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PIANO & CLAVIERS
Piano seul
182
Piano, Voix
100
Accordéon
34
Piano, Voix et Guitare
17
Orgue
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Instruments en Do
8
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Trio: piano, violon, violoncelle
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2 Pianos, 4 mains
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Piano Quintette: piano, 2 violons, alto, violoncelle
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38
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29
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25
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11
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11
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8
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2 Clarinettes (duo)
8
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8
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6
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1
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1
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1
Flûte traversière, Basse continue
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Trombone et Piano
33
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32
Cor et Piano
29
Euphonium, Piano (duo)
28
Cor anglais, Piano
24
Trompette
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trompette, Piano
14
Quatuor de Cuivres
8
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5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Trombone (duo)
4
Trio de Cuivres
3
Ensemble de Cors
3
Tuba et Piano
3
Quatuor de cuivres: 4 trombones
3
Tuba et Orgue
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Quatuor de cuivres: 4 trompettes
3
2 Cors (duo)
2
Cor
2
Quatuor de cuivres: 4 cors
2
2 Trombones (duo)
2
Tuba
2
Ensemble de Trombones
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4 Tubas
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Trombone (partie séparée)
2
Cor (partie séparée)
1
2 Tubas (duo)
1
2 Trompettes (duo)
1
3 Trompettes (trio)
1
Trompette (partie séparée)
1
3 Trombones (trio)
1
2 Euphoniums (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
110
Violon et Piano
73
Violoncelle, Piano
39
Alto, Piano
38
Trio à Cordes: violon, alto, violoncelle
32
Harpe
15
2 Violons (duo)
14
Violon, Violoncelle (duo)
10
2 Harpes (duo)
9
Violon
9
Violoncelle (partie séparée)
8
2 Violoncelles (duo)
6
Violon, Alto (duo)
6
4 Violoncelles
5
2 Altos (duo)
5
Violoncelle
5
Alto, Violoncelle (duo)
4
Trio à cordes: 3 violins
4
Alto seul
4
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
4
Harpe, Violon (duo)
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 altos
3
Contre Basse
3
Violon, Guitare (duo)
2
Harpe, Voix
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle, Contrebasse (duo)
1
4 Contrebasses
1
Ensemble d'Altos
1
Alto, Guitare (duo)
1
Violon, Orgue
1
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1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
70
Orchestre
28
Orchestre à Cordes
27
Ensemble de cuivres
26
Orchestre de chambre
11
Cloches
4
Ensemble Jazz
3
Marimba
2
Fanfare
1
Percussion (partie séparée)
1
2 Marimbas
1
Vibraphone
1
Orchestre, Violon
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AUTRES
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Oot-kwa-tah, Dance of the Seven Sisters
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery.…
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Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75
37.42 €
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Orchestre d'harmonie
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Brett L
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Oot-kwa-tah, Dance of the Seven Sisters
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Sonata Grendel Publishing
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SheetMusicPlus
For He's A Jolly Good Fellow (The Host) Concert Band with Optional Strings Score and Parts PDF
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.750877 Composed by Traditional. A…
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Concert Band - Level 2 - Digital Download SKU: A0.750877 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday,Wedding. Score and parts. 40 pages. BJE Music #4325791. Published by BJE Music (A0.750877). For He’s a Jolly Good Fellow is a song that is sung to congratulate a person on a significant event, such as a promotion, a birthday, a wedding (or playing a major part in a wedding), a wedding anniversary, the birth of a child, or the winning of a championship sporting event.The melody originates from the French song Marlbrough s’en va-t-en guerre (Marlborough Has Left for the War). The traditional children’s song The Bear Went Over the Mountain is sung to the same tune. wikipedia.comThis arrangement is for Full Concert Band with Optional Strings (Not on the score). There is also an arrangement for String Quartet, Brass Quartet and Clarinet QuartetGrade = 2 Duration = 40 secs
$7.50
6.89 €
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Orchestre d'harmonie
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Traditional
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Brendan Elliget MAGA 537
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Duration = 40 secs
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For He's A Jolly Good Fellow
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BJE Music
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SheetMusicPlus
The Home Coming March (1908) - Concert Band Score and Parts PDF
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1…
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
27.55 €
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Orchestre d'harmonie
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.03 €
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Orchestre d'harmonie
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.03 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.03 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
The Cross Kirk and the lang walk
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Gr…
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Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
36.73 €
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Orchestre d'harmonie
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
Laid To Rest
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.912625 Composed by Johnson Lee. C…
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Concert Band - Level 2 - Digital Download SKU: A0.912625 Composed by Johnson Lee. Contemporary. Score and parts. 34 pages. Johnson lee #5301. Published by johnson lee (A0.912625). There are many moments in our lives but none more significant than birth and death. Whilst birth is openly celebrated in our society, death however is treated as dark and sombre.I was moved to compose this piece Laid to Rest as I saw death as a final resting place and the funeral, a celebration of that person’s life as he is sent off on a journey of peace. Hence, this piece takes on a lighter, hopeful yet reflective feel compared to other pieces of heavier, melancholic notes.I was deeply honoured when it was first played / performed at Singapore’s late founding father Senior Minister Lee Kuan Yew’s funeral. I had to control my tears as I was conducting the band and was so grateful for being able to honour him with my composition.During this pandemic, there are many healthcare heroes on the frontline working tirelessly to protect all of us. Some have even sacrificed their lives. I would like to dedicate this to these heroes. May they and their loved ones find comfort in this piece.
