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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It's Only Life
Sheetmusicplus
Non classifié
215
Piano & claviers
Piano, Voix
73
Piano seul
60
Piano, Voix et Guitare
47
Instruments en Do
10
Piano Facile
9
Orgue
5
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare
9
Guitare notes et tablatures
4
4 Guitares (Quatuor)
2
Ukulele
2
2 Guitares (duo)
2
Mandoline
1
Basse electrique
1
Mandoline, Guitare (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
43
Chorale 3 parties
13
Chorale TTBB
8
Chorale SSAA
4
Chorale 2 parties
4
Voix Soprano, Piano
2
Voix Alto, Piano
1
Voix basse, Piano
1
Voix Baryton, Piano
1
Chorale Unison
1
Voix Tenor
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
20
Quatuor de Saxophones: 4 saxophones
19
Saxophone Tenor et Piano
19
2 Saxophones (duo)
18
Clarinette et Piano
17
Flûte, Hautbois, Clarinette, Basson
16
Saxophone Alto et Piano
15
Hautbois, Piano (duo)
15
Saxophone Soprano et Piano
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Quatuor de Clarinettes: 4 clarinettes
10
Saxophone Baryton, Piano
9
Clarinette
9
Quintette de Saxophone: 5 saxophones
8
Cor anglais, Piano
7
2 Clarinettes (duo)
6
Flûte traversière
6
Clarinette Basse, Piano
6
2 Flûtes traversières (duo)
6
2 Hautbois (duo)
5
Saxophone Alto
4
Flûte, Clarinette (duo)
3
Saxophone, Clarinette (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Baryton
2
Saxophone Soprano
2
Saxophone Tenor
2
Clarinette, Violon (duo)
2
Hautbois (partie séparée)
2
Clarinette, Trompette (duo)
2
Ensemble de Clarinettes
2
Hautbois
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois, Clarinette (duo)
2
Flûte et Guitare
2
Hautbois, Basson (duo)
2
Piccolo, Piano
1
Flûte, Saxophone (duo)
1
Hautbois, Flûte
1
Saxophone et Orgue
1
Cor anglais, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Ensemble de saxophones
1
3 Clarinettes (trio)
1
Clarinette et Alto
1
Flûte, Violoncelle
1
Ensemble De Flûte à bec
1
Flûte, Trompette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Basson
1
Quintette de Flûte : 5 flûtes
1
+ 49 instrumentations
Retracter
Cuivres
Trombone et Piano
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Cor et Piano
13
Trompette
13
Trompette, Piano
11
Euphonium, Piano (duo)
9
Tuba
7
Cor anglais, Piano
7
Tuba et Piano
6
2 Trompettes (duo)
5
2 Trombones (duo)
5
Trompette, Trombone (duo)
5
Trombone
5
2 Cors (duo)
4
Cor
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Tubas (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Euphonium
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
+ 18 instrumentations
Retracter
Cordes
Violon et Piano
23
Quatuor à cordes: 2 violons, alto, violoncelle
19
Alto, Piano
18
Violoncelle, Piano
17
2 Harpes (duo)
12
Violoncelle
7
Violon, Violoncelle (duo)
6
2 Violons (duo)
6
Violon
5
2 Violoncelles (duo)
5
2 Altos (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Alto seul
4
Violon, Alto (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
Contre Basse
2
Harpe, Violon, Violoncelle
2
2 Contrebasses (duo)
2
Contrebasse, Piano (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 violins
1
Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre
23
Orchestre d'harmonie
16
Orchestre de chambre
7
Cloches
6
Ensemble de cuivres
6
Orchestre à Cordes
5
Ensemble Jazz
4
Xylophone, Piano
1
Ensemble de Percussions
1
Jazz combo
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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CORNET
DEEJAY
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Vous avez sélectionné:
It's Only Life
SheetMusicPlus
Partitions à imprimer
16 partitions trouvées
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1
The Palatka Port March - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
David M
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The Palatka Port March - Score
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DMStewart Music
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.123968...
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Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
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Orchestre d'harmonie
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Contemporain
#
Neal Endicott
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Isn't It Enough to Think...Wit
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Neal Endicott Music
#
SheetMusicPlus
Concert Band - SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott...
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Concert Band - SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
$25.00
Winter's Breath (Symphonic Band & Solo Voice)
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Orchestre d'harmonie
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Jeffrey Ouper
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Winter's Breath
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Jeffrey Ouper
#
SheetMusicPlus
Concert Band - SKU: A0.866212 Composed by Jeffrey Ouper. Christian,Christmas,Contemporary. Score and parts. 29 pages. Jeffrey Ouper #2896541. Published ...
