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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In The End
Non classifié
9 863
Piano & claviers
Piano seul
5 743
Piano, Voix
2 755
Piano Facile
1 723
Instruments en Do
908
Piano, Voix et Guitare
896
Orgue
717
1 Piano, 4 mains
202
Accompagnement Piano
199
Piano Trio: piano, violon, violoncelle
113
Accordéon
80
2 Pianos, 4 mains
79
Piano grosses notes
63
Piano Quatuor: piano, violon, alto, violoncelle
47
Piano (partie séparée)
32
Orgue, Piano (duo)
16
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Piano Quatuor: piano, 2 violons, violoncelle
14
Clavecin
13
Orgue, Trompette (duo)
12
1 Piano, 6 mains
5
Clavier
3
Fake Book
2
2 Accordéons
1
Ensemble d'Accordéons
1
Accordéon, Piano
1
Ligne De Mélodie, Piano
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
827
Guitare
534
Ukulele
278
Ligne De Mélodie, (Paroles) et Accords
172
Dulcimer
98
Basse electrique
93
2 Guitares (duo)
71
Guitare (partie séparée)
59
Mandoline
39
Piano, Guitare (duo)
34
4 Guitares (Quatuor)
33
Paroles et Accords
22
Banjo
18
2 Dulcimers (duo)
17
3 Guitares (trio)
14
Ensemble de guitares
9
Mandoline, Guitare (duo)
5
Ukulele Baryton
5
2 Mandolines (duo)
3
Ensemble de Ukulélés
3
Mandoline, Piano (duo)
3
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
Guitare Pedal Steel
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
3 252
Chorale 3 parties
901
Chorale 2 parties
765
Chorale TTBB
464
Chorale Unison
360
Chorale SSAA
327
Voix duo, Piano
203
Voix Soprano, Piano
135
Voix Tenor, Piano
101
Voix duo
77
Voix Alto, Piano
77
Voix Baryton, Piano
56
Voix haute
36
Voix seule
27
Voix moyenne, Piano
24
Chorale SSAATTBB
16
Voix basse, Piano
14
Chorale
13
Voix Tenor
10
Voix Mezzo-Soprano, Piano
6
Voix basse
5
Chorale SSATB
5
Chorale SSATTB
3
Pack Instrumental pour Chorale
3
Voix Soprano
3
Soli, choeur mixte et accompagnement
2
Chorale SATBB
2
Voix duo, Orgue
1
Chorale SSAB a cappella
1
Chorale SATTBB A Cappella
1
Chorale SSAB, Piano
1
Voix, Guitare
1
+ 27 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
766
Flûte traversière et Piano
670
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
616
Flûte, Hautbois, Clarinette, Basson
612
Clarinette et Piano
534
Hautbois, Piano (duo)
447
Clarinette
408
2 Saxophones (duo)
388
Saxophone Alto et Piano
363
Flûte traversière
359
Quintette de Saxophone: 5 saxophones
355
Saxophone (partie séparée)
317
2 Flûtes traversières (duo)
315
Flûte à bec Soprano
296
Ocarina
287
Quatuor de Clarinettes: 4 clarinettes
286
Saxophone Tenor et Piano
274
Saxophone Alto
262
2 Clarinettes (duo)
234
Flûte à bec Alto
224
Harmonica
216
Saxophone Soprano et Piano
207
Saxophone Tenor
194
Hautbois (partie séparée)
174
Quatuor de Flûtes : 4 flûtes
174
3 Saxophones (trio)
148
Flûte, Clarinette (duo)
130
Saxophone Baryton, Piano
127
Ensemble de Clarinettes
127
3 Clarinettes (trio)
117
Ensemble de saxophones
108
Quintette de Clarinettes: 5 clarinettes
96
2 Hautbois (duo)
90
Ensemble de Flûtes
85
Clarinette, Violon (duo)
78
Hautbois, Basson (duo)
75
Trio de Flûtes: 3 flûtes
71
Cor anglais, Piano
71
2 Flûte à bec (duo)
66
Hautbois, Clarinette (duo)
62
Hautbois
60
Quintette de Flûte : 5 flûtes
59
Clarinette, Basson (duo)
55
Saxophone, Clarinette (duo)
54
Clarinette Basse, Piano
54
Hautbois, Violoncelle
52
Flûte et Guitare
47
2 Flûtes traversières, Piano
45
Flûte, Violoncelle
45
Flûte à bec Alto, Piano
44
Clarinette, Violoncelle (duo)
43
Flûte, Clarinette et Basson
43
Flûte, Hautbois, Clarinette (trio)
41
Flûte, Violon
41
Flûte à Bec
38
Flute (partie séparée)
37
Clarinette (partie séparée)
36
Flûte, Alto (duo)
36
Clarinette, Trompette (duo)
36
Flûte, Violon, Piano
35
Quatuor de Flûtes à bec
34
Hautbois, Flûte
34
Flûte, Clarinette, Piano (trio)
33
Clarinette et Alto
33
Hautbois, Clarinette, Basson (trio d'anches)
31
Saxophone Soprano
27
Flûte, Hautbois, Basson
25
Flûte, Hautbois (duo)
23
Flûte, Saxophone (duo)
22
Flûte, Violoncelle, Piano (trio)
22
Flûte, Trompette (duo)
21
Clarinette, Guitare (duo)
21
5 Flûtes à bec
20
2 Clarinettes, Piano
20
Flûte, Alto et Piano
19
Clarinette, Violoncelle, Piano (trio)
18
Flûte, Hautbois, Piano (trio)
18
Flûte, Violon et Violoncelle
16
