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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
May It Be
Non classifié
2 164
Piano & claviers
Piano seul
456
Piano, Voix et Guitare
397
Piano, Voix
299
Piano Facile
106
Orgue
70
Instruments en Do
21
Accompagnement Piano
18
1 Piano, 4 mains
17
Clavecin
8
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano (partie séparée)
4
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
1
Clavier
1
Piano grosses notes
1
+ 14 instrumentations
Retracter
Guitares
Guitare
87
Guitare notes et tablatures
41
Ukulele
13
Banjo
6
4 Guitares (Quatuor)
6
Mandoline
5
Basse electrique
4
Ligne De Mélodie, (Paroles) et Accords
3
3 Guitares (trio)
2
Ensemble de guitares
2
Dulcimer
2
Guitare (partie séparée)
1
Paroles et Accords
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
400
Chorale 3 parties
111
Voix haute
72
Chorale 2 parties
61
Chorale Unison
53
Chorale TTBB
40
Voix Alto, Piano
38
Voix Soprano, Piano
37
Chorale SSAA
29
Voix moyenne, Piano
17
Voix duo
10
Voix seule
6
Voix Tenor, Piano
5
Voix Baryton, Piano
5
Voix duo, Piano
4
Voix basse, Piano
4
Voix Tenor
3
Voix basse
2
Chorale SSATTB
2
Chorale
2
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
+ 17 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
156
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
109
Ensemble de saxophones
104
Flûte traversière et Piano
88
Quatuor de Clarinettes: 4 clarinettes
78
Quatuor de Saxophones: 4 saxophones
64
Ensemble de Clarinettes
55
Clarinette et Piano
42
2 Flûtes traversières (duo)
36
Hautbois, Piano (duo)
33
Clarinette
33
2 Saxophones (duo)
31
Flûte, Hautbois, Clarinette, Basson
29
Quintette de Flûte : 5 flûtes
28
Flûte traversière
26
Ensemble de Flûtes
24
Saxophone Tenor et Piano
23
Saxophone Alto et Piano
23
Hautbois (partie séparée)
21
Saxophone Soprano et Piano
18
Saxophone (partie séparée)
17
2 Clarinettes (duo)
16
3 Saxophones (trio)
14
Saxophone Alto
13
Saxophone Tenor
13
Cor anglais, Piano
12
Saxophone Baryton, Piano
12
Saxophone
11
Clarinette (partie séparée)
11
Clarinette Basse, Piano
9
Flûte à Bec
8
Quintette de Clarinettes: 5 clarinettes
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone, Clarinette (duo)
7
Hautbois, Flûte
6
Clarinette, Violon (duo)
6
3 Clarinettes (trio)
6
Clarinette, Trompette (duo)
5
Flûte et Guitare
5
Flûte, Clarinette (duo)
5
Trio de Flûtes: 3 flûtes
4
Flûte à bec Soprano
4
Hautbois
3
2 Hautbois (duo)
3
Flûte, Alto (duo)
3
Flûte, Saxophone (duo)
3
2 Flûte à bec (duo)
3
Hautbois, Basson (duo)
3
Flûte, Violon
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Alto, Piano
2
Cor Anglais
2
Saxophone et Orgue
2
Clarinette, Guitare (duo)
2
Flûte, Violon et Violoncelle
2
Clarinette et Alto
2
Quatuor de Flûtes à bec
2
Flûte, Alto et Piano
2
Hautbois, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Flûte à bec Alto
2
Flûte, Clarinette et Basson
2
5 Flûtes à bec
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Basson
1
Flute (partie séparée)
1
Flûte, Violon, Piano
1
Flûte traversière, Orgue (duo)
1
3 Flûtes à bec (trio)
1
2 Saxophones, Piano
1
Flute, harpe et violon
1
Clarinette, Orgue
1
Piccolo
1
Flûte, Hautbois (duo)
1
Cor anglais, Guitare (duo)
1
+ 74 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
129
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
109
Ensemble de Trompettes
59
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
Ensemble de Trombones
43
Trompette
32
Trombone et Piano
26
Euphonium, Piano (duo)
17
Quatuor de cuivres: 4 trombones
17
Cor et Piano
17
Quatuor de Cuivres
16
Trompette, Piano
15
Trombone
14
Trompette, Trombone (duo)
13
Cor anglais, Piano
12
Tuba
12
Trompette (partie séparée)
12
2 Trompettes (duo)
11
2 Trombones (duo)
10
Trombone (partie séparée)
10
Cor
10
Euphonium
6
Tuba et Piano
6
Ensemble de Cors
6
Trio de Cuivres
5
2 Euphoniums et 2 Tubas
5
Trompette, Saxophone (duo)
5
2 Tubas (duo)
4
Cor (partie séparée)
4
2 Cors (duo)
4
Tuba (partie séparée)
4
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor Anglais
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Orgue
1
Ensemble de Tubas
1
Trombone basse
1
4 Tubas
1
3 Trombones (trio)
1
Cor anglais, Guitare (duo)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
300
Violon
158
Violon, Violoncelle (duo)
155
Trio à Cordes: violon, alto, violoncelle
151
Harpe
61
Violon et Piano
58
Violoncelle, Piano
32
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
Alto, Piano
30
Ensemble de Violons
29
Ensemble d'Altos
27
Violoncelle
23
Violon, Alto (duo)
22
2 Violoncelles (duo)
20
2 Violons (duo)
18
Alto seul
16
Violon (partie séparée)
12
Trio à Cordes: 2 violons, violoncelle
12
2 Altos (duo)
11
Alto (partie séparée)
10
2 Harpes (duo)
9
4 Violoncelles
8
Violon, Guitare (duo)
6
