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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Die Renaissance
Non classifié
323
Piano & claviers
Piano seul
77
Piano, Voix
48
Piano Facile
37
Instruments en Do
24
Orgue
18
Orgue, Piano (duo)
3
Piano, Voix et Guitare
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
+ 5 instrumentations
Retracter
Guitares
Mandoline
105
Guitare
60
Guitare notes et tablatures
13
Ukulele
9
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
5
Ensemble de guitares
1
2 Guitares (duo)
1
Luth
1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Dulcimer
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
50
Chorale 3 parties
17
Chorale TTBB
9
Chorale Unison
9
Chorale 2 parties
6
Chorale SSAA
3
Voix Baryton, Piano
2
Chorale SSAATTBB
2
Voix Soprano, Piano
1
Voix seule
1
Chorale
1
Voix, Guitare
1
Chorale SSATTB
1
Chorale SSATB
1
Chorale SATTB
1
+ 10 instrumentations
Retracter
Vents
Flûte à bec Soprano
86
Flûte à bec Alto
44
Ocarina
39
Ensemble De Flûte à bec
24
Quatuor de Flûtes à bec
22
Quatuor de Clarinettes: 4 clarinettes
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Quatuor de Flûtes : 4 flûtes
15
2 Saxophones (duo)
15
Flûte, Hautbois, Clarinette, Basson
14
Quatuor de Saxophones: 4 saxophones
14
Clarinette et Piano
13
Quintette de Saxophone: 5 saxophones
12
Flûte traversière
12
Ensemble de Clarinettes
11
Flûte traversière et Piano
10
2 Clarinettes (duo)
8
Ensemble de Flûtes
8
3 Saxophones (trio)
7
Hautbois, Piano (duo)
7
3 Clarinettes (trio)
7
2 Flûtes traversières (duo)
7
Saxophone Alto et Piano
7
Clarinette
6
Trio de Flûtes: 3 flûtes
5
3 Flûtes à bec (trio)
5
Flûte et Guitare
5
Quintette de Flûte : 5 flûtes
5
Ensemble de saxophones
5
Clarinette, Basson (duo)
4
Hautbois
4
Saxophone Alto
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Clarinette (duo)
3
Flûte à bec Soprano, Piano
3
Saxophone Soprano et Piano
3
2 Hautbois (duo)
3
Hautbois, Basson (duo)
3
Saxophone Tenor et Piano
3
Hautbois, Clarinette (duo)
2
Clarinette, Guitare (duo)
2
Flûte, Hautbois, Basson
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Basson et Piano
2
Cor anglais, Piano
2
Flûte, Hautbois (duo)
2
Hautbois, Guitare (duo)
1
Flûte, Trombone (duo)
1
Flûte, Clarinette et Basson
1
Ensemble de Hautbois
1
Clarinette, Violoncelle (duo)
1
5 Flûtes à bec
1
Flûte à bec Alto, Piano
1
Saxophone Baryton, Piano
1
Hautbois, Violoncelle
1
Clarinette, Trombone (duo)
1
Clarinette, Tuba
1
Hautbois, Clarinette et Piano (Trio)
1
2 Flûte à bec (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone (partie séparée)
1
Flûte irlandaise
1
2 Hautbois, Piano
1
Cor anglais, Guitare (duo)
1
Hautbois (partie séparée)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Clarinettes, Piano
1
+ 64 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Trompette, Piano
14
Ensemble de Trompettes
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trombone et Piano
9
Trompette, Trombone (duo)
8
Cor et Piano
8
Trompette
8
Tuba et Piano
7
Ensemble de Trombones
7
Trombone
6
Cor
5
Quatuor de Cuivres
5
2 Trompettes (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba
5
2 Trombones (duo)
4
2 Cors (duo)
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trombones
3
Cor, Tuba (duo)
2
Trio de Cuivres
2
Ensemble de Cors
2
2 Tubas (duo)
2
Trompette, Tuba (duo)
2
Trombone, Cor (duo)
2
Euphonium, Tuba (duo)
2
Cor anglais, Piano
2
Cor et Harpe
1
3 Trombones (trio)
1
4 Tubas
1
Trompette (partie séparée)
1
Cor anglais, Guitare (duo)
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
57
Violon et Piano
21
Trio à Cordes: violon, alto, violoncelle
17
Violoncelle, Piano
15
Harpe
15
Violoncelle
14
Alto, Piano
13
Violon, Violoncelle (duo)
12
Violon
11
Contrebasse, Piano (duo)
8
Alto seul
8
Contre Basse
6
2 Violons (duo)
5
2 Violoncelles (duo)
5
Alto, Violoncelle (duo)
5
Violon, Alto (duo)
4
Violoncelle , Guitare (duo)
4
2 Contrebasses (duo)
3
2 Altos (duo)
3
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
2 Violoncelles, Piano
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violons
1
Alto et Basson
1
Harpe, Flûte (duo)
1
2 Altos, Piano
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Violon, Basson (duo)
1
Flûte, Contrebasse (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble d'Altos
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
50
Ensemble de cuivres
25
Orchestre d'harmonie
20
Orchestre
3
Fanfare
2
Orchestre de chambre
