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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ever So Still
Non classifié
125
Piano & claviers
Piano seul
63
Piano, Voix
25
Piano Facile
11
2 Pianos, 4 mains
4
Piano, Voix et Guitare
4
Instruments en Do
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue
2
1 Piano, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Accordéon
1
+ 6 instrumentations
Retracter
Guitares
Guitare
6
Guitare notes et tablatures
4
Ukulele
1
Mandoline
1
3 Guitares (trio)
1
Basse electrique
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
44
Chorale 3 parties
8
Voix seule
4
Chorale TTBB
3
Chorale 2 parties
3
Voix duo
2
Chorale SSATTB
1
Voix Baryton, Piano
1
Voix Soprano, Piano
1
+ 4 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
11
2 Saxophones (duo)
5
Flûte traversière et Piano
5
Flûte à bec Soprano
5
Quintette de Saxophone: 5 saxophones
4
Clarinette et Piano
4
3 Saxophones (trio)
4
Quatuor de Clarinettes: 4 clarinettes
4
Ocarina
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte à bec Alto
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
Cor anglais, Piano
3
Hautbois, Piano (duo)
2
Flûte à Bec
2
Flûte à bec Alto, Piano
2
2 Clarinettes (duo)
2
Clarinette
2
Clarinette, Basson (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Tenor et Piano
2
Saxophone Alto et Piano
2
Ensemble de Flûtes
2
2 Flûtes traversières (duo)
2
Ensemble De Flûte à bec
1
Saxophone et Orgue
1
Trio de Flûtes: 3 flûtes
1
2 Flûte à bec (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Clarinettes (trio)
1
Quatuor de Flûtes à bec
1
Saxophone Baryton, Piano
1
Harmonica
1
Flûte traversière
1
Saxophone
1
Flûte, Clarinette (duo)
1
Clarinette Basse, Piano
1
2 Clarinettes, Piano
1
3 Flûtes à bec (trio)
1
Flûte et Guitare
1
Cor anglais, Guitare (duo)
1
5 Flûtes à bec
1
Quintette de Flûte : 5 flûtes
1
Saxophone Soprano et Piano
1
Ensemble de saxophones
1
+ 41 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trompette
3
Cor anglais, Piano
3
Ensemble de Cors
1
2 Trombones (duo)
1
Trombone basse et Piano
1
Trombone et Piano
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trompettes
1
Cor
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 cors
1
Cor et Piano
1
Trombone
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Harpe
10
Violon et Piano
7
Violon, Violoncelle (duo)
4
2 Harpes (duo)
4
Violoncelle, Piano
3
2 Violons (duo)
3
Violoncelle
3
Violon, Alto (duo)
3
Violon
2
Trio à Cordes: violon, alto, violoncelle
2
Trio à Cordes: 2 violons, violoncelle
2
Alto, Piano
2
Alto, Guitare (duo)
1
Contrebasse, Piano (duo)
1
4 Violoncelles
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Harpe, Voix
1
Trio à Cordes: 3 violoncelles
1
2 Altos (duo)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
12
Orchestre
5
Ensemble de cuivres
4
Orchestre de chambre
4
Orchestre à Cordes
3
Jazz combo
3
Ensemble de Percussions
2
Fanfare
2
Ensemble d'École
1
Marimba, Piano (duo)
1
Cloches
1
Ensemble Jazz
1
Batterie
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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Vous avez sélectionné:
Ever So Still
Orchestre d'harmonie
Partitions à imprimer
12 partitions trouvées
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1
Stille Trilogie
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Noël
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Various
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Helmut Kogler
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Stille Trilogie
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Pentharmonics
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1284633 Composed by Various. Arranged by Helmut Kogler. 19th Century,Advent,Christian,Christmas,Traditional. 100 pages....
