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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mário Chan
Non classifié
288
Piano & claviers
Piano seul
75
Piano, Voix
66
Piano Facile
48
Instruments en Do
11
Accompagnement Piano
6
Piano, Voix et Guitare
6
Orgue
5
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
1
1 Piano, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
25
Guitare
5
2 Guitares (duo)
2
3 Guitares (trio)
1
Guitare notes et tablatures
1
Ukulele
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
16
Chorale TTBB
5
Chorale 3 parties
3
Voix seule
3
Voix basse, Piano
3
Chorale 2 parties
3
Voix Tenor, Piano
2
Voix Baryton, Piano
2
Voix duo, Piano
1
Voix duo
1
Voix haute
1
Chorale SSAA
1
+ 7 instrumentations
Retracter
Vents
Ensemble de saxophones
39
Clarinette et Piano
36
Flûte traversière et Piano
36
Hautbois, Piano (duo)
27
2 Flûtes traversières, Piano
25
Quatuor de Saxophones: 4 saxophones
25
Quintette de Saxophone: 5 saxophones
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Saxophone Alto et Piano
20
Clarinette
15
Flûte traversière
10
Saxophone Soprano et Piano
10
Hautbois
10
Flûte, Hautbois, Clarinette, Basson
10
2 Flûtes traversières (duo)
9
Saxophone Tenor et Piano
9
Ensemble de Clarinettes
8
Quatuor de Clarinettes: 4 clarinettes
8
2 Saxophones (duo)
7
2 Clarinettes (duo)
7
Cor anglais, Piano
6
2 Hautbois (duo)
5
Ensemble de Flûtes
5
3 Saxophones (trio)
3
Saxophone Baryton, Piano
3
Flûte et Guitare
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette Basse, Piano
3
Quintette de Flûte : 5 flûtes
2
Flûte à bec Soprano
2
Flûte à bec Tenor
2
Flûte, Clarinette (duo)
2
Hautbois, Basson (duo)
1
Quatuor de Flûtes à bec
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon, Piano
1
Hautbois, Violoncelle
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violoncelle, Guitare
1
Flûte, Hautbois (duo)
1
Saxophone et Orgue
1
+ 37 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Cor et Piano
20
Trompette, Piano
18
Tuba et Piano
18
Quatuor de Cuivres
14
Trompette
13
Trombone et Piano
12
Tuba
10
Cor
10
Ensemble de Trombones
8
Trombone
6
Cor anglais, Piano
6
Ensemble de Trompettes
6
2 Trombones (duo)
5
Euphonium, Piano (duo)
5
Ensemble de Cors
4
2 Trompettes (duo)
4
2 Cors (duo)
3
Trio de Cuivres
2
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
1
Trompette, Trombone (duo)
1
Trompette (partie séparée)
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
45
Violon et Piano
38
Alto, Piano
34
Violoncelle, Piano
29
Contrebasse, Piano (duo)
19
Harpe
18
Trio à Cordes: violon, alto, violoncelle
15
Violoncelle
12
Alto seul
12
Violon
11
Contre Basse
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
2 Violons (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Violon, Violoncelle (duo)
7
2 Violoncelles (duo)
5
2 Altos (duo)
5
Violon, Alto (duo)
3
2 Contrebasses (duo)
2
2 Violons, Piano
2
4 Violoncelles
2
Ensemble d'Altos
2
Trio à cordes: 3 violins
2
Ensemble de Violons
2
Alto, Violoncelle (duo)
2
2 Altos, Piano
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
25
Orchestre d'harmonie
16
Orchestre
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Orchestre de chambre
2
Ensemble de cuivres
2
Ensemble de Percussions
2
Vibraphone
1
Marimba
1
Ensemble Jazz
1
Cloches
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Mário Chan
Orchestre d'harmonie
Partitions à imprimer
16 partitions trouvées
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1
CZECH REPUBLIC: Kde domov můj ?
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Orchestre d'harmonie
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DÉBUTANT
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František Jan Skroup
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Lorenzo Bocci
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CZECH REPUBLIC: Kde domov můj
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1517481 Composed by František Jan Skroup. Arranged by Lorenzo Bocci. March,Patriotic,Traditional. 30 pages. Lorenzo Bo...
