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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In The Beginning
Non classifié
1 309
Piano & claviers
Piano grosses notes
3 297
Orgue
1 617
Piano seul
718
Piano Facile
713
Accompagnement Piano
112
Piano, Voix
93
Piano, Voix et Guitare
75
1 Piano, 4 mains
67
Clavier
60
Instruments en Do
20
Piano Trio: piano, violon, violoncelle
19
2 Pianos, 4 mains
16
Piano (partie séparée)
7
Accordéon
6
1 Piano, 6 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
1
Fake Book
1
2 Accordéons
1
Orgue, Piano (duo)
1
Ensemble d'Accordéons
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 17 instrumentations
Retracter
Guitares
Guitare
148
Guitare notes et tablatures
86
Ukulele
46
Mandoline
22
Basse electrique
22
Banjo
17
Dulcimer
17
2 Guitares (duo)
15
Guitare (partie séparée)
14
Ligne De Mélodie, (Paroles) et Accords
5
4 Guitares (Quatuor)
4
Guitare Pedal Steel
3
Ukulele Baryton
2
Dobro
2
3 Guitares (trio)
2
Ensemble de guitares
1
2 Mandolines (duo)
1
Piano, Guitare (duo)
1
Paroles et Accords
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
328
Chorale 3 parties
91
Chorale 2 parties
66
Chorale Unison
39
Chorale SSAA
37
Chorale TTBB
35
Voix seule
8
Voix Soprano, Piano
8
Voix duo, Piano
4
Voix duo
3
Voix Baryton, Piano
2
Chorale SSATTB
2
Voix moyenne, Piano
2
Voix basse, Piano
1
Voix, Guitare
1
Chorale SSAATTBB
1
Voix Tenor, Piano
1
Chorale SSAB a cappella
1
Voix Alto, Piano
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
86
Quatuor de Saxophones: 4 saxophones
85
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
72
Saxophone (partie séparée)
69
Clarinette
68
Clarinette et Piano
61
Flûte, Hautbois, Clarinette, Basson
61
2 Saxophones (duo)
56
Flûte traversière
55
Hautbois, Piano (duo)
42
Saxophone Alto
40
Quintette de Saxophone: 5 saxophones
36
Quatuor de Clarinettes: 4 clarinettes
36
Quatuor de Flûtes : 4 flûtes
31
Saxophone Alto et Piano
31
2 Flûtes traversières (duo)
28
2 Clarinettes (duo)
26
Hautbois (partie séparée)
25
Ensemble de Clarinettes
24
Saxophone Tenor et Piano
23
Saxophone Tenor
23
Ensemble de Flûtes
22
3 Saxophones (trio)
19
Hautbois, Basson (duo)
17
Clarinette (partie séparée)
16
Hautbois
16
2 Flûte à bec (duo)
13
Saxophone Soprano et Piano
13
Ensemble de saxophones
13
Trio de Flûtes: 3 flûtes
13
Harmonica
13
3 Clarinettes (trio)
12
Saxophone Baryton, Piano
12
Flûte, Clarinette (duo)
11
Saxophone, Clarinette (duo)
11
Flûte à bec Soprano
10
2 Hautbois (duo)
10
Cor anglais, Piano
10
Quintette de Clarinettes: 5 clarinettes
9
Clarinette, Basson (duo)
8
Hautbois, Clarinette (duo)
8
Quintette de Flûte : 5 flûtes
8
Flute (partie séparée)
8
Clarinette, Violon (duo)
7
4 Hautbois
6
Hautbois, Flûte
6
Quatuor de Flûtes à bec
5
Flûte, Violon
4
Ensemble de Hautbois
4
Flûte, Saxophone (duo)
4
Flûte à Bec
4
Cor Anglais
4
3 Hautbois
4
Flûte à bec Tenor
4
3 Flûtes à bec (trio)
4
Flûte irlandaise
4
Clarinette et Alto
4
Flûte, Hautbois, Clarinette (trio)
4
Clarinette, Trompette (duo)
4
Saxophone
3
Piccolo
3
Saxophone Soprano
3
Flûte à bec Alto, Piano
3
Flûte à bec Alto
3
Flûte, Trompette (duo)
3
Flûte traversière, Orgue (duo)
2
Flûte, Hautbois (duo)
2
Saxophone Baryton
2
Instruments en Mib
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte de Pan
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble à vent
1
Hautbois, Basson et Piano
1
Flûte, Violoncelle
1
Flûte, Violon, Piano
1
Flûte et Trio à cordes
1
Clarinette, Guitare (duo)
1
Clarinette Basse
1
Clarinette Basse, Piano
1
Flûte et Guitare
1
Flûte à bec, Guitare (duo)
1
Flûte, Alto (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Clarinette et Basson
1
+ 80 instrumentations
