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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Die Baroque
Sheetmusicplus
Non classifié
850
Piano & claviers
Piano, Voix
312
Piano seul
190
Piano Facile
106
Orgue
54
Orgue, Trompette (duo)
18
Instruments en Do
10
Piano, Voix et Guitare
8
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
1
Clavecin
1
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Mandoline
101
Guitare
56
Guitare notes et tablatures
54
Ligne De Mélodie, (Paroles) et Accords
30
Ukulele
17
2 Guitares (duo)
6
Mandoline, Guitare (duo)
4
Basse electrique
3
4 Guitares (Quatuor)
2
Ensemble de guitares
1
3 Guitares (trio)
1
Mandoline, Piano (duo)
1
Piano, Guitare (duo)
1
Banjo
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
47
Chorale 3 parties
17
Chorale TTBB
13
Chorale SSAA
7
Voix duo, Piano
6
Chorale 2 parties
4
Chorale Unison
3
Voix haute
3
Voix moyenne, Piano
1
Voix duo
1
Voix seule
1
+ 6 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
96
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Quintette de Saxophone: 5 saxophones
66
3 Saxophones (trio)
65
Flûte, Hautbois, Clarinette, Basson
63
Flûte traversière et Piano
55
Quatuor de Clarinettes: 4 clarinettes
50
2 Saxophones (duo)
49
Clarinette et Piano
41
2 Flûtes traversières (duo)
40
3 Clarinettes (trio)
39
Hautbois, Piano (duo)
37
Saxophone Alto et Piano
29
Flûte, Hautbois, Basson
26
Flûte, Hautbois, Clarinette (trio)
26
Flûte, Violon et Violoncelle
25
Quatuor de Flûtes à bec
25
Trio de Flûtes: 3 flûtes
25
Flûte traversière
25
Ensemble de Clarinettes
24
Saxophone Tenor et Piano
24
Ensemble de saxophones
23
Quatuor de Flûtes : 4 flûtes
23
Ensemble De Flûte à bec
22
2 Clarinettes (duo)
22
Flûte, Clarinette et Basson
22
Saxophone Soprano et Piano
21
2 Flûte à bec (duo)
21
Clarinette
19
Flûte et Guitare
17
Quintette de Flûte : 5 flûtes
16
2 Hautbois (duo)
16
Clarinette, Basson (duo)
14
Saxophone Baryton, Piano
14
2 Clarinettes, Basson
13
Ensemble de Flûtes
12
Hautbois, Violoncelle
11
Flûte, Violoncelle
11
Hautbois, Basson (duo)
11
Saxophone Alto
11
Quintette de Clarinettes: 5 clarinettes
10
Clarinette, Violoncelle (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Hautbois (partie séparée)
10
3 Flûtes à bec (trio)
8
Flûte, Clarinette (duo)
8
Cor anglais, Piano
8
Saxophone Tenor
8
Flûte à Bec
7
Hautbois
7
Flûte à bec Soprano
7
Hautbois, Clarinette (duo)
6
Clarinette Basse, Piano
5
Flûte, Violon
5
Clarinette, Violon (duo)
5
Flûte à bec Soprano, Piano
5
Flûte à bec Alto
5
Saxophone, Violon (duo)
4
Hautbois, violon (duo)
4
Flûte, Hautbois (duo)
4
5 Flûtes à bec
4
Flûte, Trompette (duo)
4
Saxophone, Clarinette (duo)
4
Hautbois, Trompette (duo)
4
Saxophone (partie séparée)
4
Clarinette, Harpe (duo)
3
2 Hautbois et Basson
3
Harmonica
3
Hautbois, Harpe
3
2 Saxophones, Piano
2
4 Hautbois
2
Clarinette, Guitare (duo)
2
Flûte, Alto (duo)
2
Saxophone Baryton
1
Ensemble de Hautbois
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Trombone (duo)
1
Piccolo, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte à bec Alto, Basse continue
1
Cor anglais et Harpe (duo)
1
Flûte à bec Tenor
1
Flûte à bec Alto, Piano
1
Saxophone, Basson (duo)
1
Clarinette, Trombone (duo)
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
91
Quatuor de Cuivres : 2 trompettes, trombone, tuba
59
Ensemble de Trompettes
58
Trompette, Piano
