned into a passacaglia bass line. Eight variations over this bass line follow the initial statement. The last section uses the hymns All the World Give Praises Due and To Avert from Men God’s Wrath. All the World Give Praises Due is divided into phrases separated by a fanfare-like descant. The descant then becomes the basis of a short fugal section that leads directly into the hymn, To Avert from Men God’s Wrath. The harmony becomes more chromatic and is accompanied by a descant that grows out of the previous fugue. All the World Give Praises Due returns but is expanded as it leads to the climactic end. The score prints on legal size paper and the parts on letter.
$39.99
I Will Follow Him (i Will Follow You)
#
Orchestre d'harmonie
#
FACILE
#
Comédie Musicale
#
Little Peggy March
#
Willem Aarts
#
I Will Follow Him
#
Willem Aarts
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1312540 By Little Peggy March. By Arthur Altman, Del Roma, J.W. Stole, Jacques Plante, and Norman Gimbel. Arranged by W...
(+)
Concert Band - Level 2 - SKU: A0.1312540 By Little Peggy March. By Arthur Altman, Del Roma, J.W. Stole, Jacques Plante, and Norman Gimbel. Arranged by Willem Aarts. Broadway,Musical/Show,Pop. 50 pages. Willem Aarts #901396. Published by Willem Aarts (A0.1312540). This song is featured at the end of the 1992 film Sister Act, where it was performed by the nuns' chorus for the Pope with Whoopi Goldberg's character as the lead singer. The song peaked at number 53 on the Australian ARIA Singles Chart.Note that this arrangement is meant as a accompaniment for a concert band, with a choir or solist whose parts are not included.You can contact me:Website: www.wa-music.nlE-mail: info@wa-music.nlSheetMusicPlus: https://www.sheetmusicplus.com/publishers/3004231YouTube: https://www.youtube.com/c/WillemAarts
$49.99
Dance The Night
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Dua Lipa
#
Simone Orsini
#
Dance The Night
#
Simone Orsini
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1438260 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Simone Orsini. 2...
(+)
Concert Band - Level 3 - SKU: A0.1438260 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Simone Orsini. 21st Century,Pop. 87 pages. Simone Orsini #1018311. Published by Simone Orsini (A0.1438260). DANCE THE NIGHT performed by Duo LipaFor Concert Band - Performance Time 4:02 - Composed By Mark Ronson, Andrew Wyatt Blakemore, Dua Lipa, Caroline AilinArranged by Simone OrsiniInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion 1 (Tamb., Shaker), Percussion 2 (Wind Chimes, Hand Clap), El. Guitar, keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.Dance the Night is a song by English-Albanian singer Dua Lipa from Barbie the Album, the soundtrack of the film Barbie (2023). Lipa and Caroline Ailin wrote it with its producers Andrew Wyatt and Mark Ronson, and the Picard Brothers also contributed production. Atlantic and Warner Records released it as the soundtrack's lead single on 25 May 2023. A pop and disco song that features cello, violin, viola, guitar and bass in its instrumentation, Dance the Night is about dancing throughout the night despite enduring sadness. Its release was accompanied by a music video, which features a cameo appearance of Barbie writer and director Greta Gerwig. Dua Lipa performed Dance the Night at the 66th Grammy Awards.Dance the Night reached number one on the UK Singles Chart, becoming Dua Lipa's fourth number-one single in the country. In the United States, the song peaked at number six on the Billboard Hot 100, becoming the singer's fifth top-ten single in the country. Elsewhere, Dance the Night reached number-one in Ireland, Belgium, Bulgaria, Croatia, Israel, Luxembourg, and the Commonwealth of Independent States, while it peaked within the top-ten in Australia, Austria, Canada, Denmark, France, Germany, the Netherlands, New Zealand, and Switzerland. The song also peaked at number three on the Billboard Global 200. It was nominated for Song of the Year and Best Song Written for Visual Media at the 66th Annual Grammy Awards and for Best Original Song at the 81st Golden Globe Awards.
$68.00
Arizona Centennial Overture - Band Version
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Sy Brandon
#
Arizona Centennial Overture -
#
Sy Brandon
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.755100 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 130 pages. Sy Brandon #3384569....
(+)
Concert Band - Level 4 - SKU: A0.755100 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 130 pages. Sy Brandon #3384569. Published by Sy Brandon (A0.755100). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99
Entheos
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Kyle McKinzey
#
lg), Cymbals,
#
Entheos
#
KyleMac Music
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.998273 Composed by Kyle McKinzey. 20th Century,Romantic Period. Score and parts. 82 pages. KyleMac Music #5774877. Publ...