Retracter
Cuivres
Trompette
82
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trombone (partie séparée)
40
Trombone
38
Trompette (partie séparée)
34
Trombone et Piano
32
Cor
32
Trompette, Piano
30
Cor et Piano
28
Tuba
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
2 Trompettes (duo)
18
2 Trombones (duo)
17
Tuba et Piano
16
Quatuor de cuivres: 4 trombones
14
Trompette, Trombone (duo)
14
Quatuor de Cuivres
12
2 Cors (duo)
12
2 Tubas (duo)
10
Cor (partie séparée)
10
Cor anglais, Piano
10
Tuba (partie séparée)
9
Ensemble de Trombones
8
Trompette, Saxophone (duo)
8
Trompette, Cor (duo)
8
Quatuor de cuivres: 4 trompettes
7
3 Trombones (trio)
6
Euphonium, Piano (duo)
6
Ensemble de Trompettes
5
3 Cors (trio)
5
Ensemble de Cors
5
Trombone, Cor (duo)
5
3 Tubas (trio)
5
Quatuor de cuivres: 4 cors
5
Euphonium
4
4 Tubas
4
Cor Anglais
4
Trompette, Tuba (duo)
3
2 Euphoniums et 2 Tubas
3
Cor, Tuba (duo)
2
Trombone, Tuba (duo)
2
3 Trompettes (trio)
2
Trombone basse et Piano
2
Tuba et Orgue
2
Instruments en Sib
1
4 Euphoniums
1
Euphonium, Tuba (duo)
1
Trompette, Basson (duo)
1
Trombone basse
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
165
Violon et Piano
133
Violon
128
Violoncelle
71
Violoncelle, Piano
60
Harpe
54
Alto seul
49
Violon, Violoncelle (duo)
44
Alto, Piano
43
Trio à Cordes: violon, alto, violoncelle
41
2 Violons (duo)
35
Contre Basse
29
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Violon (partie séparée)
23
Contrebasse (partie séparée)
20
Contrebasse, Piano (duo)
18
2 Altos (duo)
16
Trio à Cordes: 2 violons, violoncelle
16
2 Violoncelles (duo)
14
Alto (partie séparée)
11
Trio à cordes: 3 violins
8
Trio à Cordes: 3 violoncelles
7
Violon, Guitare (duo)
7
Alto, Violoncelle (duo)
6
Violon, Alto (duo)
6
Trio à cordes: 3 altos
6
4 Violoncelles
6
2 Harpes (duo)
5
Quatuor à cordes: 4 violons
4
2 Violons, Piano
4
Violoncelle (partie séparée)
4
Autoharp
3
Quatuor à cordes : 4 altos
3
2 Contrebasses (duo)
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
3 Contrebasses
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
1
Alto, Guitare (duo)
1
Ensemble d'Altos
1
Violoncelle , Guitare (duo)
1
Ensemble de Violons
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 236
Orchestre à Cordes
191
Cloches
127
Orchestre
97
Ensemble Jazz
66
Ensemble de cuivres
45
Orchestre de chambre
42
Batterie
35
Ensemble de Percussions
17
Percussion (partie séparée)
12
Fanfare
11
Batterie (partie séparée)
8
Xylophone
6
2 Xylophones
4
Percussion
3
Marimba
3
Jazz combo
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
3 Marimbas
1
Bongos
1
Caisse Claire
1
Cajon
1
Xylophone, Piano
1
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
+ 21 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Librairie Musicale
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Matériel de Musique
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Prix + au -
Nouveautes
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difficulté (tous)
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Crtitères actifs :
In The Beginning
Orchestre d'harmonie
Partitions à imprimer
1 236 partitions trouvées
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1
26
51
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1226
Variations on a Theme in D Flat
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Orchestre d'harmonie
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FACILE
#
Contemporain
#
Kendra Brown
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Variations on a Theme in D Fla
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Kendra Brown
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323)....