39
Trombone et Piano
33
Cor et Piano
28
Trompette
21
2 Trompettes (duo)
19
2 Cors (duo)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Ensemble de Trombones
18
2 Trombones (duo)
18
Trombone
14
Euphonium, Piano (duo)
12
Quatuor de cuivres: 4 trombones
11
Tuba et Piano
10
Tuba
10
Trompette, Basson (duo)
9
Cor
9
Trompette, Violoncelle (duo)
8
Cor anglais, Piano
8
Quatuor de cuivres: 4 cors
8
2 Tubas (duo)
7
Trompette, Trombone (duo)
6
Quatuor de Cuivres
6
Trompette, Saxophone (duo)
5
Trombone, violoncelle (duo)
4
Trompette, violon (duo)
4
Trompette, Cor (duo)
3
Ensemble de Cors
3
Quatuor de cuivres: 4 trompettes
3
Cor, Violoncelle (duo)
3
2 Euphoniums (duo)
2
Cor et Basson (duo)
2
3 Trompettes (trio)
2
Tuba et Orgue
2
3 Trombones (trio)
2
Euphonium, Tuba (duo)
2
3 Cors (trio)
1
3 Tubas (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
4 Tubas
1
Cor et Harpe
1
Trompette, Harpe
1
Trombone, Orgue
1
Trombone, Violon (duo)
1
Trompette (partie séparée)
1
Cor anglais et Harpe (duo)
1
Trombone, Cor (duo)
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
130
Violon et Piano
47
Violon, Violoncelle (duo)
39
Violon
39
Violoncelle, Piano
38
Alto, Piano
38
Trio à Cordes: violon, alto, violoncelle
34
Violoncelle
30
2 Violons (duo)
23
Contrebasse, Piano (duo)
16
2 Violoncelles (duo)
15
Alto seul
15
2 Altos (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Alto, Violoncelle (duo)
11
Violon, Alto (duo)
11
Ensemble d'Altos
11
Harpe
11
Trio à Cordes: 3 violoncelles
10
Ensemble de Violons
10
Alto et Basson
8
Violon, Basson (duo)
8
Alto (partie séparée)
7
Contre Basse
7
Harpe, Flûte (duo)
6
Trio à Cordes: 2 violons, violoncelle
6
2 Harpes (duo)
5
Trio à cordes: 3 altos
4
2 Contrebasses (duo)
4
4 Violoncelles
3
Quatuor à cordes : 4 altos
3
Violon (partie séparée)
3
Ensemble de Violoncelles
2
Harpe, Violon (duo)
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
2
Harpe, Violoncelle (duo)
1
Violoncelle, Contrebasse (duo)
1
Alto et Harpe
1
Violoncelle, Basse continue
1
Violon, Basse continue
1
Violoncelle (partie séparée)
1
Violon, Orgue
1
Contrebasse (partie séparée)
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
57
Ensemble de cuivres
36
Orchestre de chambre
31
Orchestre d'harmonie
21
Orchestre
18
Cloches
4
Ensemble Jazz
2
Xylophone, Piano
2
2 Xylophones
1
Quintette à Vent
1
Ensemble de Percussions
1
Orchestre, Violon
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone et Marimba
1
Xylophone
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Gratuites
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Partitions Numériques
21
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Die Baroque
SheetMusicPlus
Partitions à imprimer
21 partitions trouvées
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1
Der aber die Herzen forschet
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Orchestre d'harmonie
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FACILE
#
Classique
#
Johann Sebastian Bach
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Juanjo Gallego
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Der aber die Herzen forschet
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Juanjo Gallego
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1028661 Composed by Johann Sebastian Bach. Arranged by Juanjo Gallego. Baroque,Christmas,Holiday,Sacred,Wedding. Score ...