Flûte, Clarinette, Cor, Basson (Quartet)
15
Flûte à Bec, Piano
14
Flûte, Basson et Piano
14
Saxophone Baryton
14
Flûte, trombone et piano
14
Hautbois, violon (duo)
13
Hautbois et alto (duo)
13
Cor Anglais
12
Flûte à bec Tenor
9
Flûte à bec Soprano, Piano
9
Flûte, Violon, Violoncelle et Piano
9
3 Flûtes à bec (trio)
9
Flute, harpe et violon
7
Clarinette, Harpe (duo)
7
Hautbois, trombone (duo)
7
Saxophone
6
Flûte, Trombone (duo)
6
Clarinette, Tuba
6
Instruments en Mib
6
Clarinette, Trombone (duo)
6
Flûte irlandaise
6
Flûte, Tuba (duo)
5
3 Hautbois
5
Hautbois, Violoncelle et Piano
5
Clarinette, Alto et Piano (trio)
5
4 Hautbois
5
Piccolo, Piano
5
Hautbois, Violon, Piano
5
Clarinette Basse
4
Cor anglais, Guitare (duo)
4
Ensemble de Hautbois
4
2 Clarinettes, Basson
4
2 Saxophones, Piano
4
Hautbois, Basson et Piano
4
Hautbois, Clarinette et Piano (Trio)
4
Saxophone et Guitare
4
Ensemble De Flûte à bec
4
Clarinette, trompette et piano
4
Flûte et Trio à cordes
3
Flûte, Violoncelle, Guitare
3
Clarinette, Basson, Piano (trio)
3
Hautbois, Guitare (duo)
3
Piccolo
3
Saxophone et Orgue
3
Flûte, Harpe et Violoncelle
3
Hautbois, Harpe
3
Flûte, Hautbois, Violon
3
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flûte, Alto et Violoncelle
2
2 Cors Anglais Et Pianoforte
2
Cornemuse
2
Flûte, Clarinette, Violon (trio)
2
Flûte, alto et harpe
2
Ensemble à vent
2
Clarinette, Orgue
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
2 Flûtes, Basse continue
1
Clarinette, Saxophone, Piano
1
Flûte, Violon, Guitare
1
2 Hautbois, Piano
1
Flûte de Pan
1
2 Flûtes traversières, Harpe
1
Flûte à bec Alto, Basse continue
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et Piano
1
Flûte traversière, Orgue (duo)
1
Hautbois, Trompette (duo)
1
+ 140 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
754
Trompette
477
Quatuor de Cuivres : 2 trompettes, trombone, tuba
464
Trombone et Piano
403
Trompette, Piano
394
Cor et Piano
323
Trombone
222
Quatuor de Cuivres
205
Cor
197
Trombone (partie séparée)
187
Trompette (partie séparée)
179
Quatuor de Cuivres: 2 trompettes, Cor, trombone
176
Tuba
144
Tuba et Piano
144
2 Trombones (duo)
131
2 Trompettes (duo)
127
Quatuor de cuivres: 4 trombones
101
Euphonium, Piano (duo)
93
2 Cors (duo)
85
Ensemble de Trompettes
78
Trompette, Trombone (duo)
74
Cor anglais, Piano
71
Ensemble de Trombones
62
Quatuor de cuivres: 4 cors
55
Cor (partie séparée)
46
Trompette, Saxophone (duo)
45
Quatuor de cuivres: 4 trompettes
36
Trio de Cuivres
35
Trompette, Cor (duo)
32
Tuba (partie séparée)
30
2 Tubas (duo)
24
Euphonium
23
Ensemble de Cors
21
3 Trompettes (trio)
20
3 Trombones (trio)
18
Cor, Violoncelle (duo)
15
Trompette, Basson (duo)
14
Trompette, Violoncelle (duo)
14
Quatuor de cuivres: 2 trompettes, 2 trombones
13
4 Tubas
12
Cor Anglais
12
2 Euphoniums et 2 Tubas
11
Trompette, Tuba (duo)
11
Trompette, Violoncelle et Piano
11
Trombone, Cor (duo)
10
Trombone, Violon (duo)
9
Cor et Basson (duo)
9
Tuba et Orgue
8
Trompette, Trombone, Piano
8
3 Cors (trio)
6
Trombone basse et Piano
6
Instruments en Sib
6
Bass Clef Instruments
5
Trombone, Tuba (duo)
5
Cor et Harpe
5
2 Euphoniums (duo)
5
Cor anglais, Guitare (duo)
4
Euphonium, Tuba (duo)
4
Cor, Tuba (duo)
4
Instruments en Fa
4
Trombone basse
3
3 Euphoniums
3
2 Trompettes, Clavier (piano ou orgue)
3
3 Tubas (trio)
3
Trompette, Harpe
3
2 Cors Anglais Et Pianoforte
2
2 Cors, Piano
2
Trombone, Orgue
2
Cor, Trompette, Trombone (trio)
1
Trombone et orchestre
1
Ensemble de Tubas
1
Cor et Orgue
1
Trompette, violon (duo)
1
+ 68 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 835
Violon et Piano
904
Violoncelle, Piano
610
Violon
573
Alto, Piano
525
Violoncelle
437
Violon, Violoncelle (duo)
391
Trio à Cordes: violon, alto, violoncelle
345
Harpe
333
Alto seul
246
2 Violons (duo)
238
Quintette à cordes: 2 violons, alto, violoncelle, basse
215
2 Violoncelles (duo)
197
Trio à Cordes: 2 violons, violoncelle
176
Violon, Alto (duo)
162
2 Harpes (duo)
136
Contre Basse
135
Contrebasse, Piano (duo)
132
2 Altos (duo)
123
Violon (partie séparée)
105
Alto (partie séparée)
100
Contrebasse (partie séparée)
70
Alto, Violoncelle (duo)
68
4 Violoncelles
52
Trio à cordes: 3 violins
40
Trio à Cordes: 3 violoncelles
