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Come Back To Erin
Orchestre d'harmonie
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No Time To Die for Concert Band
Orchestre d'harmonie
By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 120 pages. Published …
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By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 120 pages. Published by Graham Boag
No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast. <br> <br> <br> The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved "if any Bond things come up…whatever we have to do we will do". When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them "intensely uninspired" and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. <br> <br> Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was "so cool" and "really, really helpful." Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that "there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves". Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.
$59.99
55.09 €
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Orchestre d'harmonie
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Billie Eilish
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Graham Boag
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No Time To Die for Concert Band
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SheetMusicPlus
Variations on a Theme in D Flat
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown.…
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Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
9.18 €
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Orchestre d'harmonie
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Kendra Brown
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Variations on a Theme in D Flat
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Kendra Brown
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SheetMusicPlus
Nordic Movement 1: Ginnungagap
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1025077 Composed by Aric Noble. C…
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Concert Band - Level 2 - Digital Download SKU: A0.1025077 Composed by Aric Noble. Contemporary,Folk. Score and parts. 10 pages. Aric Noble #5306619. Published by Aric Noble (A0.1025077). Over the past few years I have become obsessed with Norse Mythology, and I mean real Norse Mythology. I say that withquotes because in my research I realized that a lot of people tell different stories. This is mainly because back when Christianity was growing,the Christians saw anything that wasn't Christian as pagan, so they got rid of it all. So that is why Greek, Roman, and Norse religions faded into mythologies, and all that was left was passed around in folk tales. And also because Marvel tells a very different tale of the mythology than the research I have collected and I want people to know these stories. Now moving passed the history lesson and into the music. This is interesting for me because this is the biggest original piece that I've ever made. This is going to be a multimovement piece, and this is the 1st movement, Ginnungagap, the endless void. This movement describes The Void, and the two lands of Fire(Muspelheim) and Ice(Niflhiem).Starting with The Void, it describes the blackness, and I use the absence of instruments to give this feeling, but however to give2 of the other themes to foreshadow it. It moves into this wild cascading theme for the Niflheim theme to describe the cold cascading environment of the world.After that it slows into a dark and ominous theme for Muspelheim(Surtr's Destiny). This was an interesting part to make because in mythology, Surtr, also referred to as Surt, is the fabled fire giant who destroys Asgard. No one knows where hecomes from, but from the moment of his creation, he knew of his destiny to destroy Asgard so he spent all of his time forging his sword to burrow into Asgard. I used a break drum to symbolize a hammer hitting an anvil to forge a sword, a lingering sound of Surtr's destiny.After this, I brought both themes together to resemble The Clash of the two worlds to create the Norse universe.The final theme in this first movement is entitled I am Ymir. In myhtology, Ymir is the father of everything. Created from the clash, he gave creation to all the gods, humans, giants, elves, and dwarves. This final theme takes Surtr's theme and flipsit to be mo.
$24.99
22.95 €
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Orchestre d'harmonie
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Aric Noble
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It
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Nordic Movement 1: Ginnungagap
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Aric Noble
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SheetMusicPlus
Fear and Awe
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1300301 By Simon Arruda. By Simon…
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Concert Band - Level 2 - Digital Download SKU: A0.1300301 By Simon Arruda. By Simon Arruda. Arranged by Simon Arruda. 21st Century,Christian,Contemporary,March. Score and Parts. 29 pages. Simon Arruda #890035. Published by Simon Arruda (A0.1300301). Title: Fear and Awe - A Concert Band CompositionComposer: Simon ArrudaDescription:Fear and Awe is a compelling concert band composition composed by Simon Arruda, a piece that evokes a powerful narrative of trepidation and courage in the face of seemingly insurmountable odds. This musical journey takes the audience on an emotional rollercoaster as it navigates through the shadowed valleys of uncertainty, ultimately inspiring hope and determination through its rhythmic and evocative composition.The composition is crafted to convey the contrasting emotions of fear and awe. As the performance unfolds, the audience is immersed in a world where darkness looms, yet the spirit of bravery burns brightly.The rhythmic march in the percussion section serves as the backbone of the composition, grounding the piece with an insistent and driving beat. It symbolizes the relentless march of time and the persistence required to face the challenges of life. This rhythmic motif forms a bridge between the different sections of the band, connecting them in a cohesive and harmonious whole.The dark and haunting melodies played by the woodwinds and brass sections create an atmosphere of trepidation, echoing the moments of doubt and uncertainty that all heroes must confront. Yet, interspersed within these haunting passages are bursts of courage and determination.As the composition progresses, the tension between fear and awe gradually gives way to a sense of hope and inspiration. The band's collective efforts reflect the resilience and indomitable spirit of humanity. The music inspires listeners to march onward, to face the darkness with unwavering resolve, and to emerge victorious on the other side.Fear and Awe is a musical journey that draws audiences into a world where heroes rise to overcome adversity. It reminds us all that even in the darkest of times, the human spirit has the power to triumph and inspire. With its powerful percussion-driven rhythm, evocative melodies, and orchestration.This piece is suggested for beginner-level 1 band.
$30.00
27.55 €
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Orchestre d'harmonie
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Simon Arruda
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Simon Arruda
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Fear and Awe
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Simon Arruda
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SheetMusicPlus
Little Drummer Boy/peace On Earth
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1292688 Composed by Alan Buzz Koh…
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Concert Band - Level 3 - Digital Download SKU: A0.1292688 Composed by Alan Buzz Kohan, Harry Simeone, Henry Onorati, Ian Fraser, Katherine K Davis, and Lawrence A Grossman. Arranged by Neil Morgan. 20th Century,Children,Christmas. Score and Parts. 69 pages. Mel Alexander #883250. Published by Mel Alexander (A0.1292688). Little Drummer Boy - Peace on Earth is a Christmas song originally performed by English singer-songwriter David Bowie and American singer Bing Crosby. Recorded on 11 September 1977 near London for Crosby's television special Bing Crosby's Merrie Olde Christmas, the song features Crosby singing 1941 standard The Little Drummer Boy while Bowie sings the counterpoint tune Peace on Earth, written by the special's musical supervisors Ian Fraser and Larry Grossman, and scriptwriter Buz Kohan, specifically for the collaboration. The duet was one of Crosby's final recordings before his death in October 1977 and was one of Bowie’s most successful singles.This sensitive and colourful orchestration features all sections across the concert band, is a pleasure to perform and will enhance any festive programme.Feedback is most welcome at morgann180@gmail.com.
$49.99
45.9 €
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Orchestre d'harmonie
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Alan Buzz Kohan, Harry Simeone, Henry Onorati, Ian Fraser, Katherine K Davis, and Lawrence A Grossman
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Neil Morgan
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Little Drummer Boy/peace On Earth
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Mel Alexander
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SheetMusicPlus
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