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Concert Band - Level 2 - SKU: A0.1028661 Composed by Johann Sebastian Bach. Arranged by Juanjo Gallego. Baroque,Christmas,Holiday,Sacred,Wedding. Score and parts. 22 pages. Juanjo Gallego #4360793. Published by Juanjo Gallego (A0.1028661). This J.S Bach choir has been instrumented for concert band without percussion and with an approximate difficulty level of 2.5 A very appropriate arrangement for liturgical celebrations.
$11.00
Stille, stille! ist die Losung
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Orchestre d'harmonie
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FACILE
#
Classique
#
Johann Sebastian Bach
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Juanjo Gallego
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Stille, stille! ist die Losung
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Juanjo Gallego
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1028662 Composed by Johann Sebastian Bach. Arranged by Juanjo Gallego. Baroque,Christmas,Easter,Holiday,Wedding. Score ...
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Concert Band - Level 2 - SKU: A0.1028662 Composed by Johann Sebastian Bach. Arranged by Juanjo Gallego. Baroque,Christmas,Easter,Holiday,Wedding. Score and parts. 21 pages. Juanjo Gallego #4360805. Published by Juanjo Gallego (A0.1028662). This J.S Bach choral has been instrumented for concert band without percussion and with an approximate difficulty level of 2.5 A very appropriate arrangement for liturgical celebrations.
$11.00
Wachet auf ruft uns die Stimme - Choral and Prelude BWV 645 - Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Thomas Graf
#
Wachet auf ruft uns die Stimme
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1111040 Composed by Johann Sebastian Bach. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 60 pa...
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Concert Band - Level 3 - SKU: A0.1111040 Composed by Johann Sebastian Bach. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 60 pages. Thomas Graf - the-hit-factory.com #713312. Published by Thomas Graf - the-hit-factory.com (A0.1111040). Perfect for any Christmas Concert About this arrangement: Instrumentation: Full Score Flute 1 Flute 2/ Oboe Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Alto 1 Alto 2 Tenor Sax Baritone Sax Flugelhorn (Solo) Trumpet 1 in Bb Trumpet 2/3 in Bb Horn in F Tenor Horn Baritone Horn Trombone Tuba Piano Guitar Bass in Bb Bass Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$25.00
AIR (On the G String) - For Concert Band
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Orchestre d'harmonie
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Classique
#
Johann Sebastian Bach
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Raymond Fenech
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AIR
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Raymond Fenech. Classical Period, Baroque Period, Repertoire, Easter, Lent. Set of Parts. 3...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Raymond Fenech. Classical Period, Baroque Period, Repertoire, Easter, Lent. Set of Parts. 34 pages. Published by Raymond Fenech
'2016 Arrangement New Release' This is an arrangement for Concert Band, of the famous Air from the second movement of Johann Sebastian Bach's Orchestral Suite No.3 in D Major. J.S.Bach composed this Orchestral piece in the first half of the 18th century. This lovely Air is a typical audience favorite for every concert.
$20.00
Sinfonia Venezia - Pasquale Anfossi (1727 - 1797) - Primo Tempo (First part)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Pasquale Anfossi
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Fabrizio Brezzo
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Sinfonia Venezia - Pasquale An
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Fabrizio Brezzo
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.896391 Composed by Pasquale Anfossi (Taggia 1727 - Rome 1797). Arranged by Fabrizio Brezzo. Baroque. Score and parts. 1...
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Concert Band - Level 3 - SKU: A0.896391 Composed by Pasquale Anfossi (Taggia 1727 - Rome 1797). Arranged by Fabrizio Brezzo. Baroque. Score and parts. 19 pages. Fabrizio Brezzo #4633087. Published by Fabrizio Brezzo (A0.896391). Pasquale Anfossi (5 April 1727 – February 1797) was an Italian opera composer. Born in Taggia, Liguria, he studied with Niccolò Piccinni and Antonio Sacchini, and worked mainly in London, Venice and Rome.He wrote more than 80 operas, both opera seria and opera buffa, although he concentrated on church music, especially oratorios, during his last years. Anfossi died in Rome in 1797.As an operatic composer, Anfossi remained forgotten for a long time, despite his great popularity with his contemporaries, because his works were overshadowed by those of Salieri, Rossini and Mozart. Nevertheless, Johann Wolfgang von Goethe staged Anfossi's farsetta La maga Circe (Circe, the Sorceress) in his role as the theatre director of Weimar. He adapted the libretto with Christian August Vulpius and also made plans for a continuation, which never came to bear.Only in the last 20 years has Anfossi's work been appreciated anew, through diverse productions such as Giuseppe riconosciuto. His work was featured at the 2005 Salzburg Summer Festival.Fabrizio Brezzo, this arranger, lives in Taggia, the town where Anfossi was born.In the second half of this symphony, you can hear the theme that Mozart used, 9 years later, for his Confutatis maledictis of the requiem mass.