$70.00
64.28 €
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Orchestre d'harmonie
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Johnson Lee
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Laid To Rest
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johnson lee
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SheetMusicPlus
Pure Imagination (from Willy Wonka and the Chocolate Factory): Tuba
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016224_TB1 Tuba. Composed by …
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Concert Band - Digital Download SKU: AX.00-PC-0016224_TB1 Tuba. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_TB1). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.
$3.00
2.75 €
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Orchestre d'harmonie
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Anthony Newley and Leslie Bricusse
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Douglas E
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Pure Imagination
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pure Imagination (from Willy Wonka and the Chocolate Factory): E-flat Baritone Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016224_BTX E-flat Baritone Saxoph…
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Concert Band - Digital Download SKU: AX.00-PC-0016224_BTX E-flat Baritone Saxophone. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_BTX). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.
$3.00
2.75 €
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Orchestre d'harmonie
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Anthony Newley and Leslie Bricusse
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Douglas E
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Pure Imagination
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pure Imagination (from Willy Wonka and the Chocolate Factory): Flute
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016224_F1 Flute. Composed by …
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Concert Band - Digital Download SKU: AX.00-PC-0016224_F1 Flute. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_F1). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.
$3.00
2.75 €
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Orchestre d'harmonie
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Anthony Newley and Leslie Bricusse
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Douglas E
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Pure Imagination
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pure Imagination (from Willy Wonka and the Chocolate Factory): Bassoon
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016224_B1 Bassoon. Composed b…
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Concert Band - Digital Download SKU: AX.00-PC-0016224_B1 Bassoon. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_B1). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.
$3.00
2.75 €
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Orchestre d'harmonie
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Anthony Newley and Leslie Bricusse
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Douglas E
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Pure Imagination
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pure Imagination (from Willy Wonka and the Chocolate Factory): Mallets
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016224_M1 Mallets. Composed b…
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Concert Band - Digital Download SKU: AX.00-PC-0016224_M1 Mallets. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_M1). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.
$3.00
2.75 €
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Orchestre d'harmonie
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Anthony Newley and Leslie Bricusse
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Douglas E
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Pure Imagination
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pure Imagination (from Willy Wonka and the Chocolate Factory): 2nd B-flat Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016224_C2 2nd B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0016224_C2 2nd B-flat Clarinet. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_C2). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.
$3.00
2.75 €
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Orchestre d'harmonie
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Anthony Newley and Leslie Bricusse
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Douglas E
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Pure Imagination
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pure Imagination (from Willy Wonka and the Chocolate Factory): Timpani
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016224_TMP Timpani. Composed …
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Concert Band - Digital Download SKU: AX.00-PC-0016224_TMP Timpani. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_TMP). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.
$3.00
2.75 €
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Orchestre d'harmonie
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Anthony Newley and Leslie Bricusse
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Douglas E
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Pure Imagination
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pure Imagination (from Willy Wonka and the Chocolate Factory): Score
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PR-0004518 Score. Composed by Ant…
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Concert Band - Digital Download SKU: AX.00-PR-0004518 Score. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Score. 14 pages. Alfred Music - Digital Sheet Music #00-PR-0004518. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004518). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.