2
Ensemble Jazz
1
Batterie
1
Trio à Vent: 3 instruments à vents
1
Quatuor à Vent : 4 instruments à vents
1
Marimba
1
Vibraphone
1
Cloches
1
Xylophone
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Vous avez sélectionné:
Die Renaissance
Orchestre d'harmonie
Partitions à imprimer
20 partitions trouvées
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1
A dança das Fadas - (Medieval Music for flute, violin, cello and percussion)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Marcio A Jesus
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Marcio A Jesus
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A dança das Fadas -
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Marcio A Jesus
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1418953 By Marcio A Jesus. By Marcio A Jesus. Arranged by Marcio A Jesus. Classical,Film/TV,Folk,Medieval,Renaissance. ...
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Concert Band - Level 3 - SKU: A0.1418953 By Marcio A Jesus. By Marcio A Jesus. Arranged by Marcio A Jesus. Classical,Film/TV,Folk,Medieval,Renaissance. 11 pages. Marcio A Jesus #1000403. Published by Marcio A Jesus (A0.1418953). Title: A dança das Fadas Medieval Music for flute, violin, cello and percussion. Â
$8.73
A Medieval Thing (Band)
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Orchestre d'harmonie
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DÉBUTANT
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Dario Giner
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A Medieval Thing
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DarÃo Giner Climent
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1025534 Composed by Dario Giner. Children,Renaissance,World. Score and parts. 32 pages. DarÃo Giner Climent #4885665...
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Concert Band - Level 1 - SKU: A0.1025534 Composed by Dario Giner. Children,Renaissance,World. Score and parts. 32 pages. DarÃo Giner Climent #4885665. Published by DarÃo Giner Climent (A0.1025534). This piece is set in a medieval atmosphere. I will describe the different landscapes around the royal castle.
$15.99
Medieval Festival
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Orchestre d'harmonie
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INTERMÉDIAIRE
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S
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Medieval Festival
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S.R.T. Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.931890 Composed by S.R. Thomas. Instructional,Renaissance,World. Score and parts. 30 pages. S.R.T. Music #6702449. Publ...
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Concert Band - Level 3 - SKU: A0.931890 Composed by S.R. Thomas. Instructional,Renaissance,World. Score and parts. 30 pages. S.R.T. Music #6702449. Published by S.R.T. Music (A0.931890). Medieval Festival is a composition for medium to early advanced wind and percussion ensembles. This number in 6/8 and 2/4 time is written in the key of concert Eb and should be enjoyable yet challenging for each section of the ensemble. Enjoy a trip back to a Middle Ages Festival while performing this composition.
$24.95
March Medieval
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Orchestre d'harmonie
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INTERMÉDIAIRE
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RAY MC CULLOCH
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RAY MC CULLOCH
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March Medieval
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Turtle Music Company
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1261139 By RAY MC CULLOCH. By RAY MC CULLOCH. Arranged by RAY MC CULLOCH. Film/TV,Historic,March,Renaissance. Score and...
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Concert Band - Level 3 - SKU: A0.1261139 By RAY MC CULLOCH. By RAY MC CULLOCH. Arranged by RAY MC CULLOCH. Film/TV,Historic,March,Renaissance. Score and Parts. 10 pages. Turtle Music Company #854207. Published by Turtle Music Company (A0.1261139). Think of a Hollywood version of Knights returning to their castle after some grand and glorious campaign. At the front are the victorious Knights (1st and 2nd strain) then later in the parade are the treasures that were captured. (Trio).