(+)
Concert Band - Level 4 - SKU: A0.998273 Composed by Kyle McKinzey. 20th Century,Romantic Period. Score and parts. 82 pages. KyleMac Music #5774877. Published by KyleMac Music (A0.998273). ENTHEOS (Grade 3) is a loud and frantic piece. It is the root of the word Enthusiasm. It was also a celebration of the god Dionysus, where worshippers danced wildly while tearing a wild bull apart with their hands and teeth. This was accompanied by frantic music with loud cymbals. WOODWINDS - Fl(2), Ob(2), Bsn(2), Clar(3), BC, AS(2), Ts, Bs.BRASS - Tr(3), Hn(4), Tb(2), Bass Tb., Eu, Tu.PERCUSSION- Bells, Xylo, Vibes, Marimba, SD, BD, 2 toms, small bass drum, Gongs(sm & lg), Cymbals, China Cymbal
$40.00
Yes And?
#
Orchestre d'harmonie
#
FACILE
#
Ariana Grande
#
John Ivor Holland
#
Yes And?
#
John Ivor Holland
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1382807 By Ariana Grande. By Ariana Grande, Ilya Salmanzadeh, Martin Max, and Max Martin. Arranged by John Ivor Holland...
(+)
Concert Band - Level 2 - SKU: A0.1382807 By Ariana Grande. By Ariana Grande, Ilya Salmanzadeh, Martin Max, and Max Martin. Arranged by John Ivor Holland. 21st Century,Disco,Pop,Singer/Songwriter. 47 pages. John Ivor Holland #967236. Published by John Ivor Holland (A0.1382807). Yes, And? is a song by the American singer Ariana Grande. It was released on January 12, 2024, as the lead single from her upcoming seventh studio album 'Eternal Sunshine'. Written and produced by Grande, Max Martin and Ilya Salmanzadeh, the song is a house and pop track with ballroom elements. Lyrically, the song focuses on self-confidence and preservation and overcoming negativity. Music critics noted inspiration from Madonna's single Vogue, while the accompanying music video drew inspiration from that of Paula Abdul's Cold Hearted. Commercially, the single debuted at number one on the US Billboard Hot 100, becoming Grande's sixth number-one debut and eighth overall number-one single, as well as her 21st top-ten on the chart, doing well around the globe, too. Get your audiences up on their feet with a sure-fire dance classic this summer. Arranged as part of an ongoing project to bring more music by women composers into the world wide concert band repertoire.
$49.99
Houdini
#
Orchestre d'harmonie
#
FACILE
#
Dua Lipa
#
John Ivor Holland
#
Houdini
#
John Ivor Holland
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1346605 By Dua Lipa. By Caroline Ailin, Daniel Harle, Danny L. Harle, Dia Lipa, Dua Lipa, Kevin Parker, Tobias Jesso Jr...
(+)
Concert Band - Level 2 - SKU: A0.1346605 By Dua Lipa. By Caroline Ailin, Daniel Harle, Danny L. Harle, Dia Lipa, Dua Lipa, Kevin Parker, Tobias Jesso Jr., and Tobias Macdonald Jesso. Arranged by John Ivor Holland. 21st Century,Disco,Pop,Singer/Songwriter. 43 pages. John Ivor Holland #931384. Published by John Ivor Holland (A0.1346605). Houdini is a song by English-Albanian singer Dua Lipa. It was released on 10 November 2023 as the lead single from Lipa's upcoming third studio album. The single debuted at number one in Belgium, Bulgaria, Croatia and Greece, number two on the UK Singles Chart and in the top ten in Australia, Canada, the Czech Republic, France, Hungary, Ireland, Latvia, Lithuania, Luxembourg, the Netherlands, Russia and Switzerland. On 27 October 2023, she shared a close-up picture of a key between her teeth, accompanied by the phrase catch me or I go; this was followed by a teaser of the song on her social media a few days later, hinting at the song title. A rearranged combination of numbers would spell out the title Houdini, named after escape artist Harry Houdini. Fans of Lipa also drew parallels to English singer Kate Bush's 1982 song of the same name, who also references Houdini by presenting a key in her mouth on the cover of her album 'The Dreaming' (1982). This catchy pop number is bound to be popular with younger players and audiences are sure to catch on to the disco beat.
