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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Accordéon
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Piano Trio: piano, violon, violoncelle
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Piano (partie séparée)
9
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7
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GUITARES
Guitare notes et tablatures
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11
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10
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7
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1
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1
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VOIX
Chorale SATB
385
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111
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73
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58
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Voix duo, Piano
32
Chorale SSAA
30
Voix haute
9
Voix Soprano, Piano
8
Voix duo
8
Chorale
8
Voix seule
7
Voix Alto, Piano
5
Voix basse
2
Voix moyenne, Piano
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Voix Tenor, Piano
2
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1
Voix, Guitare
1
Voix Tenor
1
Voix basse, Piano
1
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1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
133
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117
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98
Flûte traversière et Piano
80
Ensemble de saxophones
73
Flûte, Hautbois, Clarinette, Basson
68
Clarinette et Piano
60
Saxophone Tenor et Piano
50
Clarinette
50
Hautbois, Piano (duo)
47
Saxophone Alto et Piano
46
Flûte traversière
46
Quatuor de Clarinettes: 4 clarinettes
45
Saxophone Alto
37
Ensemble de Clarinettes
37
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33
Saxophone Baryton, Piano
31
Saxophone Soprano et Piano
31
2 Flûtes traversières (duo)
29
2 Saxophones (duo)
29
Saxophone (partie séparée)
28
Ensemble de Flûtes
22
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20
Hautbois (partie séparée)
19
Cor anglais, Piano
19
Clarinette Basse, Piano
18
Quintette de Flûte : 5 flûtes
18
2 Clarinettes (duo)
16
3 Saxophones (trio)
15
Saxophone Soprano
12
2 Flûte à bec (duo)
10
Trio de Flûtes: 3 flûtes
9
Flûte à bec Soprano
9
Quatuor de Flûtes à bec
9
3 Clarinettes (trio)
9
Clarinette, Basson (duo)
8
Flûte, Clarinette (duo)
7
Flute (partie séparée)
7
Clarinette (partie séparée)
7
Flûte et Guitare
7
Clarinette, Guitare (duo)
7
5 Flûtes à bec
6
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Basson (duo)
6
Flûte, Violoncelle
6
Flûte, Alto (duo)
5
Clarinette et Alto
5
3 Flûtes à bec (trio)
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4
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3
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Flûte à Bec
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2
Harmonica
2
4 Hautbois
2
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2
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1
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1
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1
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Piccolo
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Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
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1
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1
Clarinette, Trombone (duo)
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1
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Clarinette, Violoncelle, Piano (trio)
1
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1
Cor anglais, Guitare (duo)
1
Flûte et Trio à cordes
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Flûte irlandaise
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2 Cors Anglais Et Pianoforte
1
Flûte, Violon, Piano
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
151
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118
Ensemble de Trompettes
50
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39
Cor et Piano
36
Trompette, Piano
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
33
Trombone
31
Ensemble de Trombones
30
Euphonium, Piano (duo)
22
Quatuor de Cuivres
22
Trombone (partie séparée)
20
Trompette (partie séparée)
20
Cor anglais, Piano
19
Cor
18
Tuba et Piano
15
Ensemble de Cors
10
Trompette, Trombone (duo)
9
Cor (partie séparée)
9
Quatuor de cuivres: 4 trombones
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Tuba
8
Quatuor de cuivres: 4 trompettes
7
3 Trombones (trio)
6
2 Trompettes (duo)
6
2 Trombones (duo)
5
4 Tubas
5
2 Cors (duo)
5
Trio de Cuivres
4
3 Cors (trio)
3
Quatuor de cuivres: 4 cors
3
Tuba (partie séparée)
3
3 Trompettes (trio)
3
3 Tubas (trio)
3
Trompette, Cor (duo)
3
2 Tubas (duo)
3
Bass Clef Instruments
2
Tuba et Orgue
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Trombone, Cor (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor Anglais
1
2 Euphoniums et 2 Tubas
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2 Euphoniums (duo)
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Ensemble de Tubas
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3 Euphoniums
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Instruments en Sib
1
Cor anglais, Guitare (duo)
1
Euphonium, Tuba (duo)
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2 Cors Anglais Et Pianoforte
