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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Dialogue
Non classifié
415
Piano & claviers
Piano seul
60
Orgue
36
Piano, Voix
21
Piano Facile
18
Instruments en Do
14
Piano, Voix et Guitare
11
Piano Trio: piano, violon, violoncelle
4
Accompagnement Piano
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue et Orchestre
1
1 Piano, 4 mains
1
Accordéon, Corde(s)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
9
Ligne De Mélodie, (Paroles) et Accords
3
Guitare notes et tablatures
2
2 Guitares (duo)
2
Piano, Guitare (duo)
1
Dulcimer
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
49
Chorale 3 parties
10
Chorale Unison
10
Voix seule
8
Chorale TTBB
6
Chorale 2 parties
5
Voix duo, Piano
5
Chorale SSAA
3
Voix Soprano, Piano
2
Voix duo
1
Voix Tenor, Piano
1
Voix basse, Piano
1
Voix duo, Orgue
1
Voix haute
1
Chorale SSAATTBB
1
+ 10 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
34
Flûte traversière et Piano
25
Hautbois, Piano (duo)
23
2 Saxophones (duo)
22
Saxophone Alto et Piano
18
Hautbois, Basson (duo)
17
Clarinette et Piano
17
Flûte, Violoncelle
13
Clarinette, Violoncelle (duo)
12
Flûte, Clarinette (duo)
12
Hautbois, Violoncelle
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Clarinette, Violon (duo)
10
Flûte, Violon
10
Flûte, Alto (duo)
9
Clarinette, Basson (duo)
9
Flûte, Hautbois, Clarinette, Basson
9
Clarinette et Alto
9
Saxophone Tenor et Piano
8
Saxophone Soprano et Piano
8
Saxophone Alto
7
Quatuor de Saxophones: 4 saxophones
7
2 Hautbois (duo)
7
Flûte traversière
7
2 Clarinettes (duo)
6
Saxophone, Clarinette (duo)
6
Hautbois et alto (duo)
6
Hautbois, violon (duo)
5
Ensemble de Clarinettes
5
Hautbois, Clarinette (duo)
5
Flûte, Hautbois (duo)
4
Flûte, Trombone (duo)
4
Clarinette, Trompette (duo)
4
Saxophone (partie séparée)
4
Hautbois (partie séparée)
4
Flûte, Trompette (duo)
3
Hautbois, trombone (duo)
3
Quintette de Saxophone: 5 saxophones
3
Cor anglais, Piano
3
Clarinette
3
Quatuor de Clarinettes: 4 clarinettes
3
Ensemble de Flûtes
3
Clarinette, Trombone (duo)
3
Flûte, Tuba (duo)
2
3 Saxophones (trio)
2
Flute (partie séparée)
2
3 Clarinettes (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Tuba
2
Flûte à Bec
2
Flûte, Saxophone (duo)
2
Flûte, Hautbois, Basson
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette (partie séparée)
2
Hautbois, Flûte
2
2 Clarinettes, Piano
2
Flûte, Violon, Piano
2
Flûte, Hautbois, Piano (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte et Guitare
1
2 Flûtes traversières, Piano
1
Clarinette Basse, Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Soprano
1
Clarinette, Contrebasse (duo)
1
Saxophone Tenor
1
Hautbois, Orgue
1
Ensemble de saxophones
1
Saxophone Baryton, Piano
1
Flûte, Basson et Piano
1
+ 66 instrumentations
Retracter
Cuivres
Trombone et Piano
14
Trompette, Piano
13
Trompette, Trombone (duo)
12
Cor et Piano
8
Tuba et Piano
7
Euphonium, Piano (duo)
7
Cor, Violoncelle (duo)
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
2 Trompettes (duo)
6
2 Trombones (duo)
6
Trompette, Violoncelle (duo)
6
Cor
5
2 Cors (duo)
5
Quatuor de Cuivres
5
Trompette, Basson (duo)
4
Trompette
4
Trompette, Saxophone (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trombone
3
Trompette et Guitare
3
Trompette (partie séparée)
3
Cor anglais, Piano
3
Trompette, Cor (duo)
3
Euphonium
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Tubas (duo)
2
Trompette, Tuba (duo)
2
Cor et Basson (duo)
1
Trombone, Violon (duo)
1
3 Euphoniums
1
Tuba
1
Trompette, violon (duo)
1
Tuba (partie séparée)
1
Trombone (partie séparée)
1
Trombone, Tuba (duo)
1
Ensemble de Trombones
1
Cor (partie séparée)
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violon et Piano
28
Alto, Piano
25
Violoncelle, Piano
24
