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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For All That Is
Non classifié
8 523
Piano & claviers
Piano seul
3 307
Piano, Voix
1 239
Piano Facile
878
Piano, Voix et Guitare
746
Instruments en Do
704
Accompagnement Piano
308
Orgue
279
1 Piano, 4 mains
101
Piano Trio: piano, violon, violoncelle
82
Piano grosses notes
62
2 Pianos, 4 mains
48
Piano (partie séparée)
37
Accordéon
35
Piano Quatuor: piano, violon, alto, violoncelle
29
Piano Quatuor: piano, 2 violons, violoncelle
16
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue, Trompette (duo)
9
Orgue, Piano (duo)
8
Clavecin
7
2 Pianos, 8 mains
4
Clavier
2
1 Piano, 6 mains
2
+ 17 instrumentations
Retracter
Guitares
Guitare
367
Guitare notes et tablatures
282
Ligne De Mélodie, (Paroles) et Accords
124
Guitare (partie séparée)
76
Basse electrique
58
Ukulele
56
2 Guitares (duo)
49
4 Guitares (Quatuor)
29
Piano, Guitare (duo)
26
Dulcimer
23
Banjo
20
Mandoline
19
3 Guitares (trio)
16
Ensemble de guitares
10
Paroles et Accords
9
Mandoline, Guitare (duo)
6
Guitare, Flûte, Clarinette
2
Ukulele Baryton
1
Guitare, Orchestre
1
Dobro
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de Ukulélés
1
2 Dulcimers (duo)
1
Cithare
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
1 994
Chorale 3 parties
772
Chorale Unison
629
Chorale 2 parties
623
Chorale TTBB
266
Voix duo, Piano
232
Chorale SSAA
194
Voix Alto, Piano
75
Voix duo
71
Voix Soprano, Piano
60
Voix Tenor, Piano
56
Voix Baryton, Piano
34
Voix Tenor
30
Voix Soprano
29
Voix haute
25
Voix seule
12
Voix moyenne, Piano
9
Chorale SSATB
5
Chorale SSAATTBB
5
Voix basse, Piano
3
Soli, choeur mixte et accompagnement
2
Voix Mezzo-Soprano, Piano
2
Chorale
2
Chorale SSAB a cappella
1
Voix basse
1
Chorale SSAB, Piano
1
Chorale SSATTB
1
+ 22 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
549
2 Saxophones (duo)
543
Quatuor de Saxophones: 4 saxophones
499
Flûte traversière et Piano
488
Clarinette et Piano
411
Hautbois, Piano (duo)
388
Flûte, Hautbois, Clarinette, Basson
340
Quintette de Saxophone: 5 saxophones
338
Saxophone Alto et Piano
319
2 Flûtes traversières (duo)
293
Saxophone (partie séparée)
288
Flûte traversière
273
Saxophone Tenor et Piano
264
2 Clarinettes (duo)
254
Clarinette
248
Saxophone Soprano et Piano
220
Quatuor de Clarinettes: 4 clarinettes
212
Saxophone Alto
188
Ensemble de saxophones
158
Hautbois (partie séparée)
141
Flûte, Clarinette (duo)
138
Clarinette, Violon (duo)
135
Quatuor de Flûtes : 4 flûtes
134
Saxophone, Clarinette (duo)
124
3 Saxophones (trio)
121
Saxophone Tenor
116
Saxophone Baryton, Piano
115
2 Hautbois (duo)
112
Ensemble de Clarinettes
108
Ensemble de Flûtes
90
Hautbois, Basson (duo)
81
2 Flûte à bec (duo)
75
Quintette de Clarinettes: 5 clarinettes
74
Quintette de Flûte : 5 flûtes
73
Clarinette, Trompette (duo)
69
Flûte, Violon
68
Hautbois, Clarinette (duo)
66
Hautbois
65
Clarinette et Alto
62
Cor anglais, Piano
60
3 Clarinettes (trio)
53
Flûte, Saxophone (duo)
51
Clarinette Basse, Piano
49
Flûte, Alto (duo)
49
2 Flûtes traversières, Piano
45
Saxophone Soprano
44
Hautbois, Flûte
44
Trio de Flûtes: 3 flûtes
44
Quatuor de Flûtes à bec
41
Flûte, Trompette (duo)
39
Flute (partie séparée)
37
Flûte et Guitare
35
Flûte, Hautbois, Clarinette (trio)
32
Flûte, Clarinette, Piano (trio)
31
Flûte, Violon et Violoncelle
30
Hautbois, Clarinette, Basson (trio d'anches)
28
Saxophone Baryton
28
Clarinette (partie séparée)
28
Flûte à bec Soprano
27
Clarinette, Basson (duo)
27
Flûte, Hautbois (duo)
