Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Been So Long
Non classifié
144
Piano & claviers
Piano seul
84
Piano, Voix
54
Piano Facile
37
Piano, Voix et Guitare
24
Instruments en Do
10
Accompagnement Piano
4
Orgue
3
1 Piano, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare
42
Guitare notes et tablatures
10
Ligne De Mélodie, (Paroles) et Accords
9
Ukulele
7
Paroles et Accords
3
Mandoline
3
Basse electrique
1
2 Guitares (duo)
1
3 Guitares (trio)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
36
Voix Soprano, Piano
9
Chorale 2 parties
8
Chorale 3 parties
7
Voix Alto, Piano
5
Chorale TTBB
4
Chorale
2
Chorale Unison
2
Voix Tenor, Piano
2
Voix haute
1
Voix duo
1
Voix Baryton, Piano
1
Soli, choeur mixte et accompagnement
1
Voix, Guitare
1
Chorale SSAA
1
+ 10 instrumentations
Retracter
Vents
Ensemble de saxophones
25
Quintette de Saxophone: 5 saxophones
21
Flûte traversière et Piano
12
Saxophone Alto
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Clarinette
9
Quatuor de Saxophones: 4 saxophones
9
Saxophone Tenor
8
Saxophone Tenor et Piano
7
Ensemble de Clarinettes
6
Flûte, Hautbois, Clarinette, Basson
6
Flûte traversière
6
Quatuor de Clarinettes: 4 clarinettes
5
3 Saxophones (trio)
5
Hautbois, Piano (duo)
4
Quintette de Flûte : 5 flûtes
4
Clarinette et Piano
4
Hautbois (partie séparée)
3
Ensemble de Flûtes
3
Harmonica
3
Saxophone Soprano et Piano
3
Trio de Flûtes: 3 flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Alto et Piano
2
Flûte, Hautbois, Clarinette (trio)
2
2 Flûtes traversières (duo)
2
Clarinette Basse
1
Ensemble de Hautbois
1
Flûte, Clarinette (duo)
1
Clarinette, Guitare (duo)
1
Quatuor de Flûtes : 4 flûtes
1
3 Clarinettes (trio)
1
Clarinette, Basson (duo)
1
Saxophone (partie séparée)
1
Quatuor de Flûtes à bec
1
Hautbois
1
+ 31 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Quatuor de Cuivres
12
Trompette
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Ensemble de Trompettes
5
Ensemble de Trombones
4
Trompette, Piano
4
Trombone
4
Ensemble de Cors
3
Trombone et Piano
3
Cor et Piano
2
Ensemble de Tubas
1
Bass Clef Instruments
1
2 Tubas (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 cors
1
Tuba
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon et Piano
11
Violon
11
Violoncelle
10
Violon, Violoncelle (duo)
9
Alto, Piano
8
Violoncelle, Piano
6
Harpe
5
Alto seul
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à Cordes: violon, alto, violoncelle
3
Trio à Cordes: 2 violons, violoncelle
3
2 Violoncelles (duo)
3
Alto (partie séparée)
2
Violon, Alto (duo)
2
2 Violons (duo)
1
2 Altos (duo)
1
Violon, Basson (duo)
1
Alto et Basson
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre
17
Orchestre d'harmonie
12
Ensemble de cuivres
6
Orchestre de chambre
5
Jazz combo
2
Batterie
2
Ensemble de Percussions
2
Ensemble Jazz
2
Cloches
1
Piano et Orchestre
1
+ 5 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
168
Partitions Numériques
12
Librairie Musicale
252
Matériel de Musique
427
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Been So Long
Orchestre d'harmonie
Partitions à imprimer
12 partitions trouvées
<
1
Do You Hear How Many You Are?
#
Orchestre d'harmonie
#
FACILE
#
Contemporain
#
Keane Southard
#
Do You Hear How Many You Are?
#
Spindrift Pages
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spin...
(+)
Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00
Trapped
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Scott Custer Jr
#
being used for my kindness
#
Trapped
#
Scott Custer Jr
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
(+)
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
Concert Ready (Solo Group Feature for Elementary Wind Players and Wind Band)
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
G L Harvey
#
Concert Ready
#
G L Harvey
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.805833 Composed by G L Harvey. Children,Concert,Instructional,Traditional. Score and parts. 44 pages. G L Harvey #45744...