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Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
In Your Slumber
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Orchestre d'harmonie
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DÉBUTANT
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971....
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Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
Three Irish Folk Songs (that became popular in the US.)
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Orchestre d'harmonie
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FACILE
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Unknown Traditional folk songs
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David Berlin (ASCAP)
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Three Irish Folk Songs
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David Berlin
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.958083 Composed by Unknown Traditional folk songs. Arranged by David Berlin (ASCAP). Instructional,Romantic Period,Stan...
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Concert Band - Level 2 - SKU: A0.958083 Composed by Unknown Traditional folk songs. Arranged by David Berlin (ASCAP). Instructional,Romantic Period,Standards. Score and parts. 96 pages. David Berlin #3559075. Published by David Berlin (A0.958083). This collection of folk melodies from Ireland can be studied independently or in a variety of groupings. While created in open scoring for beginning and young instrumentalists, these pieces could be used by anyone. They are accessible with as few as two players and as many as are available in almost any combination of instruments. The folk melodies are also excellent to use as warm-ups because they can serve the purpose while also providing aesthetic value. The teacher is encouraged to be flexible and creative with them. Directors are encouraged to perform these in various combinations and sets. Feel free to be creative. For example, repeats could be added featuring various soloists and/or small groupings in contrast with the full group (as in a concerto.) Creativity could be promoted by allowing students to make suggestions pertaining to the formal organization of the material. In addition to decisions as to which pieces to perform directors are encouraged to involve students in making creative decisions such as which ones to put together, which phrases to repeat in various combinations and instrumental subsets and other appropriate aesthetic decisions. Each piece could function as a locus for branching into various content areas in connection with social studies, integrated curriculum and/or inquiry. Many of the melodies have very smooth and conjunct voice leading making them excellent for solfege/sight-reading training. These melodies are offered as a resource for the teacher to use in a variety of ways and possibilities are unlimited. Lyrics are readily available online.
$9.99
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
Abraham’s Daughter: March from the Civil War
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen R Dalrymple
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Abraham’s Daughter: Marc
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and...
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Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
9 Modern Chorales for Beginning Band
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Orchestre d'harmonie
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DÉBUTANT
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Amanda Yeoman
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9 Modern Chorales for Beginnin
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A. Yeoman
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.941259 Composed by Amanda Yeoman. Contemporary,Instructional. Score and parts. 34 pages. A. Yeoman #5777823. Published ...
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Concert Band - Level 1 - SKU: A0.941259 Composed by Amanda Yeoman. Contemporary,Instructional. Score and parts. 34 pages. A. Yeoman #5777823. Published by A. Yeoman (A0.941259). These chorales are designed for beginning band students in their 1st or 2nd years of playing. Each exercise uses modern chord progressions, as well as the first basic notes of each instrument. There is no better way to work on blend, intonation, and musicianship with beginning students other than chorales. The rhythms are simple which leads to students being able to focus on the notes. All parts and scores are included together.