24
Flûte, Violoncelle
22
Clarinette, Violoncelle, Piano (trio)
22
Flûte, Clarinette et Basson
22
Flûte, trombone et piano
22
Flûte à Bec
21
Flûte, Violon, Piano
20
5 Flûtes à bec
20
Clarinette, Violoncelle (duo)
19
Flûte, Violoncelle, Piano (trio)
18
Clarinette, Guitare (duo)
17
3 Flûtes à bec (trio)
16
Harmonica
16
Flûte, Basson et Piano
16
Hautbois, violon (duo)
15
Clarinette, Trombone (duo)
15
Flûte, Alto et Piano
15
2 Clarinettes, Piano
14
Flûte, Trombone (duo)
14
Hautbois, Violoncelle
14
Flûte irlandaise
13
Flûte, Hautbois, Piano (trio)
13
Ocarina
12
Flûte, Hautbois, Basson
11
Piccolo, Piano
9
Clarinette, trompette et piano
9
Flûte à bec Alto
8
Hautbois, Guitare (duo)
8
Flûte à bec Alto, Piano
8
Flûte, Violon, Violoncelle et Piano
7
Clarinette Basse
7
Ensemble De Flûte à bec
7
Flute, harpe et violon
5
Saxophone et Orgue
5
Flûte, Violoncelle, Guitare
5
Clarinette, Harpe (duo)
5
Cor Anglais
4
Saxophone
4
Hautbois et alto (duo)
4
Flûte à bec Soprano, Piano
4
Flûte et Trio à cordes
4
4 Hautbois
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Saxophone et Guitare
3
2 Saxophones, Piano
3
Hautbois, Violon, Piano
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Piccolo
3
Ensemble à vent
3
Flûte, Violon, Guitare
2
Flûte à bec Tenor
2
Flûte à Bec, Piano
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte traversière, Orgue (duo)
2
Flûte, Harpe et Violoncelle
2
2 Hautbois, Piano
2
Cor anglais, Guitare (duo)
2
3 Hautbois
2
Flûte, alto et harpe
2
Cor anglais et Harpe (duo)
1
Saxophone et Harpe
1
Flûte, Clarinette, Violon (trio)
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Violon
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Basson et Piano
1
Flute, Cor (duo)
1
Clarinette, Contrebasse (duo)
1
Saxophone, Tuba (duo)
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Harpe
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble de Hautbois
1
Cornemuse
1
Clarinette, Tuba
1
+ 131 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
561
Quatuor de Cuivres : 2 trompettes, trombone, tuba
390
Trombone et Piano
326
Trompette, Piano
316
Trompette
287
Cor et Piano
274
Trombone (partie séparée)
207
Trombone
183
Cor
173
Quatuor de Cuivres: 2 trompettes, Cor, trombone
172
Trompette (partie séparée)
167
2 Trombones (duo)
164
Tuba et Piano
142
Tuba
135
2 Trompettes (duo)
134
Trompette, Trombone (duo)
93
Ensemble de Trombones
91
Trompette, Saxophone (duo)
90
Quatuor de cuivres: 4 trombones
83
Ensemble de Trompettes
83
Quatuor de Cuivres
81
Euphonium, Piano (duo)
72
2 Cors (duo)
66
Cor anglais, Piano
60
Trompette, Cor (duo)
36
Cor (partie séparée)
33
Tuba (partie séparée)
29
2 Tubas (duo)
27
Quatuor de cuivres: 4 cors
24
2 Euphoniums (duo)
24
Quatuor de cuivres: 4 trompettes
21
Ensemble de Cors
21
Trio de Cuivres
19
Quatuor de cuivres: 2 trompettes, 2 trombones
12
3 Trombones (trio)
11
Euphonium
11
Trompette, Violoncelle et Piano
8
4 Tubas
7
2 Euphoniums et 2 Tubas
6
Tuba et Orgue
6
Trombone, Orgue
6
Trombone, Tuba (duo)
5
Trombone basse
5
3 Trompettes (trio)
5
Cor, Violoncelle (duo)
5
Trombone basse et Piano
4
Cor Anglais
4
Euphonium, Tuba (duo)
4
3 Cors (trio)
3
2 Cors, Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
3 Tubas (trio)
2
Trompette, Violoncelle (duo)
2
Trombone, Cor (duo)
2
Cor, Tuba (duo)
2
2 Cors Anglais Et Pianoforte
2
Trompette, Tuba (duo)
2
Cor anglais, Guitare (duo)
2
Trompette, Trombone, Piano
2
Cor anglais et Harpe (duo)
1
Trompette, Euphonium (duo)
1
Cor, Violoncelle et Piano
1
Trombone, Alto (duo)
1
3 Euphoniums
1
