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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CORNET
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Matthew Hall
Non classifié
68
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24
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20
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17
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11
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2
Orgue
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 2 instrumentations
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7
Ukulele
3
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2
2 Mandolines (duo)
2
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1
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46
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14
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9
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6
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5
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5
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4
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6
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5
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4
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3
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3
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1
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1
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1
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1
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1
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11
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9
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6
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5
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5
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4
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3
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1
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1
Trombone
1
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21
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7
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6
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6
Alto seul
4
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2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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CORNET
DEEJAY
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
Matthew Hall
Orchestre d'harmonie
Partitions à imprimer
4 partitions trouvées
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Shaker Portraits
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Matthew Vincoli
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Shaker Portraits
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MJV Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.939569 Composed by Matthew Vincoli. 20th Century,Folk. Score and parts. 104 pages. MJV Music #6078293. Published by MJV...
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Concert Band - Level 3 - SKU: A0.939569 Composed by Matthew Vincoli. 20th Century,Folk. Score and parts. 104 pages. MJV Music #6078293. Published by MJV Music (A0.939569). SHAKER PORTRAITS is a tone poem depicting the life of the Shakers, a religious order known for their simplicity, devotion, and work ethic. The piece is comprised mostly of original melodies, with parts of the beloved Shaker hymn Simple Gifts woven throughout in many variations. The work is broken up into five sections: Sunrise, Working the Fields, At the Spinning Wheel, Afternoon Stroll, and Music Hall Dance.(Duration ~ 6:35)
$75.00
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - ...
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Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Mu...
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Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
Accidentally In Love
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Orchestre d'harmonie
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FACILE
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Counting Crows
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Willem Aarts
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Accidentally In Love
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Willem Aarts
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1195351 By Counting Crows. By Adam F. Duritz, Dan Vickrey, David Bryson, David Immergluck, and Matthew Malley. Arranged...
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Concert Band - Level 2 - SKU: A0.1195351 By Counting Crows. By Adam F. Duritz, Dan Vickrey, David Bryson, David Immergluck, and Matthew Malley. Arranged by Willem Aarts. Contest,Festival,Film/TV,Pop. Score and parts. 76 pages. Willem Aarts #794533. Published by Willem Aarts (A0.1195351). Accidentally In Love - Counting Crows | Concert BandPersonally, I was always a big fan of the Shrek movies, especially the music. From 'I'm a believer' to 'Welcome to Duloc', all these songs keep stuck in your head, and I did not even mention 'All Stars'... But this one is upliftingAccidentally in Love is a song by American rock band Counting Crows. The song was written for the opening scene of the 2004 DreamWorks animated film Shrek 2 and appears on the movie's soundtrack as the opening track. It was released as a single on May 3, 2004, two weeks before the movie premiered in theaters. The single was commercially successful, peaking within the top 40 on several music charts.My name is Willem Aarts, and I have been arranging music since 2016. I play trombone and French horn myself, but I also love to transcribe existing music to several ensembles, from individual parts to full orchestra's and everything inbetween. It is always a challenge to add my own touch, but I try my very best with every arrangement I make!You can contact me:Website: www.wa-music.nlE-mail: info@wa-music.nlSheetMusicPlus: https://www.sheetmusicplus.com/publishers/3004231YouTube: https://www.youtube.com/c/WillemAarts
$49.99
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