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TRI ET FILTRES
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ACCORDEON
ALTO
AUTOHARPE
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PIANO & CLAVIERS
Piano seul
52
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27
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23
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4
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170
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12
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43
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37
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19
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14
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6
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5
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2 Hautbois (duo)
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2 Flûtes à bec, Guitare
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Clarinette, Harpe (duo)
1
Ocarina
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Saxophone et Orgue
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Flûte et Guitare
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Trombone et Piano
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trombone (partie séparée)
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Quatuor de Cuivres
12
Cor et Piano
11
Trompette, Piano
11
Ensemble de Trombones
10
Euphonium, Piano (duo)
8
Trompette
8
Quatuor de cuivres: 4 trombones
7
Trombone
6
Cor anglais, Piano
5
Ensemble de Trompettes
4
Ensemble de Cors
4
2 Trombones (duo)
2
Tuba et Piano
2
Trompette, Trombone (duo)
2
3 Trombones (trio)
1
2 Trompettes (duo)
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Orgue
1
Trombone basse
1
Cor
1
Trompette, Saxophone (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
39
Violon, Violoncelle (duo)
32
Violon et Piano
25
Alto, Piano
23
Violoncelle, Piano
18
Violon
16
Trio à Cordes: violon, alto, violoncelle
15
Violoncelle
14
2 Violons (duo)
5
Alto seul
4
Violon (partie séparée)
4
Alto (partie séparée)
4
Harpe
4
Violon, Alto (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Trombone (duo)
3
Violoncelle, Contrebasse (duo)
3
2 Violoncelles (duo)
2
Ensemble d'Altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble de Violons
2
4 Violoncelles
2
Quatuor à cordes: 4 violons
1
Contrebasse, Piano (duo)
1
Contrebasse (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
2 Harpes (duo)
1
Violoncelle (partie séparée)
1
Contre Basse
1
Alto, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
67
Orchestre
24
Ensemble de cuivres
12
Cloches
10
Ensemble Jazz
10
Orchestre à Cordes
10
Orchestre de chambre
7
Jazz combo
4
Percussion (partie séparée)
3
Ensemble d'École
2
Ensemble de Percussions
1
Batterie
1
Fanfare
1
Marimba
1
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AUTRES
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
43.93 €
#
Orchestre d'harmonie
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.93 €
#
Orchestre d'harmonie
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.93 €
#
Orchestre d'harmonie
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
#
jmsgu3
#
SheetMusicPlus
Critical Mass: (wp) Baritone T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014591_WPBTC1 (wp) Baritone T.C.
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Concert Band - Digital Download SKU: AX.00-PC-0014591_WPBTC1 (wp) Baritone T.C.. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014591_wpBTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014591_WPBTC1). UPC: 038081377506.Critical mass is a scientific term that refers to the smallest amount of fissile material needed to sustain a nuclear chain reaction. This work begins with an explosion of sound, and then launches forward through small, ever-growing melodic fragments that expand outward and upward. (2:35) This title is available in SmartMusic.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
#
Todd Stalter
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Critical Mass:
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) (27-Piece Digital Pack)
Orchestre d'harmonie
Level 4 - Digital Download SKU: HX.421017 Composed by Karl Jenkins. Arranged by Rob…
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Level 4 - Digital Download SKU: HX.421017 Composed by Karl Jenkins. Arranged by Robert Longfield. This edition: scorch. Classical. 1 pages. Duration 360. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.421017).
Digital Pack includes:The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Conductor Score (Full Score)The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Flute/PiccoloThe Armed Man (from A Mass for Peace) (arr. Robert Longfield) - OboeThe Armed Man (from A Mass for Peace) (arr. Robert Longfield) - BassoonThe Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Clarinet 1The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Clarinet 2The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Clarinet 3The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Bass ClarinetThe Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Eb Alto Saxophone 1The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Eb Alto Saxophone 2The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Tenor SaxophoneThe Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Trumpet 1The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Eb Baritone SaxophoneThe Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Trumpet 2The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - F Horn 1The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Trumpet 3The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - F Horn 2The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Trombone 1The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Trombone 2The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Euphonium B.C.The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Euphonium T.C.The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - TubaThe Armed Man (from A Mass for Peace) (arr. Robert Longfield) - String BassThe Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Percussion 1The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Percussion 2The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Percussion 3The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Timpani
Digital Pack includes
:
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Conductor Score (Full Score)
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Flute/Piccolo
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Oboe
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bassoon
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Clarinet 1
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Clarinet 2
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Clarinet 3
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Bass Clarinet
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Eb Alto Saxophone 1
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Eb Alto Saxophone 2
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Tenor Saxophone
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Trumpet 1
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Eb Baritone Saxophone
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Trumpet 2
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - F Horn 1
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Bb Trumpet 3
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - F Horn 2
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Trombone 1
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Trombone 2
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Euphonium B.C.