Violon, Violoncelle (duo)
16
2 Violons (duo)
16
Trio à Cordes: violon, alto, violoncelle
13
Violon, Alto (duo)
10
Violoncelle
10
Alto, Violoncelle (duo)
8
Violon, Basson (duo)
8
Violon
8
2 Altos (duo)
7
2 Violoncelles (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon, Guitare (duo)
6
Alto seul
5
Alto et Basson
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
2 Contrebasses (duo)
3
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
Violoncelle , Guitare (duo)
2
Contre Basse
2
Alto (partie séparée)
2
Harpe
2
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Tuba (duo)
1
Violon (partie séparée)
1
Quatuor à cordes : 4 altos
1
Flûte, Contrebasse (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
21
Orchestre
15
Orchestre à Cordes
10
Orchestre de chambre
8
Ensemble de cuivres
8
Percussion (partie séparée)
4
Ensemble Jazz
4
Xylophone, Piano
3
Vibraphone
2
Cloches
1
Ensemble de Percussions
1
2 Xylophones
1
Percussion
1
Marimba et Orgue
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
Dialogue
Orchestre d'harmonie
Partitions à imprimer
21 partitions trouvées
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1
Der Freischütz (The Freeshooter), Overture
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Orchestre d'harmonie
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AVANCÉ
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Carl Maria von Weber
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Albert Schwarzmann
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Der Freischütz
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Edition Schwalbe
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1505936 Composed by Carl Maria von Weber. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period. 203 pages...
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Concert Band - Level 5 - SKU: A0.1505936 Composed by Carl Maria von Weber. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period. 203 pages. Edition Schwalbe #1081317. Published by Edition Schwalbe (A0.1505936). Der Freischütz is a German opera with spoken dialogue. It premiered on 18 June 1821 at the Schauspielhaus Berlin and is considered to be the first German Romantic opera. The overture is in sonata form and may be regarded as a compressed tone poem about the Freischütz story. The arrangement is kept in the original key of the composition for symphony orchestra and was commissioned and first time performed (without Euphonium and Tuba) by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their New Year's Concert on 6 January 2008 at the Great Hall of the Mozarteum Foundation in Salzburg, then again at their Three Kings' Concert on 6 January 2018 at the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television. A further repetition at the same event on 6 January 2024 again with live TV, now under the new name Salzburg Wind Philharmonic underlines the great appreciation for this arrangement shown by the orchestra and conductor. Live recordings of the 2018 and 2024 concerts are available at https://www.salzburg-windphilharmonic.at/de/durch-die-waelder-durch-die-auen/ or https://www.jpc.de/jpcng/classic/detail/-/art/durch-die-waelder-durch-die-auen/hnum/10428715?iampartner=303&subid=umr14&ref=partner.jpc.de and https://www.salzburg-windphilharmonic.at/de/dreikonigskonzert-2024-aus-den-bergen/ .
$130.00
Tik, Tik, Tik, Tik, Tik, Tik
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Joseph Hasper
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Tik, Tik, Tik, Tik, Tik, Tik
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Joseph Hasper
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1455063 Composed by Joseph Hasper. 21st Century,Classical,Contemporary,Contest,Festival. 26 pages. Joseph Hasper #10341...
