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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It Baroque
Non classifié
1 592
Piano & claviers
Piano seul
656
Piano, Voix
284
Instruments en Do
234
Piano Facile
171
Orgue
78
Piano, Voix et Guitare
66
2 Pianos, 4 mains
20
Clavecin
16
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
11
Orgue, Piano (duo)
11
Orgue, Trompette (duo)
10
Accompagnement Piano
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Accordéon
1
Fake Book
1
+ 12 instrumentations
Retracter
Guitares
Guitare
114
Guitare notes et tablatures
43
2 Guitares (duo)
21
4 Guitares (Quatuor)
14
Ukulele
13
Piano, Guitare (duo)
9
Ligne De Mélodie, (Paroles) et Accords
6
3 Guitares (trio)
4
Mandoline, Guitare (duo)
3
Mandoline
3
Ensemble de guitares
2
Ukulele Baryton
1
Mandoline, Piano (duo)
1
2 Ukuleles
1
Ensemble de Ukulélés
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
101
Voix haute
69
Chorale 3 parties
44
Voix Soprano, Piano
33
Voix Alto, Piano
32
Voix moyenne, Piano
21
Chorale 2 parties
20
Chorale TTBB
13
Voix duo, Piano
9
Chorale SSAA
7
Voix duo
5
Voix seule
5
Voix basse, Piano
2
Voix Tenor
2
Chorale Unison
2
Voix basse
2
Voix Tenor, Piano
1
Chorale SSAB, Piano
1
Voix Baryton, Piano
1
Voix Soprano
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
192
Quatuor de Saxophones: 4 saxophones
180
Flûte traversière et Piano
173
Clarinette et Piano
158
Flûte, Hautbois, Clarinette, Basson
144
Quintette de Saxophone: 5 saxophones
119
Quatuor de Clarinettes: 4 clarinettes
110
Hautbois, Piano (duo)
101
Saxophone Alto et Piano
92
2 Flûtes traversières (duo)
92
2 Saxophones (duo)
85
Saxophone Tenor et Piano
65
Flûte traversière
62
Clarinette
62
Saxophone Soprano et Piano
58
2 Clarinettes (duo)
50
3 Saxophones (trio)
48
3 Clarinettes (trio)
47
Ensemble de Clarinettes
43
Cor anglais, Piano
38
Quatuor de Flûtes : 4 flûtes
37
Saxophone Alto
34
Saxophone Baryton, Piano
33
Quintette de Clarinettes: 5 clarinettes
31
Ensemble de saxophones
30
Hautbois (partie séparée)
28
Quintette de Flûte : 5 flûtes
27
Flûte, Clarinette (duo)
25
Trio de Flûtes: 3 flûtes
24
2 Flûte à bec (duo)
23
2 Hautbois (duo)
23
Ensemble de Flûtes
23
Ensemble De Flûte à bec
23
Clarinette, Basson (duo)
19
Flûte à bec Soprano
19
Quatuor de Flûtes à bec
18
Clarinette Basse, Piano
17
Flûte, Hautbois, Clarinette (trio)
16
Flûte, Clarinette et Basson
16
Flûte, Hautbois, Basson
16
Hautbois
15
Saxophone Tenor
15
Hautbois, Basson (duo)
15
Flûte, Violoncelle
12
Hautbois, Clarinette, Basson (trio d'anches)
11
Flûte, Violon
10
Flûte à Bec
9
5 Flûtes à bec
9
Flûte et Guitare
9
Flûte à bec Alto
9
Flûte à bec Tenor
8
Flûte, Violon, Piano
8
Saxophone Soprano
7
4 Hautbois
7
Saxophone Baryton
7
Hautbois, Clarinette (duo)
7
3 Flûtes à bec (trio)
6
Clarinette, Guitare (duo)
6
Flûte irlandaise
6
Saxophone (partie séparée)
6
Clarinette, Harpe (duo)
6
2 Clarinettes, Basson
5
Ensemble de Hautbois
5
Flûte, Violon et Violoncelle
5
Flûte, Alto (duo)
5
Clarinette, Violoncelle (duo)
5
Flûte à bec Soprano, Piano
4
2 Flûtes traversières, Piano
4
Flûte, Violoncelle, Piano (trio)
4
Hautbois, Harpe
4
Flûte, Saxophone (duo)
4
Hautbois, Violoncelle
4
Saxophone et Harpe
4
Flûte, Trombone (duo)
4
Cor Anglais
4
Clarinette, Violon (duo)
3
Saxophone, Clarinette (duo)
3
Clarinette, Trompette (duo)
3
2 Clarinettes, Piano
3
Piccolo, Piano
3
Flûte, Trompette (duo)
2
Piccolo
2
Flûte, Hautbois (duo)
2
Flute, Cor (duo)
2
Flûte à bec Alto, Basse continue
2
Clarinette Basse
2
Clarinette, Trombone (duo)
2
Flûte à bec Alto, Piano
2
2 Saxophones, Piano
2
Flûte traversière, Orgue (duo)
2
Flûte à bec, Guitare (duo)
2
Hautbois, Flûte
2
Flûte, Tuba (duo)
1
Flûte et Trio à cordes
1
Ocarina
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
2 Hautbois, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flute (partie séparée)
1