$49.99
Greensleeves
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Orchestre d'harmonie
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FACILE
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Renaissance
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English Traditional
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Stephen Brodie
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Greensleeves
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Stephen Brodie
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.944082 Composed by English Traditional. Arranged by Stephen Brodie. Renaissance. Score and parts. 32 pages. Stephen Bro...
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Concert Band - Level 2 - SKU: A0.944082 Composed by English Traditional. Arranged by Stephen Brodie. Renaissance. Score and parts. 32 pages. Stephen Brodie #4610467. Published by Stephen Brodie (A0.944082). The famous traditional English tune dating from the late medieval period, now arranged for a small concert band. The simple percussion part (Tenor Drum) lends it an authentic Tudor ambience. Suitable for a school or training band.
$35.00
Kingdom Dance
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Alan Menken
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Andrew Jacobi
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Kingdom Dance
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Andrew Jacobi
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1349399 Composed by Alan Menken. Arranged by Andrew Jacobi. Film/TV,Medieval,Renaissance. 87 pages. Andrew Jacobi #9341...
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Concert Band - Level 3 - SKU: A0.1349399 Composed by Alan Menken. Arranged by Andrew Jacobi. Film/TV,Medieval,Renaissance. 87 pages. Andrew Jacobi #934149. Published by Andrew Jacobi (A0.1349399). This arrangement is playable through a large variety of instruments.  It will need to be well balanced between the high, middle, and low voices.  The director has the freedom to play around with instrumentation between the various sections of the piece.  Percussion parts are optional, but will enhance the piece.  If there are a limited number of percussionists, add the percussion parts in this order: Percussion 1, Percussion 2, Percussion 3, Timpani, and Mallets.  The arrangement begins with a stately dance and transitions to a furious jig halfway through. Included PartsFull ScoreCondensed C Score Part 1-    Flute-    Bb Clarinet-    Violin/Oboe Part 2-    Flute-    Bb Clarinet/Trumpet-    Eb Alto Sax-    Violin/Oboe Part 3-    Bb Clarinet/Trumpet-    Eb Alto Sax-    F Horn-    Violin-    ViolaPart 4-    Bb Trumpet/Tenor Sax/Bass Clarinet-    F Horn-    Trombone/Euphonium/Bassoon/Cello Part 5-    Bass Clarinet-    Trombone/Euphonium/Bassoon/Cello-    Baritone Sax-    Tuba-    Double Bass Percussion (optional)-    Timpani-    Mallets-    Percussion 1 (2 Toms)-    Percussion 2 (Tambourine, Suspended Cymbal, Wind Chimes-    Percussion 3 (Crash Cymbal, Triangle, Suspended Cymbal).
$50.00
Knights of the Round Table
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Orchestre d'harmonie
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DÉBUTANT
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Evan Charles
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Knights of the Round Table
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Evan Charles
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1350354 Composed by Evan Charles. 21st Century,Contemporary,Medieval,Renaissance,Traditional. 30 pages. Evan Charles #9...
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Concert Band - Level 1 - SKU: A0.1350354 Composed by Evan Charles. 21st Century,Contemporary,Medieval,Renaissance,Traditional. 30 pages. Evan Charles #935147. Published by Evan Charles (A0.1350354). Knights of the Round Table is a perfect starting point for beginning students who know their first six notes! Additionally it also introduces students to eighth notes and dynamic contrast! The piece features two separate styles; a slow opening section meant to depict the knights sitting around the table with King Arthur, and a faster paced section that depicts the knights out defending Camelot.
$50.00
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Orchestre d'harmonie
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
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Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Pavane d'Arbeau - for Flexband or Ensemble
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Orchestre d'harmonie
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FACILE
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Renaissance
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Thoinot Arbeau
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Alexandre CARLIN
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Pavane d'Arbeau - for Flexband
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Alexandre CARLIN
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.779834 Composed by Thoinot Arbeau. Arranged by Alexandre CARLIN. Renaissance. Score and parts. 29 pages. Alexandre CARL...