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Concert Band - Level 1 - SKU: A0.1517481 Composed by František Jan Skroup. Arranged by Lorenzo Bocci. March,Patriotic,Traditional. 30 pages. Lorenzo Bocci #1091641. Published by Lorenzo Bocci (A0.1517481). CZECH REPUBLIC: Kde domov můj ?for Concert Band - Grade 2,5 - Composed by František Jan Skroup (1801-1862). Arranged by Lorenzo Bocci. March/Patriotic/Traditonal/Hymn. Concert Band - Blasorchester - Harmonie. Score A4 (21 x 29,7 cm) and card size parts A5 (19,5 x 14,2 cm). Duration 0'54''. Published by Lorenzo Bocci.Instrumentation:Full Score, Piccolo, Flute, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, F Horn 1, 2, Trombone 1, 2, Euphonium, Bass, Timpani, Snare Drum, Cymbals, Bass Drum.Additional Parts:Bb Soprano Saxophone, Eb Cornet, Bb Flugelhorn 1, 2, Eb Horn 1, 2, Bb Trombone 1, 2 T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Kde domov můj is the national anthem of the Czech Republic. It has been in use since the country's independence in 1993. This song formed the first part of the national anthem of the old Czechoslovakia, with the first stanza of the Slovak anthem forming the second. Its music was written by the composer František Škroup (1801-1862) and the playwright Josef Kajetán Tyl (1808-1856) as part of the operetta Fidlovačka aneb žádný hněv a žádná rvačka (No Anger and No Fight), more precisely it was an aria from the first act. It was first performed at the Estates Theatre in Prague on 21 December 1834.Subscribe to my YouTube Channel to stay updated on new releases.
$33.00
Carmen Suite No. 2 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Georges Bizet
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Marc Oliver
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Carmen Suite No. 2 for Concert
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.733051 Composed by Georges Bizet. Arranged by Marc Oliver. Opera,Romantic Period. Score and parts. 361 pages. Ayotte Cu...
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Concert Band - Level 4 - SKU: A0.733051 Composed by Georges Bizet. Arranged by Marc Oliver. Opera,Romantic Period. Score and parts. 361 pages. Ayotte Custom Musical Engravings #2836729. Published by Ayotte Custom Musical Engravings (A0.733051). The Second Suite from Carmen contains the following movements:Marche des ContrebandiersAct III, Chorus: Écoutes, écoutes, compagnon!HabaneraAct I, Aria (Carmen): L'amour est un oiseau rebelleNocturneAct III, Aria (Michela): Je dis que rien ne m'épouranteChanson du ToréadorAct II, Introduction and aria (Escamillo): Votre toast, je peux vous le rendreLa Garde MontanteAct I: Avec la garde montante, nous arrivons, nous violá!Danse BohèmeAct II, Gypsy Dance: Les tringles des sistres tintaientIt has a duration of approximately 23 minutes.
$199.99
Shenandoah
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen R Dalrymple
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Stephen R Dalrymple
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Shenandoah
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818351 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages....
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Concert Band - Level 3 - SKU: A0.818351 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages. Stephen R Dalrymple #6381291. Published by Stephen R Dalrymple (A0.818351). Shenandoah ♫ traditional American folk song ♫ arranged for concert band by Stephen R Dalrymple ♫ The meaning of this song will be long debated. Considered a sea chanty, the song was passed on orally by singers on clipper ships. The variations in lyrics that have been collected demonstrate how various singers over the decades have altered the song (consciously or unconsciously). ♫ This arrangement is based on lyrics that were collected prior to 1860 and published in Sea Songs and Shanties by W. B. Whall (1910). There are evidently 2 rivers mentioned in this song, the Shenandoah and the Missouri. The song tells a love story between an impetuous trader and a Shenandoah Valley Native American princess. As the trader heads for the Missouri River, he looks back longingly to the home of the princess. ♫ I have used the Dorian Mode to suggest Native American elements in the story line. The YouTube video features photos of both the Shenandoah River and the Missouri River. ♫ The white man loved the Indian maiden, Away you rolling river. With notions his canoe was laden. Ah-ha, I'm bound away, Cross the wide Missouri. ♫ O, Shenandoah, I love your daughter, Away you rolling river. I'll take her 'cross yon rolling water. Ah-ha, I'm bound away, Cross the wide Missouri. ♫ The chief disdained the trader's dollars: Away you rolling river. My daughter never you shall follow. Ah-ha, I'm bound away, Cross the wide Missouri. ♫ O, Shenandoah, I long to hear you, Away you rolling river. Across that wide and rolling river. Ah-ha, I'm bound away, 'Cross the wide Missouri. ♫ arrangement © 2000 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Flute, Oboe, Clarinet 1, Clarinet 2, optional Clarinet 3, Bass Clarinet, Alto Sax /Alto Clarinet, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, French Horn, Trombone/Baritone/Bassoon, Treble Clef Baritone, Tuba, E Bass, Snare Drum/Cymbals, Shaker/Chimes, and Timpani ♫ The YouTube video contains a full recording.