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Euphonium
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Instruments en Fa
1
Trombone, Tuba (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
188
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82
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65
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53
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39
Trio à Cordes: violon, alto, violoncelle
39
Harpe
33
2 Violons (duo)
24
Trio à Cordes: 2 violons, violoncelle
22
Alto seul
21
Violon, Alto (duo)
17
Violon (partie séparée)
15
Ensemble d'Altos
14
Ensemble de Violons
14
Contrebasse (partie séparée)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
2 Violoncelles (duo)
9
Violoncelle (partie séparée)
9
Contrebasse, Piano (duo)
8
2 Altos (duo)
7
Contre Basse
7
Trio à cordes: 3 violins
7
4 Violoncelles
6
Violoncelle, Contrebasse (duo)
6
Alto (partie séparée)
6
Flûte, Contrebasse (duo)
5
Quatuor à cordes: 4 violons
5
Trio à cordes: 3 altos
5
Trio à Cordes: 3 violoncelles
5
Alto, Violoncelle (duo)
4
Violoncelle , Guitare (duo)
4
Violon, Guitare (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto, Guitare (duo)
3
Harpe, Flûte (duo)
3
2 Harpes (duo)
3
Quatuor à cordes : 4 altos
3
Harpe (partie séparée)
2
Alto et Harpe
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes
1
Violon, Basson (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe et Piano
1
2 Violons, Piano
1
Ensemble de Violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
207
Orchestre à Cordes
105
Orchestre
74
Ensemble de cuivres
55
Ensemble Jazz
33
Cloches
27
Orchestre de chambre
25
Batterie
17
Ensemble de Percussions
11
Jazz combo
11
Fanfare
7
Percussion (partie séparée)
7
Batterie (partie séparée)
6
Marimba
2
Xylophone
1
Percussion
1
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Orchestre, Violon
1
2 Xylophones
1
Xylophone, Piano
1
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AUTRES
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Because
Orchestre d'harmonie
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Because
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.1339653 By The Beatles. By John L…
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Concert Band - Level 1 - Digital Download SKU: A0.1339653 By The Beatles. By John Lennon and Paul McCartney. Arranged by Lorenzo Bocci. Pop,Rock. 55 pages. Lorenzo Bocci #925354. Published by Lorenzo Bocci (A0.1339653). BECAUSE The Beatlesfor Concert Band - Grade 2 - Digital DownloadComposed by John Lennon & Paul McCartney. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 2'42''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Electric Guitar, Keyboard (Sitar).Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Because is a song by the British group The Beatles, written by John Lennon (credited to John Lennon & Paul McCartney) and published on the album “Abbey Road†in 1969 preceding the famous medley that fills the rest of the B-side on the original 33 rpm record. The song is sung by John Lennon, Paul McCartney and George Harrison with three-voice harmony overdubbed 3 times to form a nine-voice choir.
$89.00
80.7 €
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Orchestre d'harmonie
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The Beatles
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John Lennon & Paul McCartney
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Lorenzo Bocci
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Paul McCartney
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Because
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Lorenzo Bocci
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SheetMusicPlus
Because (G. d'Hardelot) - voice and concert band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.930932 Composed by Guy d'Hardelot…
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Concert Band - Level 3 - Digital Download SKU: A0.930932 Composed by Guy d'Hardelot, Frank Teschemacher. Arranged by Mark Armstrong. 20th Century. Score and Parts. 28 pages. Seolta Music Limited #4983913. Published by Seolta Music Limited (A0.930932). Because was made famous by Caruso and is featured here in an arrangement for high voice and band (Key C). Guy d'Hardelot was the pen name of Helen Rhodes (nee Guy), a French composer, pianist, and teacher who was born at Chateau d'Hardelot, near Boulogne-sur-Mer. To explore all voice and band titles from Seolta Publishing click here.
$50.00
45.34 €
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Orchestre d'harmonie
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Guy d'Hardelot, Frank Teschemacher
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Mark Armstrong
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Because
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Seolta Music Limited
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SheetMusicPlus
Because Of You
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1399252 By Kelly Clarkson. By Ben…
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Concert Band - Level 3 - Digital Download SKU: A0.1399252 By Kelly Clarkson. By Ben Moody, David Hodges, and Kelly Clarkson. Arranged by Janina Schülin. Pop. 21 pages. Janina Schülin #982536. Published by Janina Schülin (A0.1399252). Mixed Band Arrangement, Power BalladViolin, Violoncello, Clarinet 1&2, Alto Sax, Tenor Sax, Trumpet, Piano, Bass.