37
Violon, Basson (duo)
35
Piano Trio: Violon, Alto, Piano
34
Quatuor à cordes: 4 violons
26
Violoncelle (partie séparée)
26
Violon, Guitare (duo)
26
Trio à cordes: 3 altos
22
Harpe, Flûte (duo)
21
Quatuor à cordes : 4 altos
18
2 Contrebasses (duo)
16
Trio à Cordes: 2 violons, alto
16
Alto et Basson
16
Quintette à cordes : 2 violons, alto et 2 violoncelles
15
Ensemble de Violons
14
Ensemble d'Altos
13
Violoncelle, Contrebasse (duo)
12
Violon, Clarinette, Piano (trio)
12
Harpe, Violon (duo)
10
Harpe, Voix
10
Violon, Tuba (duo)
8
Alto, Guitare (duo)
8
Violoncelle , Guitare (duo)
7
Harpe, Violoncelle (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
2 Violons, Piano
5
Alto et Harpe
5
Violon, Basse continue
4
2 Altos, Piano
3
Flûte, Contrebasse (duo)
3
Harpe, Violon, Violoncelle
3
Violoncelle, Orgue
2
3 Contrebasses
2
Alto et orchestre
2
Harpe et Piano
2
Harpe, Trombone (duo)
2
Violon, Orgue
2
Ensemble de Violoncelles
2
Violoncelle, Orchestre
2
Violon, Trompette et Piano
1
4 Contrebasses
1
2 Violoncelles, Piano
1
Trio à cordes
1
2 Violons et Basse continue
1
3 Harpes
1
Violon, Violoncelle, Clarinette
1
Autoharp
1
Harpe et mandoline
1
Violoncelle, Basse continue
1
+ 68 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 215
Orchestre
765
Orchestre à Cordes
748
Ensemble Jazz
518
Ensemble de cuivres
438
Cloches
347
Orchestre de chambre
234
Fanfare
178
Jazz combo
119
Ensemble de Percussions
83
Batterie
62
Percussion (partie séparée)
33
Batterie (partie séparée)
30
Marimba
27
Vibraphone
18
Xylophone, Piano
17
Xylophone
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
2 Xylophones
7
Percussion
5
Orchestre, Violon
4
Quintette de Cuivres: autres combinaisons
4
Timbales (partie séparée)
2
Piano et Orchestre
2
Ensemble d'École
2
Vibraphone et Marimba
1
2 Marimbas
1
Xylophone (partie séparée)
1
Cajon
1
Voix et Orchestre
1
Conga
1
3 Percussions
1
Big band
1
2 Caisses Claires (duo)
1
3 Marimbas
1
+ 30 instrumentations
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Autres
Théorie de la musique
4
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Instruments
ACCORDEON
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AUTRES INST…
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BASSON
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
In The End
Orchestre d'harmonie
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3 215 partitions trouvées
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3201
Variations on a Theme in D Flat
#
Orchestre d'harmonie
#
FACILE
#
Contemporain
#
Kendra Brown
#
Variations on a Theme in D Fla
#
Kendra Brown
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323)....
(+)
Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ri...
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Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Full Score
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chin
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Jeremy Goh
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by ...
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Concert Band - Level 3 - SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by Jeremy Goh (A0.1027334). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$5.99
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
The Best Hymns of All Time (for Wind Instruments) Book 3
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin K...
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Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
The Dancing Forest
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Orchestre d'harmonie
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INTERMÉDIAIRE
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New Age
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Contemporain
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Ben Ledochowski
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The Dancing Forest
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Ben Ledochowski
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1023643 Composed by Ben Ledochowski. Contemporary,New Age. Score and parts. 31 pages. Ben Ledochowski #6217581. Publish...