$8.50
Krebs Trio
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Orchestre d'harmonie
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INTERMÉDIAIRE
#
Classique
#
Stephen R Dalrymple
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Krebs Trio
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Stephen R Dalrymple
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818295 By Stephen R Dalrymple. By Johann Ludwig Krebs. Arranged by Stephen R Dalrymple (Dalrymple Designs). Baroque. Sc...
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Concert Band - Level 3 - SKU: A0.818295 By Stephen R Dalrymple. By Johann Ludwig Krebs. Arranged by Stephen R Dalrymple (Dalrymple Designs). Baroque. Score and parts. 14 pages. Stephen R Dalrymple #5030197. Published by Stephen R Dalrymple (A0.818295). Krebs Trio ♫ for Concert Band with Flexible Instrumentation ♫ by Johann Ludwig Krebs (1713-1780) ♫ arranged by Stephen R Dalrymple ♫ Johann Krebs was the son of a well-known organist. Krebs studied organ and composition with JS Bach and was highly commended by him. He was one of the most technically gifted young organists of his day, yet was never employed by a major church. Krebs held modest positions all of his life and he and his family of seven children struggled with poverty. ♫ Although underpaid according to his ability and training, Krebs produced a large body of work – 193 known scores. His compositions are judged to be of prime quality, superior enough for scholars to argue whether a piece was composed by him or Bach. His Toccata and Fugue in E for organ is counted one of the masterpieces in Baroque literature. His 2 concertos for lute show that he must have been an accomplished lute player. Krebs was born, studied, lived, & composed in or near Upper Saxony (much like Bach). ♫ Teaching band in a small school, I often needed flexible instrumentation to assure satisfaction for students when a full complement of instruments was not available. This Baroque work from pipe organ literature has been scored for 3 independent polyphonic voices plus an optional percussion part. This piece can be played with almost any combination of instruments or as a trio or quartet. I added an optional hand drum part so percussionists can also participate. Krebs Trio has been performed by my mid level band and a quintet of music educators at a school music benefit concert, and the fanfa at North Haiti Music Camp. ♫ Purchase price includes permission is granted to make photocopies of parts additional scores for a medium size school band.
$18.00
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
#
Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Orchestre d'harmonie
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
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Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Mouvement symphonique
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Orchestre d'harmonie
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AVANCÉ
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Stephan Adam
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Mouvement symphonique
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Schott Music - Digital
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SheetMusicPlus
Wind band - difficult - SKU: S9.Q20959 Composed by Stephan Adam. This edition: score. Schott Harmony Series. Downloadable, score. Duration 12 minutes. S...
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Wind band - difficult - SKU: S9.Q20959 Composed by Stephan Adam. This edition: score. Schott Harmony Series. Downloadable, score. Duration 12 minutes. Schott Music - Digital #Q20959. Published by Schott Music - Digital (S9.Q20959). Using thematic-motif material and Baroque concerto structures, Stephan Adam has created a contemporary work with new sounds without being avant-garde. The work is demanding, particularly as regards technique and rhythmic complexity. This work was commissioned by the Bundesvereinigung Deutscher Blasmusikverbände [Federation of German Wind Music Organisations] and has been a set piece in competitions at the most advanced level. Stephan Adam studied Church Music and Composition in Frankfurt am Main; Kurt Hessenberg was one of his teachers. He has been teaching since 1982 at the Berufsfachschule für Musik [Further Education College of Music] in Bad Königshofen.(1 Piccolo-Flöte, 2 Flöten, 2 Oboen, 2 Fagotte, 1 Klarinette in Es, 3 Klarinetten in B, 1 Bass-Klarinette in b, 2 Alt-Saxophone in Es, 2 Tenor-Saxophone in B (2. ad lib.), 1 Bariton-Saxophon in Es, 4 Hörner in F, 4 Trompeten in B, 3 Posaunen, 2 Flügelhörner in B, 2 Tenorhörner in B, 1 Bariton, 2 Tuben, 1 Kontrabass, Pauken, Schlagzeug: Glockenspiel, Xylophon, kleine Trommel, 3 Tomtoms, große Trommel, 2 Tempelblocks, Triangel, hängendes Becken, Beckenpaar, Tam-Tam tief, Röhrenglocken).