$49.99
45.33 €
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Orchestre d'harmonie
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Kelly Clarkson
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Janina Schülin
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Because Of You
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Janina Schülin
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SheetMusicPlus
Because He is gracious - Psalm 136 - Защото е благ - ПÑалом136
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1267775 By Leda Georgieva. By Led…
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Concert Band - Level 3 - Digital Download SKU: A0.1267775 By Leda Georgieva. By Leda Georgieva. Arranged by Leda Georgieva. Christian,Classical,Praise & Worship. Score and Parts. 58 pages. Leda Georgieva #860312. Published by Leda Georgieva (A0.1267775). A Christian song in a classical style for a solo soprano, two-voiced choir, two violins, viola, cello, flute and piano. It can be accopanied by a piano or organ and can be performed by a soloist only.
$3.00
2.72 €
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Orchestre d'harmonie
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Leda Georgieva
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Leda Georgieva
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Because He is gracious - Psalm 136 - Защото е благ - ПÑалом136
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Leda Georgieva
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SheetMusicPlus
Because We Can
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1263894 By Bon Jovi. By Billy Fal…
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Concert Band - Level 3 - Digital Download SKU: A0.1263894 By Bon Jovi. By Billy Falcon, Jon Bon Jovi, and Richie Sambora. Arranged by Andreas Lux. Pop,Rock. Score and Parts. 41 pages. Andreas Lux #856680. Published by Andreas Lux (A0.1263894). Concert Band Arrangement od Bon Jovi's classic Pop-Rock-SongNote: Baritone BC and TC included, Bass in Bb and Electric Bass included. Additional Baritone BC part included, to support melody.
$49.99
45.33 €
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Orchestre d'harmonie
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Bon Jovi
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Andreas Lux
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Because We Can
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Andreas Lux
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SheetMusicPlus
Nordic Movement 1: Ginnungagap
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1025077 Composed by Aric Noble. C…
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Concert Band - Level 2 - Digital Download SKU: A0.1025077 Composed by Aric Noble. Contemporary,Folk. Score and parts. 10 pages. Aric Noble #5306619. Published by Aric Noble (A0.1025077). Over the past few years I have become obsessed with Norse Mythology, and I mean real Norse Mythology. I say that withquotes because in my research I realized that a lot of people tell different stories. This is mainly because back when Christianity was growing,the Christians saw anything that wasn't Christian as pagan, so they got rid of it all. So that is why Greek, Roman, and Norse religions faded into mythologies, and all that was left was passed around in folk tales. And also because Marvel tells a very different tale of the mythology than the research I have collected and I want people to know these stories. Now moving passed the history lesson and into the music. This is interesting for me because this is the biggest original piece that I've ever made. This is going to be a multimovement piece, and this is the 1st movement, Ginnungagap, the endless void. This movement describes The Void, and the two lands of Fire(Muspelheim) and Ice(Niflhiem).Starting with The Void, it describes the blackness, and I use the absence of instruments to give this feeling, but however to give2 of the other themes to foreshadow it. It moves into this wild cascading theme for the Niflheim theme to describe the cold cascading environment of the world.After that it slows into a dark and ominous theme for Muspelheim(Surtr's Destiny). This was an interesting part to make because in mythology, Surtr, also referred to as Surt, is the fabled fire giant who destroys Asgard. No one knows where hecomes from, but from the moment of his creation, he knew of his destiny to destroy Asgard so he spent all of his time forging his sword to burrow into Asgard. I used a break drum to symbolize a hammer hitting an anvil to forge a sword, a lingering sound of Surtr's destiny.After this, I brought both themes together to resemble The Clash of the two worlds to create the Norse universe.The final theme in this first movement is entitled I am Ymir. In myhtology, Ymir is the father of everything. Created from the clash, he gave creation to all the gods, humans, giants, elves, and dwarves. This final theme takes Surtr's theme and flipsit to be mo.