$9.99
Requiem for the Pequod
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jay Jordan
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Jay Jordan
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Requiem for the Pequod
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Pro Creations Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1303052 By Jay Jordan. By Jay Jordan. Arranged by Jay Jordan. Classical,Contemporary,Contest,Festival,Historic. Score a...
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Concert Band - Level 4 - SKU: A0.1303052 By Jay Jordan. By Jay Jordan. Arranged by Jay Jordan. Classical,Contemporary,Contest,Festival,Historic. Score and Parts. 105 pages. Pro Creations Music #892637. Published by Pro Creations Music (A0.1303052). Requiem for the PequodCaptain Ahab’s story of obsession, and ultimate failure at the hands of Moby Dick is, of course, a well-worn cautionary tale. The tale of the Pequod, the ship that also met its demise as a result of Ahab’s actions is, in my eyes, worth examining. Requiem for the Pequod begins with Two Bells, tolled to mark the end of the day before Ahab and his crew set sail. The minor theme, played by a solo flute, sets the mood as restful, but somewhat ominous at the same time; treatments by the brass in chorale style and then the full ensemble follow. The next three sections beginning at letter A feature up-tempo variations on the main theme (Setting Sail) followed by a lively Sailor’s Shanty at letter D, both depicting carefree life at sea. A return to a melancholy minor theme at letter E portrays the tedium of Months at Sea as the Pequod and her crew travel toward their destination, unaware of the fate that awaits them. The penultimate section beginning at letter F (Fait Awaits) depicts the culminating battle, from the stirring of Moby Dick beneath the waves to the sinking of the Pequod and the death of Ahab and the crew, save Ishmael, who recounts the tragic tale in the final section Epilogue.Â
$50.00
Bluey Theme Song
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Orchestre d'harmonie
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DÉBUTANT
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Jonathan Bush
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Sam Fettig
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Bluey Theme Song
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Sam Fettig
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1377507 Composed by Jonathan Bush. Arranged by Sam Fettig. Children,Pop. 37 pages. Sam Fettig #962100. Published by Sam...
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Concert Band - Level 1 - SKU: A0.1377507 Composed by Jonathan Bush. Arranged by Sam Fettig. Children,Pop. 37 pages. Sam Fettig #962100. Published by Sam Fettig (A0.1377507). https://www.samfettigmusic.com/BLUEY FOR BEGINNING BAND!The original Bluey Theme uses a 3-2 clave rhythm for the entire song. This two-measure pattern ends differently every other time, creating a four-measure pattern that occurs throughout and never changes! All students (except the shaker) play this pattern at the very beginning, establishing the basis for the entire arrangement.Only six notes are used. Students’ familiarity with the music will be an asset as they tackle a melody that may be a new challenge to them. With this in mind, the melody is always doubled or cued elsewhere; no section will ever have to play it alone. There are four opportunities for either a soloist or a soli of any combination! These occur at bars 21, 25, 49 and 53.  Have fun with these spots, giving everyone an opportunity. It will, of course, need to be mapped out for a performance. Students will shout the Bluey characters’ names just like the show’s theme. There is one spot to insert a name of your choosing - a student, teacher, administrator, family member, or pet! Alternatively, you can replace any of the character’s names to truly personalize the song. I hope you and your students enjoy learning and performing Bluey!
$50.00
March of the Martian Caterpillars
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Orchestre d'harmonie
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FACILE
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James K
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March of the Martian Caterpill
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James K. Taylor
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.872438 Composed by James K. Taylor. Folk,Instructional,Standards,World. Score and parts. 48 pages. James K. Taylor #238...