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Concert Band - Level 3 - SKU: A0.1023643 Composed by Ben Ledochowski. Contemporary,New Age. Score and parts. 31 pages. Ben Ledochowski #6217581. Published by Ben Ledochowski (A0.1023643). Far to the westernmost regions of Russia, and then farther still, there is a place known as theDancing Forest of Kaliningrad. It is a mysterious, otherworldly place where trees grow in tangles,knots, and other unfathomable shapes, a place described by local psychics as a point of conflict where great positive and negative forces collide. Due to its remarkable air of mystery, the forest has woven its way into the legends and folklore of the region. My personal favorite legend about it goes as follows: The Prussian prince Barty used to hunt in these forests. Chasing a Roe deer one day, heheard a wonderful tune, and as he came to a field, he saw a beautiful girl playing a lyre. She was a Christian and her name was Predislava. The prince proposed to her but she replied that she would marry only a man of her faith. Prince Barty agreed to become a Christian as long as she could prove the power of her invisible God was more powerful than the surrounding trees. Predislava played her lyre. Birds grew silent, and the trees started dancing. The prince then took a bracelet from his hand and gave it to her as a token of their betrothal. On this very spot, many years later, there grew the Dancing Forest.This piece is my homage to the Dancing Forest of Kaliningrad and all its associated legends. Premiered by the Santa Teresa High School Concert Band in May 2019, the work is scored for a concert band of intermediate size and skill level and is designed to help introduce high school musicians to modal music and unconventional key signatures. Furthermore, the piece is inspired by multiple rhythmic and harmonic elements of rock and folk music in an attempt to help bridge the gap between popular music and contemporary wind ensemble repertoire. Enjoy!
$19.99
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
The Best Hymns of All Time (for Wind Instruments) Book 2
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin K...
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Concert Band - Level 2 - SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin Kirkpatrick Publications #5726781. Published by Colin Kirkpatrick Publications (A0.522171). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 123-page PDF file for instant download. Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland) Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflügen); Lead Us, Heavenly Father, Lead Us (Mannheim). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
The Merry Christmas Polka
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Noël
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Paul Francis Webster and Sonny
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The Merry Christmas Polka
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1127752 Composed by Paul Francis Webster and Sonny Burke. Arranged by Brendan James Elliget MAGA 537. Christmas,Contemp...
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Concert Band - Level 3 - SKU: A0.1127752 Composed by Paul Francis Webster and Sonny Burke. Arranged by Brendan James Elliget MAGA 537. Christmas,Contemporary. 75 pages. BJE Music #728359. Published by BJE Music (A0.1127752). The Merry Christmas Polka - Concert Band The Merry Christmas Polka was written by Sonny Burke, and Paul Francis Webster and was first recorded in March 1949. It has been performed by Dinah Shore and the Andrew Sisters among many others. This bright arrangement is for the Concert Band with an optional part for Piano and Lead Vocal. There are parts for Trombones 1-2 in BC and TC, Horns in Eb and F, Basses in Eb, Bb, and C, and Euphonium in BC and TC. The Vocal Lead Sheets can be viewed at the end of the video... Score and Parts can be purchased from Sheet Music Plus or Sheet Music Direct. Words by Paul Francis Webster Music by Sonny Burke Arranged by Brendan Elliget MAGA 537 Copyright © 1949 by Alamo Music, Inc. Copyright Renewed, Assigned to Chappell & Co. and Webster Music Co. International Copyright Secured All Rights Reserved The Lyrics: “They're tuning up the fiddles now The fiddles now, the fiddles now There's wine to warm the middles now And set your head awhirl. Around and round the room we go The room we go, the room we go Around and round the room we go, So get yourself a girl. Now ev'ry heart will start to tingle, When sleigh bells jingle on Santa's sleigh Together we will greet Kris Kringle And another Christmas Day. Come on and dance the merry Christmas polka Let ev'ryone be happy and gay Oh, it's the time to be jolly and deck the halls with holly So let's have a jolly holiday Come on and dance the merry Christmas polka Another joyous season has begun Roll out the Yuletide barrels and sing out the carols, A merry Christmas ev'ryone! Come on and dance the merry Christmas polka Let ev'ry lady step with her beau Around a tree to the ceiling with lots of time for stealing Those kisses beneath the mistletoe. Come on an dance the merry Christmas polka With ev'rybody joining in the fun Roll out the barrels that cheer you, And shout till they hear you, A merry Christmas ev'ryone!â€.
$50.00
God Defend New Zealand (National Anthem) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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Patriotique
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John Joseph Woods 1876
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Brendan Elliget MAGA 537
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God Defend New Zealand
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Brendan Elliget
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SheetMusicPlus
Composed by John Joseph Woods 1876. Arranged by Brendan Elliget MAGA 537. Patriotic. Score, Set of Parts. 39 pages. Published by Brendan Elliget...