(+)
Concert Band - Level 3 - SKU: A0.805833 Composed by G L Harvey. Children,Concert,Instructional,Traditional. Score and parts. 44 pages. G L Harvey #4574419. Published by G L Harvey (A0.805833). Concert Ready is designed to feature your latest batch of new players with full Wind Band accompaniment. Schools and music centers will recognize the scenario where your last cohort of new starters has been playing a little while, your trumpeters can play most of a C scale, your clarinet players can manage quite well below the break (so long as they have a reed that works), and your saxophone players have just discovered the volume control! They are keen and enthusiastic to take part in their first concert. This piece gives them the opportunity to play a fun piece with a band, with any number of their peers (strength in numbers!).The Wind Band is scored with multiple cues to enable performance from non standard instrumentation, plus additional parts for example in Eb and treble clef to cater for Tenor Horn, Baritone and Trombone etc. Parts are also designed to scale dynamically (play if directed comments) to balance the size of the solo group.The PDF is in A4 portrait (44 pages) and contains a full score and parts. The duration of the piece is just over 2 minutes 30 seconds.Note that the difficultly level for the soloists is Easy/Beginner, whilst the level for the band is intermediate and over, roughly about band grade 2/3.
$45.99
Killarney Carnivale
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
John P
#
Killarney Carnivale
#
John P.W. Hudson #872903.
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W....
(+)
Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.
$60.00
Chorale on Friedman's Shalom Aleichem
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
the time Debbie Friedman died
#
Dan Dickerman
#
Chorale on Friedman's Shalom A
#
True Indie Media
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1031499 Composed by Dan Dickerman. Contemporary,Jewish. Score and parts. 44 pages. True Indie Media #3424827. Published...
(+)
Concert Band - Level 3 - SKU: A0.1031499 Composed by Dan Dickerman. Contemporary,Jewish. Score and parts. 44 pages. True Indie Media #3424827. Published by True Indie Media (A0.1031499). Bringing folk melodies into modern repertoire has a long tradition, with many iconic works simultaneously celebrating and preserving melodies which might otherwise have been lost to history. Here we have the opportunity to celebrate and preserve a melody just as it starts to find its way in the musical world. By the time Debbie Friedman died in January 2011, just shy of her 60th birthday, she had created a large collection of music loved throughout the world’s Jewish community. She embodied the idea that each generation has a responsibility to contribute to the canon of sacred music, and her settings of liturgical texts have been sung regularly for decades. Her setting of Mi Shebeirach, the prayer for healing, is likely her most familiar tune, but Shalom Aleichem is a beautiful capstone to her legacy. It was in an early stage at the time of her death, having shared the melody among a few groups. This melody has since been sung worldwide, beginning with Friedman’s own memorial and the following Sabbath of Song (Shabbat Shira), and it has begun to take its rightful place in the liturgical canon. The music here is ordered as it would be sung: starting with a presentation of the chorus theme by clarinets in SATB choir voicing, with more of the band joining-in with each repetition of the theme or chorus. The melody and countermelodies move among the different sections until the full band has taken up the tune while the euphonium, horn, and clarinet weave a contrapuntal line through it. Slowly, the joy of the full band is stripped away, exposing the more solemn sound of a brass choir, juxtaposing the joy brought to so many by Ms. Friedman during her life with a quiet reflection at its end.Â
$54.00
Ragamuffin Rag - Will Huff
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Will Huff
#
Emmett Anglin
#
Ragamuffin Rag - Will Huff
#
OTBM
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.990602 Composed by Will Huff. Arranged by Emmett Anglin. 20th Century,Ragtime. Score and parts. 68 pages. OTBM #50559. ...
(+)
Concert Band - Level 3 - SKU: A0.990602 Composed by Will Huff. Arranged by Emmett Anglin. 20th Century,Ragtime. Score and parts. 68 pages. OTBM #50559. Published by OTBM (A0.990602). Contact Information: Emmett Anglin at 803-775-4400 or rabish@fromtier.com The piece is in the Public Domain and has been out of print for many years. It is typical of the ragtime music written in the early 20th Century and a lot of fun to play. It is about 3 or 4 minutes long depending on which repeats the conductor takes. It has parts not included in the original for bells, 2nd & 3rd Alto Sax and others so that it will fit well with the modern concert band. If you get it and there is any problem (wrongly transposed parts etc.) I will fix it. Just call me or e-mail me and we can talk. I've been doing this for several years now and I make every effort to eliminate mistakes but sometimes....................
