Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
James M
Non classifié
1 393
Piano & claviers
Piano seul
4 009
Orgue
716
Piano Facile
71
Piano, Voix et Guitare
58
Piano, Voix
56
Piano Quatuor: piano, violon, alto, violoncelle
54
Piano Trio: piano, violon, violoncelle
35
Orgue, Piano (duo)
23
Accompagnement Piano
22
Instruments en Do
12
1 Piano, 4 mains
8
Piano Quintette: piano, 2 violons, alto, violoncelle
6
2 Pianos, 4 mains
3
Piano (partie séparée)
3
Accordéon
1
Piano grosses notes
1
Orgue, Trompette (duo)
1
+ 12 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
342
Guitare
36
Guitare notes et tablatures
35
Paroles et Accords
10
Basse electrique
9
Piano, Guitare (duo)
9
Ukulele
6
Guitare (partie séparée)
5
3 Guitares (trio)
2
2 Guitares (duo)
2
Banjo
1
Guitare, Violon, Violoncelle (trio)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
78
Chorale 3 parties
25
Chorale TTBB
14
Chorale SSAA
13
Chorale 2 parties
9
Voix seule
3
Chorale
3
Chorale Unison
3
Pack Instrumental pour Chorale
1
Voix Tenor
1
Voix duo
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
985
Hautbois, Piano (duo)
583
Clarinette et Piano
326
Saxophone Alto et Piano
234
2 Saxophones (duo)
197
Cor anglais, Piano
178
2 Flûtes traversières (duo)
146
Saxophone Soprano et Piano
129
Saxophone Baryton, Piano
126
Saxophone Tenor et Piano
125
2 Clarinettes (duo)
115
Clarinette Basse, Piano
105
Clarinette
66
Quatuor de Saxophones: 4 saxophones
60
2 Hautbois (duo)
58
Saxophone (partie séparée)
34
3 Saxophones (trio)
30
3 Clarinettes (trio)
28
Quatuor de Clarinettes: 4 clarinettes
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone Alto
17
Flûte traversière
16
Ensemble de Flûtes
15
Trio de Flûtes: 3 flûtes
15
2 Cors Anglais Et Pianoforte
14
Hautbois, Basson (duo)
14
Saxophone Tenor
14
Clarinette, Violoncelle (duo)
13
Flûte, Violoncelle
13
Piccolo, Piano
12
Hautbois (partie séparée)
9
Clarinette, Harpe (duo)
8
Quintette de Saxophone: 5 saxophones
8
Hautbois, Harpe
8
Flûte, Hautbois, Clarinette, Basson
8
Ensemble de Clarinettes
7
Quatuor de Flûtes : 4 flûtes
7
Flûte, Guitare, Piano
7
Flûte, Violon
7
Hautbois, Violoncelle
6
Ensemble de saxophones
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Clarinette (duo)
6
Flûte, Violon et Violoncelle
4
Flûte, Hautbois (duo)
4
Clarinette, Violon (duo)
4
Flûte, Alto (duo)
4
Flûte à Bec, Piano
3
Saxophone et violoncelle
3
Quatuor de Flûtes à bec
3
Flûte, Violoncelle, Piano (trio)
3
Saxophone, Clarinette (duo)
3
Flûte à bec Alto, Piano
3
Saxophone, Basson (duo)
2
2 Flûte à bec (duo)
2
Saxophone et Harpe
2
Hautbois, Flûte
2
Clarinette Basse
2
Flûte, Violon, Piano
2
Ensemble De Flûte à bec
2
Clarinette (partie séparée)
2
Saxophone Baryton
2
Flûte traversière, Orgue (duo)
2
Cor anglais et Harpe (duo)
2
Flute (partie séparée)
2
2 Flûtes traversières, Piano
1
Flûte et Trio à cordes
1
Saxophone et Guitare
1
Flûte à bec Soprano
1
Saxophone Soprano
1
Hautbois
1
2 Hautbois, Piano
1
Ocarina
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Flûte à bec Soprano, Piano
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Orgue
1
Harmonica
1
Saxophone et Piano
1
Flûte, Basson et Piano
1
2 Hautbois et Basson
