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Vous avez sélectionné:
Like A Prayer - Trombone
Orchestre d'harmonie
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Overture from Hansel und Gretel (Band)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.877112 Composed by Engelbert Hump…
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Concert Band - Level 3 - Digital Download SKU: A0.877112 Composed by Engelbert Humperdinck. Arranged by Tim Laughlin. Opera,Romantic Period,Standards. Score and parts. 148 pages. Tim Laughlin #5010457. Published by Tim Laughlin (A0.877112). The beloved overture from Engelbert Humperdinck's fairy tale opera Hansel und Gretel is here arranged for wind ensemble. The work opens with the horns and the lush Evening Prayer, expanded on by the brass and woodwinds. A trumpet call announces the middle section, full of playful motifs bouncing between the brass and woodwinds, foreshadowing the drama to come and preparing a returning to a prayerful, hymn-like finale.Instrumentation: 2fl+pic/2ob/3cl+Ebcl+bcl+cbcl/4sax/2bn+cbn; 4hn/4tp/3tbn/eu/tba; bass; timp; 2percDuration: approx. 8 min.Level: Intermediate to Advanced IntermediateContents: Full score and parts
$59.95
55.39 €
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Orchestre d'harmonie
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Engelbert Humperdinck
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Tim Laughlin
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4hn/4tp/3tbn/eu/tba
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Overture from Hansel und Gretel
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Tim Laughlin
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SheetMusicPlus
Rhapsody for Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. …
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
18.48 €
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Orchestre d'harmonie
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July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
The Best Hymns of All Time (for Wind Instruments) Book 3
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arran…
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Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
29.55 €
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Orchestre d'harmonie
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Like A Prayer - Conductor Score (Full Score)
Orchestre d'harmonie
By Madonna. By Madonna and Patrick Leonard. Arranged by Michael Brown. Pop. Concert Band. …
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By Madonna. By Madonna and Patrick Leonard. Arranged by Michael Brown. Pop. Concert Band. 12 pages. Duration 2:30. Published by Hal Leonard - Digital Sheet Music
$5.00
4.62 €
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Orchestre d'harmonie
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Madonna
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Michael Brown
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Like A Prayer - Conductor Score
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Madonna: Like A Prayer (COMPLETE) - concert band
Orchestre d'harmonie
Instantly printable sheet music by Madonna for concert band of MEDIUM skill level. / pop
Instantly printable sheet music by Madonna for concert band of MEDIUM skill level. / pop
$59.99
55.42 €
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Orchestre d'harmonie
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Madonna
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Virtualsheetmusic
Patrick Leonard: Like A Prayer (COMPLETE) for band
Orchestre d'harmonie
Instantly downloadable sheet music by Patrick Leonard for band of MEDIUM skill level.
Instantly downloadable sheet music by Patrick Leonard for band of MEDIUM skill level.
$131.99
121.94 €
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Orchestre d'harmonie
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Patrick Leonard
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Virtualsheetmusic
Merry! Don't You Know?
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1314114 Composed by David Ahrens.…
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Concert Band - Level 3 - Digital Download SKU: A0.1314114 Composed by David Ahrens. 21st Century,Advent,Christian,Christmas,Holiday. 74 pages. Baseline Music Publishing #902847. Published by Baseline Music Publishing (A0.1314114). Composer's web store: https://www.sounded.us/baseline/product/merry-dont-you-know-by-david-ahrens-wind-band/“God Rest You Merry, Gentlemen†is a traditional English Christmas carol dating to the mid 17th Century. It was referenced by Charles Dickens in his 1843 novella “A Christmas Carol†but with the lyric:“God bless you, Merry Gentleman!May nothing you dismay!â€The phrase “God rest you merry†historically meant “may God grant you peace and happinessâ€. “Rest you merry†was used both in Shakespeare’s “As You Like It†and “Romeo and Julietâ€. Over time, there has been confusion over this title due to changes in common language usage. The word ‘merry’ is an adverb of rest and not an adjective of Gentlemen.“Pat-A-Pan†is a traditional Burgundian French Christmas carol written by Bernard de La Monnoye and published in 1720. The text calls for the bringing of a drum and flute to play for newborn Jesus Christ in worship. The title is onomatopoeic for the sound of a drum, as is the additional lyric “tu-re-lu-re-lu†for the sound of a flute.“Yigdal†is a Jewish hymn and prayer that is a poetic adaptation of Maimonides’ 13 principles of faith. The text is attributed to 14th century poet Daniel ben Judah. The melody dates to the 17th century or earlier. It is traditionally sung for morning prayer and as the conclusion of Shabbat evening services. Upon hearing Yigdal, English Methodist Thomas Olivers adapted this melody for use in his Christian hymn “The God of Abraham Praiseâ€, which is a paraphrase of the ben Judah doxology, and was first published in 1772.“Merry! Don’t You Know?†is a playful melding of these sacred songs, acting as a reminder that Christmas is a time to be merry and joyful as we celebrate the nature, power, and love of God.