$10.00
9.18 €
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Orchestre d'harmonie
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Anthony Newley and Leslie Bricusse
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Douglas E
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Pure Imagination
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Upper-Hessian Country Dances
Orchestre d'harmonie
Wind band - intermediate - Digital Download SKU: S9.Q20961 Composed by Ottmar Gerst…
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Wind band - intermediate - Digital Download SKU: S9.Q20961 Composed by Ottmar Gerster. Arranged by Norbert Studnitzky. This edition: condensed score. Schott Harmony Series. Downloadable, Conductor reduction. Duration 12 minutes. Schott Music - Digital #Q20961. Published by Schott Music - Digital (S9.Q20961). These four entertaining movements originated in the Thirties. They are an example of popular original compositions of high quality. The work was originally written for small orchestra. Norbert Studnitzky has arranged this series of dances for wind band and at the same time also retained longer chamber music pasages as in the original work.Thus here we have a work for wind band which on the one hand is suitable for developing a musical sense of humour in a playful way and which can also be performed on stage with a group of folk dancers. Ottmar Gerster studied in Frankfurt/main and then taught composition an several colleges of music in Leipzig. his music aims to be accesible to all listeners, even when he uses advanced composition techniques.(2 Flöten, 1 Oboe ad lib., 1 Fagott ad lib., 1 Klarinette in Es ad lib., 3 Klarinetten in B, 2 Alt-Saxophone in Es, 1 Tenor-Saxophon in B, 3 Hörner in F, 3 Trompeten in B, 3 Posaunen, 2 Flügelhörner in B, 3 Tenorhörner in B, 1 Bariton, 2 Tuben, Pauken, Schlagzeug: kleine Trommel, große Trommel, Triangel, Becken).
$33.99
31.21 €
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Orchestre d'harmonie
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Ottmar Gerster
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Norbert Studnitzky
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Upper-Hessian Country Dances
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Schott Music - Digital
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SheetMusicPlus
Upper-Hessian Country Dances
Orchestre d'harmonie
Wind band - intermediate - Digital Download SKU: S9.Q40353 Composed by Ottmar Gerst…
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Wind band - intermediate - Digital Download SKU: S9.Q40353 Composed by Ottmar Gerster. Arranged by Norbert Studnitzky. This edition: set of parts. Schott Harmony Series. Downloadable, Set of parts. Duration 12 minutes. Schott Music - Digital #Q40353. Published by Schott Music - Digital (S9.Q40353). These four entertaining movements originated in the Thirties. They are an example of popular original compositions of high quality. The work was originally written for small orchestra. Norbert Studnitzky has arranged this series of dances for wind band and at the same time also retained longer chamber music pasages as in the original work.Thus here we have a work for wind band which on the one hand is suitable for developing a musical sense of humour in a playful way and which can also be performed on stage with a group of folk dancers. Ottmar Gerster studied in Frankfurt/main and then taught composition an several colleges of music in Leipzig. his music aims to be accesible to all listeners, even when he uses advanced composition techniques.(2 Flöten, 1 Oboe ad lib., 1 Fagott ad lib., 1 Klarinette in Es ad lib., 3 Klarinetten in B, 2 Alt-Saxofone in Es, 1 Tenor-Saxofon in B, 3 Hörner in F, 3 Trompeten in B, 3 Posaunen, 2 Flügelhörner in B, 3 Tenorhörner in B, 1 Bariton, 2 Tuben, Pauken, Schlagzeug: kleine Trommel, große Trommel, Triangel, Becken).
