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Judas
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69
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21
Piano seul
20
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17
Piano Facile
7
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6
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1
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1
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50
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11
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11
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10
Ukulele
2
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2
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24
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10
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7
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3
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3
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1
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1
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6
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2
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2
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1
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1
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1
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1
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1
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1
Clarinette, Violon (duo)
1
Hautbois, Basson (duo)
1
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1
Hautbois, Clarinette (duo)
1
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1
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1
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1
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1
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2
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Trombone et Piano
1
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1
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1
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Vous avez sélectionné:
Judas
Orchestre d'harmonie
Partitions à imprimer
4 partitions trouvées
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Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
Jordan Eismeier
#
Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - ...
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Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Jordan Eismeier
#
Elegy-Field of Blood
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Mu...
(+)
Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
See, the Conquering Hero Comes
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Richard E Brown
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See, the Conquering Hero Comes
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Dacker Music
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.814829 Composed by George Frideric Handel. Arranged by Richard E Brown. Baroque,Standards. Score and parts. 38 pages. D...
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Concert Band - Level 3 - SKU: A0.814829 Composed by George Frideric Handel. Arranged by Richard E Brown. Baroque,Standards. Score and parts. 38 pages. Dacker Music #6092621. Published by Dacker Music (A0.814829). The well-known chorus See, the Conquering Hero Comes from George Frideric Handel's oratorio Judas Maccabeus has always been one of his most popular compositions. It was originally written in 1747 for his oratorio Joshua, but then reused for Judas Maccabeus in 1751, a practice that Handel--who was never above recycling a good tune--frequently engaged in with his operas and oratorios. This arrangement, for advanced middle school or young high school bands, is in the style of a slow processional march.Grade 3 - Duration 3:00 Price includes license to make as many copies of parts as required
$45.00
Handel Highlights - March from Scipio Air from Rinaldo See the Conquering Hero- for Flex ensembles
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Orchestre d'harmonie
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Classique
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George Frideric Handel
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David Catherwood
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Handel Highlights - March from
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Opus 3 Music
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SheetMusicPlus
Concert Band - SKU: A0.739498 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Multicultural,Wedding,World. Score and parts. 55...
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Concert Band - SKU: A0.739498 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Multicultural,Wedding,World. Score and parts. 55 pages. Opus 3 Music #5792461. Published by Opus 3 Music (A0.739498). Three of Handel's best loved tunes arranged for flexible quartets or ensembles.1. March from Scipio2. Air from Rinaldo (Lascia ch'io pianga)3. See the Conquering Hero (Thine be the Glory) from Judas MaccabeusThese arrangements are suitable for school orchestras and ensembles and more experienced players. The arrangements allow for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass band. Very suitable for brass or string quartets or mixed wind groups. The generous set of parts included in the download is listed below. As with all music available from Opus 3 Music these arrangements have been well tried and tested in performanceA full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Flute, Oboe, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)Percussion
$17.50
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Judas