2 Hautbois et Basson
1
Melodica
1
Saxophone et Guitare
1
2 Flûtes à bec, Guitare
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Basson et Piano
1
Clarinette et Alto
1
+ 106 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
169
Trompette, Piano
109
Quatuor de Cuivres : 2 trompettes, trombone, tuba
93
Trombone et Piano
83
Cor et Piano
74
Trompette
57
Ensemble de Trompettes
42
Cor anglais, Piano
38
Trombone
38
Tuba et Piano
37
Ensemble de Trombones
33
Cor
32
Tuba
27
2 Trombones (duo)
27
Euphonium, Piano (duo)
25
2 Trompettes (duo)
25
Quatuor de cuivres: 4 trombones
23
2 Cors (duo)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Quatuor de cuivres: 4 cors
15
Trompette, Trombone (duo)
12
Quatuor de Cuivres
11
Quatuor de cuivres: 4 trompettes
11
Ensemble de Cors
9
2 Tubas (duo)
9
4 Tubas
8
3 Tubas (trio)
7
3 Trombones (trio)
6
Trompette, Cor (duo)
6
3 Cors (trio)
5
Trombone, Cor (duo)
4
Tuba et Orgue
4
3 Trompettes (trio)
4
Cor et Harpe
4
Cor Anglais
4
2 Euphoniums et 2 Tubas
3
Cor, Violoncelle (duo)
3
Trompette, Saxophone (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Euphoniums (duo)
3
Trompette, Basson (duo)
2
Trompette, Violoncelle (duo)
2
Cor et Basson (duo)
2
Trombone basse et Piano
2
Trompette, Harpe
2
Cor, Tuba (duo)
1
4 Euphoniums
1
Cor et Orgue
1
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
2 Cors, Piano
1
2 Cors Anglais Et Pianoforte
1
Euphonium
1
Trompette, Orchestre
1
Trombone, Orgue
1
+ 50 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
341
Violon et Piano
169
Alto, Piano
147
Violoncelle, Piano
143
Violon, Violoncelle (duo)
125
Violon
99
Trio à Cordes: violon, alto, violoncelle
90
Violoncelle
83
2 Violons (duo)
52
Violon, Alto (duo)
48
Harpe
44
Alto seul
37
Contrebasse, Piano (duo)
37
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
2 Violoncelles (duo)
32
Trio à Cordes: 2 violons, violoncelle
28
2 Altos (duo)
26
2 Harpes (duo)
24
Contre Basse
17
Alto, Violoncelle (duo)
17
Ensemble d'Altos
13
Ensemble de Violons
12
Trio à cordes: 3 altos
12
Trio à Cordes: 3 violoncelles
12
Trio à cordes: 3 violins
11
Alto (partie séparée)
11
Quatuor à cordes: 4 violons
10
4 Violoncelles
10
Harpe, Flûte (duo)
9
Quatuor à cordes : 4 altos
7
Violon, Guitare (duo)
7
Violon, Basson (duo)
6
Harpe, Violon (duo)
5
Alto, Guitare (duo)
5
Trio à Cordes: 2 violons, alto
4
Harpe, Violoncelle (duo)
4
Violoncelle , Guitare (duo)
4
4 Contrebasses
4
2 Contrebasses (duo)
4
Violoncelle, Orgue
3
Violon, Orgue
3
Alto et Basson
2
2 Altos, Piano
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble de Violoncelles
2
Harpe, Violon, Violoncelle
2
Alto et Harpe
2
Violoncelle, Contrebasse (duo)
1
Violoncelle, Basse continue
1
Harpe, Trombone (duo)
1
Violon, Tuba (duo)
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
145
Ensemble de cuivres
132
Orchestre de chambre
66
Orchestre d'harmonie
42
Orchestre
36
Cloches
16
Ensemble Jazz
9
Xylophone, Piano
6
Ensemble de Percussions
5
Vibraphone
3
Marimba
2
Xylophone
2
2 Xylophones
1
Quintette de Cuivres: autres combinaisons
1
Quintette à Vent
1
+ 10 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
It Baroque
Orchestre d'harmonie
Partitions à imprimer
42 partitions trouvées
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1
26
Baroquen Carriage
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Orchestre d'harmonie
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INTERMÉDIAIRE
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John R
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John R
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Baroquen Carriage
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John R. Daniels
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1299169 Composed by John R. Daniels. Arranged by John R. Daniels. Classical,Contest,Festival,Pop,Rock,Traditional. Scor...
