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--INSTRUMENTS--
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Come And Go With Me
Non classifié
76
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47
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39
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22
Piano Facile
4
Accompagnement Piano
4
2 Pianos, 4 mains
3
Instruments en Do
3
Orgue
2
1 Piano, 4 mains
1
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1
Piano grosses notes
1
Piano Trio: piano, violon, violoncelle
1
+ 7 instrumentations
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8
Ukulele
6
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4
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2
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2
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2
Banjo
1
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38
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7
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4
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4
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3
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2
Voix duo
1
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1
Voix duo, Piano
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
Pack Instrumental pour Chorale
1
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1
+ 8 instrumentations
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Vents
3 Clarinettes (trio)
6
Flûte traversière et Piano
4
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4
Clarinette (partie séparée)
3
Flute (partie séparée)
2
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2
Ensemble de Clarinettes
1
Saxophone (partie séparée)
1
2 Flûtes traversières, Piano
1
Hautbois, Piano (duo)
1
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1
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1
Clarinette
1
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1
Saxophone
1
+ 10 instrumentations
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4
Cor
2
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2
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2
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1
Tuba
1
Trombone (partie séparée)
1
Trombone et Piano
1
Tuba (partie séparée)
1
+ 4 instrumentations
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5
Quatuor à cordes: 2 violons, alto, violoncelle
4
Violon (partie séparée)
3
Alto (partie séparée)
3
Harpe
3
Contrebasse (partie séparée)
2
Violon
2
Harpe, Voix
2
Violoncelle, Piano
1
Violon, Violoncelle (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Violoncelle
1
Contre Basse
1
Alto, Piano
1
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25
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23
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18
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5
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1
Orchestre à Cordes
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Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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BATTERIE
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Vous avez sélectionné:
Come And Go With Me
Orchestre d'harmonie
Partitions à imprimer
5 partitions trouvées
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David Chase: Who Will Come And Go With Me (No. 4 from Appalachian Stories) - orchestra/band (fiddle/violin)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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David Chase
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Virtualsheetmusic
Instantly printable sheet music by David Chase for orchestra/band (fiddle/violin) of MEDIUM skill level. / folk,concert
Instantly printable sheet music by David Chase for orchestra/band (fiddle/violin) of MEDIUM skill level. / folk,concert
$5.98
Calon Lan (A Pure Heart) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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John Hughes
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Brendan Elliget MAGA 537
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Calon Lan
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.751023 Composed by John Hughes (1873-1932). Arranged by Brendan Elliget MAGA 537. Patriotic,World. Score and parts. 39 ...
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Concert Band - Level 3 - SKU: A0.751023 Composed by John Hughes (1873-1932). Arranged by Brendan Elliget MAGA 537. Patriotic,World. Score and parts. 39 pages. BJE Music #6305819. Published by BJE Music (A0.751023). Calon Lân (Welsh for ‘a Pure Heart’) is a Welsh song, the words of which were written in the 1890s by Daniel James (Gwyrosydd) and sung to a tune by John Hughes. The song was originally written as a hymn but has become firmly established as a rugby anthem, associated with the Welsh rugby union, being sung before almost every Test match involving the Welsh national team.I don’t ask for a luxurious life, the world’s gold or its fine pearls, I ask for a happy heart, an honest heart, a pure heart.Chorus: A pure heart full of goodness Is fairer than the pretty lily, None but a pure heart can sing, Sing in the day and sing in the night.If I wished for worldly wealth, It would swiftly go to seed; The riches of a virtuous, pure heart Will bear eternal profit. (Chorus)Evening and morning, my wish Rising to heaven on the wing of song For God, for the sake of my Saviour, To give me a pure heart. (Chorus)This is a majestic arrangement for Concert Band. The MP3 was recorded with NotePerformer 3.Could be used to accompany the singing of the words above with a repeat of either the 1st or 3rd verse.Grade = 3.5 Duration = 3:20 mins
$25.00
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
Kalla
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Orchestre d'harmonie
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Contemporain
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Jazz
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Allan Gilliland
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Kalla
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Allan Nimmo Gilliland
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SheetMusicPlus
Concert Band - SKU: A0.987813 Composed by Allan Gilliland. Contemporary,Jazz. Score and parts. 117 pages. Allan Nimmo Gilliland #42353. Published by All...
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Concert Band - SKU: A0.987813 Composed by Allan Gilliland. Contemporary,Jazz. Score and parts. 117 pages. Allan Nimmo Gilliland #42353. Published by Allan Nimmo Gilliland (A0.987813). The word Kalla is Norwegian for call, a theme that appears both in the inspiration for this piece and the structure of the work itself. Commissioned by the 2009 National Youth Band of Canada and funded through a grant from MacEwan University’s Centre for the Arts Research and Scholarly Activity Fund, the work was premiered May 13, 2009 by the National Youth Band of Canada under the direction of Dr. Shelley Jagow, featuring Dean McNeill as the soloist. For me Kalla is a crossover piece stylistically for the soloist. It draws upon both classical and jazz inspired techniques including traditional cadenzas with virtuosic runs and triple tonguing and contrasting sections featuring jazz plunger techniques, a unique sound not often heard in band music. The trumpet culture at turn of the century (late 19th century-early 20th century) in New Orleans was the inspiration for Kalla. Trumpet players would go down to the river and play a note to see how long it took the echo to come back. Soon, another trumpet would answer, higher and louder, and the game of one-upsmanship would begin. Trumpet calls and answers from across the city would sound. Kalla is based on this concept of call and response with the opening trumpet call coming physically from three different places in the concert hall. As the piece develops call and response continues between the soloist and ensemble.
$100.00
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Come And Go With Me