1
Hautbois et alto (duo)
1
3 Flûtes à bec (trio)
1
Clarinette et Alto
1
5 Flûtes à bec
1
Flûte et Guitare
1
Flûte, Clarinette, Piano (trio)
1
+ 83 instrumentations
Retracter
Cuivres
Cor anglais, Piano
178
Cor et Piano
148
Trombone et Piano
140
Trompette, Piano
137
Euphonium, Piano (duo)
121
Trompette
62
2 Cors (duo)
60
Tuba et Piano
58
2 Trombones (duo)
44
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
2 Trompettes (duo)
37
2 Euphoniums (duo)
36
Trompette (partie séparée)
16
2 Tubas (duo)
15
Trombone (partie séparée)
15
2 Cors Anglais Et Pianoforte
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Cor
10
Trombone
8
Tuba
7
Trompette, Trombone (duo)
6
Cor, Violoncelle (duo)
6
3 Trombones (trio)
5
Trio de Cuivres
5
Quatuor de cuivres: 4 trombones
4
Ensemble de Trombones
4
Euphonium
4
Trompette, Saxophone (duo)
4
Trombone basse et Piano
3
Trombone, Tuba (duo)
3
Euphonium, Tuba (duo)
3
Tuba et Orgue
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Tuba (duo)
2
Trombone, violoncelle (duo)
2
Quatuor de Cuivres
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 cors
2
Cor anglais et Harpe (duo)
2
Ensemble de Trompettes
2
2 Trompettes, Clavier (piano ou orgue)
1
3 Cors (trio)
1
Trombone basse
1
Trompette, Violoncelle (duo)
1
Trompette, Trombone, Piano
1
Cor, Tuba (duo)
1
+ 42 instrumentations
Retracter
Cordes
Violon et Piano
1 039
Quatuor à cordes: 2 violons, alto, violoncelle
351
Violoncelle, Piano
273
Alto, Piano
246
Trio à Cordes: violon, alto, violoncelle
95
2 Violoncelles (duo)
70
2 Violons (duo)
63
2 Altos (duo)
60
Violoncelle
41
Violon
38
Violon, Violoncelle (duo)
34
Harpe
19
2 Contrebasses (duo)
16
Violon, Alto (duo)
15
Harpe, Flûte (duo)
14
Alto, Violoncelle (duo)
14
Alto seul
13
Harpe, Violon (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
4 Violoncelles
5
Trio à Cordes: 3 violoncelles
5
Alto (partie séparée)
5
Trio à cordes
5
Violoncelle, Contrebasse (duo)
4
Piano Trio: Violon, Alto, Piano
4
Contrebasse (partie séparée)
4
Harpe, Violoncelle (duo)
3
Contrebasse, Piano (duo)
3
Ensemble de Violoncelles
2
Alto et Harpe
2
Quatuor à cordes : 4 altos
2
Ensemble d'Altos
1
Violoncelle, Orgue
1
Trio à Cordes: 2 violons, alto
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Orgue
1
Ensemble de Violons
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
121
Ensemble de cuivres
44
Orchestre d'harmonie
35
Ensemble Jazz
27
Orchestre
12
Batterie
12
Jazz combo
11
Fanfare
9
Cloches
8
Orchestre de chambre
8
Batterie (partie séparée)
4
Marimba et Orgue
3
Vibraphone
3
Ensemble de Percussions
2
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
35
Librairie Musicale
127
Matériel de Musique
90
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
James M
Orchestre d'harmonie
Partitions à imprimer
35 partitions trouvées
<
1
26
James Hewitt's The Star Spangled Banner
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Americana
#
Patriotique
#
Hewitt, James
#
Jacklich, Joel
#
James Hewitt's The Star Spangl
#
Joel Jacklich
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.723171 Composed by Hewitt, James. Arranged by Jacklich, Joel. Holiday,Patriotic,Romantic Period. Score and parts. 26 pa...