$119.99
110.18 €
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Orchestre d'harmonie
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Ottmar Gerster
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Norbert Studnitzky
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Upper-Hessian Country Dances
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Schott Music - Digital
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SheetMusicPlus
Variations on a Canarian Hymn
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.917393 Composed by Gregory Fritze…
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Concert Band - Level 3 - Digital Download SKU: A0.917393 Composed by Gregory Fritze. Contemporary. Score and parts. 161 pages. Musica Nova USA #4780761. Published by Musica Nova USA (A0.917393). Variations on a Canarian Hymn grade 4, duration 11:00 was commissioned and composed for the Banda Muncipal of Tenerife, Spain, Filipe Neri, conductor. They premiered it on June 25, 2017. The American premiere was March 21, 2019 by the University of Wisconsin River Falls Symphony Band, Kristin Tjornehoj, Conductor.The Canary Islands is a region of Spain. The anthem used in the Canaries for local official occasions is an adaptation of a local folk song called Arrorró (Lullaby) by Teobaldo Power (1848 – 1884). Tenerife is the largest and most populated island of the seven Canary Islands. Tenerife has a special relation to Columbus and the New World as he first stopped in Tenerife on each of his passages before sailing to the New World. There is a plaque in the center of Tenerife city depicting this.Variations on a Canarian Hymnis in the classictheme and variations form, startingwith a presentation of the folk song in its entirety, then following with six variations of the folk song. Each variation displays different colors and moods of the symphonic band. The triumphal ending depicts the strength of the Canarian people. The piece features several instruments, some with extended solos including: flute, oboe, alto saxophone, horn, trumpet, trombone, clarinet, English horn and timpani. There are several cues in the parts to cover certain instruments that may not be available, such as English horn.
$70.00
64.28 €
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Orchestre d'harmonie
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Gregory Fritze
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Variations on a Canarian Hymn
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Musica Nova USA
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SheetMusicPlus
Star Pulse (2010)
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.934214 Composed by Mark Zanter. Contemporar…
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Concert Band - Digital Download SKU: A0.934214 Composed by Mark Zanter. Contemporary. Score and parts. 64 pages. MJIC Music Publishing (ASCAP) #6134673. Published by MJIC Music Publishing (ASCAP) (A0.934214). Star Pulse (2010)Over the past couple of years I’ve written a number of works for double second steel pans, all commissioned by Dr. Rick Kurasz who with several of his colleagues are seeking to expand the concert literature for that instrument. Originally Rick was scheduled to do this premiere at Marshall, but he had to cancel at the last moment. Interpreting this turn of events as an opportunity, I arranged the solo part to Star Pulse for electric guitar as part of an on-going, back-burner, pet-project. At present, the work is arranged for wind symphony and either, double second steel pans, or electric guitar solo.Grade level of the the work is 4+.
$10.00
9.18 €
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Orchestre d'harmonie
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Mark Zanter
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Star Pulse
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MJIC Music Publishing
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SheetMusicPlus
Heroic Elegy
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1308677 Composed by Ernest Farrar…
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Concert Band - Level 2 - Digital Download SKU: A0.1308677 Composed by Ernest Farrar. Arranged by John Ivor Holland. 20th Century,Classical,Patriotic. Score and Parts. 54 pages. John Ivor Holland #897917. Published by John Ivor Holland (A0.1308677). Ernest Farrar (1885-1918) was a talented composer, born in London but raised in Yorkshire, who was deprived of a long and storied career by his untimely death during World War I. He enlisted in 1915 and gained a commission as 2nd Lieutenant in February 1918. At the suggestion of Charles Villiers Stanford and Ralph Vaughan Williams, he composed 'Heroic Elegy' (op. 36) in 1918 while in service, and conducted its first performance on 3 July 1918 while on leave. Farrar was summoned to France just over two months later and was tragically killed by machine gunfire at the Battle of Ephey Ronssoy later than month. The simple dedication at the top of the score reads To Soldiers, making his final composition even more poignant. A sombre, but somehow joyful piece that wouldn't be out of place in any military or civic memorial event.
$49.99
45.9 €
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Orchestre d'harmonie
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Ernest Farrar
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John Ivor Holland
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Heroic Elegy
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John Ivor Holland
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SheetMusicPlus
Revival March
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.733041 Composed by John Philip Sousa. Arran…
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Concert Band - Digital Download SKU: A0.733041 Composed by John Philip Sousa. Arranged by Marc Oliver. Contemporary. Score and parts. 55 pages. Ayotte Custom Musical Engravings #2347503. Published by Ayotte Custom Musical Engravings (A0.733041). The Revival March may not sound familiar to you but dont be alone. John Philip Sousa wrote it in 1876 probably at the tender age of 21 (he was born on Monday 6 November 1854 in Washington D. C.). Even at this point in his life about 4 years prior to his being appointed the 17th Director of the United States Marine Band Sousas writing style was already established. He also had traces of savvy for what the audiences wanted to hear for he used the hymn In the Sweet By and By as the melody for the trio (he did a similar trick later in his life when he used Onward Christian Soldiers written by his good friend Sir Arthur Seymour Sullivan of Gilbert and Sullivan fame as the melody of the trio for his march Power and Glory).