$55.99
Golden Helmet Of Cortez
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Orchestre d'harmonie
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INTERMÉDIAIRE
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the end of 1520, he had won Me
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Randy A
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Golden Helmet Of Cortez
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Randy A. Steinberg
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.870372 Composed by Randy A. Steinberg. Contemporary,Latin. Score and parts. 156 pages. Randy A. Steinberg #1885815. Pub...
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Concert Band - Level 3 - SKU: A0.870372 Composed by Randy A. Steinberg. Contemporary,Latin. Score and parts. 156 pages. Randy A. Steinberg #1885815. Published by Randy A. Steinberg (A0.870372). Born in 1485, Hernando Cortez was a Spanish adventurer rewarded for his courage and skills in battle. In the spring of 1519 with 11 ships and 700 men, he landed on the newly discovered gulf coast of Mexico looking for gold that was rumored to be found there. To ensure that none of his men deserted him, he burned all except one of his fleet of ships. He quickly conquered the Aztec empire and its emperor Montezuma. There, he eventually killed Montezuma and seized the gold and treasure that had belonged to the Aztecs for centuries. By the end of 1520, he had won Mexico for Spain and put it under Spanish rule. As a reward, King Charles V of Spain made him governor and captain general of Mexico. He died in Seville, Spain in 1536. Although Cortez’ aims were for conquest and gold – many which resulted in suffering and misery for the Aztecs, there were interesting cultural side effects as Spain ruled Mexico. Ancient Indian folk tunes and ceremonial music were suddenly intermixed with the higher culture of the baroque and renaissance music from Spain. Much of what we now know of today in the way of Latin styles of music owes its roots to the invasion of Cortez and culture changes he inadvertently brought with him. The Golden Helmet Of Cortez musically commemorates the story of Cortez as he landed in Mexico on that spring day in 1519. The piece is a compilation of many Latin and Mexican musical styles. Some of these are light in style, others evoke the battles that took place. These are all brought together in an exciting programmatic style to be enjoyed by all. 2016 Arrangement New Release.
$24.99
A Fool's War for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Malachi Mathews
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A Fool's War for Concert Band
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Malachi Mathews
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1032693 Composed by Malachi Mathews. Baroque,Renaissance,Standards. Score and parts. 53 pages. Malachi Mathews #5218923...
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Concert Band - Level 4 - SKU: A0.1032693 Composed by Malachi Mathews. Baroque,Renaissance,Standards. Score and parts. 53 pages. Malachi Mathews #5218923. Published by Malachi Mathews (A0.1032693). A Bold and Medieval rendition of a siege of a castle and the fight of foolish lords talking over one another and creating a giant mess. a great composition for a Concert Band with many dark harmonies that will be challenging for the ear. A conductor's score along with parts is available or just the conductor's score. All instrument parts can be reprinted by the buyer for band use.
$12.00
Suite Bergamasque, No. 4 Passepied (Symphonic Band)
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Orchestre d'harmonie
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Classique
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Claude Debussy
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Richard Byrnes
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Suite Bergamasque, No. 4 Passe
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Richard Byrnes
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SheetMusicPlus
Concert Band - SKU: A0.830750 Composed by Claude Debussy. Arranged by Richard Byrnes. Romantic Period. Score and parts. 132 pages. Richard Byrnes #48959...
