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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
CLARINET Sonata
Non classifié
266
Piano & claviers
Piano seul
20
Accompagnement Piano
5
Piano Facile
1
2 Pianos, 4 mains
1
Guitares
Voix
Vents
Clarinette et Piano
224
Clarinette
124
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
112
3 Clarinettes (trio)
101
2 Clarinettes (duo)
94
Flûte, Hautbois, Clarinette (trio)
70
Flûte, Clarinette et Basson
62
Flûte, Hautbois, Clarinette, Basson
51
Quatuor de Clarinettes: 4 clarinettes
50
Clarinette Basse, Piano
31
Flûte, Clarinette (duo)
30
Ensemble de Clarinettes
29
2 Clarinettes, Basson
28
Clarinette et Alto
20
Clarinette (partie séparée)
20
Clarinette, Violoncelle (duo)
19
Quintette de Clarinettes: 5 clarinettes
19
Clarinette, Violon (duo)
18
Hautbois, Clarinette (duo)
18
Clarinette, Basson (duo)
17
Hautbois, Clarinette, Basson (trio d'anches)
17
Clarinette, Guitare (duo)
13
Quintette de Clarinette: Clarinette, Quatuor à Cordes
10
2 Flûtes traversières (duo)
8
2 Saxophones (duo)
8
Flûte traversière et Piano
7
Saxophone Alto et Piano
5
Saxophone, Clarinette (duo)
5
Saxophone Alto
4
Trio de Flûtes: 3 flûtes
4
Hautbois, Piano (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
Quintette de Saxophone: 5 saxophones
3
Saxophone Tenor et Piano
3
Clarinette, Orchestre
2
2 Hautbois (duo)
2
Clarinette, Trompette (duo)
2
Hautbois, Flûte
2
Flûte, Violon
2
Clarinette, Harpe (duo)
2
Saxophone Soprano et Piano
2
Flûte, Alto (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Basson (duo)
1
Flûte, Saxophone (duo)
1
Cor anglais, Piano
1
Flûte traversière
1
Saxophone
1
2 Flûte à bec (duo)
1
Saxophone Tenor
1
Ensemble à vent
1
Saxophone Baryton, Piano
1
3 Saxophones (trio)
1
+ 48 instrumentations
Retracter
Cuivres
Trompette
6
Euphonium, Piano (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette, Saxophone (duo)
2
2 Trombones (duo)
2
Trompette, Piano
2
Trombone et Piano
2
Instruments en Sib
2
Trompette, Trombone (duo)
1
Cor anglais, Piano
1
2 Trompettes (duo)
1
3 Trombones (trio)
1
+ 7 instrumentations
Retracter
Cordes
Violon et Piano
10
Alto seul
10
Alto, Piano
6
Trio à Cordes: violon, alto, violoncelle
3
Violon, Alto (duo)
3
Violon
2
Violoncelle, Piano
1
Violon, Clarinette, Piano (trio)
1
2 Violoncelles (duo)
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Violon, Violoncelle (duo)
1
2 Violons (duo)
1
Harpe
1
Violoncelle
1
2 Altos (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
20
Orchestre
15
Orchestre d'harmonie
9
Ensemble de Percussions
2
Orchestre à Cordes
2
Ensemble de cuivres
1
+ 1 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
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CHARANGO
CITHARE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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ENFANTS : EVEIL - IN…
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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RAGTIME
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Vous avez sélectionné:
CLARINET Sonata
Orchestre d'harmonie
Partitions à imprimer
9 partitions trouvées
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Sonata for Alto Saxophone, Op. 29 (37-Piece Digital Pack)
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Anthony LaBounty
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Sonata for Alto Saxophone, Op.
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Hal Leonard - Digital
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SheetMusicPlus
Level 5 - SKU: HX.330213 Arranged by Anthony LaBounty. This edition: scorch. Classical. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Di...
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Level 5 - SKU: HX.330213 Arranged by Anthony LaBounty. This edition: scorch. Classical. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.330213).