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Concert Band - Level 2 - SKU: A0.872438 Composed by James K. Taylor. Folk,Instructional,Standards,World. Score and parts. 48 pages. James K. Taylor #238411. Published by James K. Taylor (A0.872438). This is a unique young band march. You may perform it at quarter = 120 OR in cut time -half=96. It works either way. The score instrumentation is for beginning band--flute, clarinet, alto sax, tenor sax, trumpet, horn, trombone, baritone, tuba, xylophone, snare/bass drum and cymbals. For bands playing it in cut time, there are parts (but not on score) in the PDF file for oboe (flute double) and bassoon-bass clarinet--bari sax (all trombone double). You will have to listen to the MP3 recording to believe your ears. NOTICE: THE SAMPLE STARTS WITH THE 4/4 VERSION AND WHEN IT IS OVER, THE 2/2 VERSION WILL BE PLAYED. Very few parts exceed one octave in the key of Bb. The flute/oboe part has one C above the high Bb. The rhythms are fairly easy, but in cut time, they sound challenging. There is lots of dynamic contrast, and your students will learn about lip slurs and march style. The clarinet and bass clarinet parts do not go across the break. The biggest challenge will be endurance for your brass players, but since there are no first and second parts, the lead players might can get a little rest time in the big tutti sections. The horn is kept in the middle range with tenor sax doubling.There are a few solos towards the beginning, but the soloists are getting to play the fun melody of this little two in one young band composition. I hope you enjoy this two marches for the price of one.
$30.00
South Africa National Anthem: Nkosi Sikelel' iAfrika
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Patriotique
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Enoch Mankayi Sontonga
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Colin Kirkpatrick
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Part 1 in C (oboe, violin)
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South Africa National Anthem:
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.522139 Composed by Enoch Mankayi Sontonga (1873-1905) and Marthinus Lourens de Villiers (1885-1977). Arranged by Coli...
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Large Ensemble - Level 3 - SKU: A0.522139 Composed by Enoch Mankayi Sontonga (1873-1905) and Marthinus Lourens de Villiers (1885-1977). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3464591. Published by Colin Kirkpatrick Publications (A0.522139). Colin Kirkpatrick’sNational Anthems ExpressSouth Africa: Nkosi Sikelel' iAfrikaThis quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!The arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. Tacet sections (e.g. a brass or trombone tacet in quiet passages) can be easily created with the aid of a pencil. For example, in the audio sample you’ll hear that the woodwind alone has been given the melody beginning in measure 24. The arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The score and all the parts are contained in the same 34-page pdf file. The following parts appear on separate pages:Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (oboe, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band).Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn); Part 4 in F (French horn).Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon).Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani and percussion (3 players).The music has been digitally scanned at 1,200 dpi, which can produce professional quality output on standard US-size paper.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$6.99
The Sandy Hook Lullaby
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Nicholas McClure
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The Sandy Hook Lullaby
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Nicholas McClure
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1028045 Composed by Nicholas McClure. Contemporary. Score and parts. 11 pages. Nicholas McClure #3226621. Published by ...
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Concert Band - Level 3 - SKU: A0.1028045 Composed by Nicholas McClure. Contemporary. Score and parts. 11 pages. Nicholas McClure #3226621. Published by Nicholas McClure (A0.1028045). On December 14, 2012, at 9:35 a.m., the entire country stood motionless, for a horrific act of terror was underway. Adam Lanza shot and killed 20 first-graders and 6 adults, at Sandy Hook Elementary School in Newtown, Connecticut; a moment in history as one of the worst school shootings that our country has ever faced. Every single child which was murdered had a future of their own, taken away at the hands of a ruthless gunman, who in an instant, ended any chance that these 20 children had to have a happy life. Along with these children, were the 6 heroic staff members who so selflessly gave their life in order to stop this perpetrator who came to destroy the fragile object that we all call life. The title of this piece, The Sandy Hook Lullaby, is symbolic to represent the deaths and aftermath on that faithful day. This particular piece is a lullaby to represent the day that the victims lives were taken, ending with a peaceful goodbye. The song starts strong and valiant, to represent the beginning and potential of a new day. As it progresses, the song softens a bit, with clarinet lead, which represents the students learning in the classroom and the staff working as normal. A swell in volume represents the knowledge learned, as they are completely unaware of the events to follow. Halfway through, terror strikes. The percussion solo is representative of the the 5 minutes that the entire attack took place. The entire finale of the song is to represent the peaceful rest of those murdered, the final goodbye. The song ends softly, as the victims are put to rest, and because most of the victims were children, this comes in the form of a lullaby. Just as a loving and caring parent would put their child to sleep with a song, we give our final goodbyes with this Sandy Hook Lullaby. Thank you, and please enjoy with reverence and respect. -Nicholas McClure, Composer.