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Euphonium T.C.
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Tuba
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - String Bass
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Percussion 1
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Percussion 2
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Percussion 3
The Armed Man (from A Mass for Peace) (arr. Robert Longfield) - Timpani
$85.00
77.87 €
#
Orchestre d'harmonie
#
Karl Jenkins
#
Robert Longfield
#
The Armed Man
#
Hal Leonard - Digital
#
SheetMusicPlus
The Home Coming March (1908) - Concert Band Score and Parts PDF
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1…
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
27.49 €
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Orchestre d'harmonie
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Mass Effect: Suicide Mission
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1489135 Composed by Jack Wall and…
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Concert Band - Level 5 - Digital Download SKU: A0.1489135 Composed by Jack Wall and Sam Hulick. Arranged by David Boyd. 21st Century,Instructional,Video Game. 207 pages. David Boyd #1065985. Published by David Boyd (A0.1489135). General OverviewSuicide Mission is a pivotal piece in the soundtrack of the Mass Effect 2, capturing the high-stakes and intense emotions of the video game's climax. The original composition by Jack Wall and Sam Hulick is characterised by its unique driving rhythms, dramatic melodies, orchestral grandeur and bombastic tension. This arrangement for concert band and wind ensemble aims to retain the epic and cinematic quality of the original, while adapting the instrumentation and dynamics to suit a modern wind band setting.This piece is crafted to subtly unsettle the listener, mixing heroism with barely under control anxiety. The irregular time signature and rhythms, combined with counter melodies and eerie open fifths and octaves, all contribute to this effect. The alterations to the familiar Commander Shepard Theme, first introduced here in bar 17 by the horns and alto clarinet, add to the tension, keeping your audience on the edge of their seats until the final note!InstrumentationThis arrangement is scored for a wind ensemble or concert band with some extended percussion, including:Woodwinds: Piccolo, Flute 1 & 2, Oboe, English Horn, Bassoon, Contrabassoon, Eb Clarinet, Bb Clarinet 1, 2, & 3, Eb Alto Clarinet, Bb Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone. Note the Bassoon part uses bass and tenor clefBrass: Trumpet 1, 2, French Horn 1, 2, Trombone 1, 2, & 3, Bass Trombone, Euphonium, TubaPercussion: Timpani, Snare Drum, Bass Drum, Roto Toms/Tenor Drum, Suspended Cymbals, Woodblock, Vibraphone, Tubular BellsA synthesiser may be used in place of vibes
$79.99
73.28 €
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Orchestre d'harmonie
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Jack Wall and Sam Hulick
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David Boyd
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Mass Effect: Suicide Mission
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David Boyd
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SheetMusicPlus
Nessun Dorma (for tenor and symphonic band)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1145793 Composed by Giacomo Pucci…
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Concert Band - Level 3 - Digital Download SKU: A0.1145793 Composed by Giacomo Puccini. Arranged by Juan José Peláez Vilanova. 20th Century,Classical,Contest,Festival,Opera,Romantic Period. Score and parts. 43 pages. John Joseph #745992. Published by John Joseph (A0.1145793). Giacommo Puccini, represents the union of Italian and German opera traditions, greatly influenced by Verdi, of whom he is considered his successor, and also by Wagner, Bizet, and Debussy. The main feature of his style was the eclecticism, the incorporation and assimilation of various languages and resources in his profession. Many of the musical concepts, as well as the connection between music and the stage, were the harbinger of what would rule in film music a few decades later. Puccini tooks from the French opera, under the influence of Bizet and Massenet, the taste for the exotic and historical location of his operas. In the case of Turandot, set in ancient China, the opera tells the story of the cruel princess Turandot who, in revenge for a sullied ancestor, beheads her suitors if three riddles are not answered. An unknown prince –Calaf– postulates by answering her three enigmas and challenging her to be the one to find out her name. Turandot orders that no one sleep in Peking until the name of the prince is known, Calaf, who has issued the challenge that if his name is not discovered, princess Turandot must marry him. At the beginning of the third act, the prince sings the aria –Nessun Dorma– convinced that the princess's efforts to discover his name will be in vain. Puccini began the composition in January 1921 and in March 1924 he had already completed the opera up to the final duet. However, a few months later he would pass away, leaving unfinished sketches of the end of Turandot. Franco Alfano was commissioned to finish it, premiering it two years later, in 1926. Currently, it is the fourth most performed Puccini opera worldwide, after the well-known trio La Boheme, Tosca and Madama Butterfly.
