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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
How Can I Be Sure
Non classifié
95
Piano & claviers
Piano seul
56
2 Pianos, 4 mains
21
Instruments en Do
16
Piano, Voix et Guitare
13
Piano, Voix
10
Piano Facile
7
Piano grosses notes
2
Piano Trio: piano, violon, violoncelle
1
+ 3 instrumentations
Retracter
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Guitare notes et tablatures
9
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8
Ligne De Mélodie, (Paroles) et Accords
7
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4
Basse electrique
3
Ensemble de guitares
1
Dulcimer
1
Piano, Guitare (duo)
1
+ 3 instrumentations
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17
Chorale 3 parties
8
Chorale 2 parties
3
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3
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1
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1
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1
Voix Tenor
1
Voix Baryton, Piano
1
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14
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9
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9
Clarinette
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4
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4
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4
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3
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3
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3
Saxophone Alto et Piano
3
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2
Saxophone Tenor
2
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2
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1
Flûte à bec Alto
1
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1
2 Clarinettes (duo)
1
Flûte traversière
1
Ocarina
1
Quintette de Flûte : 5 flûtes
1
Ensemble de Flûtes
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
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1
2 Clarinettes, Piano
1
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1
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1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à Bec
1
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5
Trombone
4
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3
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1
Trompette, Trombone (duo)
1
Cor
1
Cor et Piano
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette (partie séparée)
1
Tuba
1
Tuba et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de Cuivres
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon, Violoncelle (duo)
15
Violon
8
2 Violons (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Violon et Piano
7
Violoncelle
6
Trio à Cordes: violon, alto, violoncelle
6
Harpe
3
Alto, Piano
3
Violoncelle, Piano
3
2 Violoncelles (duo)
2
Violon, Alto (duo)
2
Alto seul
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
+ 11 instrumentations
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Orchestre & Percussions
Batterie
24
Ensemble Jazz
11
Orchestre d'harmonie
9
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6
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4
Orchestre à Cordes
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3
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Jazz combo
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1
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EUPHONIUM
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FLUTE A DIX…
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FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
How Can I Be Sure
Orchestre d'harmonie
Partitions à imprimer
9 partitions trouvées
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1
I Want Candy
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Aaron Carter
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Jeffrey Bowen
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I Want Candy
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Music Arrangement Services Inc.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1399633 By Aaron Carter. By Bert Berns, Bob Feldman, Jerry Goldstein, and Richard Gottehrer. Arranged by Jeffrey Bowen....
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Concert Band - Level 4 - SKU: A0.1399633 By Aaron Carter. By Bert Berns, Bob Feldman, Jerry Goldstein, and Richard Gottehrer. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 69 pages. Music Arrangement Services Inc. #982910. Published by Music Arrangement Services Inc. (A0.1399633). Performed by Aaron Carter. Â This Concert Band Scores accompanies the SSA/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. Â This song is about wanting candy. Â The song refers to candy, girls, boys, being tough and sweet, desire, the beach, sweater, morning, and hot sunshine. Â This arrangement is designed for high school or college show choir, concert choir or community choir. Â SSA/Piano Score also available. Â Performance time is approximately 2:40 but can easily be shortened by omitting measures in the introduction.
$49.99
I Want Candy
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Aaron Carter
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Jeffrey Bowen
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I Want Candy
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Music Arrangement Services Inc.
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1300312 By Aaron Carter. By Bert Berns, Bob Feldman, Jerry Goldstein, and Richard Gottehrer. Arranged by Jeffrey Bowen....
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Concert Band - Level 3 - SKU: A0.1300312 By Aaron Carter. By Bert Berns, Bob Feldman, Jerry Goldstein, and Richard Gottehrer. Arranged by Jeffrey Bowen. Contest,Festival,Pop. Score and Parts. 69 pages. Music Arrangement Services Inc. #890047. Published by Music Arrangement Services Inc. (A0.1300312). Performed by Aaron Carter. Â This Concert Band Scores accompanies the SAB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. Â This song is about wanting candy. Â The song refers to candy, girls, boys, being tough and sweet, desire, the beach, sweater, morning, and hot sunshine. Â This arrangement is designed for high school or college show choir, concert choir or community choir. Â SAB/Piano Score also available. Â Performance time is approximately 2:40 but can easily be shortened by omitting measures in the introduction.
$49.99
In Your Slumber
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Orchestre d'harmonie
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DÉBUTANT
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971....
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Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
Arctic Fanfare
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Orchestre d'harmonie
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James Michael bicigo
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Arctic Fanfare
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Polar Publications
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SheetMusicPlus
Concert Band - SKU: A0.757442 Composed by James Michael bicigo. Contemporary,World. Score and parts. 52 pages. Polar Publications #3012023. Published by...
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Concert Band - SKU: A0.757442 Composed by James Michael bicigo. Contemporary,World. Score and parts. 52 pages. Polar Publications #3012023. Published by Polar Publications (A0.757442). This work was commissioned by Ron Inyoue for the Arctic Winer Games in Fairbanks, Alaska 2014. When Ron Inouye first discussed a fanfare for the Arctic Winter Games to be held in Fairbanks in 2014, he asked me to somehow represent the peoples of the north and to include something of native drumming, particularly, Inuit drumming. Since the fanfare is for the games, it needs to be able to be used in its entirity or in parts depending on how much time or the purpose of the fanfare in a given situation. This fanfare is therefore composed with three distinct sections that can be used separately or together depending on the circumstance. The Opening four measures of the brass is reminiscent of much of my music representing the Aurora Borealis. The Drumming is inspired by Inuit and Yupik drumming. I use the two different types of drum and blend the drumming style of the Yupik and Inuit cultures in a bit of a western context. The Yupik tradition of hard beat and soft beat is represented in the dynamics of the drums. The Inuit tradition of establishing the steady beat and then passing rhythmic patterns between the parts is represented throughout the work in all of the drum parts. There is a nod to Athabascan old time fiddle music in the choice of an Irish/Scotish traditional melody entitled The Far North. This is also a traditional Canadian Northern Tier American camping and scouting song. Finally, there is a traditional Fanfare that can be used independently to call people to an event or back from an intermission. It is my sincere hope that this fanfare represents all of us in some way and leaves enough to the listener, that they will relate their own experience of the North in the music they hear. James Bicigo August 18, 2013
$50.00
Monody
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Vid...