$30.00
The Age of Sail
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Orchestre d'harmonie
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FACILE
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Contemporain
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Aric Branchfield
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The Age of Sail
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LudwigMasters Digital
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SheetMusicPlus
Concert Band - Grade 1.5 - Composed by Aric Branchfield. Beginning Band. 21st Century. Score and Parts. 32 pages. LudwigMasters Digital #50100245. P...
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Concert Band - Grade 1.5 - Composed by Aric Branchfield. Beginning Band. 21st Century. Score and Parts. 32 pages. LudwigMasters Digital #50100245. Published by LudwigMasters Digital
ISBN 9781682968703. 9 x 12 inches.
Fraught with danger as well as the excitement and wonder of discovery, the age of sail was a pivotal time in the history of mankind. As it takes us back to this time of amazement, this work affords boundless opportunities for the teaching of tone and intonation in addition to being an exhilarating addition to your concert.
$45.00
March of the Shadows
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Orchestre d'harmonie
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DÉBUTANT
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Halloween
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Martin J
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March of the Shadows
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 1 - SKU: IZ.CBS163-S Composed by Martin J. Wimmer. Score. 10 pages. Imagine Music - Digital #CBS163-S. Published by Imagine Music -...
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Concert band - Grade 1 - SKU: IZ.CBS163-S Composed by Martin J. Wimmer. Score. 10 pages. Imagine Music - Digital #CBS163-S. Published by Imagine Music - Digital (IZ.CBS163-S). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.
$8.00
March of the Shadows
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Orchestre d'harmonie
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DÉBUTANT
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Halloween
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Martin J
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March of the Shadows
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 1 - SKU: IZ.CBS163 Composed by Martin J. Wimmer. Score and Parts. 26 pages. Imagine Music - Digital #CBS163. Published by Imagine M...
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Concert band - Grade 1 - SKU: IZ.CBS163 Composed by Martin J. Wimmer. Score and Parts. 26 pages. Imagine Music - Digital #CBS163. Published by Imagine Music - Digital (IZ.CBS163). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.
$40.00
The Palatka Port March - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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David M
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The Palatka Port March - Score
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.123968...
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Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00
The Palatka Port March
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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David M
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The Palatka Port March
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart...
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Concert Band - Level 4 - SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!
$50.00
Harry Potter and the Order of the Phoenix, Selections From: 1st B-flat Trumpet
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Orchestre d'harmonie
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Methodes
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015694_T1 1st B-flat Trumpet. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instruc...
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Concert Band - SKU: AX.00-PC-0015694_T1 1st B-flat Trumpet. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015694_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015694_T1). UPC: 038081314426.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series with the most dynamic tunes from Nicholas Hooper's brilliant film score. Masterfully arranged in this musical montage, they capture all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge and the Patronus Charm, with tunes entitled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages, it is especially scored for your young band. (2:56).
$3.00
Harry Potter and the Order of the Phoenix, Selections From: E-flat Baritone Saxophone
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Orchestre d'harmonie
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Methodes
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015694_BTX E-flat Baritone Saxophone. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner....
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Concert Band - SKU: AX.00-PC-0015694_BTX E-flat Baritone Saxophone. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015694_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015694_BTX). UPC: 038081314426.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series with the most dynamic tunes from Nicholas Hooper's brilliant film score. Masterfully arranged in this musical montage, they capture all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge and the Patronus Charm, with tunes entitled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages, it is especially scored for your young band. (2:56).
