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--INSTRUMENTS--
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ALTO
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FORMATION MUSI…
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XYLOPHONE
Even Both Of Them century
Non classifié
29
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24
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3
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1
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1
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8
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1
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Harpe
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Alto seul
1
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Retracter
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Orchestre d'harmonie
6
Orchestre à Cordes
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
TUBA
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Even Both Of Them century
Orchestre d'harmonie
Partitions à imprimer
6 partitions trouvées
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1
Creature
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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George Willson
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Creature
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George Willson
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.927173 Composed by George Willson. 20th Century,Contemporary. Score and parts. 98 pages. George Willson #4601563. Publi...
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Concert Band - Level 5 - SKU: A0.927173 Composed by George Willson. 20th Century,Contemporary. Score and parts. 98 pages. George Willson #4601563. Published by George Willson (A0.927173). Creature began as a joke in high school between a friend of mine and me where we described the radical mood swings of our band directors as a creature coming forth from inside of them. Think about the alien from Alien 3 where it opened its mouth and its tongue was a little alien head with teeth of its own. I thought it would be fun to write a piece of music around this creature, so I wrote a short series of story beats and then some music around it. The full story is, unfortunately, lost to history, but the music survived the twenty-five years since its original composition, and in honor of my young self, I merely edited any typos and left it just as I wrote it when I was a seventeen-year-old high school senior. This was my first, solo-written, full band composition, and one can hear that I was a huge fan of Igor Stravinsky. This is not an easy piece to play. It has time changes aplenty, fast runs in the upper woodwinds, very exposed parts in nearly every section, large interval leaps, and spares hardly anyone's range. The eighth note remains constant across the 4 and 8 time signatures, and the breakdown of the complex time signatures is apparent in how the eighth notes are barred. As a conductor, it will be challenging as well, but I survived it on two occasions as both a senior in high school and in front of a military band, so it can be done. So enjoy the musical story of a creature who attacks people in its rage and hunger before it is chased and defeated by an angry mob ... but did it really die? George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$35.00
Monody
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Vid...
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Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
Scarborough Fair (Grade 2.5 Edition)
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Orchestre d'harmonie
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FACILE
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Traditional English Ballad
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Christopher Durigg
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Scarborough Fair
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Christopher Durigg
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.934826 Composed by Traditional English Ballad. Arranged by Christopher Durigg. Contemporary,Folk,Multicultural,World. S...
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Concert Band - Level 2 - SKU: A0.934826 Composed by Traditional English Ballad. Arranged by Christopher Durigg. Contemporary,Folk,Multicultural,World. Score and parts. 62 pages. Christopher Durigg #6871741. Published by Christopher Durigg (A0.934826). PRODUCT INFORMATION NOTE: This edition has narrower instrument ranges more suitable for Grade 2.5 players. A grade 3 edition with wider instrument ranges is also available. Both editions also include some flexible range choices to support players at different levels. PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: www.cdurigg.com/cdb005 C. DURIGG MUSIC ID FOR THIS PIECE: CDB-005GRADE LEVEL: SOARING BAND SERIES (Grade 2.5)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced performers in a very small band program? Are your performers ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back? My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:Scarborough Fair is perhaps, by far, one of the most famous and beloved 17th Century English ballads. The song takes place at a famous market fair in Scarborough, Yorkshire, England during Medieval times. Although the historical Scarborough Fair no longer takes place, some British communities still celebrate the original event in September. Using the Dorian mode, this folk song often invokes both beauty and mystery. This arrangement is a theme and variations and is conceived as a mysterious adventure (programmatic Information for each section contained within the score).
$35.00
Nightmare On Elm Street - Main Title
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Orchestre d'harmonie
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FACILE
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Halloween
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Ost
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Patrick Jillett
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Nightmare On Elm Street - Main
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Patrick Jillett
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1460862 By Ost (original Soundtrack). By Charles Bernstein. Arranged by Patrick Jillett. 20th Century,Contemporary,Film...
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Concert Band - Level 2 - SKU: A0.1460862 By Ost (original Soundtrack). By Charles Bernstein. Arranged by Patrick Jillett. 20th Century,Contemporary,Film/TV,Halloween,Holiday. 35 pages. Patrick Jillett #1039765. Published by Patrick Jillett (A0.1460862). A Haunting Ode to Terror: The Theme from A Nightmare on Elm Street”The iconic theme from A Nightmare on Elm Street, composed by Charles Bernstein, is a masterclass in building tension and suspense. This eerie melody has become synonymous with the horror genre and the terror that Freddy Krueger embodies. The moment the notes begin to play, you know you're in for a ride into your nightmares. The theme's foundation is a slow, pulsing rhythm that conjures an unsettling sense of unease. As the melody unfolds, it becomes increasingly dissonant and unsettling, creating an otherworldly atmosphere that's both mesmerizing and terrifying. The way the texture weaves together creates a sense of chaos and disorder. It’s an audible representation of the chaos and panic that ensues when Freddy invades your dreams. The notes seem to shatter and reform into a soundscape of terror. This theme has become an integral part of horror movie history, evoking fear and dread in listeners worldwide. It's a testament to Bernstein's mastery of atmosphere and tension that this music can still send shivers down your spine even decades after its release.Rating: 9/10 - A must-listen for horror fans and anyone who loves a good scare!
$49.99
Waitin' For A Superman
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Orchestre d'harmonie
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FACILE
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Michael Ivins, Steven Drozd, a
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Jonathan Kenneth Sadler
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Waitin' For A Superman
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Jonathan Kenneth Sadler
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1210201 Composed by Michael Ivins, Steven Drozd, and Wayne Coyne. Arranged by Jonathan Kenneth Sadler. 20th Century,Con...
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Concert Band - Level 2 - SKU: A0.1210201 Composed by Michael Ivins, Steven Drozd, and Wayne Coyne. Arranged by Jonathan Kenneth Sadler. 20th Century,Contemporary,Pop,Rock,Singer/Songwriter. Score and Parts. 56 pages. Jonathan Kenneth Sadler #808040. Published by Jonathan Kenneth Sadler (A0.1210201). This concert band arrangement of The Flaming Lips' Waitin' For A Superman from their classic 1999 album The Soft Bulletin is an uplifting, melancholic piece, both energetic and subdued. Use as part of an alternative music format, superhero themed show, or at your own discretion. Parts Included: Full Score, Flute, Oboe, Bassoon, Clarinets (1st and 2nd), Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Horn in F, Bb Trumpets (1st and 2nd), Trombone, Bass Trombone, Euphonium, Tuba, Timpani, Glockenspiel, Percussion (1st and 2nd)
$49.99
Bring Me Sunshine
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Orchestre d'harmonie
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FACILE
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Willie Nelson
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John Ivor Holland
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Bring Me Sunshine
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1245191 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by John Ivor Holland. 20th Century,Film/TV,Jazz,Stand...
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Concert Band - Level 2 - SKU: A0.1245191 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by John Ivor Holland. 20th Century,Film/TV,Jazz,Standards. Score and Parts. 33 pages. John Ivor Holland #840099. Published by John Ivor Holland (A0.1245191). Forever associated in the UK with the comedy duo Morecambe and Wise on the BBC, this toe-tapping standard is often played at the Morecambe Football Club ground both prior to and after their games, whilst the club's fans have adopted the song as the official anthem. It was first recorded by (and written for) The Mills Brothers in 1968, but another famous recording is by outlaw country singer Willie Nelson. This version for concert band (flexibly scored in the event of an incomplete ensemble) and choir in two parts is sure to bring a smile to all that hear it.
$49.99
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