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Concert Band - Level 2 - SKU: A0.779834 Composed by Thoinot Arbeau. Arranged by Alexandre CARLIN. Renaissance. Score and parts. 29 pages. Alexandre CARLIN #5359925. Published by Alexandre CARLIN (A0.779834). The Pavane is a slow processional dance common in Europe during the 16th century (Renaissance). Thoinot Arbeau was a french composer from the 16th century.This arrangement for flexband can be a good opportunity for students to learn how to play in common cut time.8 pages Score, 17 pages Parts . Duration 1:40.All parts provided.Check my other works for band :Original works S0.113817 - Petite RhapsodieArrangements of major orchestral worksS0.729699 - Allegretto from symphony No.7 (Beethoven)S0.654713 - Hungarian Dance No.3 (Brahms)S0.654699 - Hungarian Dance No.11 (Brahms)S0.659581 - Funeral March of a Marionette (Gounod)S0.631535 - Angelus (Massenet)Parade MarchesS0.595771 - Pile ou Face (Heads of Tails)S0.595719 - Funny March'S0.594563 - Easy ParadeAnd more to come ...My publisher's pagehttps://www.sheetmusicplus.com/publishers/alexandre-carlin/3119My YouTube Channelhttps://www.youtube.com/channel/UC3BrFxLrQ4usgnIGGx6xXEQPlease like, share and subscribe for more works for Concert Band.www.alexandrecarlin.com
$9.95
The Oak
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Florence Beatrice Price
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Steven Nunes
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The Oak
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Nagamon Publications
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1407735 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 21st Century,Romantic Period. 183 pages. Nagamon...
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Concert Band - Level 4 - SKU: A0.1407735 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 21st Century,Romantic Period. 183 pages. Nagamon Publications #990351. Published by Nagamon Publications (A0.1407735). Florence Price(b Little Rock, AR, 9 April 1887; d Chicago, IL, 3 June 1953) was the first African American woman to win widespread recognition as a symphonic composer, rising to prominence (with William Grant Still and William Dawson) in the 1930s. After early training with her mother she studied composition at the New England Conservatory in Boston with Wallace Goodrich and Frederick Shepherd Converse (1903–6) and privately with George Whitefield Chadwick. She gained an Artist’s Diploma (organ) and a piano teacher’s diploma.  In her large-scale works Price’s musical language is often conservative, in keeping with the Romantic nationalist style of the 1920s–40s, but it also reflects the influence of her cultural heritage and the ideals of the “Harlem renaissance†of the 1920s–30s. To her art songs and piano music she brought a thorough knowledge of instrumental and vocal writing, colorful harmonies and exotic modulations.The Oak from 1943 was originally written for orchestra and has been transcribed for concert band. The PDF contains the full score and full set of parts.
$70.00
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
O LA, O CHE BON ECCHO (Orlando di Lasso) for Brass Quartet and Wind Band
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Orchestre d'harmonie
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FACILE
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Orlande De Lassus
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Ivan Marini
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O LA, O CHE BON ECCHO
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www.dalsegno.eu
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.770366 Composed by Orlande De Lassus. Arranged by Ivan Marini. Instructional,Multicultural,Renaissance,Sacred,World. Sc...
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Concert Band - Level 2 - SKU: A0.770366 Composed by Orlande De Lassus. Arranged by Ivan Marini. Instructional,Multicultural,Renaissance,Sacred,World. Score and parts. 39 pages. Www.dalsegno.eu #3867431. Published by www.dalsegno.eu (A0.770366). The most famous Renaissance choral piece for two antiphonal ensembles finally arranged for Winds and Percussions, featuring a Brass Quartet (two trumpets and two trombones).This enjoyable concert piece is also useful to develope tone quality, intonation, phrasing and expression of every ensemble.Even smaller groups and young bands can perform this piece, because the four original parts are mostly doubled. The difficulty grade is very reasonable.Every conductor will take advantage of the performance stage/location, staging the better arrangement for the four solists (plus opt. Tenor Drums) and the ensemble.The soloist should stay, generally speaking, far away from the audience to emphasize the echo effect.A piano part (reduction of the ensemble) is also included, for both performance and rehearsal.Complete set with score and parts: Solos (Trumpet 1+2, Trombone 1+2),Piccolo, Flute 1+2, Oboe (or Soprano sax), Bassoon,Clarinets 1+2+3+bass, Saxes AATB,Trumpets/Cornets 1+2+3, F/Eb Horn, Trombones 1+2+3,Euphonium/Baritone BC+TC, Tuba, String Bass,Piano, Timpani, Side Drum(s), Tenor Drum(s).Other transpositions (e.g. Bb Trombones TC) available for free at simply requestDuration ca. 3 mins., 39 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$9.99
Golden Helmet Of Cortez
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Orchestre d'harmonie
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INTERMÉDIAIRE
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the end of 1520, he had won Me
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Randy A
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Golden Helmet Of Cortez
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Randy A. Steinberg
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.870372 Composed by Randy A. Steinberg. Contemporary,Latin. Score and parts. 156 pages. Randy A. Steinberg #1885815. Pub...
