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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
LUTE Sonata
Non classifié
621
Piano & claviers
Piano seul
156
Accompagnement Piano
7
Piano Facile
6
Orgue
6
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
Piano, Voix et Guitare
1
1 Piano, 4 mains
1
+ 4 instrumentations
Retracter
Guitares
Guitare
11
2 Guitares (duo)
9
Guitare notes et tablatures
5
Ukulele
3
Ligne De Mélodie, (Paroles) et Accords
1
2 Mandolines (duo)
1
Orchestre à Plectres
1
+ 2 instrumentations
Retracter
Voix
Voix Baryton, Piano
2
Chorale 2 parties
1
Vents
Flûte traversière
440
Flûte traversière et Piano
393
2 Flûtes traversières (duo)
163
Flûte et Guitare
121
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
112
Flûte, Hautbois, Clarinette (trio)
70
Flûte, Clarinette et Basson
62
Flûte, Hautbois, Basson
56
Flûte, Hautbois, Clarinette, Basson
51
Trio de Flûtes: 3 flûtes
51
Flûte, Violon et Violoncelle
37
3 Flûtes à bec (trio)
31
Flûte traversière, Basse continue
31
Flûte, Clarinette (duo)
30
Flûte, Violoncelle
26
Quatuor de Flûtes : 4 flûtes
21
3 Clarinettes (trio)
17
Flûte, Alto (duo)
16
2 Flûte à bec (duo)
15
Ensemble de Flûtes
12
Flute (partie séparée)
11
Quatuor de Clarinettes: 4 clarinettes
11
Clarinette et Piano
9
2 Flûtes traversières, Piano
8
Saxophone Soprano et Piano
8
2 Saxophones (duo)
8
Hautbois, Piano (duo)
7
Saxophone Tenor et Piano
7
Saxophone Alto et Piano
7
Flûte, Violon
6
Flute, harpe et violon
6
2 Clarinettes (duo)
6
Saxophone
6
Flûte à bec Alto, Basse continue
6
Flûte, Violon, Piano
6
Clarinette
5
Saxophone Baryton, Piano
4
2 Flûtes, Basse continue
4
Quintette de Flûte : 5 flûtes
4
Flûte, Alto et Violoncelle
4
2 Hautbois (duo)
4
Flûte, Hautbois, Piano (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte à Bec
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Guitare (duo)
3
Flûte à bec Soprano
3
Cor anglais, Guitare (duo)
3
Flûte, Saxophone (duo)
3
Hautbois, Flûte
3
Hautbois, Basson (duo)
2
Flûte à bec Alto, Piano
2
Flûte à bec Alto
2
Clarinette Basse, Piano
2
Flûte, Trompette (duo)
2
Flûte à bec, Guitare (duo)
2
3 Saxophones (trio)
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone Alto
2
Flûte, alto et harpe
2
Ensemble de Clarinettes
1
Flûte traversière, Orgue (duo)
1
Flûte, Tuba (duo)
1
Flûte, Hautbois (duo)
1
Saxophone et Guitare
1
Saxophone Tenor
1
Saxophone (partie séparée)
1
Clarinette, Violon (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Basson et Piano
1
Flûte, Trombone (duo)
1
Ensemble à vent
1
+ 67 instrumentations
Retracter
Cuivres
2 Cors (duo)
5
Euphonium, Piano (duo)
4
Trompette (partie séparée)
3
Cor anglais, Guitare (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trombone et Piano
2
Cor et Piano
2
3 Euphoniums
2
2 Tubas (duo)
2
Trompette
1
Tuba et Piano
1
Trombone
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums (duo)
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
+ 11 instrumentations
Retracter
Cordes
Violon
102
Violon et Piano
22
Violon, Alto (duo)
16
Violoncelle
12
Harpe
11
Trio à Cordes: violon, alto, violoncelle
9
Alto, Piano
9
Violoncelle, Piano
8
2 Violons (duo)
8
Harpe, Flûte (duo)
7
Alto seul
7
Alto (partie séparée)
5
Flûte, Contrebasse (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Quatuor à cordes: 2 violons, alto, violoncelle
4
Alto, Guitare (duo)
4
2 Altos (duo)
3
2 Violoncelles (duo)
3
Alto, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Contre Basse
1
Violon, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
2 Contrebasses (duo)
1
Violon, Guitare (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
26
Orchestre
20
Orchestre d'harmonie
6
Ensemble de cuivres
4
Orchestre à Cordes
4
Ensemble de Percussions
2
Quintette à Vent
1
Cloches
1
Ensemble Jazz
1
+ 4 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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MEDIEVAL - RENAISSAN…
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NOËL
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PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
LUTE Sonata
Orchestre d'harmonie
Partitions à imprimer
6 partitions trouvées
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Telemann Sonata for Band Score and Woodwind Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Georg Philip Telemann
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Bud Caputo
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Telemann Sonata for Band Score
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Bud Caputo
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.826599 Composed by Georg Philip Telemann. Arranged by Bud Caputo. Baroque,Standards. Score and parts. 37 pages. Bud Cap...