Digital Pack includes
:
Sonata for Alto Saxophone, Op. 29 - Conductor Score (Full Score)
Sonata for Alto Saxophone, Op. 29 - Solo Eb Alto Saxophone
Sonata for Alto Saxophone, Op. 29 - Flute 1
Sonata for Alto Saxophone, Op. 29 - Flute 2
Sonata for Alto Saxophone, Op. 29 - Oboe 1
Sonata for Alto Saxophone, Op. 29 - Oboe 2
Sonata for Alto Saxophone, Op. 29 - Bb Clarinet 1
Sonata for Alto Saxophone, Op. 29 - Bb Clarinet 2
Sonata for Alto Saxophone, Op. 29 - Bb Clarinet 3
Sonata for Alto Saxophone, Op. 29 - Bb Bass Clarinet
Sonata for Alto Saxophone, Op. 29 - Eb Contra Alto Clarinet
Sonata for Alto Saxophone, Op. 29 - Bb Contra Bass Clarinet
Sonata for Alto Saxophone, Op. 29 - Bassoon 1
Sonata for Alto Saxophone, Op. 29 - Bassoon 2
Sonata for Alto Saxophone, Op. 29 - Eb Alto Saxophone 1
Sonata for Alto Saxophone, Op. 29 - Eb Alto Saxophone 2
Sonata for Alto Saxophone, Op. 29 - Bb Tenor Saxophone
Sonata for Alto Saxophone, Op. 29 - Eb Baritone Saxophone
Sonata for Alto Saxophone, Op. 29 - Bb Trumpet 1
Sonata for Alto Saxophone, Op. 29 - Bb Trumpet 2
Sonata for Alto Saxophone, Op. 29 - Bb Trumpet 3
Sonata for Alto Saxophone, Op. 29 - F Horn 1
Sonata for Alto Saxophone, Op. 29 - F Horn 2
Sonata for Alto Saxophone, Op. 29 - Trombone 1
Sonata for Alto Saxophone, Op. 29 - Trombone 2
Sonata for Alto Saxophone, Op. 29 - Bass Trombone
Sonata for Alto Saxophone, Op. 29 - Euphonium in Bass Clef
Sonata for Alto Saxophone, Op. 29 - Euphonium in Treble Clef
Sonata for Alto Saxophone, Op. 29 - Tuba
Sonata for Alto Saxophone, Op. 29 - Contrabass
Sonata for Alto Saxophone, Op. 29 - Violincello
Sonata for Alto Saxophone, Op. 29 - Timpani
Sonata for Alto Saxophone, Op. 29 - Percussion 1
Sonata for Alto Saxophone, Op. 29 - Percussion 2
Sonata for Alto Saxophone, Op. 29 - Percussion 3
Sonata for Alto Saxophone, Op. 29 - Percussion 4
Sonata for Alto Saxophone, Op. 29 - Percussion 5
$95.00
Concertino for Clarinet and Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Richard E Brown
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Concertino for Clarinet and Ba
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Dacker Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.814764 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 230 pages. Dacker Music #3594469. Publishe...
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Concert Band - Level 4 - SKU: A0.814764 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 230 pages. Dacker Music #3594469. Published by Dacker Music (A0.814764). The Italian word concertino means little concerto, and as that title indicates, Concertino for Clarinet and Band closely follows traditional sonata form on a somewhat smaller scale. With a home key of G minor, the three movements are: 1. Allegro agitato- sonata-allegro - G minor 2. Andante tranquillo - chaconne - C major 3. Allegro - abridged sonata-rondo - G minor. This composition is the composer's transcription of his Sonatina for Clarinet and Piano. Grade: Solo 4 - Band 3+ Duration: 9:30Price includes license to make as many copies of each part as required.
$65.00
Clarinet Concerto in B-flat major
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Karol Kurpiński
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Kazys DaugÄ—la
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Clarinet Concerto in B-flat ma
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Kazys Daugela
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.935506 Composed by Karol Kurpiński (1785-1857). Arranged by Kazys Daugėla. Romantic Period. Score and parts. 67...
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Concert Band - Level 4 - SKU: A0.935506 Composed by Karol Kurpiński (1785-1857). Arranged by Kazys Daugėla. Romantic Period. Score and parts. 67 pages. Kazys Daugela #6666179. Published by Kazys Daugela (A0.935506). Karol Kurpiński (1785-1857) was a romanticist and one of the most revered composers before Frédéric Chopin, and helped to lay the foundations of a national style and prepared the ground for Polish music of the Romantic period. He’s a largely forgotten figure, but in his day he was Warsaw’s leading opera composer. A single-movement concerto by Weber’s Polish contemporary Karol Kurpiński is skilfully written, with a melancholy slow section whose melody is attractive. Elsewhere, the piece isn’t without its moments of note-spinning and overlong harmonic sequences, but it’s a welcome discovery nevertheless. The premiere of the work took place on the eve of Kurpiński's departure from Paris in 1823. Up to date only the first movement of the Clarinet Concerto, in the sonata allegro form with three themes, has survived. Concerto will be a fine way to demonstrate the clarinetist's potential for brilliant display and heartfelt lyricism.
$30.00
Clarinet Concerto in B-flat major
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Karol Kurpiński
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Kazys DaugÄ—la
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Clarinet Concerto in B-flat ma
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Kazys Daugela
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.935505 Composed by Karol Kurpiński (1785-1857). Arranged by Kazys Daugėla. Romantic Period. Score and parts. 28...