$15.00
13.74 €
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Orchestre d'harmonie
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Giacomo Puccini
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Nessun Dorma
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John Joseph
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SheetMusicPlus
Lacrimosa, from the Requiem Mass in D Minor, K. 626
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1465778 Composed by Wolfgang Amad…
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Concert Band - Level 4 - Digital Download SKU: A0.1465778 Composed by Wolfgang Amadeus Mozart. Arranged by Derek White. Classical. 42 pages. Derek White #1044389. Published by Derek White (A0.1465778). Featured in the film Amadeus, this epic work has been carefully rearranged for a modern wind ensemble.Instrumentation Piccolo 2 Flutes 2 Oboes 2 Bassoons Eb Clarinet 3 Bb Clarinets Bb Bass Clarinet 2 Alto Saxophones Tenor Saxophone Baritone Saxophone 3 Trumpets 4 Horns in F 3 Trombones Euphonium Tuba Chimes Vibraphone Marimba Timpani Bass Drum Gong
$60.00
54.97 €
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Orchestre d'harmonie
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Wolfgang Amadeus Mozart
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Derek White
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Lacrimosa, from the Requiem Mass in D Minor, K. 626
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Derek White
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SheetMusicPlus
Critical Mass: (wp) B-flat Baritone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014591_WPBBBC (wp) B-flat Bariton…
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Concert Band - Digital Download SKU: AX.00-PC-0014591_WPBBBC (wp) B-flat Baritone B.C.. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014591_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014591_WPBBBC). UPC: 038081377506.Critical mass is a scientific term that refers to the smallest amount of fissile material needed to sustain a nuclear chain reaction. This work begins with an explosion of sound, and then launches forward through small, ever-growing melodic fragments that expand outward and upward. (2:35) This title is available in SmartMusic.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
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Todd Stalter
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Critical Mass:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Critical Mass: (wp) 3rd B-flat Trombone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014591_WPTN3BC (wp) 3rd B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0014591_WPTN3BC (wp) 3rd B-flat Trombone B.C.. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014591_wpTN3BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014591_WPTN3BC). UPC: 038081377506.Critical mass is a scientific term that refers to the smallest amount of fissile material needed to sustain a nuclear chain reaction. This work begins with an explosion of sound, and then launches forward through small, ever-growing melodic fragments that expand outward and upward. (2:35) This title is available in SmartMusic.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
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Todd Stalter
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Critical Mass:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Critical Mass: (wp) 2nd B-flat Trombone T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014591_WPTN2TC (wp) 2nd B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0014591_WPTN2TC (wp) 2nd B-flat Trombone T.C.. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014591_wpTN2TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014591_WPTN2TC). UPC: 038081377506.Critical mass is a scientific term that refers to the smallest amount of fissile material needed to sustain a nuclear chain reaction. This work begins with an explosion of sound, and then launches forward through small, ever-growing melodic fragments that expand outward and upward. (2:35) This title is available in SmartMusic.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
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Todd Stalter
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Critical Mass:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Critical Mass: (wp) 3rd B-flat Trombone T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014591_WPTN3TC (wp) 3rd B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0014591_WPTN3TC (wp) 3rd B-flat Trombone T.C.. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014591_wpTN3TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014591_WPTN3TC). UPC: 038081377506.Critical mass is a scientific term that refers to the smallest amount of fissile material needed to sustain a nuclear chain reaction. This work begins with an explosion of sound, and then launches forward through small, ever-growing melodic fragments that expand outward and upward. (2:35) This title is available in SmartMusic.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
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Todd Stalter
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Critical Mass:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Critical Mass: (wp) 2nd B-flat Trombone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014591_WPTN2BC (wp) 2nd B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0014591_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014591_wpTN2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014591_WPTN2BC). UPC: 038081377506.Critical mass is a scientific term that refers to the smallest amount of fissile material needed to sustain a nuclear chain reaction. This work begins with an explosion of sound, and then launches forward through small, ever-growing melodic fragments that expand outward and upward. (2:35) This title is available in SmartMusic.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
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Todd Stalter
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Critical Mass:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Critical Mass: (wp) 1st B-flat Trombone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014591_WPTN1BC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0014591_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014591_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014591_WPTN1BC). UPC: 038081377506.Critical mass is a scientific term that refers to the smallest amount of fissile material needed to sustain a nuclear chain reaction. This work begins with an explosion of sound, and then launches forward through small, ever-growing melodic fragments that expand outward and upward. (2:35) This title is available in SmartMusic.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
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Todd Stalter
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Critical Mass:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Critical Mass: (wp) 1st B-flat Trombone T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014591_WPTN1TC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0014591_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014591_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014591_WPTN1TC). UPC: 038081377506.Critical mass is a scientific term that refers to the smallest amount of fissile material needed to sustain a nuclear chain reaction. This work begins with an explosion of sound, and then launches forward through small, ever-growing melodic fragments that expand outward and upward. (2:35) This title is available in SmartMusic.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