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Concert Band - Level 3 - SKU: A0.1284633 Composed by Various. Arranged by Helmut Kogler. 19th Century,Advent,Christian,Christmas,Traditional. 100 pages. Pentharmonics #875808. Published by Pentharmonics (A0.1284633). Christmas Carols - Grade 3 - Total duration: approx. 8:10 minThe Silent Trilogy is a compilation of three traditional European Advent and Christmas carols arranged for various quintet ensembles (brass-, saxophone- and horn-quintet) and finally also for wind band. The trilogy consists of the songs Alle Jahre wieder, Es wird scho 'glei' dumpa and Stille Nacht. The colorful arrangements represent harmonic variations around the ever-present melody of the original songs.Alle Jahre wieder (Every year again, Audio-Demo from the beginning) is a well-known Christmas carol from the German-speaking area. The melody comes from Friedrich Silcher, the text was written by Wilhelm Hey in 1837.Es wird scho 'glei' dumpa (It will be dark soon, Audio-Demo from 2:15) is an Austrian nativity scene song based on the melody of a traditional Marian song. The text was written by Anton Reidinger in relation to a historical nativity play in Bad Ischl and published around 1884.Stille Nacht (Silent Night, Audio-Demo from 4:55) is one of the most famous Christmas carols. It was performed for the first time on December 24, 1818 with the melody by Franz Xaver Gruber and the text by Joseph Mohr in Salzburg. Since then, the song has been translated into countless languages and sung all over the world.The PDF contains the Score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the arranger: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$89.99
Arcanum
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Helmut Kogler
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Arcanum
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Pentharmonics
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1237524 Composed by Helmut Kogler. 21st Century,Contemporary,Multicultural,New Age,World. 221 pages. Pentharmonics #833...
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Concert Band - Level 3 - SKU: A0.1237524 Composed by Helmut Kogler. 21st Century,Contemporary,Multicultural,New Age,World. 221 pages. Pentharmonics #833039. Published by Pentharmonics (A0.1237524). Arcanum - Grade 3 - Duration 8:00 min....the secret. Every day the knowledge in the world is continuously growing. In all fields of life, new findings are attained by science and research, more and more can be explained, a well-founded understanding of the things around is going to be achieved. However, the mysterious will still persist. Every new perception leads to further questions, new secrets are rising for being explored. Moreover, someone might perceive that in relation to the entire knowledge gained by mankind, the individual is shrinking. Thus, until the end of time the world will stay mysterious - the world seems to be a persistent secret, that wants to be discovered at all times anew.The musical motif of the Question begins with the very first sound of the piece - a dissonance that is harmoniously resolved again. This motif reflects the curiosity that lies dormant in all people. The dissonance creates a tension that can be seen as an impetus for the search for answers. The resolution to a major chord describes the confidence of being able to find an answer to the question. This musical motif runs through the entire work, both in the dreamy bliss of being and in the dramatic passages in which the flood of questions seems to become frightening. In such sections, the dissonance is turning into a minor chord. At the dramatic climax, a tense dominant seventh chord leads to the resolution to major, which finally describes the euphoria after the answer of a very difficult question. After a further phase of relaxation, the gaze wanders over nature in all its glory. Until towards the end of the piece, the awareness finally sets in that every answer found raises a new question and thus the mystery remains forever.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$124.99
Formations for Wind Ensemble
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Kyle Wernke
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Formations for Wind Ensemble
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Kyle Wernke Publishing
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113...
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Concert Band - Level 5 - SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113. Published by Kyle Wernke Publishing (A0.1023994). Formations, is a celebration of the cosmos; a celebration of the tiniest of particles to the largest galaxies and everything in between. Since I was a child I've looked up at the sky and seen a world full of wonder, beauty, and mystery. The same wonder that filled my heart when I was in elementary school still takes hold when I look up now, decades later. I chose the formation of things for a specific reason. When I was a kid I had a habit of asking my parents where everything came from. It wasn't enough that a star was there, I needed to know how it got there and if possible why it was there. As I grew up I developed an immense appetite for almost all things science and history and with that came some of the answers I needed. The reality of how these things came to be was so much more interesting and astounding than my imagination that all these years later I am still captivated by the idea of an exploding star or the Big Bang. So lets take a journey, you and I. First we'll see the death of an immense star and watch as its own gravity rips it apart and forms a black hole. We'll see it feed on matter and light around it until it too finally dies. Next we'll go back 13.7 billion years and watch as tiny particles dance in and out of existence in the endless nothingness that once was. We'll see one of these tiny bits expand in an instant and give rise to everything that ever has been or will be. Watch hydrogen form and gravity pull it into the first stars. Those stars will form galaxies and we'll see glimpses of the Universe as it exists now. Finally, we will travel to the end of time, a trillion years or more into the future. There we will witness the dissipation of the galaxies, the death of stars, and the final moments as even tiny electrons are pulled apart into the nothing from which we all came. Parts of this piece are violent, but we will see that at the end of time, the formation of nothing is just as beautiful as the formation of a star. Everything has its time and everything ends. Premiered by the Hartt Wind Ensemble - Glen Adsit, Conductor.