$59.99
55.09 €
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Orchestre d'harmonie
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and
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John Philip Sousa
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Marc Oliver
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Revival March
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Setting the Watch for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1074188 Composed by Graham Boag. …
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Concert Band - Level 3 - Digital Download SKU: A0.1074188 Composed by Graham Boag. Classical,Contemporary,Contest,Festival. Score and parts. 168 pages. Graham Boag #678469. Published by Graham Boag (A0.1074188). I originaly wrote this march for Brass Band. It's called 'Setting the Watch' and is inspierd by the Ripon Hornblower with the tradition going back over a thousand years to Saxon times when Viking raids were common occurrences and people lived in fear of their property, livestock and even lives being lost in night-time attacks. In 886, the English King was Alfred the Great and he made it his mission to visit his people bringing a message of safety and stability. In Ripon he granted the people a Royal Charter and gave them a symbolic horn as a gift, advising them that they should be always alert to the dangers of invaders. The people of Ripon decided to employ a night watchman that they called a “wakemen†to patrol from dusk until dawn ready to sound the horn gifted by the King should he spot any trouble approaching. For further reassurance, the wakeman sounded the horn at each of the four corners of the market place at 9pm every night to let the people know that he was on duty and they could sleep easily. This sounding of the horn at 9pm became known as setting the watch.
$39.99
36.72 €
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Orchestre d'harmonie
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Graham Boag
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Setting the Watch for Concert Band
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Graham Boag
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SheetMusicPlus
The Circus Bee
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.733031 Composed by Henry Fillmore. Arranged…
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Concert Band - Digital Download SKU: A0.733031 Composed by Henry Fillmore. Arranged by Marc Oliver. 20th Century. Score and parts. 74 pages. Ayotte Custom Musical Engravings #2347385. Published by Ayotte Custom Musical Engravings (A0.733031). The Circus Bee is a circus march written by Henry Fillmore of Cincinnati, Ohio in February 1908. Because of its complexity and advanced writing, it is sometimes used as either an opener or an encore piece in band concerts. The Circus Bee was a celebration of sorts for the fact that Henry Fillmore and his father, who managed their publishing business in Cincinnati, finally agreed that the young composer could publish his music at home, even though it did not meet the elder Fillmore's standard of being religious music. It was during this period of conflict between father and son that Henry, showing defiance to his father for not repenting his desire to write marches, reportedly told him, I will huff and I will puff, and I will continue to write marches. This alleged statement by the younger Fillmore gave birth to one of his many composing pseudonyms, Will Huff. The march is named after an imaginary circus newspaper and reflects Fillmore's lifelong interest in circuses and his varied experiences while touring with five different big top shows where he played the trombone. He was also famous for his many trombone marches, such as Bones Trombone, Teddy Trombone and the famous Lassus Trombone, all showcasing the trombone glissando, or smear, caused by moving the trombone slide in and out while playing the instrument (usually loud).
$59.99
55.09 €
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Orchestre d'harmonie
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Henry Fillmore
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Marc Oliver
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The Circus Bee
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Sweet Caroline
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1245214 By Neil Diamond. By Neil …
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Concert Band - Level 2 - Digital Download SKU: A0.1245214 By Neil Diamond. By Neil Diamond. Arranged by John Ivor Holland. 20th Century,Film/TV,Standards. Score and Parts. 29 pages. John Ivor Holland #840124. Published by John Ivor Holland (A0.1245214). This evergreen hit by Neil Diamond will never grow old - having first been released in 1969, the single has topped the charts on many occasions (with millions of digital downloads in the US alone) and continues to be popular at sporting events. In a 2007 interview, Diamond stated the inspiration for his song was John F. Kennedy's daughter, Caroline, who was eleven years old at the time; he performed the song for her at her 50th birthday celebration that year. It is also closely associated in the UK with the England football teams, having resurged in popularity almost 50 years after the original release as part of the Euro 2020 and Euro 2022 tournaments. This version for flexibly scored concert band and choir would be good in any concert to bring a simple swinging cheer to proceedings.
$49.99
45.9 €
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Orchestre d'harmonie
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Neil Diamond
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John Ivor Holland
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Sweet Caroline
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John Ivor Holland
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SheetMusicPlus
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