(+)
Concert Band - Level 3 - SKU: A0.723171 Composed by Hewitt, James. Arranged by Jacklich, Joel. Holiday,Patriotic,Romantic Period. Score and parts. 26 pages. Joel Jacklich #6222869. Published by Joel Jacklich (A0.723171). In 1817, James Hewitt set Francis Scott Key's poem The Defence of Fort M'Henry (which we now better know as The Star Spangled Banner). Hewitt's original song gained some local popularity; however, throughout most of the country, people began singing the poet's words to a popular drinking song then known to many Americans, English composer John Stafford Smith's To Anacreon in Heaven (originally written for a popular gentleman's club of amateur musicians in London, the Anacreontic Society). Whereas John Stafford Smith's music was borrowed for the poem, Hewitt's music was especially composed for the poem. I was asked by Mitch Sturman, the band director of the Wilson Junior High School Warrior Band in El Centro, California, to arrange the original piano music for his band to play at his annual spring Concert of Premieres where he presented new works he had commissioned for his band from well-known band composers, and arrangements of neglected works he felt were worthy of performance. This was one of those neglected worthy pieces by an American composer for an American poem. It is orchestrated for flute, oboe, clarinets 1-3, bass clarinet, alto sax, tenor sax, baritone sax, bassoon, French horn, trumpets 1-2, baritone horn, trombone, tuba, timpani, snare drum, bass drum, cymbals, and glockenspiel. .
$19.95
Boney M Megamix 1992
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Bobby Hebb, Brent Dowe, Frank
#
John Ivor Holland
#
Boney M Megamix 1992
#
John Ivor Holland
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1286833 Composed by Bobby Hebb, Brent Dowe, Frank Farian, Fred Jay, George Reyam, and James McNaughton. Arranged by Joh...
(+)
Concert Band - Level 3 - SKU: A0.1286833 Composed by Bobby Hebb, Brent Dowe, Frank Farian, Fred Jay, George Reyam, and James McNaughton. Arranged by John Ivor Holland. 20th Century,Disco,Pop,Rock. Score and Parts. 80 pages. John Ivor Holland #877846. Published by John Ivor Holland (A0.1286833). Turn back the clock to the heyday of European disco with this fantastic megamix of songs from German sensations, Boney M, which reached the top ten in many countries in 1992. Featuring the massive hits Rivers of Babylon, Sunny, Daddy Cool, Rasputin and Ma Baker, this chart is sure to conjure up lots of memories and maybe even get your audience up dancing!
$49.99
James M. Stephenson: Full Score To the Sky: Score - concert band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
James M. Stephenson
#
Virtualsheetmusic
Instantly printable sheet music by James M. Stephenson for concert band of MEDIUM skill level. /
Instantly printable sheet music by James M. Stephenson for concert band of MEDIUM skill level. /
$11.99
James M. Stephenson: Full Score Remembering Yesterdays: Score - concert band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
James M. Stephenson
#
Virtualsheetmusic
Instantly printable sheet music by James M. Stephenson for concert band of MEDIUM skill level. /
Instantly printable sheet music by James M. Stephenson for concert band of MEDIUM skill level. /
$8.98
James M. Stephenson: Full Score Phoenix Fanfare: Score - concert band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
James M. Stephenson
#
Virtualsheetmusic
Instantly printable sheet music by James M. Stephenson for concert band of MEDIUM skill level. /
Instantly printable sheet music by James M. Stephenson for concert band of MEDIUM skill level. /
$7.98
James M. Stephenson: Full Score Overture to a Winter Celebration: Score - concert band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
James M. Stephenson
#
Virtualsheetmusic
Instantly printable sheet music by James M. Stephenson for concert band of MEDIUM skill level. /
Instantly printable sheet music by James M. Stephenson for concert band of MEDIUM skill level. /
$12.99
James M. Stephenson: Deep Dish - concert band (full score)
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Americana
#
James M. Stephenson
#
Virtualsheetmusic
Instantly printable sheet music by James M. Stephenson for concert band (full score) of MEDIUM skill level. / concert,american
Instantly printable sheet music by James M. Stephenson for concert band (full score) of MEDIUM skill level. / concert,american
$9.99
James M. Stephenson: Deep Dish (COMPLETE) - concert band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Americana
#
James M. Stephenson
#
Virtualsheetmusic
Instantly printable sheet music by James M. Stephenson for concert band of MEDIUM skill level. / concert,american
Instantly printable sheet music by James M. Stephenson for concert band of MEDIUM skill level. / concert,american
$64.99
Rhythms of the Spirit
#
Orchestre d'harmonie
#
Contemporain
#
James M
#
Rhythms of the Spirit
#
Jim Stephenson Music, Inc.