$74.99
69.28 €
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Orchestre d'harmonie
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David Ahrens
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Merry! Don't You Know?
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Baseline Music Publishing
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SheetMusicPlus
Chorale on Friedman's Shalom Aleichem
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1031499 Composed by Dan Dickerman…
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Concert Band - Level 3 - Digital Download SKU: A0.1031499 Composed by Dan Dickerman. Contemporary,Jewish. Score and parts. 44 pages. True Indie Media #3424827. Published by True Indie Media (A0.1031499). Bringing folk melodies into modern repertoire has a long tradition, with many iconic works simultaneously celebrating and preserving melodies which might otherwise have been lost to history. Here we have the opportunity to celebrate and preserve a melody just as it starts to find its way in the musical world. By the time Debbie Friedman died in January 2011, just shy of her 60th birthday, she had created a large collection of music loved throughout the world’s Jewish community. She embodied the idea that each generation has a responsibility to contribute to the canon of sacred music, and her settings of liturgical texts have been sung regularly for decades. Her setting of Mi Shebeirach, the prayer for healing, is likely her most familiar tune, but Shalom Aleichem is a beautiful capstone to her legacy. It was in an early stage at the time of her death, having shared the melody among a few groups. This melody has since been sung worldwide, beginning with Friedman’s own memorial and the following Sabbath of Song (Shabbat Shira), and it has begun to take its rightful place in the liturgical canon. The music here is ordered as it would be sung: starting with a presentation of the chorus theme by clarinets in SATB choir voicing, with more of the band joining-in with each repetition of the theme or chorus. The melody and countermelodies move among the different sections until the full band has taken up the tune while the euphonium, horn, and clarinet weave a contrapuntal line through it. Slowly, the joy of the full band is stripped away, exposing the more solemn sound of a brass choir, juxtaposing the joy brought to so many by Ms. Friedman during her life with a quiet reflection at its end.Â
$54.00
49.89 €
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Orchestre d'harmonie
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the time Debbie Friedman died in January 2011, just shy of her 60th birthday, she had created a large collection of music loved throughout the world’s Jewish community
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Dan Dickerman
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Chorale on Friedman's Shalom Aleichem
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True Indie Media
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SheetMusicPlus
Accentus
Orchestre d'harmonie
Concert Band - Digital Download SKU: IZ.CBW221 Composed by Gary Gazlay. Score and P…
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Concert Band - Digital Download SKU: IZ.CBW221 Composed by Gary Gazlay. Score and Parts. 61 pages. Imagine Music - Digital #CBW221. Published by Imagine Music - Digital (IZ.CBW221). 9 x 12 inches.Some years back, during a series of retreats, prayerful reflection on the “servantpassages from the book of the prophet Isaiah (Is. 40-53) coalesced into what wouldbecome an eight-movement cantata entitled: The Servant of Yahweh.“How Beautiful on the Mountain represents movement three of that larger work - aLenten cantata highlighting key aspects of the life, death, and resurrection of Jesus,viewed through the lens of the aforementioned servant passages.“How Beautiful on the Mountain (from Is.52 ff) attempts to capture in two sections thejoyful vision of God's people being led back to Zion from exile in Babylon. Israel'sdeliverer is near, proclaiming peace, bearing good news, announcing salvation, leadingIsrael back to Jerusalem. The New Testament likewise speaks of deliverance frombondage – bondage from sin, and healing of the breach between God and humanity. It isthrough the passion, death, and resurrection of Jesus that this deliverance isaccomplished. In both cases, there is cause for great joy.Musically, movement from the more subdued preface (part 1) to the festive Latin groove(part 2) conveys the transition from journey to jubilation.The present rendition, written for SATB choir and piano with optional flute and oboemarks the latest evolution in the work's arrangement history. The originalaccompaniment included guitar, bass, drum, flute and electric violin. However, in 2009,through a collaboration with bassist/arranger, Perry Orfanella, a full orchestral score wasdeveloped. Most recently, in order to make the piece more accessible to church choirsand other choral groups, Phil Sims (musician/arranger and partner of Imagine MusicPublishing) reduced the orchestral score and completed the present arrangement forpiano and SATB choir.
$50.00
46.19 €
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Orchestre d'harmonie
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Gary Gazlay
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Accentus
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Imagine Music - Digital
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SheetMusicPlus
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