$150.00
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
America's Favorite Christmas Carols - Wind Instruments
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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America's Favorite Christmas C
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522188 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Christmas,Praise & Worship. Score and parts. 190 p...
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Concert Band - Level 2 - SKU: A0.522188 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Christmas,Praise & Worship. Score and parts. 190 pages. Colin Kirkpatrick Publications #6403623. Published by Colin Kirkpatrick Publications (A0.522188). This essential collection may be all you ever need for your wind instruments at Christmas. It's a bargain price too! These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. The publication consists of a four-staff score in concert pitch together with fifteen separate parts in various transpositions plus a simplified optional keyboard part. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. These four-part arrangements use flexible instrumentation so that you can exercise considerable control over the instrumental voicing or use them for non-standard ensembles. You can also create interesting instrumental tone color by omitting groups of instruments. If the ensemble is large enough you could omit brass instruments in the quieter sections, or use a solo trumpet against a woodwind background. There are endless possibilities.The complete set includes: Part 1 in B flat, E flat and C; Part 2 in B flat, E flat and C; Part 3 in B flat, E flat, F and C and Part 4 in B flat, E flat and C. Parts 1 and 2 in C have been printed an octave higher than the pitch shown in the score because invariably the parts lie too low for flute or oboe. For elementary players, a Part 1 in C (low) is included at concert (score) pitch. Parts 3 and 4 in C are in the bass clef. The arrangements could be played by virtually any combination of conventional wind band instruments. Using the optional keyboard part they could also be used as solos, duets or trios. The scores and all the parts are contained in a single 190-page PDF file. Please note that these arrangements are not necessarily compatible with other Kirkpatrick arrangements published by Glyn Joseph Editions. The collection incuers the following favorite carols: Angels We Have Heard On High (Gloria); Lo, How a Rose E’er blooming (Es ist ein Ros entsprungen); O Come, O Come Emmanuel (Veni Emmanuel); The First Noel; Ding Dong! Merrily on High (Bransle de l’Officiel); O Come All Ye Faithful (Adeste Fidelis); Hark! The Herald Angels Sing (Mendelssohn); Go Tell It on the Mountain; O Little Town of Bethlehem (St. Louis); O Holy Night (Cantique de Noël); Silent Night (Stille Nacht); Away in a Manger (Mueller); Joy to the World (Antioch); O Christmas Tree (Tannenbaum); We Three Kings (Kings of Orient); I Heard the Bells on Christmas Day (Waltham); What Child is This? (Greensleeves); God Rest You Merry, Gentlemen; Good King Wenceslas (Tempus Adest Floridum) and We Wish You a Merry Christmas.
$19.99
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - ...
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Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Mu...
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Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
Jolt - (Multi-level!)
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Orchestre d'harmonie
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Contemporain
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William Brenner
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Jolt -
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William Brenner
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SheetMusicPlus
Concert Band - SKU: A0.1008277 Composed by William Brenner. Contemporary. Score and parts. 50 pages. William Brenner #6090789. Published by William Bren...
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Concert Band - SKU: A0.1008277 Composed by William Brenner. Contemporary. Score and parts. 50 pages. William Brenner #6090789. Published by William Brenner (A0.1008277). Jolt by William Brenner - Grade 1/2.5/4 (see below) For concert band __________________________________________________ We've been through strange times. We've been through many good and bad emotions. We have been recieving news, some good, some upsetting. Some days we are so happy, we want to jump everywhere and on others we want to bawl our eyes out. And that's how it is. Jolt plays through all of these emotions, the good and bad ones. It represent how sometimes, we are so happy about something, but it doesnt work out. It represents how sometimes, we hope for something that will never occur. It represents how sometimes in life, there are things that upset us. But in the end, we are stronger than those bad feelings. We are stronger than sadness, than the madness we sometimes feel dealing with those challenges. Sometimes we feel thrown around. At the end of the day, it will always get better. It will always work out. __________________________________________________ *As you may have noticed, this piece is graded with three different levels. Most instruments have two levels: beginner and advanced (grade 1 and 4), but some of the most common instruments in a concert band (flute, clarinet, alto saxophone, trumpet and percussion) have an extra intermediate level (grade 2.5). This piece has been written for bands or classes that have student of different levels, but still want to play together. I hope that this project will be useful and will help keep students motivated to play music even though the situation is unusual. Best regards, The composer, William Brenner.