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Composed by John Joseph Woods 1876. Arranged by Brendan Elliget MAGA 537. Patriotic. Score, Set of Parts. 39 pages. Published by Brendan Elliget
"God Defend New Zealand" was written as a poem in the 1870s by Irish-born, Victorian-raised immigrant Thomas Bracken of Dunedin. A competition to compose music for the poem was held in 1876 by The Saturday Advertiser and judged by three prominent Melbourne musicians, with a prize of ten guineas. The winner of the competition was the Tasmanian-born John Joseph Woods of Lawrence, New Zealand who composed the melody in a single sitting the evening after finding out about the competition. The song was first performed at the Queen?s Theatre, Princes Street, Dunedin, on Christmas Day, 1876. [Wikipedia]
This arrangement is for Concert Band and with optional Strings and Piano parts included (but not shown on the score) - Lower Key of F (Original in G) ? If singing the words for more than one verse, accompaniment can be varied eg. Woodwind only for one verse ? as in the MP3 recording with was recorded with NotePerformer. Also available MARCH CARD format...
Duration = 2:00 mins Grade 2-3
$20.00
Oot-kwa-tah, Dance of the Seven Sisters
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Publish...
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Concert Band - Level 4 - SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75
Fanfare For The Fallen
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Orchestre d'harmonie
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INTERMÉDIAIRE
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George Willson
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Fanfare For The Fallen
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George Willson
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.927174 Composed by George Willson. 20th Century,Contemporary,Patriotic. Score and Parts. 70 pages. George Willson #4607...
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Concert Band - Level 3 - SKU: A0.927174 Composed by George Willson. 20th Century,Contemporary,Patriotic. Score and Parts. 70 pages. George Willson #4607975. Published by George Willson (A0.927174). War, by its nature, claims the lives of those who enter it, and over the course of history, many have fallen in the service of their countries who have gone to war for one reason or another. Fanfare for the Fallen seeks to honor those who have fallen in service and conjure the image of them marching into their glorious afterlife. Christianity holds that there is no greater love than laying down one's life for another, and many cultures believe that dying in battle yields glory in the great beyond. So whether marching into heaven, Valhalla or some other bright light at the end of the tunnel, let this music provide the soundtrack of trumpeting angels and one last ticker tape parade as these warriors are welcomed into their eternal home.This is a piece of intermediate difficulty with a nice melody and a John Williams' Olympic Fanfare feel to it. While the trumpets soar in their high registers for the heralding sections, the range for the rest of the piece (and the rest of the band) stays mostly in the center of the instruments. While 32nd notes are found here and there, the tempo sitting at around 80 keeps their difficulty, as well as the 16th note woodwind runs, in check. George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$35.00
Celebrating the Fourth
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Samuel Livingston
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Celebrating the Fourth
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS167-S Composed by Samuel Livingston. Score. 20 pages. Imagine Music - Digital #CBS167-S. Published by Imagine Music ...
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Concert band - Grade 4 - SKU: IZ.CBS167-S Composed by Samuel Livingston. Score. 20 pages. Imagine Music - Digital #CBS167-S. Published by Imagine Music - Digital (IZ.CBS167-S). 9 x 12 in inches.The title of this piece is a musical pun. It refers to a Fourth-of-July celebration, with fireworks, games, and patriotic music. But it also refers to the musical interval of a fourth. All of the themes in the piece are built, in some way, around the interval of a fourth. The composition of the piece actually began as a musical idea - piling up fourths and resolving to a major chord. That idea led to the title of the piece and the decision to make the interval of a fourth a prominent feature of all the themes.To convey the idea of fireworks, I used rising sixteenth-note runs in the high woodwinds, followed by a cymbal crash. That pattern appears at the opening, at the ending, and at one other point in the piece. To convey the idea of games, I used a playful theme stated by a solo trumpet and piccolo and repeated in the woodwinds; the second half of the theme is a counterpoint within sections. The patriotic music is suggested by two different kinds of themes - two anthem-like themes (think of America the Beautiful or God Bless America) and a vigorous march, which is introduced in the middle of the piece and repeated near the end. The piece opens and ends with the idea that led to its creation - piling up fourths and resolving to a major chord - accompanied by the sixteenth-note runs in the high woodwinds and the cymbal crash.
$12.00
Celebrating the Fourth
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Samuel Livingston
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Celebrating the Fourth
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS167 Composed by Samuel Livingston. Score and Parts. 99 pages. Imagine Music - Digital #CBS167. Published by Imagine ...