$24.99
22.66 €
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Orchestre d'harmonie
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Aric Noble
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It
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Nordic Movement 1: Ginnungagap
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Aric Noble
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SheetMusicPlus
Trapped
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Sc…
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Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
22.67 €
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Orchestre d'harmonie
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Christmas in the attic
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1146898 By Brady Michael Kuhl. By…
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Concert Band - Level 2 - Digital Download SKU: A0.1146898 By Brady Michael Kuhl. By Brady Michael Kuhl. Christmas,Holiday. Score and parts. 100 pages. Brady Kuhl #747098. Published by Brady Kuhl (A0.1146898). This is a composition that might be a mix between a new Christmas song and remix or the others Christmas classics. The reason why I created a composition because other Christmas songs because I remember rehearing many different Christmas songs and never knew what to pick or create so I remixed that and made a story on Christmas in the attic. Based off of the composer's imagination and drama added to the music with a mixed of fun sound effects. This might not just be the Christmas song, but another story made up in a song form. Use your imagination as you are listening, and thank you for being my audences.
$2.00
1.81 €
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Orchestre d'harmonie
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Brady Michael Kuhl
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Christmas in the attic
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Brady Kuhl
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SheetMusicPlus
Distance
Orchestre d'harmonie
Concert band - Digital Download SKU: IZ.CBS158-S Composed by Britt Burns. Score. 16…
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Concert band - Digital Download SKU: IZ.CBS158-S Composed by Britt Burns. Score. 16 pages. Duration 7 minutes, 35 seconds. Imagine Music - Digital #CBS158-S. Published by Imagine Music - Digital (IZ.CBS158-S). 9 x 12 in inches.Distance was composed in early 2009 (and later revised in 2011) when I was feeling very homesick. The title wasinspired by the big change that comes when one relocates 1,000 miles away from familiar territory to begin a new life.Although this kind of event is very exciting, it also can create pain from the absence of friends and family. The music isintended to sound bittersweet in nature because it's meant to reflect both of these things.I don't usually try to write in a specific form, as I feel that can hurt the natural flow of how the music wants to develop.However, this piece is indeed in anABAform. Almost all of the thematic material in the piece is written in a major key,but with the goal of sounding a little sad. While writing this, I was heavily influenced by the music of Ennio Morriconeand Dan Forrest. There is a short motive used in the B section of the piece that is similar to a motive used in variousfilm themes. Since I associate this motive with Morricone, and because he is one of my all time favorite composers, Idecided to dedicate this piece to him.
$10.00
9.07 €
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Orchestre d'harmonie
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Britt Burns
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Distance
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Imagine Music - Digital
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SheetMusicPlus
Cantummit Waltz
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.496549 Composed by John R. Daniel…
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Concert Band - Level 2 - Digital Download SKU: A0.496549 Composed by John R. Daniels. Folk,Traditional. Score and parts. 43 pages. John R. Daniels #110708. Published by John R. Daniels (A0.496549). A delightful little waltz that sounds a bit off kilter because it has seven-measure phrases. To balance that, there are also two countermelodies presented, with the final A section featuring the main melody and both countermelodies in a grand calliope sound. The Cantummit Waltz is called that because I found it hard to hum a few bars when asked to do so by some people who were helping me name it. So they suggested that I call it the I Can't Hum It Waltz. Can't Hum It became Cantummit. IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the composer / arranger and other services, go to www.Salt-Cellar-Creations.com.
$25.00
22.67 €
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Orchestre d'harmonie
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John R
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Cantummit Waltz
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John R. Daniels
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SheetMusicPlus
What We Used To Know
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1153086 Composed by Javien Keenan…
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Concert Band - Level 4 - Digital Download SKU: A0.1153086 Composed by Javien Keenan. Classical. Score and parts. 28 pages. Javien Keenan #753331. Published by Javien Keenan (A0.1153086). I've Always had a soft spot for slow pieces. A brighter version of one of my other pieces The Corruption, This shows a brighter side of life and the fondness of life or the things we used to know. I'm tired of hearing people say slow pieces are easy because there slow or there boring because they don't have fast notes. With this piece I hope to change people opinion on slower pieces. What We Used To Know was inspired for my reason I love slow pieces and I hope everyone finds a reason to adore them like I have.