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Concert Band - Level 3 - SKU: A0.1299169 Composed by John R. Daniels. Arranged by John R. Daniels. Classical,Contest,Festival,Pop,Rock,Traditional. Score and Parts. 62 pages. John R. Daniels #889017. Published by John R. Daniels (A0.1299169). Baroquen Carriage is a brawny yet delightful piece that evokes contrasting images of the sea and sky, in a storm or at rest. It contains a number of rarely used chord progressions and cadences which give it a classic, yet fresh sound that that would surprise even Mozart!
$54.95
If It Ain't Baroque...: Score
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Orchestre d'harmonie
#
Timothy Loest
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If It Ain't Baroque...: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.98-DB1731S Arranged by Timothy Loest. Score. 15 pages. Alfred Music - Digital Sheet Music #98-DB1731S. Published by Alfred Music ...
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Concert Band - SKU: AX.98-DB1731S Arranged by Timothy Loest. Score. 15 pages. Alfred Music - Digital Sheet Music #98-DB1731S. Published by Alfred Music - Digital Sheet Music (AX.98-DB1731S). UPC: 241444386422.
$5.00
A Mighty Fortress (Concert Band)
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Orchestre d'harmonie
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INTERMÉDIAIRE
#
Classique
#
Jubal's Lyre Music
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Martin Dicke
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A Mighty Fortress
#
Jubal's Lyre Music Publishers
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.918905 By Jubal's Lyre Music. By Johann Pachelbel and Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christia...
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Concert Band - Level 3 - SKU: A0.918905 By Jubal's Lyre Music. By Johann Pachelbel and Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christian,Classical,Contest,Festival,Sacred. Score and Parts. 65 pages. Jubal's Lyre Music Publishers #6567815. Published by Jubal's Lyre Music Publishers (A0.918905). Here is a compelling setting of Martin Luther’s hymn A Mighty Fortress Is Our God (EIN FESTE BURG) by Johann Pachelbel (1653-1750). Originally composed for organ, it has been arranged for Concert Band with optional keyboard. Two harmonizations of the isometric version of the hymn are also provided. The first is a standard harmonization found in many hymnals. The second is based on the concluding Chorale of Cantata 80 by Johann Sebastian Bach (1685-1750). Including the music of both Bach and Pachelbel, this arrangement serves as an excellent introduction to the music of the Baroque era and the contributions of great Lutheran composers. It also provides opportunities to discuss the time of the Reformation. For worship the arrangement can be played alone or it can be used to accompany congregational singing. The Full Score is formatted for legal-size paper (8.5x14) while the parts are formatted for letter-size paper (8.5x11). Additional arrangements are available for Brass, Woodwind Quintet, and Strings. For more music and information, visit www.jubalslyre.com/music.
$40.00
Ave Maria (Giulio Caccini) - Soprano and Concert Band
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Giulio Caccini
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Raymond Fenech
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Ave Maria
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Raymond Fenech
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.879775 Composed by Giulio Caccini. Arranged by Raymond Fenech. Baroque,Praise & Worship,Sacred,Spiritual,Wedding. Score...
