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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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2
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1
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3 Cors (trio)
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Cor
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3 Trompettes (trio)
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2 Trombones (duo)
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Violon
24
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17
Quatuor à cordes: 2 violons, alto, violoncelle
17
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14
Alto seul
9
Alto, Piano
7
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6
Violon (partie séparée)
4
Contre Basse
4
Alto (partie séparée)
4
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3
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2
Violoncelle (partie séparée)
2
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
Ensemble de Violons
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2 Violoncelles (duo)
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Harpe
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2 Violons (duo)
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Trio à Cordes: 2 violons, violoncelle
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
6
Ensemble de cuivres
5
Cloches
4
Percussion
2
Orchestre de chambre
2
Orchestre
2
Timbales
2
Orchestre à Cordes
2
Ensemble Jazz
1
Percussion (partie séparée)
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AUTRES
Vous avez sélectionné:
John Wesley
Orchestre d'harmonie
Partitions à imprimer
6 partitions trouvées
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O God Our Help In Ages Part - Concert Band with Optional Strings Score and Parts PDF
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.750906 Arranged by Brendan Ellige…
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Concert Band - Level 2 - Digital Download SKU: A0.750906 Arranged by Brendan Elliget. Christian,Sacred. Score and parts. 40 pages. BJE Music #4794349. Published by BJE Music (A0.750906). Our God, Our Help in Ages Past is a hymn by Isaac Watts and paraphrases the 90th Psalm of the Book of Psalms. It originally consisted of nine stanzas. In present usage, however, the hymn is usually limited to stanzas one, two, three, five, seven and nine (6 Verses) (Methodist books also include the original sixth stanza). In 1738, John Wesley in his hymnal, Psalms and Hymns, changed the first line of the text from Our God to O God. Both Watts' wording and Wesley's rewording remain in current use. [Wikipedia]O God, our help in ages past, Our hope for years to come, Our shelter from the stormy blast, And our eternal home.This arrangement is for concert band and includes parts for Eb and F Horns, Eb, Bb, and C Tubas and a chorded piano part (not on the score).The tune (ST. ANNE) was written by William Croft (1678-1727).Often used on ANZAC Day.There are descant parts for Flute/Piccolo, Clarinet and Trumpet. Optional String parts are included in the PDF.The MP3 was recorded with NotePerformer.Grade = 2.5 Duration = 1 min (2 verses)
$7.50
6.79 €
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Orchestre d'harmonie
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Brendan Elliget
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O God Our Help In Ages Part - Concert Band with Optional Strings Score and Parts PDF
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BJE Music
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SheetMusicPlus
Hark! The Herald Angels Sing / Go, Tell It On The Mountain
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.1141688 Composed by Charles Wesle…
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Concert Band - Level 1 - Digital Download SKU: A0.1141688 Composed by Charles Wesley, Felix Bartholdy Mendelssohn, and John Wesley Work, Jr. Arranged by Sidnei Borgani. Christmas,Classical,Holiday,Pop,Traditional. Score and parts. 21 pages. Sidnei Borgani #742053. Published by Sidnei Borgani (A0.1141688). Voice + Concert Band.
$49.99
45.28 €
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Orchestre d'harmonie
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Charles Wesley, Felix Bartholdy Mendelssohn, and John Wesley Work, Jr
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Sidnei Borgani
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Hark! The Herald Angels Sing / Go, Tell It On The Mountain
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Sidnei Borgani
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SheetMusicPlus
Our Flirtations
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip S…
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Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99
13.58 €
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Orchestre d'harmonie
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John Philip Sousa
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Wesley Besancon
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Our Flirtations
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Wesley Besancon
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SheetMusicPlus
Chamber of Destiny
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1247130 By Wesley Besancon. By We…
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Concert Band - Level 4 - Digital Download SKU: A0.1247130 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. 21st Century,Contemporary,Contest,Festival,New Age. Score and Parts. 82 pages. Wesley Besancon #841685. Published by Wesley Besancon (A0.1247130). Have you ever wondered about why we are impulsive, why we make descisions, and why they are always somehow the correct decision for character? Well, this piece is a programatic piece about a person that is in a forest. This person will find a hidden cabin, and will enter it. And he will discover the true meaning of life. This piece is also a dedication piece to some of my closest friends. DECICATIONS: The Allmans, Lauren Johnson, Parker Peterson, Jaxson Salter.
$8.99
8.14 €
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Orchestre d'harmonie
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Wesley Besancon
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Wesley Besancon
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Chamber of Destiny
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Wesley Besancon
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SheetMusicPlus
Easter Songs
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1171177 Composed by Multiple and …
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Concert Band - Level 4 - Digital Download SKU: A0.1171177 Composed by Multiple and Traditional. Arranged by John K. Evans. Christian,Easter,Praise & Worship,Religious,Spiritual. 172 pages. John K. Evans #771516. Published by John K. Evans (A0.1171177). Easter Songs is a medley of 6 well known hymns traditionally sung at Easter church services and community events. Arrangement contains I Love to Tell the Story (Hankey/Fischer), And Can It Be (Wesley/Campbell), At the Cross (Watts/Hudson), The Old Rugged Cross (Bennard), Were You There (Traditional), and Christ Arose (Lowry). Download includes 1 Score, 1 Timpani, 1 Chime, 6 Flutes, 4 Alto Sax, 4 Tenor Sax, 3 Tuba and 2 of all other parts. Baritone TC included. Duration is 7:35. Grade 3.
$85.00
76.99 €
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Orchestre d'harmonie
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Multiple and Traditional
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John K
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Easter Songs
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John K. Evans
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SheetMusicPlus
Hark! The Herald Angels Sing
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1085681 By John Denver. By Charle…
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Concert Band - Level 2 - Digital Download SKU: A0.1085681 By John Denver. By Charles Wesley and Felix Bartholdy Mendelssohn. Arranged by Frank Chow. Christmas,Holiday,Instructional,Romantic Period,Standards. Score and parts. 32 pages. Frank Chow #689856. Published by Frank Chow (A0.1085681). Hark! The Herald Angels Sing is an English Christmas carol that first appeared in 1739 in the collection â??Hymns and Sacred Poemsâ?. The music is adapted from Vaterland, in deinen Gauen by Felix Mendelssohn The flexible instrumentation enables a mixture of instruments, from small ensemble to orchestra. Essential fingerings and bowings are provided in the string parts. This arrangement is suitable for amateur players who have played the instrument for around 1 year. For instruments of Part 2, 3 and 4, the range is within one octave.
$50.00
45.29 €
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Orchestre d'harmonie
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John Denver
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Frank Chow
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Hark! The Herald Angels Sing
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Frank Chow
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SheetMusicPlus
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