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Build this house
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Vous avez sélectionné:
Build this house
Orchestre d'harmonie
Partitions à imprimer
4 partitions trouvées
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Building The Barn
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Orchestre d'harmonie
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FACILE
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Maurice Jarre
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Ted Samuels, George Pollen
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Building The Barn
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Theodore A. Samuels
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1242010 Composed by Maurice Jarre. Arranged by Ted Samuels, George Pollen. 20th Century,Contemporary,Film/TV,Multicultu...
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Concert Band - Level 2 - SKU: A0.1242010 Composed by Maurice Jarre. Arranged by Ted Samuels, George Pollen. 20th Century,Contemporary,Film/TV,Multicultural,Religious,World. Score and Parts. 52 pages. Theodore A. Samuels #837366. Published by Theodore A. Samuels (A0.1242010). Witness is a 1985 American neo-noir crime thriller film directed by Peter Weir, and starring Harrison Ford, Kelly McGillis and Lukas Haas, with Jan Rubeš, Danny Glover, Josef Sommer, Alexander Godunov, Patti LuPone and Viggo Mortensen in supporting roles. The film focuses on a police detective (Ford) protecting an Amish woman (McGillis) and her young son (Haas), who becomes a target after he witnesses a brutal murder in a Philadelphia train station. ~ WikipediaThis is an arrangement for concert band of the incidental music which was played while Harrison Ford's police detective character, John Book, assisted the Amish community with building a barn for a young Amish couple of newlyweds.(FYI: Earlier in the film, he had repaired a large birdhouse which he had accidentally knocked down with his car. So the Amish folks put him to work on the barn raising, as they called it.Also, before he was an actor, Ford was a licensed, professional carpenter. One of his clients at that time was Steven Spielberg.)This piece basically plays like a canon (e.g., Pachelbel's Canon in D). It's performance time is approximately 3:45-4:00.
$59.99
Marche Héroïque de Szabadi
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jules Massenet
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Yves Bouillot
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Marche Héroïque de
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Yves Bouillot
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1291229 Composed by Jules Massenet. Arranged by Yves Bouillot. 19th Century,Classical,Romantic Period. Score and Parts....
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Concert Band - Level 4 - SKU: A0.1291229 Composed by Jules Massenet. Arranged by Yves Bouillot. 19th Century,Classical,Romantic Period. Score and Parts. 113 pages. Yves Bouillot #881894. Published by Yves Bouillot (A0.1291229). In 1879, a flood occurred in Szegedin, on the banks of the Tisza River, in Hungary. Catastrophic floods destroy 95% of the city in. Only 300 of the approximately 6,000 houses remain standing. International aid will then be directed to the city to rebuild it, according to new plans, in five years. The ring roads still bear the names of the towns which participated in the reconstruction to this day. Le Figaro organized a festival at the Opéra Garnier to help the victims. On this occasion, Jules Massenet wrote a Heroic March for large orchestra (including 8 saxophones). Here is a version for Concert Band, a tone lower than the original. Grade 4.
$50.00
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
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Build this house