$49.99
Step Back In Time
#
Orchestre d'harmonie
#
FACILE
#
Matt Aitken, Mike Stock, and P
#
John Ivor Holland
#
Step Back In Time
#
John Ivor Holland
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1325811 Composed by Matt Aitken, Mike Stock, and Peter Waterman. Arranged by John Ivor Holland. 20th Century,Disco,Film...
(+)
Concert Band - Level 2 - SKU: A0.1325811 Composed by Matt Aitken, Mike Stock, and Peter Waterman. Arranged by John Ivor Holland. 20th Century,Disco,Film/TV,Pop. 46 pages. John Ivor Holland #914002. Published by John Ivor Holland (A0.1325811). Step Back in Time is a song by Australian singer Kylie Minogue from her third studio album, 'Rhythm of Love' (1990). It was released as the album's second single (following 'Better the Devil You Know') on 22 October 1990, written, arranged, and produced by the powerhouse team of Stock, Aitken and Waterman. Considered one of her best singles, the song charted well across the world - an accompanying music video was directed by visual artist Nick Egan, which paid homage to 1970s culture and figures. Since its release, Step Back in Time has been used in several media including an appearance in the 2013 British comic science fiction film The World's End. Available for concert band for the first time, turn back the clock and relive the glory days of disco, paying tribute to the legendary Kylie along the way.
$49.99
JINGLE THOSE BELLS! (beginner concert band - Winter concert - super easy - score, parts, & license)
#
Orchestre d'harmonie
#
DÉBUTANT
#
J
#
Callie Mae / Brian Harris
#
JINGLE THOSE BELLS!
#
HMS Music
#
SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1428591 Composed by J. Pierpoint. Arranged by Callie Mae / Brian Harris. Christmas,Holiday,Instructional. 33 pages. HMS...
(+)
Concert Band - Level 1 - SKU: A0.1428591 Composed by J. Pierpoint. Arranged by Callie Mae / Brian Harris. Christmas,Holiday,Instructional. 33 pages. HMS Music #1009365. Published by HMS Music (A0.1428591). _____________________________________________________________________________As a middle school band director, I was always happy when all my beginners were able to play Jingle Bells in unison and with a decent sound.. But I also had a number of players who could move faster and play more challenging rhythms and notes than others. What to do? How about a simple arrangement with flexible part assignments?JINGLE THOSE BELLS! is a super-easy setting of Jingle Bells. The work opens with the traditional unison rendition of the melody, as found in almost every beginner band method book ever written. But then, after a brief pause, the melody is repeated, but now faster and with the addition of a bass line and rhythmic accompaniment. The rhythmic accompaniment is provided by several of your best clarinet, sax, and trumpet players who play the Advanced Part. And if you are short on bass voice instruments, you can utilize the optional bass parts for Alto Sax. Super flexible and a bit humorous, it takes a little score study to realize how adaptable this piece is. Guaranteed to work with your beginners! (PS: the printed music shows Callie May, our cat, as arranger. I gave her credit so my wife could play more than one piece by me at her holiday concerts without looking too biased! Consider pairing this work with another one of my super-easy beginner band works - JOY TO THE KING – also available online here).NOTE: this is assembled with the Advanced Clarinet parts appearing as page 1 so you may view it on the web site as you listen to the sound file. When you download/print the full document (33 pages, total), the first page to print will be the Clarinet part, followed by the FULL SCORE, then the remaining PARTS. Also included is permission for a band director to make as many copies as needed for their school. This permission is not extended to individuals . . . only to schools. Now you can let the kids keep their music - and just print (legally!) new parts each year! (BcP-YB) - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at both the public school and college level. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners)Jingle Those Bells! (for beginners)HouseTop March (for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________________________________________.
$31.99
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
#
Orchestre d'harmonie
#
FACILE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
(+)
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
(+)
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
(+)
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
JOY TO THE KING (beginner band - super easy - score, parts & license to copy - winter concert)
#
Orchestre d'harmonie
#
DÉBUTANT
#
Biran Harris
#
Winter Holiday concert
#
JOY TO THE KING
#
HMS Music
#
SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1432650 Composed by Biran Harris. Christmas,Holiday,Instructional,Traditional. 26 pages. HMS Music #1013111. Published ...
