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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Clara Schumann
Non classifié
45
Piano & claviers
Piano, Voix
98
Piano seul
80
Piano Facile
9
Orgue
4
1 Piano, 4 mains
1
Guitares
Guitare
1
Guitare notes et tablatures
1
Voix
Voix seule
42
Chorale 3 parties
6
Chorale Unison
4
Chorale SATB
3
Chorale SSAA
2
Voix Soprano
1
Chorale TTBB
1
Chorale 2 parties
1
+ 3 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Ensemble de Clarinettes
2
Quintette de Clarinettes: 5 clarinettes
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte traversière et Piano
2
Ensemble de saxophones
2
3 Clarinettes (trio)
1
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1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
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1
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1
Hautbois, Piano (duo)
1
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2 Euphoniums et 2 Tubas
5
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2
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2
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2
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2
Quatuor de cuivres: 4 trombones
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
21
Violon
6
Violon et Piano
6
Violoncelle, Piano
4
Trio à Cordes: violon, alto, violoncelle
2
Alto, Piano
2
Piano Trio: Violon, Alto, Piano
1
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1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
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8
Orchestre d'harmonie
2
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1
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1
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--INSTRUMENTS--
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AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CITHARE
CLAIRON
CLARINETTE
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CLOCHES
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CORNET
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DIDGERIDOO
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LIVRES
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MANDOLINE
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Vous avez sélectionné:
Clara Schumann
Orchestre d'harmonie
Partitions à imprimer
2 partitions trouvées
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Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
Clair de Lune
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Augusta Holmes
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John Ivor Holland
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Clair de Lune
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1444294 Composed by Augusta Holmes. Arranged by John Ivor Holland. 19th Century,Chamber,Classical. 40 pages. John Ivor ...
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Concert Band - Level 3 - SKU: A0.1444294 Composed by Augusta Holmes. Arranged by John Ivor Holland. 19th Century,Chamber,Classical. 40 pages. John Ivor Holland #1024207. Published by John Ivor Holland (A0.1444294). Augusta Mary Anne Holmès (16 December 1847 – 28 January 1903) was a French composer of Irish descent. In 1871, Holmès became a French national and added the accent to her last name. She wrote the texts to almost all of her vocal music herself, including songs, oratorios, the libretto of her opera ('La Montagne noire') and the programmatic poems for her symphonic poems including 'Irlande' and 'Andromède'. Despite showing talent at the piano, she was not allowed to study at the Paris Conservatoire, but took lessons privately. Like other female composers from the nineteenth century including Fanny Mendelssohn and Clara Schumann, Holmès published some of her earlier works under a male pseudonym (Hermann Zenta) because women in European society at that time were not taken seriously as artists and were discouraged from publishing. 'Clair de Lune' is the second of the 'Trois Petites Pièces' for flute and piano, composed in 1896, bring together the homelands dear to Holmès’ heart: Ireland, her country of origin, and France, her country of adoption. Arranged for concert band as part of an ongoing project to bring more music by women composers into the worldwide repertoire.
$49.99
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