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Concert Band - SKU: A0.866212 Composed by Jeffrey Ouper. Christian,Christmas,Contemporary. Score and parts. 29 pages. Jeffrey Ouper #2896541. Published by Jeffrey Ouper (A0.866212). NOTE: This is the conductor's score only. It is legal size. The instrumental parts for the piece are a separate download.This version of Winter's Breath is scored for Symphonic Band and solo voice. It will make a great addition to your next holiday concert. The duration of the song is about 6 minutes. About the song:Winter’s Breath is an original Christmas song (original music and lyrics) composed in 2014. The lyrics embrace both a secular and religious message of peace, love, and hope inspired by the beauty of winter snow. I really wanted to write a more profound Christmas song with an important message embracing a modern view of Christmas since so many songs are commercialized or limited in meaning.Having lived in the Arizona desert since 2007, snow has become a novelty to me, and I was inspired by its beauty and the memories I had of winter growing up in northern Illinois. The chorus that repeats throughout the song presents an irony of winter warming the soul. I found this to be both interesting and also meaningful in that I was describing my new viewpoint of winter snow (seeing more beauty in it than before) and presenting a metaphor for life-one that encourages the listener to see the beauty in something that most northerners despise. The first verse begins with sensory perceptions including seeing, hearing, touching, and smelling various natural qualities of winter. The second verse describes the joy of children playing in the snow and their belief in winter stories. The third verse is directed at worrying adults with a message of hope for the future. The bridge encourages the listener to look past the negativity and differences in other people and look towards Christmas and the new year for a hope renewed. The final verse concludes with the traditional religious view of Christmas tradition.
$39.95
Souvenirs des Huguenots - Score Only
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Orchestre d'harmonie
#
AVANCÉ
#
Classique
#
Louise Farrenc
#
Robert Debbaut
#
Souvenirs des Huguenots - Scor
#
ROBERT DEBBAUT
#
SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1182001 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Romantic Period. 38 pages. ROBERT DEBBAUT ...
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Concert Band - Level 5 - SKU: A0.1182001 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Romantic Period. 38 pages. ROBERT DEBBAUT #781763. Published by ROBERT DEBBAUT (A0.1182001). Louise Farrenc (1804-1875) was the only woman to hold a professorship at a European Conservatory (Paris) in the 19th Century.  They would only allow her to teach piano, not composition, because she was undeniably a virtuoso pianist.  During her lifetime she mainly composed for piano, but also wrote works for the orchestra, including three symphonies, and a great deal of mixed chamber music. She wrote no works for wind band of any kind, yet she lived in a golden age of especially French band music. As such, I felt a new generation of music students should hear the music of this incredibly talented composer who had the misfortunate of being born female in the 19th Century. This work is certainly characteristic of the Romantic Era and would make a lovely concert overture. the main sub ject of her variations is Martin Luther's A Mighty Fortress is Our God. If you purchase this score (and like it), please write to me at debbaut@gmail.com, subject Farrenc and I will send you a copy of the wav file as well as a link to her original piano work (I;'ve not taken too many liberties). If you still like it, parts may be had for $100 via Venmo or personal check. Write to debbaut@gmail.com, subject Farrenc..
$9.99
It Is Well With My Soul
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Phillip P
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Dana Usealman
#
It Is Well With My Soul
#
Dana Usealman
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.897950 Composed by Phillip P. Bliss. Arranged by Dana Usealman. Christian,Praise & Worship,Spiritual. Score and parts. ...
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Concert Band - Level 2 - SKU: A0.897950 Composed by Phillip P. Bliss. Arranged by Dana Usealman. Christian,Praise & Worship,Spiritual. Score and parts. 20 pages. Dana Usealman #3861451. Published by Dana Usealman (A0.897950). It Well With My Soul for small Concert Band. Includes score and parts: Flute, Clarinet, Alto Sax 1, Alto Sax 2, Bb Trumpet, Trombone (or Baritone), Mallets, Bass Drum, and Cymbals. When I arranged this, I only had early elementary clarinet players so that part is entirely written below the break. It can be taken up an octave for more advanced players. There is a flute solo for your best flute player, it could also be omitted if necessary. The mallet part could also be omitted in a pinch. It Is Well With My Soul is a hymn penned by hymnist Horatio Spafford and composed by Philip Bliss. First published in Gospel Songs No. 2 by Ira Sankey and Bliss (1876), it is possibly the most influential and enduring in the Bliss repertoire and is often taken as a choral model, appearing in hymnals of a wide variety of Christian fellowships. Horatio Spafford's original lyrics are included below. I had verses 1, 2, 3, and 6 in mind for this arrangement: When peace like a river, attendeth my way,When sorrows like sea billows roll;Whatever my lot, Thou hast taught me to knowIt is well, it is well, with my soul.RefrainIt is well, (it is well),With my soul, (with my soul)It is well, it is well, with my soul.Though Satan should buffet, though trials should come,Let this blest assurance control,That Christ has regarded my helpless estate,And hath shed His own blood for my soul.My sin, oh, the bliss of this glorious thought!My sin, not in part but the whole,Is nailed to the cross, and I bear it no more,Praise the Lord, praise the Lord, O my soul!For me, be it Christ, be it Christ hence to live:If Jordan above me shall roll,No pang shall be mine, for in death as in life,Thou wilt whisper Thy peace to my soul.But Lord, 'tis for Thee, for Thy coming we wait,The sky, not the grave, is our goal;Oh, trump of the angel! Oh, voice of the Lord!Blessed hope, blessed rest of my soul.And Lord, haste the day when the faith shall be sight,The clouds be rolled back as a scroll;The trump shall resound, and the Lord shall descend,A song in the night, oh my soul!