$19.00
Our Flirtations
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John Philip Sousa
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Wesley Besancon
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Our Flirtations
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesl...
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Concert Band - Level 4 - SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99
Adeste Fidelis
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Orchestre d'harmonie
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DÉBUTANT
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Traditional
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Jhonatan Lucio Viana
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Adeste Fidelis
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JLVPartitura
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1398207 By Traditional. By John Francis Wade. Arranged by Jhonatan Lucio Viana. Christmas,Classical,Early Music,Folk,Tr...
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Concert Band - Level 1 - SKU: A0.1398207 By Traditional. By John Francis Wade. Arranged by Jhonatan Lucio Viana. Christmas,Classical,Early Music,Folk,Traditional. 20 pages. JLVPartitura #981495. Published by JLVPartitura (A0.1398207). Immerse yourself in this arrangement of ADESTE FIDELIS Traditional Song for Concert Banda.Instrumentation: Flute, Clarinet in Bb, Alto Sax, Tenor Sax, Bassoon, Trumpet in Bb 1-2, Horn in F, Trombone 1-2, Euphonium, Tuba, Side Drum, Bass Drum, Tubular Bells and Glock.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level Intermediate, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity.Unlock the transformative power of music in your life! Purchase the sheet music today and immerse yourself in the beauty of this composition. Elevate your musical experience with every note of this carefully crafted arrangement. Don't hesitate any longer, embark on this unique musical journey and enrich your life with every chord.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$19.99
Amazing Grace
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Orchestre d'harmonie
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DÉBUTANT
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Traditional
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Jhonatan Lucio Viana
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Amazing Grace
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JLVPartitura
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1398784 By Traditional. By John Newton. Arranged by Jhonatan Lucio Viana. Classical,Early Music,Religious,Spiritual,Tra...
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Concert Band - Level 1 - SKU: A0.1398784 By Traditional. By John Newton. Arranged by Jhonatan Lucio Viana. Classical,Early Music,Religious,Spiritual,Traditional. 20 pages. JLVPartitura #982061. Published by JLVPartitura (A0.1398784). Immerse yourself in this arrangement of AMAZING GRACE Traditional Song for Concert Banda + Chords.Instrumentation: Flute, Oboe, Clarinet in Bb, Alto Sax, Tenor Sax, Bassoon, Trumpet in Bb 1-2, Horn in F, Trombone 1-2, Euphonium, Tuba, Triangle, Bass Drum, Susp. Cym. and Glock.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level Intermediate, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity.Unlock the transformative power of music in your life! Purchase the sheet music today and immerse yourself in the beauty of this composition. Elevate your musical experience with every note of this carefully crafted arrangement. Don't hesitate any longer, embark on this unique musical journey and enrich your life with every chord.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$19.99
Amazing Grace
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Orchestre d'harmonie
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DÉBUTANT
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Traditional
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Jhonatan Lucio Viana
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Amazing Grace
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JLVPartitura
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1398782 By Traditional. By John Newton. Arranged by Jhonatan Lucio Viana. Classical,Early Music,Religious,Spiritual,Tra...
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Concert Band - Level 1 - SKU: A0.1398782 By Traditional. By John Newton. Arranged by Jhonatan Lucio Viana. Classical,Early Music,Religious,Spiritual,Traditional. 20 pages. JLVPartitura #982058. Published by JLVPartitura (A0.1398782). Immerse yourself in this arrangement of AMAZING GRACE Traditional Song for Concert Banda.Instrumentation: Flute, Oboe, Clarinet in Bb, Alto Sax, Tenor Sax, Bassoon, Trumpet in Bb 1-2, Horn in F, Trombone 1-2, Euphonium, Tuba, Triangle, Bass Drum, Susp. Cym. and Glock.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level Intermediate, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity.Unlock the transformative power of music in your life! Purchase the sheet music today and immerse yourself in the beauty of this composition. Elevate your musical experience with every note of this carefully crafted arrangement. Don't hesitate any longer, embark on this unique musical journey and enrich your life with every chord.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$19.99
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
The Star-Spangled Banner - Inno Nazionale U.S.A.
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Orchestre d'harmonie
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DÉBUTANT
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John Stafford Smith
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Lorenzo Bocci
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The Star-Spangled Banner - Inn
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1517424 Composed by John Stafford Smith. Arranged by Lorenzo Bocci. March,Patriotic,Traditional. 29 pages. Lorenzo Bocc...