Cor et Basson (duo)
1
Cor et Orgue
1
Trompette, Basson (duo)
1
Cornet et orchestre
1
Trompette et Guitare
1
Trompette, violon (duo)
1
Cor et Harpe
1
Ensemble de Tubas
1
Bass Clef Instruments
1
Trompette, Harpe
1
Clarinette, Cor (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
+ 71 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 391
Violon et Piano
558
Violon
544
Violon, Violoncelle (duo)
503
Alto, Piano
409
Trio à Cordes: violon, alto, violoncelle
388
Violoncelle, Piano
375
Violoncelle
327
Harpe
232
Quintette à cordes: 2 violons, alto, violoncelle, basse
226
2 Violons (duo)
213
Alto seul
201
Violon, Alto (duo)
172
2 Violoncelles (duo)
170
2 Altos (duo)
126
Contre Basse
120
Trio à Cordes: 2 violons, violoncelle
119
Contrebasse, Piano (duo)
118
Alto (partie séparée)
71
2 Harpes (duo)
68
Contrebasse (partie séparée)
64
Violon (partie séparée)
58
Alto, Violoncelle (duo)
42
4 Violoncelles
38
Piano Trio: Violon, Alto, Piano
32
Ensemble de Violons
27
Trio à cordes: 3 violins
27
Violoncelle, Contrebasse (duo)
24
Ensemble d'Altos
22
Trio à Cordes: 3 violoncelles
22
Violon, Basson (duo)
21
Quatuor à cordes: 4 violons
19
2 Contrebasses (duo)
16
Quintette à cordes: 2 violons, 2 altos, violoncelle
15
Violoncelle (partie séparée)
15
Harpe, Flûte (duo)
15
Trio à cordes: 3 altos
13
Quatuor à cordes : 4 altos
11
Violon, Clarinette, Piano (trio)
11
Harpe, Voix
9
Violon, Guitare (duo)
9
Violoncelle , Guitare (duo)
7
Alto et Basson
7
Flûte, Contrebasse (duo)
6
Harpe, Violon (duo)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Trio à Cordes: 2 violons, alto
5
Alto, Guitare (duo)
4
4 Contrebasses
4
2 Violons, Piano
3
Harpe, Violon, Violoncelle
3
4 Harpes
3
2 Violoncelles, Piano
2
3 Harpes
2
Violon, Trompette et Piano
2
Harpe et Piano
2
5 Harpes
2
Ensemble de Violoncelles
2
Alto et Harpe
2
Harpe, Trombone (duo)
1
Violoncelle, Orgue
1
Harpe et Orgue
1
Violoncelle, Basse continue
1
Violoncelle, Orchestre
1
Alto et orchestre
1
Violon, Violoncelle, Clarinette
1
Violon, Orgue
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 130
Orchestre à Cordes
714
Orchestre
502
Ensemble Jazz
400
Ensemble de cuivres
266
Cloches
217
Orchestre de chambre
177
Fanfare
104
Ensemble de Percussions
90
Jazz combo
76
Batterie
59
Batterie (partie séparée)
41
Percussion (partie séparée)
24
Marimba
18
Vibraphone
13
Xylophone, Piano
6
2 Xylophones
6
Ensemble d'École
5
Piano et Orchestre
2
Xylophone
2
Quintette de Cuivres: autres combinaisons
2
Orchestre, Violon
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba et Orgue
1
Instrumentation Flexible
1
Bongos
1
Vibraphone et Marimba
1
+ 22 instrumentations
Retracter
Autres
Théorie de la musique
3
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
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BASSON
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CHANT - CHO…
CHARANGO
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
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DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
For All That Is
Orchestre d'harmonie
Partitions à imprimer
2 130 partitions trouvées
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2126
Elegy Sentimentale for Concert Band
#
Orchestre d'harmonie
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Keith Terrett
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Elegy Sentimentale for Concert
#
Keith Terrett
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SheetMusicPlus
Concert Band - SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749).