#
SheetMusicPlus
Concert Band - SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published b...
(+)
Concert Band - SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).
$140.00
Movin' Thru (jazz combo) Flexible Instrumentation
#
Orchestre d'harmonie
#
FACILE
#
Blues
#
Jazz
#
James M
#
Movin' Thru
#
Myles Music James Johnson
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.995513 Composed by James M. Johnson. Blues,Jazz. Score and parts. 31 pages. Myles Music James Johnson #3565703. Publish...
(+)
Concert Band - Level 2 - SKU: A0.995513 Composed by James M. Johnson. Blues,Jazz. Score and parts. 31 pages. Myles Music James Johnson #3565703. Published by Myles Music James Johnson (A0.995513). Movin’ Thru is a fun, jazzy, bluessy shuffle tune; which is based on the 12 bar B-flat blues form. Movin' Thru could be a fun concert opener or closer! Depending on how many solos are taken the duration of this piece will vary. This piece is enjoyable for beginners as well as experience musicians. Beginners are encourage to just improvise off of the melody as well as the concert B-flat scale.This piece focuses on unison playing and a bit of rhythmic independence. At the beginning, player II – does not need to play the rhythm exactly, but should focus on creating a round and strong sound! The director may choose to add piano tremolo’s, cymbal rolls or anything else during the ï¬rst measure! Bars 12 and 13 need to be rhythmically accurate, chiefly for part I and part II. If part II are trumpet players they need to make sure that they take-out their harmon mute for those bars as it will give an extra punch! Feel free to watch a video of the music: https://www.youtube.com/watch?v=7K9TgeUrJjU&t=2s
$35.00
The Fog Meets the Storm for small wind band and percussion
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
James M Johnson
#
The Fog Meets the Storm for sm
#
Myles Music James Johnson
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Publis...
(+)
Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
Phoenix Fanfare: Score
#
Orchestre d'harmonie
#
James M
#
Phoenix Fanfare: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.98-DB1481S Composed by James M. Stephenson. Score. 20 pages. Alfred Music - Digital Sheet Music #98-DB1481S. Published by Alfred ...
(+)
Concert Band - SKU: AX.98-DB1481S Composed by James M. Stephenson. Score. 20 pages. Alfred Music - Digital Sheet Music #98-DB1481S. Published by Alfred Music - Digital Sheet Music (AX.98-DB1481S). UPC: 674398229109.
$6.00
Overture to a Winter Celebration: Score
#
Orchestre d'harmonie
#
James M
#
Overture to a Winter Celebrati
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.98-DB1456S Composed by James M. Stephenson. Score. 38 pages. Alfred Music - Digital Sheet Music #98-DB1456S. Published by Alfred ...