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Concert Band - Level 2 - SKU: A0.879775 Composed by Giulio Caccini. Arranged by Raymond Fenech. Baroque,Praise & Worship,Sacred,Spiritual,Wedding. Score and parts. 37 pages. Raymond Fenech #486183. Published by Raymond Fenech (A0.879775). This is a beautiful aria by a wonderful Baroque composer Giulio Caccini (1551 - 1618). It is arranged for Concert Band and Soprano voice, and it could also be sung with a choir. If you are looking for something special listen to this arrangement. The level of this piece is Early Intermediate and the duration is just over 6 minutes.
$35.00
Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
Jesu, Joy of Man's Desiring (Beginning or Early Intermediate Band)
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Orchestre d'harmonie
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DÉBUTANT
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Classique
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Jubal's Lyre Music
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Martin Dicke
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Jesu, Joy of Man's Desiring
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.918900 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Sa...
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Concert Band - Level 1 - SKU: A0.918900 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Sacred,Standards. 50 pages. Jubal's Lyre Music Publishers #6520485. Published by Jubal's Lyre Music Publishers (A0.918900). This beloved work by J. S. Bach is arranged here for Beginning or Early Intermediate Band. Transposed down to F major and arranged for beginners, your students will love this arrangement and find it easy to play. A solo part for intermediate to advanced players is provided with parts for C or Bb instruments, violin, or viola. Also provided are three keyboard parts of various levels of ability. This arrangement is perfect for concerts and educational settings. For worship, it can be performed almost any time since it exudes peace and joy, but it is particularly suited for Advent and Christmas since it comes from Cantata 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deeds and Life), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). Arrangements for Intermediate Band and Concert Band are also available. For more music and information, visit www.jubalslyre.com/music.
$40.00
Jesu, Joy of Man's Desiring (Intermediate Band in F Major)
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Orchestre d'harmonie
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FACILE
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Classique
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Jubal's Lyre Music
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Martin Dicke
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Jesu, Joy of Man's Desiring
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.918902 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christmas,Classical,Contest,F...
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Concert Band - Level 2 - SKU: A0.918902 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christmas,Classical,Contest,Festival,Sacred. Score and Parts. 55 pages. Jubal's Lyre Music Publishers #6530179. Published by Jubal's Lyre Music Publishers (A0.918902). This beloved work by J. S. Bach is arranged here for Intermediate Band. Your students will love this classic masterwork which has been transposed down to F major and arranged so that is more accessible to beginning and intermediate players. A solo part for intermediate to advanced players is provided with parts for C or Bb instruments, violin, and viola. Also provided are three optional keyboard parts of various levels of ability. This arrangement is perfect for concerts and educational settings. For worship, it can be performed almost any time since it exudes peace and joy, but it is particularly suited for Advent and Christmas since it comes from Cantata 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deeds and Life), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). Arrangements for Beginning/Early Intermediate Band and Concert Band are also available. For more music and information, visit www.jubalslyre.com/music.
$40.00
Wind...BACH!
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Enrique Vázquez
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Wind...BACH!
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Enrique Vázquez
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1014753 Composed by Enrique Vázquez. 20th Century,Baroque. Score and parts. 24 pages. Enrique Vázquez #5017415. P...
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Concert Band - Level 4 - SKU: A0.1014753 Composed by Enrique Vázquez. 20th Century,Baroque. Score and parts. 24 pages. Enrique Vázquez #5017415. Published by Enrique Vázquez (A0.1014753). Music for Symphonic Wind Band. Based on a small fragment of Bach's Violin Partita in D minor, it presents a musical dialog between Bach and the composer of this piece. Every part is based on a different theoric aspect of the baroque way of writting music, but, in nowadays perspective. Individual parts are available on demand: elprincipecalaf@gmail.com.
$6.00
Canon Resort-J-Pachelbel- Concert Band - Intermediate/ Advanced Intermediate level
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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Raymond Fenech
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Canon Resort-J-Pachelbel- Conc
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Raymond Fenech
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.760358 Composed by Johann Pachelbel. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Instructional,Rock. Score and...