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Concert Band - SKU: A0.830750 Composed by Claude Debussy. Arranged by Richard Byrnes. Romantic Period. Score and parts. 132 pages. Richard Byrnes #4895917. Published by Richard Byrnes (A0.830750). Suite Bergamasque was composed around 1890. It was then revised and published in 1905. The title is derived from the city of Bergamo in the Italian Alps and serves as a tribute to French Baroque harpsichordists. It is comprised of 4 movements: Prélude, Menuet, Clair de lune, and Passepied. The passepied was a dance originating in Brittany. Debussy’s appreciation of the medieval practice of using open 4ths and 5ths is worked out eloquently in this very expressive movement.In addition to works by Debussy, we offer works by J.S. Bach, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$59.99
Concerto for Concert Band (2011) full score
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pa...
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Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99
Once to Every Man
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Orchestre d'harmonie
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FACILE
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T
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Leandro Bizama
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Once to Every Man
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Leandro Bizama Music
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.933694 Composed by T. J. Williams, J. S. Bach. Arranged by Leandro Bizama. Baroque,Christian,Concert,Sacred. Score and ...
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Concert Band - Level 2 - SKU: A0.933694 Composed by T. J. Williams, J. S. Bach. Arranged by Leandro Bizama. Baroque,Christian,Concert,Sacred. Score and parts. 93 pages. Leandro Bizama Music #3420423. Published by Leandro Bizama Music (A0.933694). A dramatic juxtaposition of the hymn Once to Every Man and Nation with excerpts from the Prelude in C minor by Bach's renown The Well Tempered Clavier. The pipe organ part, which is just as playable on a synthesizer as a real pipe organ, quotes straight from Bach's hand to add to the power of the hymn. With accessible writing but an impressive ensemble sound, this can be an exciting piece in your next program. Suitable for High School, advanced Middle School ensembles, church or community wind ensembles, Once to Every Man introduces the famous writings of Bach's keyboard works to the modern avenue of Concert Band. And just like Bach did in his prelude, this arrangement reaches a stirring finale in the major key, and will quickly be loved by audiences and performers alike.For more info about the arranger visit www.leandrobizama.com
$30.00
Johnny Bach Time Traveler
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Edward Sims
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Edward Sims
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Johnny Bach Time Traveler
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Ed Sims
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1154732 By Edward Sims. By Edward Sims. Arranged by Edward Sims. 19th Century,20th Century,Baroque,Jazz,March. Score an...
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Concert Band - Level 3 - SKU: A0.1154732 By Edward Sims. By Edward Sims. Arranged by Edward Sims. 19th Century,20th Century,Baroque,Jazz,March. Score and Parts. 84 pages. Ed Sims #755006. Published by Ed Sims (A0.1154732). Johann Sebastian Bach. His music is the foundation on which so much of our musical heritage is based. But what if he had reappeared and composed in the style of future generations? That question is musically and whimsically pondered in this composition. It opens with a setting of his hymn “Christus, de runs selig machtâ€. We then hear the subsequent variations as he may have used his melody. The first is in the classical style similar to Mozart, which is followed by a Romantic era Viennese waltz style, a la Strauss. He next appears in the late 19th century as a march composer. In his most recent appearance (that we know of), he writes in the swing style of the 1940’s. This piece, which is sure to be an audience favorite, provides the director with limitless opportunities to teach about the Phrygian mode and to discuss many eras of music history and the styles and composers associated with each, while giving the students the challenge of playing and learning to quickly transition to the various styles with music that is both challenging and fun.
$2.00
Antique Sketches
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Dan Cook
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Antique Sketches
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Pecan Valley Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1221249 Composed by Dan Cook. Baroque,Contemporary,Contest,Festival,Instructional. Score and Parts. 89 pages. Pecan Val...