(+)
Concert Band - Level 1 - SKU: A0.1432650 Composed by Biran Harris. Christmas,Holiday,Instructional,Traditional. 26 pages. HMS Music #1013111. Published by HMS Music (A0.1432650). ______________________If you need something special for your beginners to play at their first Christmas concert, you've found it. JOY TO THE KING provides an easy and fun medley of the two popular tunes Ode to Joy and Good King Wenceslas. The entire piece uses only the first five notes of the B-flat concert scale.This is a great first concert piece the band will love to play. And since your school will be licensed to make legal photocopies of the parts year after year, you can let the kids keep their parts as a souvenir of their first performance!DIFFICULTY LEVEL: Very Easy (actually Super Easy)PROGRAMMING: first performance; Winter Holiday concert; Christmas concertFEATURES: melody distributed through all wind parts; key of B-flat major; simple percussion parts using only quarter-, half-, dotted-half, and whole notes; there are 2 one-measure occurrences of sixteenth-notes in Snare and Tenor Drum part.CHALLENGES: independence of the two lines (melody played over a simple bass accompaniment).RANGES: uses only the first five notes of the B-flat Concert scale; clarinets must also play low G.INSTRUMENTATION: includes Full Conductor Score (8 pages) and Parts (17 pages) for each instrument: Flute, Oboe, Bassoon, Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Trumpet, Horn (in F), Trombone/Euphonium, T.C. Euphonium, Tuba, Percussion 1 (Snare & Bass Drum), Percussion 2 (Crash Cymbals, Triangle, Finger Cymbals), Bells/Mallets (2 different parts included for range desired/learned by player).MINIMUM INSTRUMENTATION REQUIREMENTS: (A) Flute or Trumpet; (B) two Clarinets; (C) Bass Line (at least one: Bassoon, Bass Clarinet, any Saxophone, Horn, Trombone, Baritone, or Tuba); (D) Percussion.NOTE: this document is assembled with the Clarinet part appearing as page 1 so you may view it on the web site as you listen to the sound file. When you download/print the full document (25 pages, total), the first page to print will be the Clarinet part, followed by the FULL SCORE, then the remaining PARTS. (BcP-YB)- - - - - - - - - - - - - - - - - - COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels.___________________________Click here to view Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)___________________________.
$31.99
TIDINGS OF JOY (young concert band - Easy - score, parts, & license to copy)
#
Orchestre d'harmonie
#
DÉBUTANT
#
Brian Harris
#
Brian Harris
#
TIDINGS OF JOY
#
HMS Music
#
SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1435814 Composed by Brian Harris. Arranged by Brian Harris. Christmas,Holiday,Instructional,Traditional. 26 pages. HMS ...
(+)
Concert Band - Level 1 - SKU: A0.1435814 Composed by Brian Harris. Arranged by Brian Harris. Christmas,Holiday,Instructional,Traditional. 26 pages. HMS Music #1015909. Published by HMS Music (A0.1435814). ___________________________With a nice minor mode sound and a propelling timpani line, TIDINGS OF JOY opens with God Rest Ye, Merry, harmonized in drone fashion, then features a soli middle section of Pat-a-Pan for which you audition the players who get to play this more difficult middle section (keeps your best players challenged!) while the rest of the band vocalize a single pitch on ahh. The piece then recaps with God Rest You Merry with a slightly fuller instrumentation and a simple flute obligato line.FEATURES: Melody opportunities for all wind parts; Multiple percussion parts give colorful sound; timpani provide bass ostinato; Students sing ahh on a single note - great for improving intonation!; Soli section in middle will motivate players to learn the part so they get to play the melody (keeps your better players challenged); Low brass parts are very simple.RANGES: C minor (3 flats). Some Clarinets play low G and F (m. 14 and 48) - put your best players on these low notes and have rest play the comfortable notes of D and C.CHALLENGES: Appropriate for young players who have encountered eighth-notes and the key of E-flat; Independence of lines (melody played with/against simple bass and accompaniment; simple flute obligato line in last section); Some slurs and eighth-notes; Key/few accidentals (mostly in flutes, oboe, clarinet, and trumpet); A few extended range notes for some parts.INSTRUMENTATION: includes Full Conductor Score (8 pages) and PARTS (16 pages): one each for Flute, Oboe, Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, Horn in F, Trombone/Euphonium/Bassoon, T.C. Euphonium, Tuba, Percussion 1 (Suspended Cymbal/Tenor Drum, Bass Drum), Percussion 2 (Triangle, Finger Cymbals), Timpani (3 or 4 drums), Bells/Tambourine, Chimes.PERCUSSION: parts to occupy 9 or more players; playable by as few as four players.MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, 2 Clarinets, Alto Sax, Trumpet, 1 Percussion (Timpani), and 2 bass voices (Voice 1: Trombone, Horn, or Tenor Sax; Voice 2: Bassoon, Bass Clarinet, Bari Sax, or Tuba).NOTE: This document is assembled with the Clarinet part appearing as page 1 so you may view it as you listen to the sound file. When you print the full document (25 pages, total), the first page to print will be the Clarinet part, followed by the FULL SCORE, then the remaining PARTS. Also included is a SITE LICENSE granting permission to photocopy as many SCORES or PARTS as needed for use by your school. (BcP-YB)___________________________Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels. ___________________________Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________.