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Todd Stalter
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Critical Mass:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and concert b
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.534137 Composed by Louis Adolphe …
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Concert Band - Level 4 - Digital Download SKU: A0.534137 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 50 pages. Musik Fabrik Music Publishing #3133405. Published by Musik Fabrik Music Publishing (A0.534137). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and solo part only for the concert band version. Versions are available from Musik Fabrik for piano, for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$25.95
23.77 €
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Orchestre d'harmonie
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1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and concert b
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.534138 Composed by Louis Adolphe …
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Concert Band - Level 4 - Digital Download SKU: A0.534138 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 204 pages. Musik Fabrik Music Publishing #3133407. Published by Musik Fabrik Music Publishing (A0.534138). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and complete parts for the concert band version. Versions are available from Musik Fabrik for piano, for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$90.95
83.33 €
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Orchestre d'harmonie
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1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Mystery of Duffy's Cut: (wp) B-flat Baritone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001253_WPBBBC (wp) B-flat Bariton…
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Concert Band - Digital Download SKU: AX.00-PC-0001253_WPBBBC (wp) B-flat Baritone B.C.. Composed by Robert Sheldon. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001253_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001253_WPBBBC). UPC: 038081290119.The Mystery of Duffy's Cut was inspired by an apparition and a series of strange occurrences that have fueled interest in Duffy's Cut, a mass burial site in Malvern, Pennsylvania where 57 Irish immigrant workers died mysteriously while doing work for the Pennsylvania Railroad in 1832. This tone poem chronicles the life and times of these men. This title is available in SmartMusic.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
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Robert Sheldon
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The Mystery of Duffy's Cut:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Mystery of Duffy's Cut: (wp) 2nd B-flat Trombone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001253_WPTN2BC (wp) 2nd B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001253_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Composed by Robert Sheldon. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001253_wpTN2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001253_WPTN2BC). UPC: 038081290119.The Mystery of Duffy's Cut was inspired by an apparition and a series of strange occurrences that have fueled interest in Duffy's Cut, a mass burial site in Malvern, Pennsylvania where 57 Irish immigrant workers died mysteriously while doing work for the Pennsylvania Railroad in 1832. This tone poem chronicles the life and times of these men. This title is available in SmartMusic.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
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Robert Sheldon
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The Mystery of Duffy's Cut:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Mystery of Duffy's Cut: (wp) 2nd B-flat Trombone T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001253_WPTN2TC (wp) 2nd B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001253_WPTN2TC (wp) 2nd B-flat Trombone T.C.. Composed by Robert Sheldon. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001253_wpTN2TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001253_WPTN2TC). UPC: 038081290119.The Mystery of Duffy's Cut was inspired by an apparition and a series of strange occurrences that have fueled interest in Duffy's Cut, a mass burial site in Malvern, Pennsylvania where 57 Irish immigrant workers died mysteriously while doing work for the Pennsylvania Railroad in 1832. This tone poem chronicles the life and times of these men. This title is available in SmartMusic.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
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Robert Sheldon
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The Mystery of Duffy's Cut:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Mystery of Duffy's Cut: (wp) 1st B-flat Trombone T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001253_WPTN1TC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001253_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Robert Sheldon. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001253_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001253_WPTN1TC). UPC: 038081290119.The Mystery of Duffy's Cut was inspired by an apparition and a series of strange occurrences that have fueled interest in Duffy's Cut, a mass burial site in Malvern, Pennsylvania where 57 Irish immigrant workers died mysteriously while doing work for the Pennsylvania Railroad in 1832. This tone poem chronicles the life and times of these men. This title is available in SmartMusic.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
#
Robert Sheldon
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The Mystery of Duffy's Cut:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Mystery of Duffy's Cut: (wp) 1st B-flat Trombone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001253_WPTN1BC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001253_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Robert Sheldon. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001253_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001253_WPTN1BC). UPC: 038081290119.The Mystery of Duffy's Cut was inspired by an apparition and a series of strange occurrences that have fueled interest in Duffy's Cut, a mass burial site in Malvern, Pennsylvania where 57 Irish immigrant workers died mysteriously while doing work for the Pennsylvania Railroad in 1832. This tone poem chronicles the life and times of these men. This title is available in SmartMusic.Concert/Contest.
$3.00
2.75 €
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Orchestre d'harmonie
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Robert Sheldon
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The Mystery of Duffy's Cut:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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