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Concert Band - Level 3 - SKU: A0.1455063 Composed by Joseph Hasper. 21st Century,Classical,Contemporary,Contest,Festival. 26 pages. Joseph Hasper #1034135. Published by Joseph Hasper (A0.1455063). Twelve short movements for wind ensemble by Joseph Hasper composed in 2024. Program notes: Tik, Tik, Tik, Tik, Tik, Tik the rich tapestry of harmonic possibilities across all twelve keys. Each movement is a concise musical vignette, delving into the unique character and mood of its respective key while reflecting a post-modern approach that embraces eclecticism, irony, and an intertextual dialogue with past musical traditions. This work is deeply influenced by the innovative spirit of Leonard Bernstein and Charles Ives, two iconic American composers who challenged conventional musical boundaries. Bernstein's ability to seamlessly blend diverse musical genres, from classical to jazz, resonates in the stylistic pluralism of this piece. Each movement offers a distinct musical landscape, reminiscent of Bernstein's kaleidoscopic score for West Side Story, where classical and contemporary idioms collide and coalesce into a vibrant sonic tapestry. Echoes of Charles Ives can be heard in the fragmented, juxtaposed themes and the adventurous harmonic language that defies traditional expectations. Like Ives' Three Places in New England, this composition revels in the collision of disparate musical elements, creating a rich tapestry that reflects the complexity and plurality of the modern musical landscape. Ives’ technique of layering different melodies and harmonies simultaneously is reflected in several movements where multiple key centers overlap, creating a soundscape that is at once disorienting and captivating. Tik, Tik, Tik, Tik, Tik, Tik invites listeners to experience a post-modern journey through sound, where each movement stands as an independent piece, yet contributes to a greater whole. The brevity of each segment—each capturing a distinct emotional and harmonic essence—echoes the concept of musical snapshots, offering a fleeting yet profound exploration of the vast possibilities within the twelve keys. This work is not merely a cycle through the keys, but a commentary on the diversity and potential of musical expression in the post-modern era.
$39.00
Concerto for Concert Band (2011) full score
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pa...
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Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99
March and Caprice
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Daniel Elder
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March and Caprice
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS1510-S Composed by Daniel Elder. Score. 17 pages. Duration 2 minutes, 30 seconds. Imagine Music - Digital #CBS1510-S...
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Concert band - Grade 4 - SKU: IZ.CBS1510-S Composed by Daniel Elder. Score. 17 pages. Duration 2 minutes, 30 seconds. Imagine Music - Digital #CBS1510-S. Published by Imagine Music - Digital (IZ.CBS1510-S). 9 x 12 in inches.March and Caprice is an arrangement based on a juxtaposition of two sea shanties, What Shall We Do with theDrunken Sailor? and Spanish Ladies. It combines these into an aesthetically exciting and technicallychallenging piece that showcases the agility of the modern concert band. It is designed to be part of a set with itscomplementary arrangements Fanfare and Dance, a setting of two Irish folksongs, and Chorale and Intermezzo, anexploration into two early American tunes. This work features a lively dialogue between the pointillistic and lyricalnatures of these two shanties. It may be programmed alongside its two counterpart arrangements or performedseparately to equal effect. Performance length: ca. 2'30.
$10.00
Symbology for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Symbology for Concert Band
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Publ...
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Concert Band - Level 4 - SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Published by Sy Brandon (A0.755270). This composition is inspired by the symbology present in the suits of a deck of cards. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money’s sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A dissonant chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between forces. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again. The score prints on legal size paper and the parts on letter.
$39.99
Mother Goose Suite (score only, 11" x 17" format)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Maurice Ravel
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Keith Michael Davis
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Mother Goose Suite
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Komodo Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.932827 Composed by Maurice Ravel (1875-1937). Arranged by Keith Michael Davis. 20th Century,Children. Score and parts. ...