$35.00
Overture - Oklahoma!
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Oscar Hammerstein and Richard
#
John Ivor Holland
#
Overture - Oklahoma!
#
John Ivor Holland
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1216155 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by John Ivor Holland. 20th Century,Broadway,Film/TV...
(+)
Concert Band - Level 4 - SKU: A0.1216155 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by John Ivor Holland. 20th Century,Broadway,Film/TV,Musical/Show. Score and Parts. 114 pages. John Ivor Holland #812763. Published by John Ivor Holland (A0.1216155). Celebrating its 80th anniversary on Broadway 2023, the tune-packed show must have been a delight for audiences experiencing the very first collaboration between Richard Rodgers and Oscar Hammerstein II. The original production opened on March 31, 1943 and was a box office hit, running for an unprecedented 2,212 performances, later enjoying award-winning revivals, national tours, foreign productions and an Oscar-winning 1955 film adaptation. It has long been a popular choice for school and community productions and won a special Pulitzer Prize in 1944. The bright and breezy Overture presents many of the shows great songs, including The Farmer and The Cowman, People Will Say We're In Love, Out of My Dreams and of course, Oklahoma! A sure-fire way to get a concert started is with an overture, so why not try this one with your band, it's bound to be a crowd-pleaser!
$79.99
STRIDE LA VAMPA! from II Act of “Il Trovatore” for Contralto or Mezzosoprano Voice or Bb Cornet
#
Orchestre d'harmonie
#
FACILE
#
Opera
#
Classique
#
Giuseppe Verdi
#
Francesco Buono
#
STRIDE LA VAMPA! from II Act o
#
Francesco Buono
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1098365 Composed by Giuseppe Verdi. Arranged by Francesco Buono. Classical,Opera. Score and Parts. 121 pages. Francesco...
(+)
Concert Band - Level 2 - SKU: A0.1098365 Composed by Giuseppe Verdi. Arranged by Francesco Buono. Classical,Opera. Score and Parts. 121 pages. Francesco Buono #702227. Published by Francesco Buono (A0.1098365). STRIDE LA VAMPA! from II Act of “Il Trovatore†for Contralto or Mezzosoprano Voice or Bb Cornet Il Trovatore is the second opera in Giuseppe Verdi's popular trilogy created between Rigoletto and La Traviata. Il Trovatore is a drama in four acts and eight pictures, set in Spain at the beginning of the 15th century, which tells, with a beautiful expressive song, flaming passions such as love, jealousy, revenge, hatred and lust. Manrico and the Count of Luna, in love with the same woman, face each other until death as enemies, without knowing that they are brothers. Belonging to two different social classes, they only share Leonora's love which doubles the existing hatred of social conflict. STRIDE LA VAMPA! At the foot of a mountain, in a camp, some gypsies dedicated to their activities cheer their work with songs, dances and toasts (gypsy chorus: See the gloomy nocturnal remains). A pained voice bursts into the general cheerfulness: having woken up from her recurring nightmare, Azucena, mother of Manrico, tells that many years before her she saw her mother die at the stake accused of witchcraft by the old Count di Luna (Stride la vampa) . Her mother's last words had been a plea for revenge, so she had kidnapped the Count's son still in diapers and, blinded by her desperation, decided to throw him into the fire; however, horrified by the vision of her dead mother, she had confused her own son with the child she had kidnapped and had thrown him into her stake in her place.
$15.00
Let It Snow ... But Quietly for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Noël
#
Text: Eduard Ebel, Music: unkn
#
Phil Thrift
#
Let It Snow ... But Quietly fo
#
Phil Thrift
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.955742 Composed by Text: Eduard Ebel, Music: unknown. Arranged by Phil Thrift. Christmas. Score and parts. 96 pages. Ph...