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Concert Band - Level 3 - SKU: A0.870372 Composed by Randy A. Steinberg. Contemporary,Latin. Score and parts. 156 pages. Randy A. Steinberg #1885815. Published by Randy A. Steinberg (A0.870372). Born in 1485, Hernando Cortez was a Spanish adventurer rewarded for his courage and skills in battle. In the spring of 1519 with 11 ships and 700 men, he landed on the newly discovered gulf coast of Mexico looking for gold that was rumored to be found there. To ensure that none of his men deserted him, he burned all except one of his fleet of ships. He quickly conquered the Aztec empire and its emperor Montezuma. There, he eventually killed Montezuma and seized the gold and treasure that had belonged to the Aztecs for centuries. By the end of 1520, he had won Mexico for Spain and put it under Spanish rule. As a reward, King Charles V of Spain made him governor and captain general of Mexico. He died in Seville, Spain in 1536. Although Cortez’ aims were for conquest and gold – many which resulted in suffering and misery for the Aztecs, there were interesting cultural side effects as Spain ruled Mexico. Ancient Indian folk tunes and ceremonial music were suddenly intermixed with the higher culture of the baroque and renaissance music from Spain. Much of what we now know of today in the way of Latin styles of music owes its roots to the invasion of Cortez and culture changes he inadvertently brought with him. The Golden Helmet Of Cortez musically commemorates the story of Cortez as he landed in Mexico on that spring day in 1519. The piece is a compilation of many Latin and Mexican musical styles. Some of these are light in style, others evoke the battles that took place. These are all brought together in an exciting programmatic style to be enjoyed by all. 2016 Arrangement New Release.
$24.99
A Fool's War for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Malachi Mathews
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A Fool's War for Concert Band
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Malachi Mathews
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1032693 Composed by Malachi Mathews. Baroque,Renaissance,Standards. Score and parts. 53 pages. Malachi Mathews #5218923...
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Concert Band - Level 4 - SKU: A0.1032693 Composed by Malachi Mathews. Baroque,Renaissance,Standards. Score and parts. 53 pages. Malachi Mathews #5218923. Published by Malachi Mathews (A0.1032693). A Bold and Medieval rendition of a siege of a castle and the fight of foolish lords talking over one another and creating a giant mess. a great composition for a Concert Band with many dark harmonies that will be challenging for the ear. A conductor's score along with parts is available or just the conductor's score. All instrument parts can be reprinted by the buyer for band use.
$12.00
Coventry Carol for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Noël
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Anon
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Robert Luke Thompson
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Coventry Carol for Concert Ban
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Monkspath Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.979775 Composed by Anon. Arranged by Robert Luke Thompson. Christmas,Contemporary,Holiday,Renaissance,Traditional. Scor...
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Concert Band - Level 3 - SKU: A0.979775 Composed by Anon. Arranged by Robert Luke Thompson. Christmas,Contemporary,Holiday,Renaissance,Traditional. Score and Parts. 38 pages. Monkspath Music #6098173. Published by Monkspath Music (A0.979775). The Coventry Carol originates from a medieval mystery play entitled The Pageant of the Shearmen and Tailors. The play depicts the Christmas story, from the Annunciation (where the Angel Gabriel appears to Mary), to the Massacre of the Innocents (where King Herod of Judea orders the death of all male infants near Bethlehem under the age of two). It is this tale that the Coventry Carol depicts, taking the form of a lullaby sung by the mothers of the murdered children. As is appropriate, the music is in a minor key – this arrangement uses G minor and D minor as a homage to well-known harmonisations by Thomas Sharp and Henry Walford Davies. It is unknown when the words were first set to music, but a proposed date is 1591, or earlier! Other interesting musical features include the use of a ‘Picardy third’, and ‘false relations’, contributing to the haunting quality of this enduring piece, both in the heart of the English Midlands, and further afield. This arrangement is suitable for all bands of beginner-intermediate ability or higher. There is plenty of interest for both experienced players, and for newcomers. The instrumentation is designed to facilitate both a full sound, but also for flexibility, which is often desired by school, youth, and amateur wind bands / concert bands / wind orchestras.