$25.99
23.57 €
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Orchestre d'harmonie
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Javien Keenan
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What We Used To Know
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Javien Keenan
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SheetMusicPlus
Twelfth Street Rag (12th Street Rag)- Solo Xylophone with Band
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.753640 Composed by Euday L. Bowman. Arrange…
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Concert Band - Digital Download SKU: A0.753640 Composed by Euday L. Bowman. Arranged by John Hoesly. Folk,Jazz,Pop. 122 pages. PRS&B #4883227. Published by PRS&B (A0.753640). Twelfth Street Rag- for Solo Xylophone with Band. 1914 Euday L. Bowman. Arranged by John Hoesly. You know it, you love it! A great showpiece for the end of a concert or recital with a built in encore. Adults know the piece because they have heard it a million times. Kids love it because of its use in SpongeBob SquarePants.
$40.00
36.27 €
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Orchestre d'harmonie
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Euday L
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John Hoesly
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Twelfth Street Rag
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PRS&B
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.48 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.48 €
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Orchestre d'harmonie
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
43.48 €
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Orchestre d'harmonie
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Gabrieli
#
James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
Distance
Orchestre d'harmonie
Concert band - Digital Download SKU: IZ.CBS158 Composed by Britt Burns. Score and P…
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Concert band - Digital Download SKU: IZ.CBS158 Composed by Britt Burns. Score and Parts. 90 pages. Duration 7 minutes, 35 seconds. Imagine Music - Digital #CBS158. Published by Imagine Music - Digital (IZ.CBS158). 9 x 12 in inches.Distance was composed in early 2009 (and later revised in 2011) when I was feeling very homesick. The title wasinspired by the big change that comes when one relocates 1,000 miles away from familiar territory to begin a new life.Although this kind of event is very exciting, it also can create pain from the absence of friends and family. The music isintended to sound bittersweet in nature because it's meant to reflect both of these things.I don't usually try to write in a specific form, as I feel that can hurt the natural flow of how the music wants to develop.However, this piece is indeed in anABAform. Almost all of the thematic material in the piece is written in a major key,but with the goal of sounding a little sad. While writing this, I was heavily influenced by the music of Ennio Morriconeand Dan Forrest. There is a short motive used in the B section of the piece that is similar to a motive used in variousfilm themes. Since I associate this motive with Morricone, and because he is one of my all time favorite composers, Idecided to dedicate this piece to him.
$80.00
72.54 €
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Orchestre d'harmonie
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Britt Burns
#
Distance
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Imagine Music - Digital
#
SheetMusicPlus
Moonlight in Morro Bay
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1504010 Composed by Brenda Hascal…
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Concert Band - Level 4 - Digital Download SKU: A0.1504010 Composed by Brenda Hascall. 21st Century,Broadway,Classical,Jazz,Musical/Show,Singer/Songwriter. 50 pages. Bjhascall #1079468. Published by Bjhascall (A0.1504010). Moonlight in Morro Bay depicts the beautiful scenery of Morro Bay, California.It is a song orchestrated for voice with concert band accompaniment.The arrangement includes instrument solos in place of voice if needed.It is a grade 5 because of the trumpet range.
$60.00
54.4 €
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Orchestre d'harmonie
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Brenda Hascall
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Moonlight in Morro Bay
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Bjhascall
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SheetMusicPlus
When A Child Is Born
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1505689 By Andrea Bocelli. By Alb…
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Concert Band - Level 4 - Digital Download SKU: A0.1505689 By Andrea Bocelli. By Alberto Salerno, Ciro Dammicco, Dario Baldan Bembo, Francesco Specchia, Fred Jay (trans.), and Maurizio Seymandi. Arranged by Unknown. 20th Century,A Cappella,Advent,Christian,Christmas. 4 pages. Clem & Jun Bascar #1081082. Published by Clem & Jun Bascar (A0.1505689). Christmas has only a significant meaning because the Child was born. Let's sjng and play this very meaningful Christmas song and share the message of Christmas to everyone.