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Concert Band - Level 4 - SKU: A0.935505 Composed by Karol Kurpiński (1785-1857). Arranged by Kazys Daugėla. Romantic Period. Score and parts. 280 pages. Kazys Daugela #6666171. Published by Kazys Daugela (A0.935505). Karol Kurpiński (1785-1857) was a romanticist and one of the most revered composers before Frédéric Chopin, and helped to lay the foundations of a national style and prepared the ground for Polish music of the Romantic period. He’s a largely forgotten figure, but in his day he was Warsaw’s leading opera composer. A single-movement concerto by Weber’s Polish contemporary Karol Kurpiński is skilfully written, with a melancholy slow section whose melody is attractive. Elsewhere, the piece isn’t without its moments of note-spinning and overlong harmonic sequences, but it’s a welcome discovery nevertheless. The premiere of the work took place on the eve of Kurpiński's departure from Paris in 1823. Up to date only the first movement of the Clarinet Concerto, in the sonata allegro form with three themes, has survived. Concerto will be a fine way to demonstrate the clarinetist's potential for brilliant display and heartfelt lyricism.
$159.99
Sonata for Alto Saxophone, Op. 29 - Bb Contra Bass Clarinet
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Anthony LaBounty
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Sonata for Alto Saxophone, Op.
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Hal Leonard - Digital
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SheetMusicPlus
Level 5 - SKU: HX.330188 Arranged by Anthony LaBounty. This edition: scorch. Classical. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Di...
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Level 5 - SKU: HX.330188 Arranged by Anthony LaBounty. This edition: scorch. Classical. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.330188).
$6.00
Sonata for Alto Saxophone, Op. 29 - Eb Contra Alto Clarinet
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Anthony LaBounty
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Sonata for Alto Saxophone, Op.
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Hal Leonard - Digital
#
SheetMusicPlus
Level 5 - SKU: HX.330187 Arranged by Anthony LaBounty. This edition: scorch. Classical. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Di...
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Level 5 - SKU: HX.330187 Arranged by Anthony LaBounty. This edition: scorch. Classical. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.330187).
$6.00
Beethoven’s Browne
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Stephen R Dalrymple
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Beethoven’s Browne
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818277 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Classical. ...
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Concert Band - Level 3 - SKU: A0.818277 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Classical. Score and parts. 60 pages. Stephen R Dalrymple #4855443. Published by Stephen R Dalrymple (A0.818277). Beethoven’s Browne ♫ transcription of Piano Sonata 6 Movement 2 by Ludwig van Beethoven Opus 10 Number 2 ♫ arranged by Stephen R Dalrymple for Concert Band ♫ arrangement © 2001, 2020 Stephen R Dalrymple ♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission is granted to make photocopies of parts and additional scores for a medium size school band. ♫ Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, F Horn, Trombone/Baritone/Bassoon, Treble Clef Baritone, Tuba, Electric Bass, Snare/Triangle and Timpani. ♫ Beethoven’s 6th Piano Sonata is dedicated to Countess Anna Margarete von Braun. It was written during 1796-1798. Beethoven was 25 to 28 years old at the time. ♫ In Sonata Six Beethoven substituted a 3:4 movement for the typical slow movement. Although he used the common Minuet, Trio, Minuet formula, he experimented with the form by eliminating literal repetitions. Sonata 6 consists of 3 movements. This piece is based on the middle movement of the middle sonata. This middle movement has 3 sections. It is written in 3:4 time. The middle section of the movement is written in trio form. ♫ The YouTube video contains a full recording.
$19.00
Kristinmark Overture for Concert Band
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Orchestre d'harmonie
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FACILE
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Contemporain
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Gregory Fritze
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Kristinmark Overture for Conce
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917396 Composed by Gregory Fritze. 20th Century,Classical,Contemporary. Score and parts. 125 pages. Musica Nova USA #48...
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Concert Band - Level 2 - SKU: A0.917396 Composed by Gregory Fritze. 20th Century,Classical,Contemporary. Score and parts. 125 pages. Musica Nova USA #4821537. Published by Musica Nova USA (A0.917396). Kristenmark Overture was commissioned and composed for the Symphonic Wind Ensemble of the University of Minnesota Duluth, Mark Whitlock conductor and the Symphony Band of the University of Wisconsin River Falls, Kristin Tjornehoj, conductor.The name Kristinmark are the first names of both conductors.It has been played many times in Europe, South America and the United States. It is often used in honor band festivals as it fits the level of difficulty (grade 4) for the average high school band festival and good duration for such events – seven minutes. The piece is in a clear Sonata Allegro form and includes short solos for trombone, horn, alto sax, trumpet, timpani, snare drum, tuba, oboe, crotales, flute, piccolo, bassoon, euphonium and clarinet. Non of the solos are very long or difficult. The solos are meant to feature as many musicians as possible. In some cases, alternate instruments have cues if particular instrumentalists are not strong performers . In 2017 Kristenmark Overture was submitted to The American Prize Composition Contest, Band Division. It placed as a Semi Finalist that year.Kristenmark Overture can be heard by the Brazilian Wind Orchestra, conducted by Dario Sotelo at: http://www.youtube.com/watch?v=bk-PvXTvxy8
$60.00
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CLARINET Sonata 