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Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
Street Player
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Daniel Seraphine and David Haw
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John Ivor Holland
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Street Player
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1404055 Composed by Daniel Seraphine and David Hawk Wolinski. Arranged by John Ivor Holland. 20th Century,Disco,Pop,Roc...
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Concert Band - Level 3 - SKU: A0.1404055 Composed by Daniel Seraphine and David Hawk Wolinski. Arranged by John Ivor Holland. 20th Century,Disco,Pop,Rock. 89 pages. John Ivor Holland #987228. Published by John Ivor Holland (A0.1404055). 'Street Player' is the opening track on Chicago 13, the eleventh studio album by American rock band Chicago, released on August 13, 1979, by Columbia Records. The song is a cover, having previously been performed by Rufus and didn't chart very highly, although the album eventually was certified Gold. It is primarily known as being sampled for the 1995 hit The Bomb! (These Sounds Fall into My Mind) by The Bucketheads, the 2009 hit I Know You Want Me (Calle Ocho) by Pitbull and the 2013 remix by dance music producer Tradelove. The original recording featured a long trumpet solo by Maynard Ferguson; this arrangement, however, has been shortened, although still packing a punch with its distinctive brass lines - it should still be accessible to most bands with some careful rehearsal to get the rhythms together and should be a sure-fire hit with your audience.
$59.99
Krebs Trio
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Stephen R Dalrymple
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Krebs Trio
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818295 By Stephen R Dalrymple. By Johann Ludwig Krebs. Arranged by Stephen R Dalrymple (Dalrymple Designs). Baroque. Sc...
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Concert Band - Level 3 - SKU: A0.818295 By Stephen R Dalrymple. By Johann Ludwig Krebs. Arranged by Stephen R Dalrymple (Dalrymple Designs). Baroque. Score and parts. 14 pages. Stephen R Dalrymple #5030197. Published by Stephen R Dalrymple (A0.818295). Krebs Trio ♫ for Concert Band with Flexible Instrumentation ♫ by Johann Ludwig Krebs (1713-1780) ♫ arranged by Stephen R Dalrymple ♫ Johann Krebs was the son of a well-known organist. Krebs studied organ and composition with JS Bach and was highly commended by him. He was one of the most technically gifted young organists of his day, yet was never employed by a major church. Krebs held modest positions all of his life and he and his family of seven children struggled with poverty. ♫ Although underpaid according to his ability and training, Krebs produced a large body of work – 193 known scores. His compositions are judged to be of prime quality, superior enough for scholars to argue whether a piece was composed by him or Bach. His Toccata and Fugue in E for organ is counted one of the masterpieces in Baroque literature. His 2 concertos for lute show that he must have been an accomplished lute player. Krebs was born, studied, lived, & composed in or near Upper Saxony (much like Bach). ♫ Teaching band in a small school, I often needed flexible instrumentation to assure satisfaction for students when a full complement of instruments was not available. This Baroque work from pipe organ literature has been scored for 3 independent polyphonic voices plus an optional percussion part. This piece can be played with almost any combination of instruments or as a trio or quartet. I added an optional hand drum part so percussionists can also participate. Krebs Trio has been performed by my mid level band and a quintet of music educators at a school music benefit concert, and the fanfa at North Haiti Music Camp. ♫ Purchase price includes permission is granted to make photocopies of parts additional scores for a medium size school band.
$18.00
A Promise to Stand By:
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Orchestre d'harmonie
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Contemporain
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published...
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Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99
Bluey Theme Song
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Orchestre d'harmonie
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DÉBUTANT
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Jonathan Bush
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Sam Fettig
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Bluey Theme Song
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Sam Fettig
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1377507 Composed by Jonathan Bush. Arranged by Sam Fettig. Children,Pop. 37 pages. Sam Fettig #962100. Published by Sam...
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Concert Band - Level 1 - SKU: A0.1377507 Composed by Jonathan Bush. Arranged by Sam Fettig. Children,Pop. 37 pages. Sam Fettig #962100. Published by Sam Fettig (A0.1377507). https://www.samfettigmusic.com/BLUEY FOR BEGINNING BAND!The original Bluey Theme uses a 3-2 clave rhythm for the entire song. This two-measure pattern ends differently every other time, creating a four-measure pattern that occurs throughout and never changes! All students (except the shaker) play this pattern at the very beginning, establishing the basis for the entire arrangement.Only six notes are used. Students’ familiarity with the music will be an asset as they tackle a melody that may be a new challenge to them. With this in mind, the melody is always doubled or cued elsewhere; no section will ever have to play it alone. There are four opportunities for either a soloist or a soli of any combination! These occur at bars 21, 25, 49 and 53.  Have fun with these spots, giving everyone an opportunity. It will, of course, need to be mapped out for a performance. Students will shout the Bluey characters’ names just like the show’s theme. There is one spot to insert a name of your choosing - a student, teacher, administrator, family member, or pet! Alternatively, you can replace any of the character’s names to truly personalize the song. I hope you and your students enjoy learning and performing Bluey!
$50.00
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