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Concert Band - Level 3 - SKU: A0.826599 Composed by Georg Philip Telemann. Arranged by Bud Caputo. Baroque,Standards. Score and parts. 37 pages. Bud Caputo #1892485. Published by Bud Caputo (A0.826599). 2016 Arrangement New Release Sonata in F minor - Movements 1 and 4- by George Philip Telemann is a D minor arrangement for full band that uses the themes and harmonies from the original sonata for solo flute. The two contrasting movements make this a challenging, yet solid, grade 3 work for advanced middle school and younger high school bands. Brass and Percussion parts are under separate cover.
$20.00
Sonata for Alto Saxophone, Op. 29 (37-Piece Digital Pack)
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Anthony LaBounty
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Sonata for Alto Saxophone, Op.
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Hal Leonard - Digital
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SheetMusicPlus
Level 5 - SKU: HX.330213 Arranged by Anthony LaBounty. This edition: scorch. Classical. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Di...
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Level 5 - SKU: HX.330213 Arranged by Anthony LaBounty. This edition: scorch. Classical. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.330213).
Digital Pack includes
:
Sonata for Alto Saxophone, Op. 29 - Conductor Score (Full Score)
Sonata for Alto Saxophone, Op. 29 - Solo Eb Alto Saxophone
Sonata for Alto Saxophone, Op. 29 - Flute 1
Sonata for Alto Saxophone, Op. 29 - Flute 2
Sonata for Alto Saxophone, Op. 29 - Oboe 1
Sonata for Alto Saxophone, Op. 29 - Oboe 2
Sonata for Alto Saxophone, Op. 29 - Bb Clarinet 1
Sonata for Alto Saxophone, Op. 29 - Bb Clarinet 2
Sonata for Alto Saxophone, Op. 29 - Bb Clarinet 3
Sonata for Alto Saxophone, Op. 29 - Bb Bass Clarinet
Sonata for Alto Saxophone, Op. 29 - Eb Contra Alto Clarinet
Sonata for Alto Saxophone, Op. 29 - Bb Contra Bass Clarinet
Sonata for Alto Saxophone, Op. 29 - Bassoon 1
Sonata for Alto Saxophone, Op. 29 - Bassoon 2
Sonata for Alto Saxophone, Op. 29 - Eb Alto Saxophone 1
Sonata for Alto Saxophone, Op. 29 - Eb Alto Saxophone 2
Sonata for Alto Saxophone, Op. 29 - Bb Tenor Saxophone
Sonata for Alto Saxophone, Op. 29 - Eb Baritone Saxophone
Sonata for Alto Saxophone, Op. 29 - Bb Trumpet 1
Sonata for Alto Saxophone, Op. 29 - Bb Trumpet 2
Sonata for Alto Saxophone, Op. 29 - Bb Trumpet 3
Sonata for Alto Saxophone, Op. 29 - F Horn 1
Sonata for Alto Saxophone, Op. 29 - F Horn 2
Sonata for Alto Saxophone, Op. 29 - Trombone 1
Sonata for Alto Saxophone, Op. 29 - Trombone 2
Sonata for Alto Saxophone, Op. 29 - Bass Trombone
Sonata for Alto Saxophone, Op. 29 - Euphonium in Bass Clef
Sonata for Alto Saxophone, Op. 29 - Euphonium in Treble Clef
Sonata for Alto Saxophone, Op. 29 - Tuba
Sonata for Alto Saxophone, Op. 29 - Contrabass
Sonata for Alto Saxophone, Op. 29 - Violincello
Sonata for Alto Saxophone, Op. 29 - Timpani
Sonata for Alto Saxophone, Op. 29 - Percussion 1
Sonata for Alto Saxophone, Op. 29 - Percussion 2
Sonata for Alto Saxophone, Op. 29 - Percussion 3
Sonata for Alto Saxophone, Op. 29 - Percussion 4
Sonata for Alto Saxophone, Op. 29 - Percussion 5
$95.00
Beethoven’s Browne
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Stephen R Dalrymple
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Beethoven’s Browne
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818277 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Classical. ...