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Concert Band - Level 3 - SKU: A0.760358 Composed by Johann Pachelbel. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Instructional,Rock. Score and parts. 70 pages. Raymond Fenech #3583097. Published by Raymond Fenech (A0.760358). The canon was originally scored for three violins and basso continuo and paired with a gigue. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne. In this canon an original modern segment was added and it was composed in Resort street, hence the title Canon Resort. This piece could be played during Christmas; Easter and also during school events.The duration is 6.05 minutes and it is an Intermediate/Advanced Intermediate level.
$35.00
Largo from Xerxes
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Orchestre d'harmonie
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FACILE
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Opera
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Classique
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Gearg Friedrich HAENDEL
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Yves Bouillot
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Largo from Xerxes
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Yves Bouillot
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1120437 Composed by Gearg Friedrich HAENDEL. Arranged by Yves Bouillot. Baroque,Opera. Score and parts. 41 pages. Yves ...
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Concert Band - Level 2 - SKU: A0.1120437 Composed by Gearg Friedrich HAENDEL. Arranged by Yves Bouillot. Baroque,Opera. Score and parts. 41 pages. Yves Bouillot #721707. Published by Yves Bouillot (A0.1120437). The action takes place in the Persian Empire in 480 BC. AD and is based somewhat on the story of Emperor Xerxes I. There is, however, little real connection between the Story and the libretto or its music. Serse's first aria, Ombra mai fu, is Xerxes' love song for a tree set to one of Handel's most beautiful and famous melodies, often performed in an orchestral arrangement. It is known as 'Largo de Haendel', although the score actually refers to it as 'larghetto'. Grade 2.
$20.00
Suite Bergamasque, No. 3 Clair de lune (Symphonic Band)
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Orchestre d'harmonie
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Classique
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Claude Debussy
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Richard Byrnes
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Suite Bergamasque, No. 3 Clair
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Richard Byrnes
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SheetMusicPlus
Concert Band - SKU: A0.830749 Composed by Claude Debussy. Arranged by Richard Byrnes. Romantic Period. Score and parts. 80 pages. Richard Byrnes #489513...
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Concert Band - SKU: A0.830749 Composed by Claude Debussy. Arranged by Richard Byrnes. Romantic Period. Score and parts. 80 pages. Richard Byrnes #4895135. Published by Richard Byrnes (A0.830749). Suite Bergamasque was composed around 1890. It was then revised and published in 1905. The title is derived from the city of Bergamo in the Italian Alps and serves as a tribute to French Baroque harpsichordists. It is comprised of 4 movements: Prélude, Menuet, Clair de lune, and Passepied. Clair de lune (moonlight) is the most famous movement of the Suite Bergamasque. Its simple beauty is without rival. This would be a compelling addition to any concert program.In addition to works by Debussy, we offer works by J.S. Bach, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$39.99
Fear Does Not Possess Me - Cantata BWV 15
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Johann Ludwig Bach
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Glen D
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Fear Does Not Possess Me - Can
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Glen D. Lienhart
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.840071 Composed by Johann Ludwig Bach. Arranged by Glen D. Lienhart. Baroque,Sacred. Score and parts. 46 pages. Glen D....
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Concert Band - Level 3 - SKU: A0.840071 Composed by Johann Ludwig Bach. Arranged by Glen D. Lienhart. Baroque,Sacred. Score and parts. 46 pages. Glen D. Lienhart #9491. Published by Glen D. Lienhart (A0.840071). The Cantata Entsetzet euch nicht was originally attributed to Johann Sebastian Bach (1685 – 1750), and cataloged as BWV 15. In recent years, it is believed that it was composed by his older second cousin, Johann Ludwig Bach (1677 – 1731). Johann Ludwig was himself a Cantor and Kapellmeister, and lived in most of his life in Meiningen. There is evidence that this cantata was performed by Johann Sebastian in 1726. The key for this arrangement of Fear Does Not Possess Me is transposed from the original C Major. There are multiple substitute parts for the Solo Trumpet part. The horn, trombone, and alto clarinet are almost the same. Playing time is approximately 2:40 minutes.
$40.00
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Orchestre d'harmonie
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
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Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Suite Bergamasque, No. 1 Prélude (Symphonic Band)
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Orchestre d'harmonie
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Classique
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Claude Debussy
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Richard Byrnes
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Suite Bergamasque, No. 1 Pr&ea
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Richard Byrnes
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SheetMusicPlus
Concert Band - SKU: A0.830747 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 131 pages. Richard Byrnes #4894471....