$39.99
Kingsfold (Concert Band)
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Orchestre d'harmonie
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DÉBUTANT
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Michael Ware
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Michael Ware
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Kingsfold
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Michael Ware Music
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1292532 By Michael Ware. By Michael Ware. Arranged by Michael Ware. Contest,Festival,Medieval,Multicultural,Renaissance...
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Concert Band - Level 1 - SKU: A0.1292532 By Michael Ware. By Michael Ware. Arranged by Michael Ware. Contest,Festival,Medieval,Multicultural,Renaissance,Traditional,World. Score and Parts. 32 pages. Michael Ware Music #883084. Published by Michael Ware Music (A0.1292532). Kingsfold is a popular English folk tune that has been creatively arranged for concert band by Michael Ware. Your middle school band will love the driving percussion and minor key melody of this cinematic setting. It is appropriate for concert but also in worship because of the tune’s association with O Sing a Song of Bethlehem and I Heard the Voice of Jesus Say. (Grade 1.5).
$49.99
Petiter Suite for Larger Ensemble
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Steve Eads
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Petiter Suite for Larger Ensem
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Steve Eads
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1320913 Composed by Steve Eads. 19th Century,Classical,Comedy,Early Music,Renaissance. 79 pages. Steve Eads #909354. Pu...
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Concert Band - Level 3 - SKU: A0.1320913 Composed by Steve Eads. 19th Century,Classical,Comedy,Early Music,Renaissance. 79 pages. Steve Eads #909354. Published by Steve Eads (A0.1320913). An entertaining short six movement suite for concert band with a twist. I suggest this piece be programmed towards the end of your (perhaps too lengthy) concert with the following announcement:We are about to embark on a suite with the following six movements:  Fanfare, Danse, Sarabande, Scherzo, Capriccioso and Finale Grandioso. Please hold your applause between movements... or it will just add to the length of the piece.After hearing the hopefully muted groans of your audience you may amuse yourself knowing that the whole performance will take less than 2 ½ minutes..Includes TC parts for low brass.
$25.00
All people that on earth do dwell (for choir and concert band)
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Orchestre d'harmonie
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DÉBUTANT
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Musique Sacrée
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Louis Bourgeoius
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Mark Armstrong
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All people that on earth do dw
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Seolta Music Limited
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1299502 Composed by Louis Bourgeoius. Arranged by Mark Armstrong. Religious,Sacred. Score and Parts. 27 pages. Seolta M...
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Concert Band - Level 1 - SKU: A0.1299502 Composed by Louis Bourgeoius. Arranged by Mark Armstrong. Religious,Sacred. Score and Parts. 27 pages. Seolta Music Limited #889375. Published by Seolta Music Limited (A0.1299502). Traditional well-loved hymn arranged for SATB choir and band by Mark Armstrong. Its composer, Louis Bourgeois (Loys Bourgeois) (c. 1510 to 1515 – 1559 or later) was a French composer and music theorist of the Renaissance. He is most famous as one of the main compilers of Calvinist hymn tunes in the middle of the 16th century. One of the most famous melodies in all of Christendom, the Protestant doxology known as the Old 100th, is commonly attributed to him.To browse all band and choir titles from Seolta Music please click here.
$30.00
Cyclic Rites (for secondary school band)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Aaron Lee
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Cyclic Rites
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J. Aaron Lee
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.857516 Composed by Aaron Lee. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 84 p...
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Concert Band - Level 3 - SKU: A0.857516 Composed by Aaron Lee. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 84 pages. J. Aaron Lee #464008. Published by J. Aaron Lee (A0.857516). Cyclic Rites is a musical exploration of both sound and structure. With sounds that evoke chant-like melodies and renaissance harmonizations, the rituals to which the title refers could as easily be 17th century church services as they could rituals of pagan worship. Students can track how the same musical material is used and re-used in different ways as the piece progresses. This work should be appropriate for upper-year secondary school students and is slightly over 3 minutes in duration. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$59.99
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