$31.99
Successful Beginner Fanfare
#
Orchestre d'harmonie
#
DÉBUTANT
#
Classique
#
Jordan R
#
Successful Beginner Fanfare
#
J.R. Sawyer
#
SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1210073 Composed by Jordan R. Sawyer. Classical. Score and Parts. 26 pages. J.R. Sawyer #807950. Published by J.R. Sawy...
(+)
Concert Band - Level 1 - SKU: A0.1210073 Composed by Jordan R. Sawyer. Classical. Score and Parts. 26 pages. J.R. Sawyer #807950. Published by J.R. Sawyer (A0.1210073). Congratulations on completing the first few pages of your Method Book! I wrote this fanfare using only the typical concepts covered within these pages. The idea was that the music would be passed out after mastery of these concepts as a reward - we would end class with a little work each day on the “concert music†even if we weren’t preparing a concert. I have always found that it’s never too early to start working on the ensemble skills of balance, blend, intonation, and understanding one’s role within the ensemble. Plus, the act of making music together is why our kids joined band: playing pieces of music is fun!This fanfare should be played at Quarter Note = 116. It should be strong and notes should be played for their full value. There are only ever three lines (plus percussion) at any given time to help start the process of teaching Melody, Harmony, and Accompaniment.
$15.00
American Song Settings, No. 2: (wp) E-flat Contrabass Clarinet
#
Orchestre d'harmonie
#
Methodes
#
Joseph Kreines
#
American Song Settings, No. 2:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014566_WPECBC (wp) E-flat Contrabass Clarinet. Arranged by Joseph Kreines. Instructional. World Part. 1 pages. Alfr...
(+)
Concert Band - SKU: AX.00-PC-0014566_WPECBC (wp) E-flat Contrabass Clarinet. Arranged by Joseph Kreines. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014566_wpECBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014566_WPECBC). UPC: 038081395036.Skip to My Lou, the second in a series of wind band settings of familiar melodies, was written for and is dedicated to the Maitland (FL) Middle School Wind Ensemble, Eric Mendez, director. It opens with a short introduction utilizing the opening notes of the melody, proceeding to its first full statement in the upper woodwinds. The second presentation features the trumpets and xylophone followed by a statement in the bass instruments while the melody Long, Long Ago appears in the upper voices. A contrasting legato section follows, succeeded by a more rhythmic statement in woodwinds and trumpets. The melody then appears in the alto saxophones with a contrasting idea in upper woodwinds. A marcato statement of the melody appears as a three-bar phrase with a staccato accompaniment. The final section utilizes the style of the opening measures and is expanded to bring the work to a final climactic conclusion.
$3.00
American Song Settings, No. 2: (wp) B-flat Tuba T.C.
#
Orchestre d'harmonie
#
Methodes
#
Joseph Kreines
#
American Song Settings, No. 2:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014566_WPTBBTC (wp) B-flat Tuba T.C.. Arranged by Joseph Kreines. Instructional. World Part. 1 pages. Alfred Music ...
(+)
Concert Band - SKU: AX.00-PC-0014566_WPTBBTC (wp) B-flat Tuba T.C.. Arranged by Joseph Kreines. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014566_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014566_WPTBBTC). UPC: 038081395036.Skip to My Lou, the second in a series of wind band settings of familiar melodies, was written for and is dedicated to the Maitland (FL) Middle School Wind Ensemble, Eric Mendez, director. It opens with a short introduction utilizing the opening notes of the melody, proceeding to its first full statement in the upper woodwinds. The second presentation features the trumpets and xylophone followed by a statement in the bass instruments while the melody Long, Long Ago appears in the upper voices. A contrasting legato section follows, succeeded by a more rhythmic statement in woodwinds and trumpets. The melody then appears in the alto saxophones with a contrasting idea in upper woodwinds. A marcato statement of the melody appears as a three-bar phrase with a staccato accompaniment. The final section utilizes the style of the opening measures and is expanded to bring the work to a final climactic conclusion.