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Concert Band - SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749). Here at last is my ’’Elegy sentimentale’’ for Concert Band, and an original composition.I hope it makes an excellent piece for amateur and professional bands alike; with some challenging and interesting woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Orchestre d'harmonie
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
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Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Symbology for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Symbology for Concert Band
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Publ...
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Concert Band - Level 4 - SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Published by Sy Brandon (A0.755270). This composition is inspired by the symbology present in the suits of a deck of cards. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money’s sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A dissonant chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between forces. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again. The score prints on legal size paper and the parts on letter.
$39.99
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Orchestre d'harmonie
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FACILE
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Gregory Fritze
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Sinfonietta - A Symphony in Th
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pa...
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Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Te...
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Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
Formations for Wind Ensemble
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Kyle Wernke
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Formations for Wind Ensemble
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Kyle Wernke Publishing
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113...
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Concert Band - Level 5 - SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113. Published by Kyle Wernke Publishing (A0.1023994). Formations, is a celebration of the cosmos; a celebration of the tiniest of particles to the largest galaxies and everything in between. Since I was a child I've looked up at the sky and seen a world full of wonder, beauty, and mystery. The same wonder that filled my heart when I was in elementary school still takes hold when I look up now, decades later. I chose the formation of things for a specific reason. When I was a kid I had a habit of asking my parents where everything came from. It wasn't enough that a star was there, I needed to know how it got there and if possible why it was there. As I grew up I developed an immense appetite for almost all things science and history and with that came some of the answers I needed. The reality of how these things came to be was so much more interesting and astounding than my imagination that all these years later I am still captivated by the idea of an exploding star or the Big Bang. So lets take a journey, you and I. First we'll see the death of an immense star and watch as its own gravity rips it apart and forms a black hole. We'll see it feed on matter and light around it until it too finally dies. Next we'll go back 13.7 billion years and watch as tiny particles dance in and out of existence in the endless nothingness that once was. We'll see one of these tiny bits expand in an instant and give rise to everything that ever has been or will be. Watch hydrogen form and gravity pull it into the first stars. Those stars will form galaxies and we'll see glimpses of the Universe as it exists now. Finally, we will travel to the end of time, a trillion years or more into the future. There we will witness the dissipation of the galaxies, the death of stars, and the final moments as even tiny electrons are pulled apart into the nothing from which we all came. Parts of this piece are violent, but we will see that at the end of time, the formation of nothing is just as beautiful as the formation of a star. Everything has its time and everything ends. Premiered by the Hartt Wind Ensemble - Glen Adsit, Conductor.
$150.00
Issue 10, Series 3 - The Sage from Strange Myths and Wondrous Images - A Comic Book Chronicle for Co
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 10, Series 3 - The Sage
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886128 Composed by Jason McChristian. Contemporary. Score and parts. 61 pages. Jason Gary McChristian #553001. Publishe...
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Concert Band - Level 4 - SKU: A0.886128 Composed by Jason McChristian. Contemporary. Score and parts. 61 pages. Jason Gary McChristian #553001. Published by Jason Gary McChristian (A0.886128). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The Sage - ...A CALL FOR AID ECHOES ACROSS TIME AND SPACE. KNOWING THE STAKES, THE WISE-ONE PREPARES TO TAKE HER PLACE IN THE CHAOS.
$40.00
IronHeart: Mallets
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Orchestre d'harmonie
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Methodes
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Randall D
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Festival.
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IronHeart: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016417_M1 Mallets. Composed by Randall D. Standridge. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Mu...
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Concert Band - SKU: AX.00-PC-0016417_M1 Mallets. Composed by Randall D. Standridge. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016417_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016417_M1). UPC: 038081480305.This work for concert band is inspired by the inner strength that all artists must call on to devote themselves to their craft. The work uses the sounds of a beating heart combined with metallic accents in the mallet percussion, brake drum, and China crash to create a uniquely industrial sound. The melody races through life's obstacles (represented in an altered scale) before climaxing in a beautiful, triumphant fanfare. (2:25) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Issue 6, Series 2 - Trickster from Strange Myths and Wondrous Images - A Comic Book Chronicle for Co
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 6, Series 2 - Trickster
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886122 Composed by Jason McChristian. Contemporary. Score and parts. 137 pages. Jason Gary McChristian #552441. Publish...