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Concert Band - Level 4 - SKU: A0.932827 Composed by Maurice Ravel (1875-1937). Arranged by Keith Michael Davis. 20th Century,Children. Score and parts. 45 pages. Komodo Music #6530195. Published by Komodo Music (A0.932827). Ravel's enchanting masterpiece, transcribed for symphonic band or wind ensemble in a brand new edition for SMP Press! The entire suite has been lovingly and painstakingly recast for winds and percussion, with an emphasis on transparent textures and colorful scoring. Included are: the pensive Pavane for the Sleeping Princess in the Woods, Little Tom Thumb, the exotic Oriental-flavored Laidonnerette (Little Ugly), Princess of the Pagodas, the charming waltz Dialogue Between Beauty and the Beast, and the ravishingly beautiful finale, The Fairy Garden. Long a favorite with orchestras and audiences, Ravel's Mother Goose Suite's introduction to wind band audiences is long overdue! Score only, parts available separately.
$40.00
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Orchestre d'harmonie
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
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Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
'allo 'allo
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Orchestre d'harmonie
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INTERMÉDIAIRE
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David Croft and Roy Moore
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Lawrence Killian
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'allo 'allo
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Lawrence Killian
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1314141 Composed by David Croft and Roy Moore. Arranged by Lawrence Killian. 20th Century,Film/TV. 37 pages. Lawrence K...
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Concert Band - Level 3 - SKU: A0.1314141 Composed by David Croft and Roy Moore. Arranged by Lawrence Killian. 20th Century,Film/TV. 37 pages. Lawrence Killian #902876. Published by Lawrence Killian (A0.1314141). A fun arrangement for concert band featuring the band’s Alto Saxophonist, this fun TV Theme from the 1980s superbly evokes the comedy and pathos of the comedy show Allo-Allo.Set in occupied France during the Second World War, the storyline follows the escapades of a French cafe owner in a small town. It features Gordon Kaye as René, Carmen Silvera as Edith, his wife, along with Guy Siner as Lt. Gruber, and the hilarious Richard Gibson as Herr Otto Flick.The unique feature of the programme is the clever and hilariously funny use of mixed-up French/ English words and accents in the dialogue.
$49.99
Over the Wire
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Melanie Guerin
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Over the Wire
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Melanie B Guerin
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.854316 Composed by Melanie Guerin. Contemporary,Standards. Score and parts. 36 pages. Melanie B Guerin #3043779. Publis...
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Concert Band - Level 3 - SKU: A0.854316 Composed by Melanie Guerin. Contemporary,Standards. Score and parts. 36 pages. Melanie B Guerin #3043779. Published by Melanie B Guerin (A0.854316). This grade 3 band piece features mallet percussion in an exciting burst representing the electrical energy of a phone call traveling over the wires. Special instrumental effects and spoken dialogue contribute to a unique concert experience, excellent for a concert opener or finale. We hear touch tones, ringing phones, a 911 call, and emergency sirens as the phone call dances along the wires before plunging under the highway to finally emerge at a location of the ensemble's choosing. At about 2:15 in length, the piece offers some rhythmic and technical challenges for mallets and upper woodwinds, with an active part for low brass and woodwinds that provides a nice change of pace for those players. Bassoon, horn, and oboe parts are doubled in other instruments and may be omitted. Worksheet for reinforcing rhythms included.
$55.00
Eye Of The Tiger
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Film/TV
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Rock
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Survivor
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Frank Sullivan, Jim Peterik
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Lorenzo Bocci
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Eye Of The Tiger
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1346548 By Survivor. By Frank Sullivan and Jim Peterik. Arranged by Lorenzo Bocci. Film/TV,Pop,Rock. 101 pages. Lorenzo...