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Concert Band - SKU: A0.830747 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 131 pages. Richard Byrnes #4894471. Published by Richard Byrnes (A0.830747). Suite Bergamasque was composed around 1890. It was then revised and published in 1905. The title is derived from the city of Bergamo in the Italian Alps and serves as a tribute to French Baroque harpsichordists. It is comprised of 4 movements: Prélude, Menuet, Clair de lune, and Passepied.This festive prelude (Mvt. 1) offers a noble opening movement for this very famous suite.In addition to works by Debussy, we offer works by J.S. Bach, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$59.99
Suite Bergamasque, No. 2 Menuet (Symphonic Band)
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Orchestre d'harmonie
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Classique
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Claude Debussy
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Richard Byrnes
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Suite Bergamasque, No. 2 Menue
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Richard Byrnes
#
SheetMusicPlus
Concert Band - SKU: A0.830748 Composed by Claude Debussy. Arranged by Richard Byrnes. Romantic Period. Score and parts. 116 pages. Richard Byrnes #48945...
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Concert Band - SKU: A0.830748 Composed by Claude Debussy. Arranged by Richard Byrnes. Romantic Period. Score and parts. 116 pages. Richard Byrnes #4894521. Published by Richard Byrnes (A0.830748). Suite Bergamasque was composed around 1890. It was then revised and published in 1905. The title is derived from the city of Bergamo in the Italian Alps and serves as a tribute to French Baroque harpsichordists. It is comprised of 4 movements: Prélude, Menuet, Clair de lune, and Passepied. This unique menuet offers a playful and dramatic second movement of this very famous suite.In addition to works by Debussy, we offer works by J.S. Bach, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$59.99
Suite Bergamasque, No. 4 Passepied (Symphonic Band)
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Orchestre d'harmonie
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Classique
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Claude Debussy
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Richard Byrnes
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Suite Bergamasque, No. 4 Passe
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Richard Byrnes
#
SheetMusicPlus
Concert Band - SKU: A0.830750 Composed by Claude Debussy. Arranged by Richard Byrnes. Romantic Period. Score and parts. 132 pages. Richard Byrnes #48959...
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Concert Band - SKU: A0.830750 Composed by Claude Debussy. Arranged by Richard Byrnes. Romantic Period. Score and parts. 132 pages. Richard Byrnes #4895917. Published by Richard Byrnes (A0.830750). Suite Bergamasque was composed around 1890. It was then revised and published in 1905. The title is derived from the city of Bergamo in the Italian Alps and serves as a tribute to French Baroque harpsichordists. It is comprised of 4 movements: Prélude, Menuet, Clair de lune, and Passepied. The passepied was a dance originating in Brittany. Debussy’s appreciation of the medieval practice of using open 4ths and 5ths is worked out eloquently in this very expressive movement.In addition to works by Debussy, we offer works by J.S. Bach, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$59.99
Minuet in G (in Eb) - Adaptable Arrangement for Winds
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Orchestre d'harmonie
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FACILE
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Classique
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Johann Sebastian Bach
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John McAllister
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Minuet in G
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John McAllister
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.778176 Composed by Johann Sebastian Bach. Arranged by John McAllister. Baroque,Classical,Instructional,Standards. Score...
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Concert Band - Level 2 - SKU: A0.778176 Composed by Johann Sebastian Bach. Arranged by John McAllister. Baroque,Classical,Instructional,Standards. Score and parts. 23 pages. John McAllister #6083843. Published by John McAllister (A0.778176). This is an adaptable arrangement of Bach's Minuet in G or wind players. It is constructed around the instrumentation of a five piece ensemble (brass quintet, woodwind quintet, clarinet choir, sax choir, etc). You can mix and match as needed, as long as you cover all parts 1-5 (SSATB). You can also play this as a full band arrangement and adapt instrumentation however you would like. Ideas: woodwinds first time, brass second time, everybody last time.
$5.00
Air from Rinaldo - "Lascia ch'io pianga" (Handel arr. for flexible ensemble by David Catherwood)
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Orchestre d'harmonie
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FACILE
#
Classique
#
George Frideric Handel
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David Catherwood
#
Air from Rinaldo - "Lasci
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.739395 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Contemporary,Instructional,Wedding. Sc...