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Concert Band - Level 4 - SKU: A0.886122 Composed by Jason McChristian. Contemporary. Score and parts. 137 pages. Jason Gary McChristian #552441. Published by Jason Gary McChristian (A0.886122). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Trickster - ...A NEW TERROR IS ABOUT. TREACHERY AND SEDUCTION ARE ITS SPORT....
$40.00
Issue 5, Series 2 - Promises from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 5, Series 2 - Promises f
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886123 Composed by Jason McChristian. Contemporary. Score and parts. 55 pages. Jason Gary McChristian #552421. Publishe...
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Concert Band - Level 4 - SKU: A0.886123 Composed by Jason McChristian. Contemporary. Score and parts. 55 pages. Jason Gary McChristian #552421. Published by Jason Gary McChristian (A0.886123). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Promises - ...STRENGTH IS SUMMONED AND PROMISES ARE MADE....
$40.00
Issue 3, Series 1 - Henchmen from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 3, Series 1 - Henchmen f
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886120 Composed by Jason McChristian. Contemporary. Score and parts. 124 pages. Jason Gary McChristian #550943. Publish...
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Concert Band - Level 4 - SKU: A0.886120 Composed by Jason McChristian. Contemporary. Score and parts. 124 pages. Jason Gary McChristian #550943. Published by Jason Gary McChristian (A0.886120). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Henchmen - ...FOUR BRUTES WREAK HAVOC ON THE INNOCENT. THEY CONJURE TERROR AS THEY MOVE THROUGH THE STREETS WITH OMIINOUS GLEE....
$40.00
Prologue from Strange Myths and Wondrous Images - A Comic Book Chronicle for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Prologue from Strange Myths an
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886116 Composed by Jason McChristian. Contemporary. Score and parts. 48 pages. Jason Gary McChristian #550927. Publishe...
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Concert Band - Level 4 - SKU: A0.886116 Composed by Jason McChristian. Contemporary. Score and parts. 48 pages. Jason Gary McChristian #550927. Published by Jason Gary McChristian (A0.886116). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Prologue - TURNING ITS GAZE EARTHWARDS, A GREAT ENTITY WATCHES FROM THE FARTHEST REACHES OF TIME AND SPACE....
$40.00
Issue 9, Series 3 - Dark God from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 9, Series 3 - Dark God f
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886126 Composed by Jason McChristian. Contemporary. Score and parts. 47 pages. Jason Gary McChristian #552999. Publishe...
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Concert Band - Level 4 - SKU: A0.886126 Composed by Jason McChristian. Contemporary. Score and parts. 47 pages. Jason Gary McChristian #552999. Published by Jason Gary McChristian (A0.886126). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Dark God - ...THE WORST DREAD APPROACHES THE CITY....
$40.00
Issue 1, Series 1 - The City from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 1, Series 1 - The City f
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886118 Composed by Jason McChristian. Contemporary. Score and parts. 108 pages. Jason Gary McChristian #550933. Publish...
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Concert Band - Level 4 - SKU: A0.886118 Composed by Jason McChristian. Contemporary. Score and parts. 108 pages. Jason Gary McChristian #550933. Published by Jason Gary McChristian (A0.886118). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The City - ...AMONG THE DENSE CITYSCAPE, AN UNFAMILIAR PRESENCE WEAVES THROUGH THE CROWD AND THE NOISE....
$40.00
FOREST PINES OVERTURE/CB - SET4D: Mallets
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Orchestre d'harmonie
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Methodes
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John O'Reilly
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FOREST PINES OVERTURE/CB - SET
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014322_M1 Mallets. Composed by John O'Reilly. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-...
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Concert Band - SKU: AX.00-PC-0014322_M1 Mallets. Composed by John O'Reilly. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014322_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014322_M1). UPC: 038081041643.This bright overture opens with brassy syncopated chords that foreshadow rhythmically interesting themes. An alto saxophone solo presents the folk-like melody of the slow middle section. A variety of colorful instrumental combinations further develop this theme. The dynamic Allegro section is partially restated before the dramatic conclusion. (Grade 4).
$3.00
It Is Well With My Soul
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Phillip P
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Dana Usealman
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It Is Well With My Soul
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Dana Usealman
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.897950 Composed by Phillip P. Bliss. Arranged by Dana Usealman. Christian,Praise & Worship,Spiritual. Score and parts. ...