$14.99
Winter's Breath (Symphonic Band & Solo Voice)
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Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Jeffrey Ouper
#
Winter's Breath
#
Jeffrey Ouper
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.866215 Composed by Jeffrey Ouper. Christian,Christmas,Contemporary. Score and parts. 74 pages. Jeffrey Ouper #2899041. ...
(+)
Concert Band - Level 3 - SKU: A0.866215 Composed by Jeffrey Ouper. Christian,Christmas,Contemporary. Score and parts. 74 pages. Jeffrey Ouper #2899041. Published by Jeffrey Ouper (A0.866215). NOTE: These are the instrumental parts only. The conductor score (legal size paper) is a separate download. All instrument parts and vocal piano reduction score is included in this download.This version of Winter's Breath is scored for Symphonic Band and solo voice. It will make a great addition to your next holiday concert. The duration of the song is about 6 minutes.About the song:Winter’s Breath is an original Christmas song (original music and lyrics) composed in 2014. The lyrics embrace both a secular and religious message of peace, love, and hope inspired by the beauty of winter snow. I really wanted to write a more profound Christmas song with an important message embracing a modern view of Christmas since so many songs are commercialized or limited in meaning.Having lived in the Arizona desert since 2007, snow has become a novelty to me, and I was inspired by its beauty and the memories I had of winter growing up in northern Illinois. The chorus that repeats throughout the song presents an irony of winter warming the soul. I found this to be both interesting and also meaningful in that I was describing my new viewpoint of winter snow (seeing more beauty in it than before) and presenting a metaphor for life-one that encourages the listener to see the beauty in something that most northerners despise.The first verse begins with sensory perceptions including seeing, hearing, touching, and smelling various natural qualities of winter. The second verse describes the joy of children playing in the snow and their belief in winter stories. The third verse is directed at worrying adults with a message of hope for the future. The bridge encourages the listener to look past the negativity and differences in other people and look towards Christmas and the new year for a hope renewed. The final verse concludes with the traditional religious view of Christmas tradition.
$39.95
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
Drive!
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Orchestre d'harmonie
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FACILE
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Contemporain
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Greg Fhiaras
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Drive!
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T.U.X. People's Music
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SheetMusicPlus
Composed by Greg Fhiaras. Contemporary,Contest,Festival, Instructional. Score and Parts. 37 pages. T.U.X. People's Music #843473. Published by T.U...
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Composed by Greg Fhiaras. Contemporary,Contest,Festival, Instructional. Score and Parts. 37 pages. T.U.X. People's Music #843473. Published by T.U.X. People's Music
Get ready! Written in honor of a friend, composer Greg Fhiaras's Drive! brings to life the exciting thrills and adventures on the highway in this energetic work for concert band.
This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
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Digital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don?t have to be connected to the internet. Just purchase, download and play!
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$65.00
The Raft of the Medusa
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Orchestre d'harmonie
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Concert band - SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CB...
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Concert band - SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CBW205-S). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$12.00
Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - ...
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Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Mu...
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Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
Under The Double Eagle
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Orchestre d'harmonie
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INTERMÉDIAIRE
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strategically reducing the num
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Josef Franz Wagner
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Edward Sims
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Under The Double Eagle
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Ed Sims
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1265865 Composed by Josef Franz Wagner. Arranged by Edward Sims. Contest,Festival,Historic,Instructional,March,Multicul...
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Concert Band - Level 3 - SKU: A0.1265865 Composed by Josef Franz Wagner. Arranged by Edward Sims. Contest,Festival,Historic,Instructional,March,Multicultural,World. Score and Parts. 68 pages. Ed Sims #858625. Published by Ed Sims (A0.1265865). Introducing our innovative solution for bands and musicians worldwide: an expertly arranged and simplified rendition of a classic Austrian march from 1893. We understand the challenges faced by bands when it comes to performing technically demanding pieces, including requiring proficiency by bassoonists in tenor clef. Our arrangement not only preserves the original's essence but also adapts it to modern instrumentation, making it accessible to a wider range of musicians.With our meticulously crafted arrangement, even smaller bands can now confidently perform this timeless piece without compromising on its integrity. By strategically reducing the number of parts and minimizing the doubling of other sections, we've made it easier for bands to tackle the most technical sections while maintaining the march's grandeur.Experience the joy of playing this timeless piece without compromising on quality or technical skill. Elevate your performances and captivate your audience with our meticulously crafted adaptation. Don't miss out on this opportunity to bring a piece of musical history back to life with ease and flair.
