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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Will Rise - Oboe
Sheetmusicplus
Non classifié
169
Piano & claviers
Piano seul
67
Piano, Voix
27
Orgue
21
Piano, Voix et Guitare
15
Piano Facile
13
Instruments en Do
6
1 Piano, 4 mains
3
2 Pianos, 4 mains
3
Piano (partie séparée)
2
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
+ 7 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
5
Guitare notes et tablatures
5
2 Guitares (duo)
3
Guitare
3
4 Guitares (Quatuor)
2
Basse electrique
2
Paroles et Accords
2
Banjo
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
55
Chorale 2 parties
23
Pack Instrumental pour Chorale
17
Chorale 3 parties
15
Voix duo, Piano
10
Chorale Unison
7
Chorale SSAA
7
Chorale TTBB
5
Voix Baryton, Piano
3
Voix Tenor, Piano
2
Voix Soprano, Piano
1
Voix Alto, Piano
1
+ 7 instrumentations
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Vents
Ensemble de saxophones
23
Quintette de Saxophone: 5 saxophones
14
2 Flûtes traversières (duo)
10
Flûte traversière
10
3 Clarinettes (trio)
8
Saxophone (partie séparée)
7
Clarinette et Piano
7
Quatuor de Saxophones: 4 saxophones
7
Flûte traversière et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette
5
Ensemble de Clarinettes
5
Saxophone Alto
5
Saxophone Soprano et Piano
4
Saxophone Alto et Piano
3
2 Saxophones (duo)
3
Saxophone Tenor et Piano
3
Saxophone Tenor
3
Saxophone Baryton, Piano
3
2 Clarinettes (duo)
3
Saxophone, Clarinette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte à bec Soprano
2
Ensemble de Flûtes
1
Clarinette et Alto
1
Clarinette, Violon (duo)
1
Flûte, Clarinette et Basson
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette (duo)
1
Quatuor de Flûtes à bec
1
Flute (partie séparée)
1
Clarinette Basse, Piano
1
Flûte, Saxophone (duo)
1
+ 28 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Quatuor de Cuivres
11
Trompette (partie séparée)
6
Trompette, Trombone (duo)
5
Trompette
4
Cor
4
Ensemble de Trompettes
4
Ensemble de Trombones
4
Trombone et Piano
4
Ensemble de Cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette, Piano
3
Tuba et Piano
2
Trombone (partie séparée)
2
Trio de Cuivres
2
Tuba
2
Trombone
2
2 Trompettes (duo)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trombones
1
Trombone basse
1
Bass Clef Instruments
1
2 Trombones (duo)
1
Euphonium, Piano (duo)
1
Instruments en Sib
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
159
Violon, Violoncelle (duo)
140
Trio à Cordes: violon, alto, violoncelle
121
Violon
116
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Violon et Piano
15
Violon, Alto (duo)
7
Violoncelle
6
Violon (partie séparée)
4
Alto seul
4
Harpe, Voix
4
Contre Basse
4
Violoncelle, Piano
4
Alto (partie séparée)
3
Contrebasse, Piano (duo)
3
Alto, Piano
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
4 Violoncelles
2
2 Altos (duo)
2
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Violoncelles (duo)
2
Harpe
2
Ensemble de Violons
1
Ensemble d'Altos
1
Contrebasse (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violoncelle , Guitare (duo)
1
2 Violons (duo)
1
Quatuor à cordes: 4 violons
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
92
Cloches
13
Orchestre
8
Orchestre d'harmonie
8
Ensemble de cuivres
5
Orchestre de chambre
2
Ensemble Jazz
2
Timbales
1
Marimba
1
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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TROMPETTE
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NOËL
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PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
I Will Rise - Oboe
SheetMusicPlus
Partitions à imprimer
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He Lives In You (reprise)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1309766 Composed by Jay Rifkin, L…
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Concert Band - Level 4 - Digital Download SKU: A0.1309766 Composed by Jay Rifkin, Lebo M, and Mark Mancina. Arranged by Andrea Smiley. Broadway,Classical,Film/TV,Multicultural,Musical/Show,World. 77 pages. Andrea Smiley #898932. Published by Andrea Smiley (A0.1309766). Several years ago, I lost my father suddenly. One of the things that helped me through the grieving proess was music. The music of Kings of the Past and He Lives in You from Disney's The Lion King resonated in me during this time and, being a musician, I started searching for an arrangement of this for symphonic wind ensemble. Much to my disappointment, I could not find such an arrangement. So, I sat down and wrote this out, developing the emotional tones I felt during the process, traveling from grief and despair to eventually hope and celebraton of who my father was and that he continues to abide in me in spirit, and developing the difficuty level I thought would be welcome in the type of ensemble I like to play in. I would recommend this score and parts to a community band or a skilled high school band, as ther are several chances to highlight the different sections of the band with multiple solos that will challenge the range on the instrumentalists.