(+)
Concert Band - Level 3 - SKU: A0.955742 Composed by Text: Eduard Ebel, Music: unknown. Arranged by Phil Thrift. Christmas. Score and parts. 96 pages. Phil Thrift #6563217. Published by Phil Thrift (A0.955742). Leise rieselt der Schnee is a popular children’s Weihnachtslied. However, in this arrangement, cheekily translated as Let It Snow … But Quietly, the well-known melody in 6/8 time is presented in 4/4 time with a soul treatment. Other German Christmas tunes have also been worked into this medium-difficulty piece. Even those unfamiliar with the German originals will I hope be able to enjoy the holiday season spirit conveyed with the obligatory sleigh bells!This concert band reworking of my original big band chart has parts for the following instruments:Piccolo, Flutes 1/2, Oboe, BassoonEb Clarinet, Bb Clarinets 1/2/3, Eb Alto Clarinet, Bb Bass ClarinetEb Alto Saxophones 1/2, Bb Tenor Saxophones 1/2, Eb Baritone SaxophoneBb Trumpets 1/2/3, F Horns 1/2/3/4 (alternative Eb parts included),Trombones 1/2/3 (B.C. & Bb T.C.), Euphonium (B.C. & Bb T.C.),Tuba (alternative Eb T.C. & Bb T.C. parts included)Acoustic Bass, Drum Set, Glockenspiel,Percussion (1 or 2 players – shaker/sleigh bells & chimes/tambourine)For those bands without a full complement of players, key passages for instruments that may not be available are cued in other parts.The Open For Solos section will be familiar to big band players, perhaps less so to concert band players. Some guidance will be needed here so that musicians playing the backing parts know when to play.Suggested solos are notated in piccolo, flute, clarinet, alto saxophone, tenor saxophone, trumpet, and trombone. The harmonies are also included so that players with the necessary experience can improvise their own solos.At the end of the piece, let the players fade out one by one until the percussionist with the sleigh bells is left, walking off stage. Only when the sleigh bells can no longer be heard is this piece over!
$39.99
Rosenkavalier Suite
#
Orchestre d'harmonie
#
AVANCÉ
#
Richard Strauss
#
Steven Nunes
#
Rosenkavalier Suite
#
Nagamon Publications
#
SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1472273 Composed by Richard Strauss. Arranged by Steven Nunes. Opera,Romantic Period. 391 pages. Nagamon Publications #...
(+)
Concert Band - Level 5 - SKU: A0.1472273 Composed by Richard Strauss. Arranged by Steven Nunes. Opera,Romantic Period. 391 pages. Nagamon Publications #1049975. Published by Nagamon Publications (A0.1472273). Richard Georg Strauss (11 June 1864 – 8 September 1949) was a German composer and conductor best known for his tone poems and operas. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from Louvet de Couvrai's novel Les amours du chevalier de Faublas and Molière's comedy Monsieur de Pourceaugnac.In 1945 Strauss allowed an orchestral Rosenkavalier Suite to be published, but apparently was not involved in creating it. It is likely that conductor Artur Rodziński arranged it, as he conducted the suite's first performance, in October 1944 by the New York Philharmonic.The suite begins with the opera's orchestral prelude, depicting the Marschallin's and Octavian's night of passion (vividly portrayed by whooping horns and saxophones). Next comes the appearance of Octavian as the Rosenkavalier, depicted in tender music; the sight of him looking so young makes the Marschallin realise that he will soon leave her for a younger woman. There follows the duet between Octavian and Sophie – in which their love for each other becomes ever more obvious, but this is abruptly interrupted by the discordant music associated with Ochs's clumsy arrival. Next the violins tentatively introduce the first waltz, followed by another given out by the solo violin, before the whole orchestra settles into waltz mode. A general pause and a violin solo leads into the nostalgic music where the Marschallin sadly realises she has lost Octavian. Then comes its ecstatic climax. The work closes with a singularly robust waltz, depicting Ochs at his most pompous, and a boisterous coda newly composed for the suite.The PDF contains the Full Score and a full set of parts.
$75.00
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for band
#
Orchestre d'harmonie
#
FACILE
#
Francisca Gonzaga
#
Idalmo Santos
#
Gaúcho - Corta-Jaca By
#
Idalmo Santos
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World...
(+)
Concert Band - Level 2 - SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World. Score and parts. 23 pages. Idalmo Santos #6679863. Published by Idalmo Santos (A0.978107). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
$13.33
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Been So Long