$19.99
Who Will Buy?
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Lionel Bart
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Gymzoo
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Who Will Buy?
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Gymzoo
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1412323 Composed by Lionel Bart. Arranged by Gymzoo. 20th Century,Broadway,Film/TV,Musical/Show. 34 pages. Gymzoo #9944...
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Concert Band - Level 3 - SKU: A0.1412323 Composed by Lionel Bart. Arranged by Gymzoo. 20th Century,Broadway,Film/TV,Musical/Show. 34 pages. Gymzoo #994494. Published by Gymzoo (A0.1412323). Lionel Barts musical based on Oliver Twist first premiered in 1960 and still tours in various guises today. The 1968 film has now achieved cult status, however, in our concert band arrangements we are always left asking 'where is that great song Who Will Buy?' so here it is...Enjoy this fresh new concert band arrangement of this allusive numer.
$49.99
STRIDE LA VAMPA! from II Act of “Il Trovatore” for Contralto or Mezzosoprano Voice or Bb Cornet
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Orchestre d'harmonie
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FACILE
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Opera
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Classique
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Giuseppe Verdi
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Francesco Buono
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STRIDE LA VAMPA! from II Act o
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Francesco Buono
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1098365 Composed by Giuseppe Verdi. Arranged by Francesco Buono. Classical,Opera. Score and Parts. 121 pages. Francesco...
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Concert Band - Level 2 - SKU: A0.1098365 Composed by Giuseppe Verdi. Arranged by Francesco Buono. Classical,Opera. Score and Parts. 121 pages. Francesco Buono #702227. Published by Francesco Buono (A0.1098365). STRIDE LA VAMPA! from II Act of “Il Trovatore†for Contralto or Mezzosoprano Voice or Bb Cornet Il Trovatore is the second opera in Giuseppe Verdi's popular trilogy created between Rigoletto and La Traviata. Il Trovatore is a drama in four acts and eight pictures, set in Spain at the beginning of the 15th century, which tells, with a beautiful expressive song, flaming passions such as love, jealousy, revenge, hatred and lust. Manrico and the Count of Luna, in love with the same woman, face each other until death as enemies, without knowing that they are brothers. Belonging to two different social classes, they only share Leonora's love which doubles the existing hatred of social conflict. STRIDE LA VAMPA! At the foot of a mountain, in a camp, some gypsies dedicated to their activities cheer their work with songs, dances and toasts (gypsy chorus: See the gloomy nocturnal remains). A pained voice bursts into the general cheerfulness: having woken up from her recurring nightmare, Azucena, mother of Manrico, tells that many years before her she saw her mother die at the stake accused of witchcraft by the old Count di Luna (Stride la vampa) . Her mother's last words had been a plea for revenge, so she had kidnapped the Count's son still in diapers and, blinded by her desperation, decided to throw him into the fire; however, horrified by the vision of her dead mother, she had confused her own son with the child she had kidnapped and had thrown him into her stake in her place.
$15.00
BAMBOLA (rumba)
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Orchestre d'harmonie
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DÉBUTANT
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Latin/Musique du monde
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Vincent Vitale
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BAMBOLA
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Vincent Vitale
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.835516 Composed by Vincent Vitale. Latin. Score and parts. 23 pages. Vincent Vitale #31567. Published by Vincent Vitale...
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Concert Band - Level 1 - SKU: A0.835516 Composed by Vincent Vitale. Latin. Score and parts. 23 pages. Vincent Vitale #31567. Published by Vincent Vitale (A0.835516). Here is a tune that is easy to put together in a short amount of time and will keep your percussion people busy. This rumba is always a favorite at every concert. All instruments are in their comfort range and parts are doubled so if you lack instrumentation those parts will still be covered. Comes complete with full score and parts for flute, oboe, B flat clarinet, bass clarinet, alto sax, tenor sax (baritone T.C.), f horn, trumpet, trombone, tuba, bells, percussion 1 and 2. Your young band and audience will love this one with it's Latin rhythm. Watch those toes tap.
$16.00
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