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Concert Band - Level 1 - SKU: A0.1517424 Composed by John Stafford Smith. Arranged by Lorenzo Bocci. March,Patriotic,Traditional. 29 pages. Lorenzo Bocci #1091586. Published by Lorenzo Bocci (A0.1517424). THE STAR-SPANGLED BANNER - Inno Nazionale U.S.A.for Concert Band - Grade 2,5 - Composed by John Stafford Smith. Arranged by Lorenzo Bocci. March/Patriotic/Traditonal/Hymn. Concert Band - Blasorchester - Harmonie. Score A4 (21 x 29,7 cm) and card size parts A5 (19,5 x 14,2 cm). Duration 1'10''. Published by Lorenzo Bocci.Instrumentation:Full Score, Piccolo, Flute, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, F Horn 1, 2, Trombone 1, 2, Euphonium, Bass, Snare Drum, Cymbals, Bass Drum.Additional Parts:Bb Soprano Saxophone, Eb Cornet, Bb Flugelhorn 1, 2, Eb Horn 1, 2, Bb Trombone 1, 2 T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.The Star-Spangled Banner is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written by American lawyer Francis Scott Key on September 14, 1814, after he witnessed the bombardment of Fort McHenry during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort after the battle. The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a social club in London. Smiths' song, To Anacreon in Heaven, with various lyrics, was already popular in the United States. This setting, renamed The Star-Spangled Banner, soon became a popular patriotic song. The Star-Spangled Banner was first recognized for official use by the United States Navy in 1889. On March 3, 1931, the U.S. Congress passed a joint resolution making the song the official national anthem of the United States.Subscribe to my YouTube Channel to stay updated on new releases.
$33.00
Theme From Fallout(R) 4
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Orchestre d'harmonie
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FACILE
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Inon Zur
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David Boyd
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Theme From Fallout(R) 4
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David Boyd
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1515530 Composed by Inon Zur. Arranged by David Boyd. 21st Century,Instructional,Video Game. 101 pages. David Boyd #108...
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Concert Band - Level 2 - SKU: A0.1515530 Composed by Inon Zur. Arranged by David Boyd. 21st Century,Instructional,Video Game. 101 pages. David Boyd #1089883. Published by David Boyd (A0.1515530). The Fallout 4 Main Theme is an iconic piece of video game music, instantly recognizable for its blend of melancholy and grandeur. Originally composed by Inon Zur, the theme reflects the post-apocalyptic world of the Fallout series, evoking both the devastation of the landscape and the hope for rebuilding. This flex band arrangement strives to capture the emotional depth of the original while making the piece accessible to a wide range of ensemble configurations.Instrumentation and Flexibility:This arrangement is designed for a flexible band format, it can be performed by various combinations of instruments and group sizes. The scoring allows for a minimum of 5 parts, which can be covered by any instrumental family, including strings with optional percussion to add depth and texture. The arrangement works with a standard wind ensemble, but it can also be performed effectively by smaller groups, including mixed wind, brass, and string ensembles.Part 1: Flute, Oboe, Clarinet, Trumpet, ViolinPart 2: Flute, Clarinet, Alto Sax, Trumpet, ViolinPart 3: Clarinet, Alto Sax, Tenor Sax, Horn in F, ViolaPart 4: Tenor Sax, Horn in F, Trombone, Euphonium, CelloPart 5: Bass Clarinet, Baritone Sax, Bassoon, Trombone, Euphonium, Tuba, Double BassPercussion: Suspended Cymbal, Roto Toms/Snare/Tenor Drum x 2, Bass Drum A condensed, non-transposed score is also provided,Everything can change in an instant, whether or not you're ready. This wasn't the world I wanted, but it was the one I found myself in. This time I'm ready. Because I know... War. War never changes. - Sole Survivor of Vault 111, Fallout 4.
$49.99
The Fog Meets the Storm for small wind band and percussion
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James M Johnson
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The Fog Meets the Storm for sm
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Myles Music James Johnson
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Publis...
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Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
Naval Reserve March for Concert Band by Sousa
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Orchestre d'harmonie
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John Philip Sousa
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Jari A
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Naval Reserve March for Concer
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JV MUSIC
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SheetMusicPlus
Concert Band - SKU: A0.722727 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. 20th Century,Folk,Patriotic. Score and parts. 39 pages. JV ...