$49.99
45.33 €
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Orchestre d'harmonie
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Andrea Bocelli
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Unknown
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When A Child Is Born
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Clem & Jun Bascar
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SheetMusicPlus
Goodbye
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1477149 By Benny Goodman. By Gord…
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Concert Band - Level 5 - Digital Download SKU: A0.1477149 By Benny Goodman. By Gordon Jenkins. Arranged by Bryan Kidd. Jazz,Standards. 36 pages. BryanKiddMusic.com #1053751. Published by BryanKiddMusic.com (A0.1477149). “Goodbye”, Part 3 of the “Benny Goodman: Memories of You” medley “Benny Goodman: Memories of You” is Bryan Kidd’s tribute to the big band era’s masterful “King of Swing,” Benny Goodman. This enduring medley, introduced by clarinetist Chief Musician Matt Rutkowski, was commissioned by The United States Navy Band under the direction of Captain William J. Phillips. The premiere performance was on October 22, 1992, at the John F. Kennedy Center for the Performing Arts on the occasion of the United States Navy’s 217th Birthday Concert. For over 30 years it’s been a favorite with Navy Band clarinetists and world-wide audiences alike. This is a professional / advanced arrangement – an experienced jazz rhythm section is required.IMPORTANT: 1. because of licensing requirements, each movement must be purchased as a separate title (as though they are stand-alone titles). Links for each movement: “Memories of You” click here “Let’s Dance” click here “Moonglow” click here “Sing, Sing, Sing” click here2. “After You’ve Gone” is in the public domain and available at NO CHARGE directly from Bryan Kidd (info@bryankiddmusic.com) with proof of purchase of the rest of the medley.SCORES:A letter-size (8.5x11) score and instrumental parts are included with each set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). “Memories of You” Tabloid-size (11x17) score, click here “Let’s Dance” Tabloid-size (11x17) score, click here Goodbye Tabloid-size score, click here “Moonglow” Tabloid-size (11x17) score, click here “Sing, Sing, Sing” Tabloid-size (11x17) score, click here Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C. Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$49.99
45.33 €
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Orchestre d'harmonie
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Benny Goodman
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Bryan Kidd
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Goodbye
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BryanKiddMusic.com
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SheetMusicPlus
Let's Dance
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1477148 By Benny Goodman & His Or…
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Concert Band - Level 5 - Digital Download SKU: A0.1477148 By Benny Goodman & His Orchestra. By Fanny Baldridge, Gregory Stone, and Joseph Bonime. Arranged by Bryan Kidd. Jazz,Standards. 38 pages. BryanKiddMusic.com #1053744. Published by BryanKiddMusic.com (A0.1477148). “Let's Dance”, Part 2 of the “Benny Goodman: Memories of You” medley “Benny Goodman: Memories of You” is Bryan Kidd’s tribute to the big band era’s masterful “King of Swing,” Benny Goodman. This enduring medley, introduced by clarinetist Chief Musician Matt Rutkowski, was commissioned by The United States Navy Band under the direction of Captain William J. Phillips. The premiere performance was on October 22, 1992, at the John F. Kennedy Center for the Performing Arts on the occasion of the United States Navy’s 217th Birthday Concert. For over 30 years it’s been a favorite with Navy Band clarinetists and world-wide audiences alike. This is a professional / advanced arrangement – an experienced jazz rhythm section is required.IMPORTANT: 1. because of licensing requirements, each movement must be purchased as a separate title (as though they are stand-alone titles). Links for each movement: “Memories of You” click here “Goodbye” click here “Moonglow” click here “Sing, Sing, Sing” click here2. “After You’ve Gone” is in the public domain and available at NO CHARGE directly from Bryan Kidd (info@bryankiddmusic.com) with proof of purchase of the rest of the medley.SCORES:A letter-size (8.5x11) score and instrumental parts are included with each set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). “Memories of You” Tabloid-size (11x17) score, click here Let's Dance Tabloid-size (11x17) score, click here “Goodbye” Tabloid-size (11x17) score, click here “Moonglow” Tabloid-size (11x17) score, click here “Sing, Sing, Sing” Tabloid-size (11x17) score, click here Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C. Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$49.99
45.33 €
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Orchestre d'harmonie
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Benny Goodman & His Orchestra
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Bryan Kidd
#
Let's Dance
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BryanKiddMusic.com
#
SheetMusicPlus
Memories Of You
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1477147 By Ink Spots. By Andy Raz…