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Concert Band - Level 3 - SKU: A0.1346548 By Survivor. By Frank Sullivan and Jim Peterik. Arranged by Lorenzo Bocci. Film/TV,Pop,Rock. 101 pages. Lorenzo Bocci #931313. Published by Lorenzo Bocci (A0.1346548). EYE OF THE TIGER From The Motion Picture ROCKY IIIfor Concert Band - Grade 3 - Â Composed by Frank Sullivan, Jim Peterik. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 3'40''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Sus. Cymb., Tambourine), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Eye of the Tiger is a song by the American rock band Survivor. It was written as the theme song for the 1982 film Rocky III and released that year as a single from Survivor's third album, Eye of the Tiger. They derived lyrics, including the title, from dialogue in the film, and conceived a riff with chord changes to match the punches in the film's boxing scenes.
$99.00
March and Caprice
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Daniel Elder
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March and Caprice
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS1510 Composed by Daniel Elder. Score and Parts. 71 pages. Duration 2 minutes, 30 seconds. Imagine Music - Digital #C...
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Concert band - Grade 4 - SKU: IZ.CBS1510 Composed by Daniel Elder. Score and Parts. 71 pages. Duration 2 minutes, 30 seconds. Imagine Music - Digital #CBS1510. Published by Imagine Music - Digital (IZ.CBS1510). 9 x 12 in inches.March and Caprice is an arrangement based on a juxtaposition of two sea shanties, What Shall We Do with theDrunken Sailor? and Spanish Ladies. It combines these into an aesthetically exciting and technicallychallenging piece that showcases the agility of the modern concert band. It is designed to be part of a set with itscomplementary arrangements Fanfare and Dance, a setting of two Irish folksongs, and Chorale and Intermezzo, anexploration into two early American tunes. This work features a lively dialogue between the pointillistic and lyricalnatures of these two shanties. It may be programmed alongside its two counterpart arrangements or performedseparately to equal effect. Performance length: ca. 2'30.
$80.00
Catching Fireflies
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Orchestre d'harmonie
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Daniel Burwasser
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Catching Fireflies
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Imagine Music - Digital
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SheetMusicPlus
Concert Band - SKU: IZ.HAS03-S Composed by Daniel Burwasser. Score. 31 pages. Imagine Music - Digital #HAS03-S. Published by Imagine Music - Digital (IZ...
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Concert Band - SKU: IZ.HAS03-S Composed by Daniel Burwasser. Score. 31 pages. Imagine Music - Digital #HAS03-S. Published by Imagine Music - Digital (IZ.HAS03-S). Sometimes the composer may point us to the meaning of a piece, without actually providing it. Says Daniel Burwasser: “Catching Fireflies is an ode to the tender memories and joys of childhood. The thematic material and structure of the work reflects the immediacy and innocent fascination of a time when everything is new and exciting, and something as simple as the flashing of a firefly can capture the imagination. The opening indeed creates visions of sprightly fireflies. An animated seven-note figure, first introduced by the strings then taken up by the brass and woodwinds, suggests a dazzling nocturnal scene of children scurrying after the elusive insects. The theme rapidly transmogrifies, aided by echoing dialogues between instruments as well as abrupt percussive effects. Then, a placid lyrical interlude begins with contemplative strains. Have the catchers settled back to view the stars? Like youth itself, the segment doesn’t last and is pushed aside by a subdued version of the lead theme. This time, a lyrical melody pro- vides a whiff of melancholia, but one limned by kaleidoscopic xylophone notes. Then, a longer adagio theme develops, and while it reflects the original lyrical interlude, it soon assumes a nostalgic aura reminiscent of fifties film music. Perhaps it evokes the romantic theme from an old movie the composer attended as a youth. But the night is not over and as the tempo increases, the brass sounds a variation of the opening melody, there is a brief parenthesis of calm, then a crashing tutti puts an end to the evening activities.
$20.00
Proezas da Julinha - Schottisch for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Thiago Osorio
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Proezas da Julinha - Schottisc
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Thiago Osorio Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.946717 Composed by Thiago Osorio. Children,Concert,Standards,World. Score and parts. 51 pages. Thiago Osorio Music #650...