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Concert Band - SKU: A0.722727 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. 20th Century,Folk,Patriotic. Score and parts. 39 pages. JV MUSIC #3037031. Published by JV MUSIC (A0.722727). Naval Reserve March Composed by John Philip Sousa Arranged for Concert Band by Jari Villanueva To the Officers and Men of the US Naval Reserve Intro: The song Blue RidgeFor Full Concert BandFull and set of Parts includedSousa's march The Naval Reserve was one of his naval salutes and dedicated to the officers and men of the Naval Reserve. The march incorporates his song, Blue Ridge, I’m Coming Back To You. The lyrics of the refrain begin, Blue Ridge, Blue Ridge, I hear the bugle call. Fittingly enough Sousa wrote a bugle call preceding the song which appears as the Trio in the march. This delightful bugle march is accompanied by a basic rhythmic figure on the 1st and 3rd beats of each measure and a sparse woodwind line. This band arrangement by Jari Villanueva is a delightful setting of the original arrangement that gives the woodwinds and brass a chance to shine in different sections. Pay careful attention to the dynamics to make this march really shine! A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.Jari is a 2016 Sheet Music Plus Arranging Contest winner.https://www.youtube.com/watch?v=L4MUvnZ1sKs
$40.00
Fanfare For the Marcus Band - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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David M
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Fanfare For the Marcus Band -
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David Sterrett Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1039841 Composed by David M. Sterrett. Classical. Score and parts. 10 pages. David Sterrett Music #644689. Published by...
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Concert Band - Level 3 - SKU: A0.1039841 Composed by David M. Sterrett. Classical. Score and parts. 10 pages. David Sterrett Music #644689. Published by David Sterrett Music (A0.1039841). I composed this piece while I was still a student at Marcus High School and a member of the band, myself (2002-2006). This fanfare was commissioned by Amanda Drinkwater, the director of bands at the time, to be a symbol of heart and identity for the organization – to be performed by the band while marching onto the field, as well as to promote a sense of comradery and unity among all members of the band. I was lucky enough to call Amanda Drinkwater one of my earliest mentors in music, and I will always be grateful for her encouragement and teaching, and for giving me this opportunity. Towards the end of my time in high school, I had gotten very serious about composition and trumpet performance, and was looking ahead to music as my future college major and career. That timing was serendipitous for each of us. Amanda conceived of this project that year, and, knowing of my passion for composing, graciously offered me the opportunity to compose the piece. For me, I was thrilled to accept the opportunity, and it meant a lot. I cherished my experiences in the Marcus Band, and I saw this as my chance to give something back. In that spirit, even though the piece is short, I put my heart into it. This commission was also my first professional engagement as a composer, and that was tremendously exciting.
$14.99
Fanfare For the Marcus Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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David M
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Fanfare For the Marcus Band
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David Sterrett Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1039839 Composed by David M. Sterrett. Classical. Score and parts. 38 pages. David Sterrett Music #644687. Published by...
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Concert Band - Level 3 - SKU: A0.1039839 Composed by David M. Sterrett. Classical. Score and parts. 38 pages. David Sterrett Music #644687. Published by David Sterrett Music (A0.1039839). I composed this piece while I was still a student at Marcus High School and a member of the band, myself (2002-2006). This fanfare was commissioned by Amanda Drinkwater, the director of bands at the time, to be a symbol of heart and identity for the organization – to be performed by the band while marching onto the field, as well as to promote a sense of comradery and unity among all members of the band. I was lucky enough to call Amanda Drinkwater one of my earliest mentors in music, and I will always be grateful for her encouragement and teaching, and for giving me this opportunity. Towards the end of my time in high school, I had gotten very serious about composition and trumpet performance, and was looking ahead to music as my future college major and career. That timing was serendipitous for each of us. Amanda conceived of this project that year, and, knowing of my passion for composing, graciously offered me the opportunity to compose the piece. For me, I was thrilled to accept the opportunity, and it meant a lot. I cherished my experiences in the Marcus Band, and I saw this as my chance to give something back. In that spirit, even though the piece is short, I put my heart into it. This commission was also my first professional engagement as a composer, and that was tremendously exciting.
$39.99
German Spring Song Collection - 5 Concert Pieces - Multiplay
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Traditional
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Thomas Graf
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German Spring Song Collection
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.568662 Composed by Traditional. Arranged by Thomas Graf. Classical,Folk,Romantic Period,World. Score and parts. 258 pag...
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Concert Band - Level 3 - SKU: A0.568662 Composed by Traditional. Arranged by Thomas Graf. Classical,Folk,Romantic Period,World. Score and parts. 258 pages. Thomas Graf - the-hit-factory.com #3038933. Published by Thomas Graf - the-hit-factory.com (A0.568662). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and parts separately, find them on this website. Instrumentation: 5 parts in all transpositions Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw.
$34.99
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