$65.00
59.92 €
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Orchestre d'harmonie
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Jay Rifkin, Lebo M, and Mark Mancina
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Andrea Smiley
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He Lives In You
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Andrea Smiley
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SheetMusicPlus
The Westminster Waltz
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1429149 By Robert Farnon. By Robe…
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Concert Band - Level 3 - Digital Download SKU: A0.1429149 By Robert Farnon. By Robert Farnon. Arranged by Lawrence Killian. 20th Century. 74 pages. Lawrence Killian #1009908. Published by Lawrence Killian (A0.1429149). If you can resist swaying whilst playing this delightful arrangement of Robert Farnon's Westminster Waltz, I will be surprised! Give it a try and you will see what I mean.
$49.99
46.09 €
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Orchestre d'harmonie
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Robert Farnon
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Lawrence Killian
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The Westminster Waltz
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Lawrence Killian
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SheetMusicPlus
Formations for Wind Ensemble
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1023994 Composed by Kyle Wernke. …
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Concert Band - Level 5 - Digital Download SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113. Published by Kyle Wernke Publishing (A0.1023994). Formations, is a celebration of the cosmos; a celebration of the tiniest of particles to the largest galaxies and everything in between. Since I was a child I've looked up at the sky and seen a world full of wonder, beauty, and mystery. The same wonder that filled my heart when I was in elementary school still takes hold when I look up now, decades later. I chose the formation of things for a specific reason. When I was a kid I had a habit of asking my parents where everything came from. It wasn't enough that a star was there, I needed to know how it got there and if possible why it was there. As I grew up I developed an immense appetite for almost all things science and history and with that came some of the answers I needed. The reality of how these things came to be was so much more interesting and astounding than my imagination that all these years later I am still captivated by the idea of an exploding star or the Big Bang. So lets take a journey, you and I. First we'll see the death of an immense star and watch as its own gravity rips it apart and forms a black hole. We'll see it feed on matter and light around it until it too finally dies. Next we'll go back 13.7 billion years and watch as tiny particles dance in and out of existence in the endless nothingness that once was. We'll see one of these tiny bits expand in an instant and give rise to everything that ever has been or will be. Watch hydrogen form and gravity pull it into the first stars. Those stars will form galaxies and we'll see glimpses of the Universe as it exists now. Finally, we will travel to the end of time, a trillion years or more into the future. There we will witness the dissipation of the galaxies, the death of stars, and the final moments as even tiny electrons are pulled apart into the nothing from which we all came. Parts of this piece are violent, but we will see that at the end of time, the formation of nothing is just as beautiful as the formation of a star. Everything has its time and everything ends. Premiered by the Hartt Wind Ensemble - Glen Adsit, Conductor.
$150.00
138.29 €
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Orchestre d'harmonie
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Kyle Wernke
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Formations for Wind Ensemble
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Kyle Wernke Publishing
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SheetMusicPlus
The Palatka Port March - Score Only
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stew…
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Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00
9.22 €
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Orchestre d'harmonie
#
David M
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The Palatka Port March - Score Only
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DMStewart Music
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SheetMusicPlus
The Palatka Port March
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stew…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!
$50.00
46.1 €
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Orchestre d'harmonie
#
David M
#
The Palatka Port March
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DMStewart Music
#
SheetMusicPlus
Do You Hear How Many You Are?
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southar…
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Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00
78.36 €
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Orchestre d'harmonie
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
The Cantankerous Conquistador
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1503656 Composed by Sean A. Ryan.…
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Concert Band - Level 4 - Digital Download SKU: A0.1503656 Composed by Sean A. Ryan. 21st Century,Classical,Comedy,Contemporary,March. 71 pages. Sean A. Ryan #1079139. Published by Sean A. Ryan (A0.1503656). This piece tells the ficticious story of an inept, incompitant, yet quite pompous prefect conquistador and his poor attempt to colonize an indigenous village. The natives keep out smarting him, and sabotaging his plans. Things get so out of hand, that he can't even keep his own people in line. This makes the Prefect irate and ill-tempered, more so to his own company, than to the natives! What am I to tell the queen?!. I can't have my name soiled like this!. Upon hearing that the Prefect's superior officer, the Legate of Iberia, will be coming to check up on his progress, he comes up with a plan. He'll make a deal with the natives to make it look like he's been kidnapped and murdered. Dressed as conquistadors, the natives won't say a word and the Prefect's second in command will say that he's been killed. To the Prefect's surprise, this actually worked and the Legate was fooled. Upon the Legate returning back to Iberia, the now defunct Prefect conquistador has made arrangements with the natives in exchange for food and supplies to fool the Legate each time he visits.This rousing march is a great opener or closer for any concert. Perfect for high school, college, or municiple/adult continuing level community band! The music here perfectly encapsulates this swashbuckling, yet haphazardous story!
$24.99
23.04 €
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Orchestre d'harmonie
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Sean A
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The Cantankerous Conquistador
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Sean A. Ryan
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SheetMusicPlus
A Promise to Stand By:
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemp…
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Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99
18.43 €
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Orchestre d'harmonie
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
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