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Concert Band - Level 3 - SKU: A0.946717 Composed by Thiago Osorio. Children,Concert,Standards,World. Score and parts. 51 pages. Thiago Osorio Music #6504243. Published by Thiago Osorio Music (A0.946717). ''Proezas da Julinha'' (in english: Little Julia feats'') is a schottisch made in July 2019 at Chapada dos Veadeiros in Goiás, originally for mandolin in honor of my daughter who was one year and four months old, portraying her games with crystals at Cachoeira São Félix. On December 18, 2020 I made this arrangement for Concert Band, keeping the lightness of the piece, with its fun themes being exposed as dialogues between the suits.
$20.00
Atlantis
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Orchestre d'harmonie
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FACILE
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Contemporain
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Tom Tucker
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Atlantis
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Thomas E Tucker
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1007864 Composed by Tom Tucker. Contemporary. Score and parts. 59 pages. Thomas E Tucker #3895849. Published by Thomas ...
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Concert Band - Level 2 - SKU: A0.1007864 Composed by Tom Tucker. Contemporary. Score and parts. 59 pages. Thomas E Tucker #3895849. Published by Thomas E Tucker (A0.1007864). Embark on a mystical journey to the mythical island nation Atlantis which is mentioned in Plato’s dialogues Timaeus and Critias, . A somber stunning opening sets the stage as the main melody for the entire work surfaces before the fast pulsating dance-like section takes over. Atlantis will make a delightful concert program number and can be also used in the contest setting. Although written for young bands, Atlantis is suitable for high school programs.
$38.00
Atlantis
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Orchestre d'harmonie
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FACILE
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Tom Tucker
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Atlantis
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PDF Band Music
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SheetMusicPlus
Concert Band - Grade 2 - SKU: B0.PDF-BAND-37 Composed by Tom Tucker. Atlantis is a compelling choice for Grade 2 level band students. Multicultural. Sco...
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Concert Band - Grade 2 - SKU: B0.PDF-BAND-37 Composed by Tom Tucker. Atlantis is a compelling choice for Grade 2 level band students. Multicultural. Score and Parts. 60 pages. PDF Band Music #PDF-BAND-37. Published by PDF Band Music (B0.PDF-BAND-37). 8.5 x 11 inches.Embark on a mystical journey to the mythical island nation Atlantis which is mentioned in Plato’s dialogues “Timaeus and “Critias, . A somber stunning opening sets the stage as the main melody for the entire work surfaces before the fast pulsating dance-like section takes over.  Atlantis will make a delightful concert program number and can be also used in the contest setting.
$38.70
Douglas E. Wagner: Dialogues - concert band (full score)
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Orchestre d'harmonie
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DÉBUTANT
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Methodes
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Douglas E. Wagner
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Virtualsheetmusic
Instantly printable sheet music by Douglas E. Wagner for concert band (full score) of VERY EASY skill level. / instructional,children
Instantly printable sheet music by Douglas E. Wagner for concert band (full score) of VERY EASY skill level. / instructional,children
$7.99
Douglas E. Wagner: Dialogues (COMPLETE) - concert band
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Orchestre d'harmonie
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DÉBUTANT
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Methodes
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Douglas E. Wagner
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Virtualsheetmusic
Instantly printable sheet music by Douglas E. Wagner for concert band of VERY EASY skill level. / instructional,children
Instantly printable sheet music by Douglas E. Wagner for concert band of VERY EASY skill level. / instructional,children
$59.99
Dialogues: Score
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Orchestre d'harmonie
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Methodes
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Douglas E
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Dialogues: Score
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Douglas E. Wagner. For Concert Band. Instructional. Score. 12 pages. Published by Alfred Music. Digital Sheet Music...
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By Douglas E. Wagner. For Concert Band. Instructional. Score. 12 pages. Published by Alfred Music. Digital Sheet Music
$8.00
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