(+)
Concert Band - SKU: AX.98-DB1456S Composed by James M. Stephenson. Score. 38 pages. Alfred Music - Digital Sheet Music #98-DB1456S. Published by Alfred Music - Digital Sheet Music (AX.98-DB1456S). UPC: 674398227501.
$12.00
To the Sky: Score
#
Orchestre d'harmonie
#
James M
#
To the Sky: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.98-DB1536S Composed by James M. Stephenson. Score. 35 pages. Alfred Music - Digital Sheet Music #98-DB1536S. Published by Alfred ...
(+)
Concert Band - SKU: AX.98-DB1536S Composed by James M. Stephenson. Score. 35 pages. Alfred Music - Digital Sheet Music #98-DB1536S. Published by Alfred Music - Digital Sheet Music (AX.98-DB1536S). UPC: 674398230808.
$11.00
Remembering Yesterdays: Score
#
Orchestre d'harmonie
#
James M
#
Remembering Yesterdays: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.98-DB1492S Composed by James M. Stephenson. Score. 14 pages. Alfred Music - Digital Sheet Music #98-DB1492S. Published by Alfred ...
(+)
Concert Band - SKU: AX.98-DB1492S Composed by James M. Stephenson. Score. 14 pages. Alfred Music - Digital Sheet Music #98-DB1492S. Published by Alfred Music - Digital Sheet Music (AX.98-DB1492S). UPC: 674398229215.
$5.00
Guthrie: Marcia funebre from Symphony No. 4 for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
James M
#
Guthrie: Marcia funebre from S
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.552644 Composed by James M. Guthrie. Concert,Contemporary,Standards. Score and parts. 40 pages. Jmsgu3 #6478599. Publis...
(+)
Concert Band - Level 3 - SKU: A0.552644 Composed by James M. Guthrie. Concert,Contemporary,Standards. Score and parts. 40 pages. Jmsgu3 #6478599. Published by jmsgu3 (A0.552644). Marcia funebre - Mvt. 2 from Symphony No. 4 for Concert BandDuration: 4:00, Score: 12 pages.in memorial Charles A. Wethington (1934-2020)
$29.95
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
(+)
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
#
Orchestre d'harmonie
#
FACILE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
(+)
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
(+)
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Guthrie: Coriolis for Wind Ensemble - Score Only
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
James M
#
Guthrie: Coriolis for Wind Ens
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.551987 Composed by James M. Guthrie. Contemporary,Instructional,Standards. 40 pages. Jmsgu3 #6050299. Published by jmsg...
(+)
Concert Band - Level 4 - SKU: A0.551987 Composed by James M. Guthrie. Contemporary,Instructional,Standards. 40 pages. Jmsgu3 #6050299. Published by jmsgu3 (A0.551987). Coriolis for Wind Ensemble. Duration - 10:21. Score - 40 pages. Instrumentation:1 Piccolo2 Flutes2 Oboes2 Bassoons3 Clarinets1 Bass Clarinet2 Alto Sax1 Tenor Sax 1 Bari Sax3 Trumpets 4 Horns 2 Tenor Trombones1 Bass Trombone1 Euphonium 1 Tuba4 TimpaniXylophonePercussion.
$49.95
Mussorgsky: Night on Bald Mountain for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Classique
#
Modest Petrovich Mussorgsky
#
James M
#
Mussorgsky: Night on Bald Moun
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549957 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Halloween,Instructional,Romantic Period,S...