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Concert Band - Level 2 - SKU: A0.897950 Composed by Phillip P. Bliss. Arranged by Dana Usealman. Christian,Praise & Worship,Spiritual. Score and parts. 20 pages. Dana Usealman #3861451. Published by Dana Usealman (A0.897950). It Well With My Soul for small Concert Band. Includes score and parts: Flute, Clarinet, Alto Sax 1, Alto Sax 2, Bb Trumpet, Trombone (or Baritone), Mallets, Bass Drum, and Cymbals. When I arranged this, I only had early elementary clarinet players so that part is entirely written below the break. It can be taken up an octave for more advanced players. There is a flute solo for your best flute player, it could also be omitted if necessary. The mallet part could also be omitted in a pinch. It Is Well With My Soul is a hymn penned by hymnist Horatio Spafford and composed by Philip Bliss. First published in Gospel Songs No. 2 by Ira Sankey and Bliss (1876), it is possibly the most influential and enduring in the Bliss repertoire and is often taken as a choral model, appearing in hymnals of a wide variety of Christian fellowships. Horatio Spafford's original lyrics are included below. I had verses 1, 2, 3, and 6 in mind for this arrangement: When peace like a river, attendeth my way,When sorrows like sea billows roll;Whatever my lot, Thou hast taught me to knowIt is well, it is well, with my soul.RefrainIt is well, (it is well),With my soul, (with my soul)It is well, it is well, with my soul.Though Satan should buffet, though trials should come,Let this blest assurance control,That Christ has regarded my helpless estate,And hath shed His own blood for my soul.My sin, oh, the bliss of this glorious thought!My sin, not in part but the whole,Is nailed to the cross, and I bear it no more,Praise the Lord, praise the Lord, O my soul!For me, be it Christ, be it Christ hence to live:If Jordan above me shall roll,No pang shall be mine, for in death as in life,Thou wilt whisper Thy peace to my soul.But Lord, 'tis for Thee, for Thy coming we wait,The sky, not the grave, is our goal;Oh, trump of the angel! Oh, voice of the Lord!Blessed hope, blessed rest of my soul.And Lord, haste the day when the faith shall be sight,The clouds be rolled back as a scroll;The trump shall resound, and the Lord shall descend,A song in the night, oh my soul!
$14.99
Kalla
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Orchestre d'harmonie
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Contemporain
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Jazz
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Allan Gilliland
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Kalla
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Allan Nimmo Gilliland
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SheetMusicPlus
Concert Band - SKU: A0.987813 Composed by Allan Gilliland. Contemporary,Jazz. Score and parts. 117 pages. Allan Nimmo Gilliland #42353. Published by All...
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Concert Band - SKU: A0.987813 Composed by Allan Gilliland. Contemporary,Jazz. Score and parts. 117 pages. Allan Nimmo Gilliland #42353. Published by Allan Nimmo Gilliland (A0.987813). The word Kalla is Norwegian for call, a theme that appears both in the inspiration for this piece and the structure of the work itself. Commissioned by the 2009 National Youth Band of Canada and funded through a grant from MacEwan University’s Centre for the Arts Research and Scholarly Activity Fund, the work was premiered May 13, 2009 by the National Youth Band of Canada under the direction of Dr. Shelley Jagow, featuring Dean McNeill as the soloist. For me Kalla is a crossover piece stylistically for the soloist. It draws upon both classical and jazz inspired techniques including traditional cadenzas with virtuosic runs and triple tonguing and contrasting sections featuring jazz plunger techniques, a unique sound not often heard in band music. The trumpet culture at turn of the century (late 19th century-early 20th century) in New Orleans was the inspiration for Kalla. Trumpet players would go down to the river and play a note to see how long it took the echo to come back. Soon, another trumpet would answer, higher and louder, and the game of one-upsmanship would begin. Trumpet calls and answers from across the city would sound. Kalla is based on this concept of call and response with the opening trumpet call coming physically from three different places in the concert hall. As the piece develops call and response continues between the soloist and ensemble.
$100.00
The Fog Meets the Storm for small wind band and percussion
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James M Johnson
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The Fog Meets the Storm for sm
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Myles Music James Johnson
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Publis...
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Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
IronHeart: 2nd Mallet Percussion
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Orchestre d'harmonie
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Methodes
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Randall D
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Festival.