$3.00
Harry Potter and the Order of the Phoenix, Selections From: Flute
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Orchestre d'harmonie
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Methodes
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015694_F1 Flute. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part....
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Concert Band - SKU: AX.00-PC-0015694_F1 Flute. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015694_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015694_F1). UPC: 038081314426.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series with the most dynamic tunes from Nicholas Hooper's brilliant film score. Masterfully arranged in this musical montage, they capture all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge and the Patronus Charm, with tunes entitled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages, it is especially scored for your young band. (2:56).
$3.00
Harry Potter and the Order of the Phoenix, Selections From: 2nd Percussion
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Orchestre d'harmonie
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Methodes
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015694_PC2 2nd Percussion. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructio...
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Concert Band - SKU: AX.00-PC-0015694_PC2 2nd Percussion. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015694_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015694_PC2). UPC: 038081314426.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series with the most dynamic tunes from Nicholas Hooper's brilliant film score. Masterfully arranged in this musical montage, they capture all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge and the Patronus Charm, with tunes entitled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages, it is especially scored for your young band. (2:56).
$3.00
Harry Potter and the Order of the Phoenix, Selections From: Timpani
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Orchestre d'harmonie
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Methodes
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015694_TMP Timpani. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Pa...
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Concert Band - SKU: AX.00-PC-0015694_TMP Timpani. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015694_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015694_TMP). UPC: 038081314426.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series with the most dynamic tunes from Nicholas Hooper's brilliant film score. Masterfully arranged in this musical montage, they capture all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge and the Patronus Charm, with tunes entitled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages, it is especially scored for your young band. (2:56).
$3.00
Harry Potter and the Order of the Phoenix, Selections From: 2nd B-flat Trumpet
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Orchestre d'harmonie
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Methodes
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015694_T2 2nd B-flat Trumpet. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instruc...
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Concert Band - SKU: AX.00-PC-0015694_T2 2nd B-flat Trumpet. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015694_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015694_T2). UPC: 038081314426.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series with the most dynamic tunes from Nicholas Hooper's brilliant film score. Masterfully arranged in this musical montage, they capture all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge and the Patronus Charm, with tunes entitled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages, it is especially scored for your young band. (2:56).
$3.00
Harry Potter and the Order of the Phoenix, Selections From: 1st F Horn
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Orchestre d'harmonie
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Methodes
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015694_H1 1st F Horn. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. ...
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Concert Band - SKU: AX.00-PC-0015694_H1 1st F Horn. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015694_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015694_H1). UPC: 038081314426.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series with the most dynamic tunes from Nicholas Hooper's brilliant film score. Masterfully arranged in this musical montage, they capture all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge and the Patronus Charm, with tunes entitled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages, it is especially scored for your young band. (2:56).
$3.00
Harry Potter and the Order of the Phoenix, Selections From: 2nd B-flat Clarinet
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Orchestre d'harmonie
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Methodes
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015694_C2 2nd B-flat Clarinet. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instru...
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Concert Band - SKU: AX.00-PC-0015694_C2 2nd B-flat Clarinet. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015694_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015694_C2). UPC: 038081314426.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series with the most dynamic tunes from Nicholas Hooper's brilliant film score. Masterfully arranged in this musical montage, they capture all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge and the Patronus Charm, with tunes entitled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages, it is especially scored for your young band. (2:56).
$3.00
Harry Potter and the Order of the Phoenix, Selections From: Mallets
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Orchestre d'harmonie
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Methodes
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015694_M1 Mallets. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Par...
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Concert Band - SKU: AX.00-PC-0015694_M1 Mallets. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015694_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015694_M1). UPC: 038081314426.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series with the most dynamic tunes from Nicholas Hooper's brilliant film score. Masterfully arranged in this musical montage, they capture all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge and the Patronus Charm, with tunes entitled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages, it is especially scored for your young band. (2:56).
$3.00
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In The Beginning