(+)
Concert Band - Level 3 - SKU: A0.549957 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Halloween,Instructional,Romantic Period,Standards. 234 pages. Jmsgu3 #4348907. Published by jmsgu3 (A0.549957). Scored with optional parts to accommodate most concert bands. 1 Piccolo, 2 Flutes, 2 Oboes, 2 Bb Clarinets, 2 Bass Clarinets, 2 Eb Alto Saxes, 2 Bb Tenor Saxes, 2 Eb Baritone Saxes, 2 Bb Trumpets, 2 F Horns, Trombone/Euphonium/Bassoon 1 & 2 part, 2 Tubas, Mallets: (marimba), Chimes, Percussion 1: snare drum, crash cymbals, suspended cymbal, gong & triangle, Percussion 2: Bass Drum, crash cymbals, gong, Can be performed by a small band with one on a part, no percussion, no piccolo.Mussorgsky's Night on Bald Mountain is significant for several reasons. Composed in 1867, it is a tone poem inspired by the Russian legend of nocturnal revels on St. John's Night, involving a witches' Sabbath on Bald Mountain near Kiev. The piece is known for its high drama, dark textures, and bold harmonies, which Mussorgsky's colleagues considered excitingly expressive and raw. The work was unpublished and unrevised at the time of the composer's death, and his colleagues, including Rimsky-Korsakov, later revised it. The composition remains a powerful representation of Russian folk tradition. It is associated with the pagan festivities of the midsummer Slavic holiday, making it a significant piece in the history of Russian classical music.The legend of the nocturnal revels on St. John's Night in June on a hill called Lysa Hora near Kiev is a prominent Slavic tale that inspired Modest Mussorgsky's Night on Bald Mountain. The legend tells of a demon, Chernobog, who leads the revels until a far-off church bell sounds disperse the Spirits of Darkness. This tale is associated with the pagan festivities of the midsummer Slavic holiday and is a significant part of Russian folklore and culture. Lysa Hora, meaning Bald Mountain or Barren Mountain, is a large wooded hill in the Ukrainian capital Kyiv, near the confluence of the Dnipro and Lybid' rivers, and is the traditional site of the witch gatherings in Slavic folklore. The legend's themes of darkness, supernatural gatherings, and the triumph of light have made it a compelling source of inspiration for various artistic works, including Mussorgsky's musical composition.
$49.95
Guthrie: Marcia funebre and Finale - Allegro spirito from Symphony No. 4 for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
James M
#
Guthrie: Marcia funebre and Fi
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.552646 Composed by James M. Guthrie. Concert,Contemporary,Standards. Score and parts. 101 pages. Jmsgu3 #6488801. Publi...
(+)
Concert Band - Level 3 - SKU: A0.552646 Composed by James M. Guthrie. Concert,Contemporary,Standards. Score and parts. 101 pages. Jmsgu3 #6488801. Published by jmsgu3 (A0.552646). Marcia funebre (2nd movement) and Finale - Allegro spirito (movement 4) from Symphony No. 4 for Concert BandDuration: 7:37, Score: 32 pagesInstrumentation:1 piccolo, 2 flutes, 1 oboe, 2 clarinets, 1 bass clarinet, 1 cello (or bassoon), 1 alto sax, 1 tenor sax, 1 bari sax, 3 trumpets, 4 horns, 2 tenor trombones doubled by euphoniums and/or baritones, 1 bass trombone, 2 tubas, 4 timpani, percussion: one player: bass drum, snare drum, suspended cymbal.
$49.95
Mouton: Christmas Motet for Concert Band
#
Orchestre d'harmonie
#
FACILE
#
Noël
#
Jean Mouton
#
James M
#
Mouton: Christmas Motet for Co
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.550378 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Instructional,Renaissance,Standards. Sc...
(+)
Concert Band - Level 2 - SKU: A0.550378 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Instructional,Renaissance,Standards. Score and parts. 35 pages. Jmsgu3 #4623399. Published by jmsgu3 (A0.550378). Quadruple canon: Nesciens mater virgo virum. Score: 9 pages. Duration: ca. 3:00. Instrumentation: Flute(s), Oboe(s), English Horn, Bassoon, Clarinet(s) in Bb, Bass Clarinet, Alto Sax, Tenor Sax, Bari Sax, Trumpet in Bb, Horn in F, Tenor Trombone, Bass Trombone, Tuba, Timpani (optional), Glockenspiel (optional), Tubular Bells (optional).
$49.95
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
James M
