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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CLARINETTE
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DEEJAY
DIDGERIDOO
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EUPHONIUM
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Charles-Villiers-Stanford
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10
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6
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2
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1
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21
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5
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4
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1
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5
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5
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3
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3
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Crtitères actifs :
Charles-Villiers-Stanford
Orchestre d'harmonie
Partitions à imprimer
3 partitions trouvées
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Beati Quorum Via
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Orchestre d'harmonie
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FACILE
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Charles Villiers Stanford
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David Hawkins
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Beati Quorum Via
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David Hawkins
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.939467 Composed by Charles Villiers Stanford. Arranged by David Hawkins. Romantic Period,Sacred. Score and parts. 30 pa...
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Concert Band - Level 2 - SKU: A0.939467 Composed by Charles Villiers Stanford. Arranged by David Hawkins. Romantic Period,Sacred. Score and parts. 30 pages. David Hawkins #3035299. Published by David Hawkins (A0.939467). This transcription of a Latin motet would work well as a warmup. The notes are easy but the lines are hard. This encourages listening between sections. As a 6-part motet, every part is doubled by another part of the band.Sir Charles Villiers Stanford (30 September 1852 – 29 March 1924) was an Irish composer, music teacher, and conductor. He composed a substantial number of concert works, including seven symphonies, but his best-remembered pieces are his choral works for church performance, chiefly composed in the Anglican tradition. Beati quorum via (Blessed are those whose way), Op. 38, No. 3, is a motet for mixed unaccompanied six-part choir by Charles Villiers Stanford, a setting of the first verse of Psalm 119 in Latin. It is the last of Stanford's Three Latin Motets, published in 1905.Stanford composed it at the end of the 19th century when he was a teacher at the Royal College of Music in London. Paul J. Rodmell wrote in his review of R. J. Stowe's book Stanford education: his finest unaccompanied motets, such as Beati quorum via, attain neo-Brucknerian sublimity, comparing Stanford's work to that of Hubert Parry and Anton Bruckner.
$49.99
Heroic Elegy
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Orchestre d'harmonie
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FACILE
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Ernest Farrar
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John Ivor Holland
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Heroic Elegy
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1308677 Composed by Ernest Farrar. Arranged by John Ivor Holland. 20th Century,Classical,Patriotic. Score and Parts. 54...
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Concert Band - Level 2 - SKU: A0.1308677 Composed by Ernest Farrar. Arranged by John Ivor Holland. 20th Century,Classical,Patriotic. Score and Parts. 54 pages. John Ivor Holland #897917. Published by John Ivor Holland (A0.1308677). Ernest Farrar (1885-1918) was a talented composer, born in London but raised in Yorkshire, who was deprived of a long and storied career by his untimely death during World War I. He enlisted in 1915 and gained a commission as 2nd Lieutenant in February 1918. At the suggestion of Charles Villiers Stanford and Ralph Vaughan Williams, he composed 'Heroic Elegy' (op. 36) in 1918 while in service, and conducted its first performance on 3 July 1918 while on leave. Farrar was summoned to France just over two months later and was tragically killed by machine gunfire at the Battle of Ephey Ronssoy later than month. The simple dedication at the top of the score reads To Soldiers, making his final composition even more poignant. A sombre, but somehow joyful piece that wouldn't be out of place in any military or civic memorial event.
$49.99
Coleridge-Taylor Danse Negre from the African Suite Op. 34, No. 4 transcribed for Concert Band by Mi
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Orchestre d'harmonie
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Classique
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1896, Coleridge-Taylor was ear
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Samuel Coleridge-Taylor
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Michael Shaw
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Coleridge-Taylor Danse Negre f
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733220 Composed by Samuel Coleridge-Taylor. Arranged by Michael Shaw. Romantic Period. Score and parts. 161 pages. Ayotte Custom ...
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Concert Band - SKU: A0.733220 Composed by Samuel Coleridge-Taylor. Arranged by Michael Shaw. Romantic Period. Score and parts. 161 pages. Ayotte Custom Musical Engravings #6341569. Published by Ayotte Custom Musical Engravings (A0.733220). Samuel Coleridge-Taylor was born in Holborn, London on August 15, 1875 and died from pneumonia at the age of 37 in Croy- don, England on September 1, 1912. At an early age his grandfather began teaching him how to play the violin. His musical ability was obvious and at the age of 15, his extended family arranged for Taylor to study at the Royal College of Music. While at RCM he changed from violin to composition, working under professor Charles Villiers Stanford. His classmates included Ralph Vaughan Williams and Gustav Holst. He was later helped by Edward Elgar in 1898, who described Coleridge-Taylor as far and away the cleverest fellow going amongst the young men. By 1896, Coleridge-Taylor was earning a reputation as a composer and was also accepted as an excellent conductor. In 1898 at the age of 23 he composed the African Suite. Danse Nègre is the last of the four movements that make up the African Suite, Op. 35 (proceeded by Introduction, A Negro Love Song, and Valse). Coleridge-Taylor saw it as his mission in life to help establish the dignity of the black man. He was greatly influenced by black American poet P. L. Dunbar. He made three successful visits to the United States to great acclaim. In 1904, on his first USA tour he was received by President Theodore Roosevelt at the White House. Above all, though, Samuel Coleridge-Taylor was known as a man of great dignity and patience.
$79.99
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