$2.00
Arena Rock
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Orchestre d'harmonie
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DÉBUTANT
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Cory J
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Arena Rock
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Cory J. McBride
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.849027 Composed by Cory J. McBride. Instructional,Rock,Standards. Score and parts. 37 pages. Cory J. McBride #4326063. ...
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Concert Band - Level 1 - SKU: A0.849027 Composed by Cory J. McBride. Instructional,Rock,Standards. Score and parts. 37 pages. Cory J. McBride #4326063. Published by Cory J. McBride (A0.849027). Grade .5ARENA ROCK pays tribute to the generation of huge rock stars and rock bands of the 1980's. Arena rock, as it later became known, became a way of life as bands played concerts, filling huge athletic stadiums completely full of excited and dedicated fans. ARENA ROCK brings a snapshot of the 1980's rock genre to the beginning band ensemble, allowing them to collaborate and play alongside a real, live rock band! Your students will love performing this work, especially since it gives them the opportunity to put on their own rock show, including parts for an actual rock band formed by musicians of your choosing (advanced students in your ensemble, guest high school musicians, school staff, or area adult musicians). The potential with this composition is limited only by your creativity!Connect with Cory J. McBride:Webpage: www.coryjmcbride.comFacebook: Composer Cory J. McBrideTwitter: @CoryJMcBrideYouTube: Composer Cory J. McBride
$48.00
Among My Souvenirs (Humoresque) - #2 Brass & Percussion Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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way of an old Sousa concert pr
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John Philip Sousa
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Kevin R
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Among My Souvenirs
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Freedom Band Press
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.987645 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 61 pages. Freedom Band P...
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Concert Band - Level 4 - SKU: A0.987645 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 61 pages. Freedom Band Press #45615. Published by Freedom Band Press (A0.987645). John Philip Sousa shall forever be regarded as the March King. However, his body and scope of work extend well beyond the marches which made him so famous. In a rough accounting of Sousa’s body of work, marches make up only the second most numerous of his efforts – some 135 march compositions versus over 320 arrangements and transcriptions for Band. Outside of his marches, most of the Sousa catalog, including his humoresques, remains unpublished and largely unheard today. By way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs. In it, the Nichols song Among My Souvenirs is lengthened into a sketch. Among his souvenirs is a photograph, letters and a broken heart. As he meditates, he goes back to a time before he was broken-hearted and remembers when he and his beloved were softly singing Twinkling Stars are Laughing, Love. Next, his mind reverts to the time when he was Seeing Her Home, recalling the songs of years gone by at Aunt Dinah’s Quilting Party – he was Seeing Nellie Home. After this, he travels to the Far East, and visions of The Road to Mandalay come to him. From there, he meditates on the Sweet Mysteries of Life and, finally, arrives at the closing picture in which he is once more Among my Souvenirs.
$35.00
Among My Souvenirs (Humoresque) - #1 Woodwind Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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way of an old Sousa concert pr
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John Philip Sousa
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Kevin R
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Among My Souvenirs
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Freedom Band Press
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.987644 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 66 pages. Freedom Band P...
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Concert Band - Level 4 - SKU: A0.987644 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 66 pages. Freedom Band Press #45613. Published by Freedom Band Press (A0.987644). John Philip Sousa shall forever be regarded as the March King. However, his body and scope of work extend well beyond the marches which made him so famous. In a rough accounting of Sousa’s body of work, marches make up only the second most numerous of his efforts – some 135 march compositions versus over 320 arrangements and transcriptions for Band. Outside of his marches, most of the Sousa catalog, including his humoresques, remains unpublished and largely unheard today. By way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs. In it, the Nichols song Among My Souvenirs is lengthened into a sketch. Among his souvenirs is a photograph, letters and a broken heart. As he meditates, he goes back to a time before he was broken-hearted and remembers when he and his beloved were softly singing Twinkling Stars are Laughing, Love. Next, his mind reverts to the time when he was Seeing Her Home, recalling the songs of years gone by at Aunt Dinah’s Quilting Party – he was Seeing Nellie Home. After this, he travels to the Far East, and visions of The Road to Mandalay come to him. From there, he meditates on the Sweet Mysteries of Life and, finally, arrives at the closing picture in which he is once more Among my Souvenirs.
$35.00
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