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Concert band - Grade 4 - SKU: IZ.CBS167 Composed by Samuel Livingston. Score and Parts. 99 pages. Imagine Music - Digital #CBS167. Published by Imagine Music - Digital (IZ.CBS167). 9 x 12 in inches.The title of this piece is a musical pun. It refers to a Fourth-of-July celebration, with fireworks, games, and patriotic music. But it also refers to the musical interval of a fourth. All of the themes in the piece are built, in some way, around the interval of a fourth. The composition of the piece actually began as a musical idea - piling up fourths and resolving to a major chord. That idea led to the title of the piece and the decision to make the interval of a fourth a prominent feature of all the themes.To convey the idea of fireworks, I used rising sixteenth-note runs in the high woodwinds, followed by a cymbal crash. That pattern appears at the opening, at the ending, and at one other point in the piece. To convey the idea of games, I used a playful theme stated by a solo trumpet and piccolo and repeated in the woodwinds; the second half of the theme is a counterpoint within sections. The patriotic music is suggested by two different kinds of themes - two anthem-like themes (think of America the Beautiful or God Bless America) and a vigorous march, which is introduced in the middle of the piece and repeated near the end. The piece opens and ends with the idea that led to its creation - piling up fourths and resolving to a major chord - accompanied by the sixteenth-note runs in the high woodwinds and the cymbal crash.
$80.00
Endless Routes
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Joseph Hasper
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Endless Routes
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Joseph Hasper
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1153134 Composed by Joseph Hasper. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score and parts....
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Concert Band - Level 3 - SKU: A0.1153134 Composed by Joseph Hasper. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 93 pages. Joseph Hasper #753375. Published by Joseph Hasper (A0.1153134). There are five main sections in this piece, each lasting exactly 21 measures. Why this unlikely number? I chose this number because the percussion parts, which are the driving force behind the piece, are based repeating patterns of 6, 7, and 8 eighth notes. It works out that these patterns only line up every 168 half-beats—which happens only at the end of 21 measures! The title for this piece was provided by Armstrong High School student Aaron Baker and was used as inspiration for the work. The phrase “endless routes†guided my decision to have several main themes instead of just one or two. The themes are widely different in character but share the feature that they each go to the same place—the very last half of the last beat of every twenty-first measure. The Minimalist style of music often features short musical fragments that are repeated many times in different combinations, and I used that technique to create a seemingly “endless†effect in the percussion parts. The percussion parts also use a colotomic structure, a technique often used in gamelan music of the far East. Unlike Western music, which generally has a strong accent on the first beat of a phrase, colotomic music accents the last beat of a phrase. You can hear this in Endless Routes when the percussion parts all become aligned and hit a simultaneous accent at the end of each section. This piece was commissioned and premiered by the Armstrong High School, under the direction of Jason Venesky. Mr. Venesky is a veteran teacher with over twenty years of experience in the Armstrong School District. He is a graduate of Carnegie Mellon University with a Bachelor of Fine Arts in Music Performance (Tuba) and Music Education Certification and an active performer as Principal Tuba for the Butler County Symphony Orchestra; tubaist for the Armstrong Brass Quintet and Windsor Brass Quintet; and Bass Trombonist for the Gibbons Big Band. Mr. Venesky is currently Instructor of Tuba at Grove City College and Music Director for the Kittanning Community Band. Includes a full score and complete set of parts.
$40.00
The True Heroes
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Classique
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Keiron Anderson
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The True Heroes
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Songburd Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1411069 Composed by Keiron Anderson. Classical,Contemporary. 124 pages. Songburd Music #993415. Published by Songburd M...
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Concert Band - Level 5 - SKU: A0.1411069 Composed by Keiron Anderson. Classical,Contemporary. 124 pages. Songburd Music #993415. Published by Songburd Music (A0.1411069). Keiron Anderson brings us music for the moment, and perhaps no other moment yet in the 21st Century has revealed the vulnerable nature of humanity, and the interconnectedness of our world more than the COVID-19 pandemic, officially announced on March 11, 2020 by the World Health Organization.  The True Heroes is a piece that tells a part of the dramatic story of the struggles, heartaches and triumphs of the world’s medical professionals, and all who were a part of the health care industry to whom this piece is dedicated.  Using a dissonance in the chords, structured upon two perfect fifths a semi-tone apart, Anderson opens the story with suddenness and a pushed tempo that conveys an urgency and anxiety about the growing pandemic, and depicts how the health care workers are not people with super-powers, but rather individuals who are committed to self-sacrifice in using their skills to save the lives of others. The crisis is not over as we reach the middle of the piece where the tempo slows to a more thoughtful pace, allowing the health care worker (and the listener) a moment to rest, to reflect and to meditate, and to give enough time for the emotions to mend and energy to rebuild while the pandemic rages on around them.  Then the music once again resumes its original pace with growing fanfare for the health care worker and their resilience in the face of a momentous task, leading to a more dramatic and triumphal sound and force to conclude the piece.
$125.00
Western Legends
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Orchestre d'harmonie
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FACILE
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Judith Katz
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Western Legends
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 2 - SKU: IZ.CBW1811-S Composed by Judith Katz. Score. 17 pages. Imagine Music - Digital #CBW1811-S. Published by Imagine Music - Di...