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Concert Band - Level 5 - Digital Download SKU: A0.1477147 By Ink Spots. By Andy Razaf and Eubie Blake. Arranged by Bryan Kidd. Jazz,Standards. 33 pages. BryanKiddMusic.com #1053617. Published by BryanKiddMusic.com (A0.1477147). “Memories of You”, Part 1 of the “Benny Goodman: Memories of You” medley “Benny Goodman: Memories of You” is Bryan Kidd’s tribute to the big band era’s masterful “King of Swing,” Benny Goodman. This enduring medley, introduced by clarinetist Chief Musician Matt Rutkowski, was commissioned by The United States Navy Band under the direction of Captain William J. Phillips. The premiere performance was on October 22, 1992, at the John F. Kennedy Center for the Performing Arts on the occasion of the United States Navy’s 217th Birthday Concert. For over 30 years it’s been a favorite with Navy Band clarinetists and world-wide audiences alike. This is a professional / advanced arrangement – an experienced jazz rhythm section is required.IMPORTANT: 1. because of licensing requirements, each movement must be purchased as a separate title (as though they are stand-alone titles). Links for each movement: “Memories of You” click here “Let’s Dance” click here “Goodbye” click here “Moonglow” click here “Sing, Sing, Sing” click here2. “After You’ve Gone” is in the public domain and available at NO CHARGE directly from Bryan Kidd (info@bryankiddmusic.com) with proof of purchase of the rest of the medley.SCORES:A letter-size (8.5x11) score and instrumental parts are included with each set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). “Memories of You” Tabloid-size (11x17) score, click here “Let’s Dance” Tabloid-size (11x17) score, click here “Goodbye” Tabloid-size (11x17) score, click here “Moonglow” Tabloid-size (11x17) score, click here “Sing, Sing, Sing” Tabloid-size (11x17) score, click here Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C. Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$49.99
45.33 €
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Orchestre d'harmonie
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Ink Spots
#
Bryan Kidd
#
Memories Of You
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BryanKiddMusic.com
#
SheetMusicPlus
Moonglow
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1477150 By George Cates. By Eddie…
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Concert Band - Level 5 - Digital Download SKU: A0.1477150 By George Cates. By Eddie De Lange, Irving Mills, and Will Hudson. Arranged by Bryan Kidd. Jazz,Standards. 37 pages. BryanKiddMusic.com #1053755. Published by BryanKiddMusic.com (A0.1477150). “Moonglow”, Part 5 of the “Benny Goodman: Memories of You” medley “Benny Goodman: Memories of You” is Bryan Kidd’s tribute to the big band era’s masterful “King of Swing,” Benny Goodman. This enduring medley, introduced by clarinetist Chief Musician Matt Rutkowski, was commissioned by The United States Navy Band under the direction of Captain William J. Phillips. The premiere performance was on October 22, 1992, at the John F. Kennedy Center for the Performing Arts on the occasion of the United States Navy’s 217th Birthday Concert. For over 30 years it’s been a favorite with Navy Band clarinetists and world-wide audiences alike. This is a professional / advanced arrangement – an experienced jazz rhythm section is required.IMPORTANT: 1. because of licensing requirements, each movement must be purchased as a separate title (as though they are stand-alone titles). Links for each movement: “Memories of You” click here “Let’s Dance” click here “Goodbye” click here “Sing, Sing, Sing” click here2. “After You’ve Gone” is in the public domain and available at NO CHARGE directly from Bryan Kidd (info@bryankiddmusic.com) with proof of purchase of the rest of the medley.SCORES:A letter-size (8.5x11) score and instrumental parts are included with each set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). “Memories of You” Tabloid-size (11x17) score, click here “Let’s Dance” Tabloid-size (11x17) score, click here “Goodbye” Tabloid-size (11x17) score, click here Moonglow Tabloid-size (11x17) score, click here “Sing, Sing, Sing” Tabloid-size (11x17) score, click here Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C. Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$49.99
45.33 €
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Orchestre d'harmonie
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George Cates
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Bryan Kidd
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Moonglow
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BryanKiddMusic.com
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SheetMusicPlus
Sing, Sing, Sing
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1477151 By Benny Goodman. By Loui…