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Concert Band - Level 3 - SKU: A0.1221249 Composed by Dan Cook. Baroque,Contemporary,Contest,Festival,Instructional. Score and Parts. 89 pages. Pecan Valley Music #817581. Published by Pecan Valley Music (A0.1221249). Grade 3+duration; 4:30I) Sarabande (2:38)II) Fugue (1:53)Flutes 1 & 2, Oboe, Bassoon, Bb Clarinets 1, 2 & 3, Bass Clarinet, Alto Saxes 1 & 2, Tenor Sax, & Baritone SaxBb Trumpets 1, 2 & 3, Horns in F 1 & 2, Trombones 1 & 2, Euphonium, & TubaTimpani, Bells, VibraphoneSnare Drum, Bass Drum, Crash CymbalAntique Sketches was composed with the intention of creating an accessible work for young band using counterpoint. Some of my favorite memories as a student in public school band include performing various arrangements of J.S. Bach. I loved sitting in the trumpet section listening across the ensemble to how the various melodic lines would rapidly fizz around from instrument to instrument.This short, two movement work is designed to foster this listening experience in your students. The first movement consists of a simple binary form, with woodwinds and brass trading off a slow melodic line. The ensemble then combines to allow for the exploration of top to bottom, back to front balance and blend without having to worry about too much technique. There are also moments of modernity in the harmonic structure designed to help anchor the movement to the present.The second movement is a fugue with a long melodic subject and two countersubjects, the point of which is to apply the listening lessons from the first movement to the more technical aspects of the second. Fugue subjects are announced with percussion entrances to focus the listening experience across the ensemble and the audience.
$40.00
Loure
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Orchestre d'harmonie
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DÉBUTANT
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Beth Ratay
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Loure
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T.U.X. People's Music
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1090143 Composed by Beth Ratay. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Score and par...
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Concert Band - Level 1 - SKU: A0.1090143 Composed by Beth Ratay. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Score and parts. 29 pages. T.U.X. People's Music #694321. Published by T.U.X. People's Music (A0.1090143). Built on the foundations of French dance, Beth Ratay's newest work for young band is the perfect work for any ensemble seeking to explore new sounds. Utilizing Baroque inspiration, as well as the Dorian mode, Loure is the perfect opportunity to teach your band and show your audience something new!
$60.00
Largo from Xerxes
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Orchestre d'harmonie
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FACILE
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Opera
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Classique
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Gearg Friedrich HAENDEL
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Yves Bouillot
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Largo from Xerxes
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Yves Bouillot
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1120437 Composed by Gearg Friedrich HAENDEL. Arranged by Yves Bouillot. Baroque,Opera. Score and parts. 41 pages. Yves ...
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Concert Band - Level 2 - SKU: A0.1120437 Composed by Gearg Friedrich HAENDEL. Arranged by Yves Bouillot. Baroque,Opera. Score and parts. 41 pages. Yves Bouillot #721707. Published by Yves Bouillot (A0.1120437). The action takes place in the Persian Empire in 480 BC. AD and is based somewhat on the story of Emperor Xerxes I. There is, however, little real connection between the Story and the libretto or its music. Serse's first aria, Ombra mai fu, is Xerxes' love song for a tree set to one of Handel's most beautiful and famous melodies, often performed in an orchestral arrangement. It is known as 'Largo de Haendel', although the score actually refers to it as 'larghetto'. Grade 2.
$20.00
Pachelbel's Canon (Flexible Instrumentation)
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Orchestre d'harmonie
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FACILE
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Classique
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Johann Pachelbel and Paul Bark
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Paul Barker
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Pachelbel's Canon
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Paul Barker Music
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.725232 By Johann Pachelbel and Paul Barker Music. By Johann Pachelbel. Arranged by Paul Barker. Baroque,Contemporary,Co...
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Concert Band - Level 2 - SKU: A0.725232 By Johann Pachelbel and Paul Barker Music. By Johann Pachelbel. Arranged by Paul Barker. Baroque,Contemporary,Contest,Festival,Instructional,Standards. Score and parts. 52 pages. Paul Barker Music #6304315. Published by Paul Barker Music (A0.725232). Pachelbel's Canon is a refreshing new arrangement in our Classical Concert Series for Grade 2+ flex-bands, orchestras and ensembles of all sizes. The world famous ground bass and canonic melodies are shared seamlessly between performers to create a rich, original musical texture. Accompaniment & part-dominant rehearsal tracks are also available for your entire ensemble to rehearse and perform with from www.paulbarkermusic.com                                      Â
$29.95
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