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Concert band - Grade 2 - SKU: IZ.CBW1811-S Composed by Judith Katz. Score. 17 pages. Imagine Music - Digital #CBW1811-S. Published by Imagine Music - Digital (IZ.CBW1811-S). 9 x 12 in inches.Since the earliest days of cinema, music has played a vital role in helping people understand both, the mood and the plot. Whether it was the movie house pianist, in the case of silent films, or the composer of a full score, the musician could, cleverly, portray characters with their individual themes, or leit motifs. The development of the theater organ came about to provide music and sound effects for the first three decades of the 20th Century. The tradition of iconic music themes carried well into radio, television, and in more modern times, video games.Growing up in New York City, I was able to view more than my fair-share of both movie house westerns, as well as TV shows. Saturday mornings were filled with Lone Ranger, Cisco Kid, and Hopalong Cassidy episodes with their own themes. The bad guy had his theme, as well as the good guy. You cheered, or you booed to the one you connected with. Big screen westerns almost always had their theme songs, and almost always sung by Frankie Laine.Western Legends is an homage to the radio, television, and film composers whose scores will always be etched on my mind.
$10.00
Western Legends
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Orchestre d'harmonie
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FACILE
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Judith Katz
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Western Legends
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 2 - SKU: IZ.CBW1811 Composed by Judith Katz. Score and Parts. 55 pages. Imagine Music - Digital #CBW1811. Published by Imagine Musi...
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Concert band - Grade 2 - SKU: IZ.CBW1811 Composed by Judith Katz. Score and Parts. 55 pages. Imagine Music - Digital #CBW1811. Published by Imagine Music - Digital (IZ.CBW1811). 9 x 12 in inches.Since the earliest days of cinema, music has played a vital role in helping people understand both, the mood and the plot. Whether it was the movie house pianist, in the case of silent films, or the composer of a full score, the musician could, cleverly, portray characters with their individual themes, or leit motifs. The development of the theater organ came about to provide music and sound effects for the first three decades of the 20th Century. The tradition of iconic music themes carried well into radio, television, and in more modern times, video games.Growing up in New York City, I was able to view more than my fair-share of both movie house westerns, as well as TV shows. Saturday mornings were filled with Lone Ranger, Cisco Kid, and Hopalong Cassidy episodes with their own themes. The bad guy had his theme, as well as the good guy. You cheered, or you booed to the one you connected with. Big screen westerns almost always had their theme songs, and almost always sung by Frankie Laine.Western Legends is an homage to the radio, television, and film composers whose scores will always be etched on my mind.
$50.00
The Cabinet of Dr. Caligari
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Ian Deterling
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Flutes 1, 2
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The Cabinet of Dr. Caligari
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Ian Deterling
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.742975 Composed by Ian Deterling. Contemporary,Film/TV,Halloween. Score and parts. 86 pages. Ian Deterling #3587379. Pu...
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Concert Band - Level 4 - SKU: A0.742975 Composed by Ian Deterling. Contemporary,Film/TV,Halloween. Score and parts. 86 pages. Ian Deterling #3587379. Published by Ian Deterling (A0.742975). The Cabinet of Dr. Caligari is silent German expressionist film from 1920. Considered by many to be the first 'true' horror film, Caligari was incredibly innovative with its use of cinematography, warped sets, and the first substantial use of what is now known as the ‘plot-twist’ ending. The title character of the film, Dr. Caligari, has a cabinet - (believe it or not!) - and in this cabinet lives the somnambulist (the sleepwalker), Cesare, who goes around carrying out Caligari's evil deeds. Directed by Robert Wiene and staring Werner Krauss and Conrad Veidt, The Cabinet of Dr. Calagari continues to influence, inspire, and captivate filmmakers even today. This work for concert band makes use of several themes used in Deterling's orchestral score that he composed to accompany the film:’Dr. Caligari’ theme [A] - first heard in alto saxophones and horns (measures 5-6).‘Dr. Caligari’ theme [B] - first heard in clarinets 1, 2 and trumpets (measures 13-14).‘Cesare’ theme - first heard in low winds and low brass (measures 20-22).‘Jane/Love’ theme - first heard in horns and trombones (measures 61-64).‘Plot twist is about to happen’ theme - first heard in clarinets (measures 113-116).Piccolo; Flutes 1, 2; Oboe; Bassoons 1, 2; Clarinets in Bb 1-3; Bass Clarinet in Bb; Contrabass Clarinet; Alto Saxophones 1, 2; Tenor Saxophone; Baritone Saxophone; Trumpets in Bb 1-3; Horns in F 1-4; Trombones 1, 2; Bass Trombone; Euphonium; Tuba; Double Bass; Percussion 1 (Bass Drum, Tambourine); Percussion 2 (Suspended Cymbal, Tam-tam, Triangle, High-Hat, Crash Cymbals); Xylophone; TimpaniSpecial note: the Bassoon 2, Contrabass Clarinet, Horns 2 & 4, and Double Bass parts are optional because they’re always either doubled or cued in other parts. Score and set of parts. https://www.youtube.com/watch?v=ueywDp-gtTY
$68.00
The Privateers
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Craig Wadley
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The Privateers
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Wadley Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.983162 Composed by Craig Wadley. Concert,Contemporary,Standards. Score and parts. 102 pages. Wadley Publications #30438...