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Concert Band - Level 5 - Digital Download SKU: A0.1477151 By Benny Goodman. By Louis Prima. Arranged by Bryan Kidd. Jazz,Standards. 73 pages. BryanKiddMusic.com #1053759. Published by BryanKiddMusic.com (A0.1477151). “Sing, Sing, Sing”, Part 6 of the “Benny Goodman: Memories of You” medley “Benny Goodman: Memories of You” is Bryan Kidd’s tribute to the big band era’s masterful “King of Swing,” Benny Goodman. This enduring medley, introduced by clarinetist Chief Musician Matt Rutkowski, was commissioned by The United States Navy Band under the direction of Captain William J. Phillips. The premiere performance was on October 22, 1992, at the John F. Kennedy Center for the Performing Arts on the occasion of the United States Navy’s 217th Birthday Concert. For over 30 years it’s been a favorite with Navy Band clarinetists and world-wide audiences alike. This is a professional / advanced arrangement – an experienced jazz rhythm section is required.IMPORTANT: 1. because of licensing requirements, each movement must be purchased as a separate title (as though they are stand-alone titles). Links for each movement: “Memories of You” click here “Let’s Dance” click here “Goodbye” click here “Moonglow” click here2. “After You’ve Gone” is in the public domain and available at NO CHARGE directly from Bryan Kidd (info@bryankiddmusic.com) with proof of purchase of the rest of the medley.SCORES:A letter-size (8.5x11) score and instrumental parts are included with each set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). “Memories of You” Tabloid-size (11x17) score, click here “Let’s Dance” Tabloid-size (11x17) score, click here “Goodbye” Tabloid-size (11x17) score, click here “Moonglow” Tabloid-size (11x17) score, click here Sing, Sing, Sing Tabloid-size (11x17) score, click here Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C. Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$49.99
45.33 €
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Orchestre d'harmonie
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Benny Goodman
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Bryan Kidd
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Sing, Sing, Sing
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BryanKiddMusic.com
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SheetMusicPlus
Mean Green Mother From Outer Space
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1453188 By Various. By Alan Menke…
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Concert Band - Level 4 - Digital Download SKU: A0.1453188 By Various. By Alan Menken and Howard Ashman. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Film/TV,Musical/Show,Pop. 96 pages. Music Arrangement Services Inc. #1032414. Published by Music Arrangement Services Inc. (A0.1453188). From the Musical Production and Film “Little Shop Of Horrors”. This Concert Band Scores accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. This song is about the plant “Audrey 2” responding to being threatened because he is mean. The song refers to waiting, minding manners, changing tone, doing things their way, not knowing what they are messing with or what they are up against, being bad, being had, being mean and green, saving one’s self, good advice, being fighting mad, King Kong, Frankenstein, the Black Lagoon, The Thing, It, the Creature, can’t beat trouble. This arrangement is shorter than the original, thus avoiding harsh language. There are also cues for shortening this piece. This arrangement is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 3:50.
$49.99
45.33 €
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Orchestre d'harmonie
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Various
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Jeffrey Bowen
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Mean Green Mother From Outer Space
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Music Arrangement Services Inc.
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SheetMusicPlus
Clair de Lune
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1444294 Composed by Augusta Holme…
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Concert Band - Level 3 - Digital Download SKU: A0.1444294 Composed by Augusta Holmes. Arranged by John Ivor Holland. 19th Century,Chamber,Classical. 40 pages. John Ivor Holland #1024207. Published by John Ivor Holland (A0.1444294). Augusta Mary Anne Holmès (16 December 1847 – 28 January 1903) was a French composer of Irish descent. In 1871, Holmès became a French national and added the accent to her last name. She wrote the texts to almost all of her vocal music herself, including songs, oratorios, the libretto of her opera ('La Montagne noire') and the programmatic poems for her symphonic poems including 'Irlande' and 'Andromède'. Despite showing talent at the piano, she was not allowed to study at the Paris Conservatoire, but took lessons privately. Like other female composers from the nineteenth century including Fanny Mendelssohn and Clara Schumann, Holmès published some of her earlier works under a male pseudonym (Hermann Zenta) because women in European society at that time were not taken seriously as artists and were discouraged from publishing. 'Clair de Lune' is the second of the 'Trois Petites Pièces' for flute and piano, composed in 1896, bring together the homelands dear to Holmès’ heart: Ireland, her country of origin, and France, her country of adoption. Arranged for concert band as part of an ongoing project to bring more music by women composers into the worldwide repertoire.
$49.99
45.33 €
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Orchestre d'harmonie
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Augusta Holmes
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John Ivor Holland
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Clair de Lune
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John Ivor Holland
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SheetMusicPlus
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