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IronHeart: 2nd Mallet Percussi
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016417_M2 2nd Mallet Percussion. Composed by Randall D. Standridge. Instructional. Part. 2 pages. Alfred Music - Di...
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Concert Band - SKU: AX.00-PC-0016417_M2 2nd Mallet Percussion. Composed by Randall D. Standridge. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016417_M2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016417_M2). UPC: 038081480305.This work for concert band is inspired by the inner strength that all artists must call on to devote themselves to their craft. The work uses the sounds of a beating heart combined with metallic accents in the mallet percussion, brake drum, and China crash to create a uniquely industrial sound. The melody races through life's obstacles (represented in an altered scale) before climaxing in a beautiful, triumphant fanfare. (2:25) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
Hymn for Those Who Serve: Mallets
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Orchestre d'harmonie
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Douglas E
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Hymn for Those Who Serve: Mall
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016726_M1 Mallets. Composed by Douglas E. Wagner. Hymn; Patriotic. Part. 1 pages. Alfred Music - Digital Sheet Musi...
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Concert Band - SKU: AX.00-PC-0016726_M1 Mallets. Composed by Douglas E. Wagner. Hymn; Patriotic. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016726_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016726_M1). UPC: 038081504292.Our deepest gratitude and utmost respect goes forever to the selfless men and women who leave their families, their friends, and all that they enjoy, to go where they are called, defending the freedoms each of us hold dear. This cherished work is a hymn of protection that comes from the sincerest depths of our hearts. A heartfelt setting that will reinforce musicianship in your beginning band. (2:30)Concert/Contest.
$3.00
Your Favorite Thanksgiving and Harvest Hymns for Wind Instruments
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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Your Favorite Thanksgiving and
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522168 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Holiday,Praise & Worship,Sacred. Score and parts. ...
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Concert Band - Level 2 - SKU: A0.522168 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Holiday,Praise & Worship,Sacred. Score and parts. 185 pages. Colin Kirkpatrick Publications #4727417. Published by Colin Kirkpatrick Publications (A0.522168). This new collection of Thanksgiving and Harvest hymns contains all your favorites, or at least, most of them. It’s probably all you’ll ever need for thanksgiving and harvest festivals and the arrangements can be used for virtually any combination of wind instruments. This is an essential title for any band library or for any ensembles that are called upon to provide music for schools or churches. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. The score and all the parts are contained in a single PDF file. The following 25 hymns are included: All Creatures of our God and King (Lasst uns Erfreuen); As the Sun doth Daily Rise (Innocents); All Things Bright and Beautiful (Bright and Beautiful); Bringing in the Sheaves (George Minor); Come Ye Thankful People Come (St George’s Windsor); Fair Waved the Golden Corn (Holyrood); Fill your hearts with Joy and Gladness (Ode to Joy); For the Beauty of the Earth (Dix); For the Fruits of His Creation (Ar Hyd y Nos); Glorious Things of Thee are Spoken (Austrian Hymn); Immortal, Invisible (St Denio); Let all Things now Living (Ash Grove); Let us with a Gladsome Mind (Monkland); Now Thank we all Our God (Nun danket); Praise and Thanksgiving (Bunessan); Praise God for the Harvest (Stowey); Praise my Soul the King of Heaven (Lauda anima); Praise to the Lord the Almighty (Lob den herren); Rejoice the Lord is King (Darwall’s 148th); Sing to the Lord of Harvest (Wie lieblich ist der maien); This is my Father’s World (Terra Beata); To thee, O Lord, our Hearts we Raise (Golden Sheaves); We Gather Together (Kremser); We plough the Fields and Scatter (Wir pflügen); Praise God from whom all Blessings Flow (Old Hundredth) The publication consists of a four-staff score for each hymn plus: Part 1 in B flat (clarinet, trumpet, cornet, soprano sax); Part 1 in C (8ve higher for flute, oboe); Part 1 in E flat (alto saxophone, E flat clarinet); Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn); Part 2 in C (8ve higher for flute, oboe); Part 2 in E flat (alto saxophone); Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in E flat (E flat tenor horn, alto saxophone, alto clarinet); Part 3 in F (French horn in F); Part 4 in B flat (B flat bass clarinet, B flat bass); Part 4 in C (bass clef for trombone, bass trombone, bassoon, tuba); Part 4 in E flat (E flat baritone saxophone, E flat bass).
$29.95
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