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Concert Band - Level 3 - SKU: A0.983162 Composed by Craig Wadley. Concert,Contemporary,Standards. Score and parts. 102 pages. Wadley Publications #3043809. Published by Wadley Publications (A0.983162). The Privateers is a swashbuckling depiction of an oceangoing pirate adventure, presented in the form of a march. The piece starts with a brief fanfare, followed immediately by a rousing melody in the style of an old sea-shanty. Images of sailing upon an endless sea of stars come to mind as a tranquil nocturne is presented, but the peace is shattered as cutlasses and sabers clash in a dogfight sure to end in Davy Jones’ locker! The music swells to a dramatic conclusion as our mighty galleon surges across a stormy sea. Instrumentation The Privateers comes with full sets of both concert/stage and marching/field parts, allowing for great flexibility in your performance venues. Contemporary marching bands and drum & bugle corps utilize specialized field percussion which is typically not used in a concert setting. With this piece, the use of outdoor percussion (quad toms and a tonal bass drum line) onstage is encouraged, although not required. A single bass drum line is included which may be used instead of (or in addition to) the tonal bass drum line, and the Quad Toms part may be omitted. A piano part is included, primarily for optional use indoors as a color instrument for the ensemble. However, smaller bands in particular may find it useful for filling out the accompaniment line if instrumentation is limited. Optionally, a very small ensemble of melodic instruments could be used, with the piano acting as a full-fledged accompaniment. Several optional parts are included, such as Eb and Bb Horn, for ensembles with limited instrumentation. Also, the two Low Winds parts should be distributed equally across trombone, baritone/euphonium, and tenor sax players. Double reed parts are not included. Double these instruments on appropriate parts to suit the needs of your ensemble. Teaching Points Meter – The alternation of 6/8 and 4/4 with a constant pulse (rather than a constant 8th note) provides an excellent opportunity to teach your students to shift the subdivision of the beat from triple to duple and back again. Chromaticism & Accidentals – There is a recurring passage which features the prominent use of secondary dominants, or circle of fifths chord motion. Students can learn a few less-than-common accidentals and enharmonics, while also getting a larger lesson in music theory.
$24.99
The Lady Oriana - Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Brendan James Elliget NotePerf
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Brendan James Elliget
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The Lady Oriana - Concert Band
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1039884 By Brendan James Elliget NotePerformer 3. By John Wilbye (1574-1638). Arranged by Brendan James Elliget. Baroqu...
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Concert Band - Level 3 - SKU: A0.1039884 By Brendan James Elliget NotePerformer 3. By John Wilbye (1574-1638). Arranged by Brendan James Elliget. Baroque,Classical. Score and parts. 41 pages. BJE Music #644754. Published by BJE Music (A0.1039884). “The Lady Oriana Was dight all in the treasures of Guiana; And on her Grace, a thousand graces tended: And thus sang they, fair Queen of peace and plenty; The fairest queen of twenty: Then with an olive wreath, for peace renowned, Her virgin head they crowned: Which ceremony ended, Unto her Grace the thousand graces bended. Then sang the shepherds and nymphs of Diana, Long live fair Oriana.†A 16th Century composition by John Wilbye originally composed as a Madrigal set for six voices (SSATTB). This arrangement is for Concert Band. Extra optional parts for Horns in Eb and Basses in Eb and Bb are included. The only percussion parts are for Glockenspiel and Timpani. There is also a version for the Full Orchestra. Original Key of A Major changed to Ab Major. The MP3 was recorded with NotePerformer 3. Grade = 3.5 Duration = 2:35 mins.
$25.00
The Sands of Time Movement II: Go Down Moses
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Orchestre d'harmonie
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FACILE
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Peyton T
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The Sands of Time Movement II:
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Starkweather Arts Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts...
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Concert Band - Level 2 - SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts Publications #3686107. Published by Starkweather Arts Publications (A0.993114). This piece is intended for Field Opera: an orchestral Marching Band featuring theatre, ballet, and strings. This piece is elegant and suited for Orchestra, Wind Ensemble, and of course, Marching Band.The piece is one minute long and is meant to be suited next to other Egyptian features, such as the other movement of The Sands of Time. In the second movement of The Sands of Time, we further into Egyptian mythology with a cross arrangement of Go Down Moses, an African American Spiritual about the Harriet Tubman, whose codename was Moses among the slaves at the time and Aquarium, by Camille Saint-Saens from Carnival of The Animals.At the surface level, the concepts of these pieces have nothing in common, but musically, their melodies are quite similar. The piece is beautiful and catchy, despite its literal and lyrical meanings, although we can use this as a tool to delve from our time into an Egyptian fantasy.Audio Link:https://soundcloud.com/charmonicmajor/go-down-moses
$20.00
Nearer My God To Thee (Titanic) for Young Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Musique Sacrée
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Keith Terrett
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Keith Terrett
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Nearer My God To Thee
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett....
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Concert Band - Level 3 - SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Multicultural,Praise & Worship,Sacred,Traditional,World. 20 pages. Keith Terrett #615015. Published by Keith Terrett (A0.1009356). Nearer, My God, to Thee arranged for Young Concert Band, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
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