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Concert Band - Level 3 - SKU: A0.818277 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Classical. Score and parts. 60 pages. Stephen R Dalrymple #4855443. Published by Stephen R Dalrymple (A0.818277). Beethoven’s Browne ♫ transcription of Piano Sonata 6 Movement 2 by Ludwig van Beethoven Opus 10 Number 2 ♫ arranged by Stephen R Dalrymple for Concert Band ♫ arrangement © 2001, 2020 Stephen R Dalrymple ♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission is granted to make photocopies of parts and additional scores for a medium size school band. ♫ Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, F Horn, Trombone/Baritone/Bassoon, Treble Clef Baritone, Tuba, Electric Bass, Snare/Triangle and Timpani. ♫ Beethoven’s 6th Piano Sonata is dedicated to Countess Anna Margarete von Braun. It was written during 1796-1798. Beethoven was 25 to 28 years old at the time. ♫ In Sonata Six Beethoven substituted a 3:4 movement for the typical slow movement. Although he used the common Minuet, Trio, Minuet formula, he experimented with the form by eliminating literal repetitions. Sonata 6 consists of 3 movements. This piece is based on the middle movement of the middle sonata. This middle movement has 3 sections. It is written in 3:4 time. The middle section of the movement is written in trio form. ♫ The YouTube video contains a full recording.
$19.00
Pastoral
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Julia Perry
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John Ivor Holland
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Pastoral
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1355197 Composed by Julia Perry. Arranged by John Ivor Holland. 20th Century,Classical. 41 pages. John Ivor Holland #93...
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Concert Band - Level 3 - SKU: A0.1355197 Composed by Julia Perry. Arranged by John Ivor Holland. 20th Century,Classical. 41 pages. John Ivor Holland #939915. Published by John Ivor Holland (A0.1355197). Julia Perry (25 March 1924 – 24 April 1979) was an American classical composer and teacher who combined European classical and neo-classical training with her African-American heritage. In 1952, Perry began studying under Nadia Boulanger in Paris, during which time she was awarded the Boulanger Grand Prix for her Viola Sonata; after five and a half years in Europe, Perry returned to America and continued her work in composition. 'Pastoral' was composed in 1959 for flute and six strings (2 violins, 2 violas and 2 cellos) here expanded to the palette of the concert band including supporting percussion. This arrangement has been made as part of an ongoing project to widen the repertoire of music by women composers for concert band around the world.
$49.99
Kristinmark Overture for Concert Band
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Orchestre d'harmonie
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FACILE
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Contemporain
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Gregory Fritze
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Kristinmark Overture for Conce
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917396 Composed by Gregory Fritze. 20th Century,Classical,Contemporary. Score and parts. 125 pages. Musica Nova USA #48...
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Concert Band - Level 2 - SKU: A0.917396 Composed by Gregory Fritze. 20th Century,Classical,Contemporary. Score and parts. 125 pages. Musica Nova USA #4821537. Published by Musica Nova USA (A0.917396). Kristenmark Overture was commissioned and composed for the Symphonic Wind Ensemble of the University of Minnesota Duluth, Mark Whitlock conductor and the Symphony Band of the University of Wisconsin River Falls, Kristin Tjornehoj, conductor.The name Kristinmark are the first names of both conductors.It has been played many times in Europe, South America and the United States. It is often used in honor band festivals as it fits the level of difficulty (grade 4) for the average high school band festival and good duration for such events – seven minutes. The piece is in a clear Sonata Allegro form and includes short solos for trombone, horn, alto sax, trumpet, timpani, snare drum, tuba, oboe, crotales, flute, piccolo, bassoon, euphonium and clarinet. Non of the solos are very long or difficult. The solos are meant to feature as many musicians as possible. In some cases, alternate instruments have cues if particular instrumentalists are not strong performers . In 2017 Kristenmark Overture was submitted to The American Prize Composition Contest, Band Division. It placed as a Semi Finalist that year.Kristenmark Overture can be heard by the Brazilian Wind Orchestra, conducted by Dario Sotelo at: http://www.youtube.com/watch?v=bk-PvXTvxy8
$60.00
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LUTE Sonata