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Concert Band - Level 2 - SKU: A0.739395 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Contemporary,Instructional,Wedding. Score and parts. 17 pages. Opus 3 Music #3142059. Published by Opus 3 Music (A0.739395). Air from Rinaldo by Handel (A memorable tune by Handel arranged for young players)This arrangement is suitable for school orchestras and ensembles. The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring and generous supply of parts allows for expansion up to a full symphonic orchestra, concert band or brass band.As with all music available from Opus 3 Music this arrangement has been well tried and tested in performance - In this case in Campbell College where the orchestra of around forty young players use arrangements such as this regularly in Services and concerts in the college.THIS IS ONE OF A SERIES OF PIECES ARRANGED IN THIS FLEXIBLE INSTRUMENTATION AND AS A SPECIAL INTRODUCTION TO THE SERIES IT IS PRICED AT THE MINIMUM PRICE SMP WILL ALLOW OF $1.99 (Regular price for the series is between $9.50 and $15Each set contains a score and a full set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Flute, Oboe 1, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)PercussionÂ
$1.99
Where'er You Walk (Song of Jupiter)
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Orchestre d'harmonie
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INTERMÉDIAIRE
#
G
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Aarohan Jai Anand
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Where'er You Walk
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Aarohan Jai Anand
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1359734 Composed by G. F. Handel. Arranged by Aarohan Jai Anand. 19th Century,Baroque,Broadway,Classical,Musical/Show,T...
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Concert Band - Level 3 - SKU: A0.1359734 Composed by G. F. Handel. Arranged by Aarohan Jai Anand. 19th Century,Baroque,Broadway,Classical,Musical/Show,Traditional. 35 pages. Aarohan Jai Anand #944209. Published by Aarohan Jai Anand (A0.1359734). Handel's aria Where'er You Walk from Semele, also known as Song of Jupiter, now arranged for concert band. At a 3.5 grade, it this piece challenges intermediate high school level players whilst also accomodating for lower levels. This arrangement provides many learning opportunities for a young ensemble.
$27.49
Johnny Bach Time Traveler
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Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Edward Sims
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Edward Sims
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Johnny Bach Time Traveler
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Ed Sims
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1154732 By Edward Sims. By Edward Sims. Arranged by Edward Sims. 19th Century,20th Century,Baroque,Jazz,March. Score an...
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Concert Band - Level 3 - SKU: A0.1154732 By Edward Sims. By Edward Sims. Arranged by Edward Sims. 19th Century,20th Century,Baroque,Jazz,March. Score and Parts. 84 pages. Ed Sims #755006. Published by Ed Sims (A0.1154732). Johann Sebastian Bach. His music is the foundation on which so much of our musical heritage is based. But what if he had reappeared and composed in the style of future generations? That question is musically and whimsically pondered in this composition. It opens with a setting of his hymn “Christus, de runs selig machtâ€. We then hear the subsequent variations as he may have used his melody. The first is in the classical style similar to Mozart, which is followed by a Romantic era Viennese waltz style, a la Strauss. He next appears in the late 19th century as a march composer. In his most recent appearance (that we know of), he writes in the swing style of the 1940’s. This piece, which is sure to be an audience favorite, provides the director with limitless opportunities to teach about the Phrygian mode and to discuss many eras of music history and the styles and composers associated with each, while giving the students the challenge of playing and learning to quickly transition to the various styles with music that is both challenging and fun.
$2.00
Concerto for Concert Band (2011) full score
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pa...
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Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99
Messiah - Hallelujah - HWV 56 - Concert Band with Choir - C - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE
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George Frideric Handel
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Thomas Graf
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Messiah - Hallelujah - HWV 56
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1112084 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christmas,Classical. Sco...
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Concert Band - Level 3 - SKU: A0.1112084 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 15 pages. Thomas Graf - the-hit-factory.com #714268. Published by Thomas Graf - the-hit-factory.com (A0.1112084). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter[n 2] by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. About this arrangement: Instrumentation: Full Score Flute 1 Flute 2/Oboe Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Bass Clarinet in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 1 Tenor Saxophone 2 Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Horn in F 1/3 Baritone 1 in Bb Baritone 2 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Timpani Soprano Alto Tenor Bass Piano Guitar cont Bass in Eb Bass in Bb Bass Guitar Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
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