$3.00
American Song Settings, No. 2: (wp) 1st Horn in E-flat
#
Orchestre d'harmonie
#
Methodes
#
Joseph Kreines
#
American Song Settings, No. 2:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014566_WPEH1 (wp) 1st Horn in E-flat. Arranged by Joseph Kreines. Instructional. World Part. 1 pages. Alfred Music ...
(+)
Concert Band - SKU: AX.00-PC-0014566_WPEH1 (wp) 1st Horn in E-flat. Arranged by Joseph Kreines. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014566_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014566_WPEH1). UPC: 038081395036.Skip to My Lou, the second in a series of wind band settings of familiar melodies, was written for and is dedicated to the Maitland (FL) Middle School Wind Ensemble, Eric Mendez, director. It opens with a short introduction utilizing the opening notes of the melody, proceeding to its first full statement in the upper woodwinds. The second presentation features the trumpets and xylophone followed by a statement in the bass instruments while the melody Long, Long Ago appears in the upper voices. A contrasting legato section follows, succeeded by a more rhythmic statement in woodwinds and trumpets. The melody then appears in the alto saxophones with a contrasting idea in upper woodwinds. A marcato statement of the melody appears as a three-bar phrase with a staccato accompaniment. The final section utilizes the style of the opening measures and is expanded to bring the work to a final climactic conclusion.
$3.00
American Song Settings, No. 2: (wp) B-flat Contrabass Clarinet
#
Orchestre d'harmonie
#
Methodes
#
Joseph Kreines
#
American Song Settings, No. 2:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014566_WPBCBC (wp) B-flat Contrabass Clarinet. Arranged by Joseph Kreines. Instructional. World Part. 1 pages. Alfr...
(+)
Concert Band - SKU: AX.00-PC-0014566_WPBCBC (wp) B-flat Contrabass Clarinet. Arranged by Joseph Kreines. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014566_wpBCBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014566_WPBCBC). UPC: 038081395036.Skip to My Lou, the second in a series of wind band settings of familiar melodies, was written for and is dedicated to the Maitland (FL) Middle School Wind Ensemble, Eric Mendez, director. It opens with a short introduction utilizing the opening notes of the melody, proceeding to its first full statement in the upper woodwinds. The second presentation features the trumpets and xylophone followed by a statement in the bass instruments while the melody Long, Long Ago appears in the upper voices. A contrasting legato section follows, succeeded by a more rhythmic statement in woodwinds and trumpets. The melody then appears in the alto saxophones with a contrasting idea in upper woodwinds. A marcato statement of the melody appears as a three-bar phrase with a staccato accompaniment. The final section utilizes the style of the opening measures and is expanded to bring the work to a final climactic conclusion.
$3.00
American Song Settings, No. 2: (wp) 1st B-flat Trombone B.C.
#
Orchestre d'harmonie
#
Methodes
#
Joseph Kreines
#
American Song Settings, No. 2:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014566_WPTN1BC (wp) 1st B-flat Trombone B.C.. Arranged by Joseph Kreines. Instructional. World Part. 1 pages. Alfre...
(+)
Concert Band - SKU: AX.00-PC-0014566_WPTN1BC (wp) 1st B-flat Trombone B.C.. Arranged by Joseph Kreines. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014566_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014566_WPTN1BC). UPC: 038081395036.Skip to My Lou, the second in a series of wind band settings of familiar melodies, was written for and is dedicated to the Maitland (FL) Middle School Wind Ensemble, Eric Mendez, director. It opens with a short introduction utilizing the opening notes of the melody, proceeding to its first full statement in the upper woodwinds. The second presentation features the trumpets and xylophone followed by a statement in the bass instruments while the melody Long, Long Ago appears in the upper voices. A contrasting legato section follows, succeeded by a more rhythmic statement in woodwinds and trumpets. The melody then appears in the alto saxophones with a contrasting idea in upper woodwinds. A marcato statement of the melody appears as a three-bar phrase with a staccato accompaniment. The final section utilizes the style of the opening measures and is expanded to bring the work to a final climactic conclusion.
$3.00
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
As It Was - Piano Accompaniment