Violoncelle, Contrebasse (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Contrebasse (partie séparée)
6
Quatuor à cordes: 4 violons
4
3 Harpes
3
Contrebasse, Piano (duo)
3
2 Contrebasses (duo)
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes : 4 altos
3
Contre Basse
3
5 Harpes
2
Harpe, Voix
2
Harpe et Piano
2
Violon, Orgue
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 violins
1
2 Violons, Piano
1
Alto, Orgue
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 altos
1
Piano Trio: Violon, Alto, Piano
1
4 Harpes
1
Harpe, Flûte (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Cloches
458
Orchestre d'harmonie
179
Orchestre à Cordes
160
Orchestre
90
Ensemble de cuivres
79
Ensemble Jazz
64
Fanfare
32
Orchestre de chambre
32
Jazz combo
22
Ensemble de Percussions
13
Percussion (partie séparée)
6
Batterie
4
Marimba
3
Ensemble d'École
2
Batterie (partie séparée)
1
Orchestre, Violon
1
Timbales (partie séparée)
1
Vibraphone
1
+ 13 instrumentations
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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FUNK
GOSPEL - SPIRITUEL -…
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
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OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Vous avez sélectionné:
May It Be
Orchestre d'harmonie
Partitions à imprimer
179 partitions trouvées
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176
Let It Snow ... But Quietly for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
#
Noël
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Text: Eduard Ebel, Music: unkn
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Phil Thrift
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Bb T
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Let It Snow ... But Quietly fo
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Phil Thrift
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.955742 Composed by Text: Eduard Ebel, Music: unknown. Arranged by Phil Thrift. Christmas. Score and parts. 96 pages. Ph...
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Concert Band - Level 3 - SKU: A0.955742 Composed by Text: Eduard Ebel, Music: unknown. Arranged by Phil Thrift. Christmas. Score and parts. 96 pages. Phil Thrift #6563217. Published by Phil Thrift (A0.955742). Leise rieselt der Schnee is a popular children’s Weihnachtslied. However, in this arrangement, cheekily translated as Let It Snow … But Quietly, the well-known melody in 6/8 time is presented in 4/4 time with a soul treatment. Other German Christmas tunes have also been worked into this medium-difficulty piece. Even those unfamiliar with the German originals will I hope be able to enjoy the holiday season spirit conveyed with the obligatory sleigh bells!This concert band reworking of my original big band chart has parts for the following instruments:Piccolo, Flutes 1/2, Oboe, BassoonEb Clarinet, Bb Clarinets 1/2/3, Eb Alto Clarinet, Bb Bass ClarinetEb Alto Saxophones 1/2, Bb Tenor Saxophones 1/2, Eb Baritone SaxophoneBb Trumpets 1/2/3, F Horns 1/2/3/4 (alternative Eb parts included),Trombones 1/2/3 (B.C. & Bb T.C.), Euphonium (B.C. & Bb T.C.),Tuba (alternative Eb T.C. & Bb T.C. parts included)Acoustic Bass, Drum Set, Glockenspiel,Percussion (1 or 2 players – shaker/sleigh bells & chimes/tambourine)For those bands without a full complement of players, key passages for instruments that may not be available are cued in other parts.The Open For Solos section will be familiar to big band players, perhaps less so to concert band players. Some guidance will be needed here so that musicians playing the backing parts know when to play.Suggested solos are notated in piccolo, flute, clarinet, alto saxophone, tenor saxophone, trumpet, and trombone. The harmonies are also included so that players with the necessary experience can improvise their own solos.At the end of the piece, let the players fade out one by one until the percussionist with the sleigh bells is left, walking off stage. Only when the sleigh bells can no longer be heard is this piece over!
$39.99
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
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Orchestre d'harmonie
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DÉBUTANT
#
Austin Ralphson
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'It's Time For Reggae' for cla
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Austin Ralphson
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #368...
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Concert Band - Level 1 - SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at  https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4. Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and concert b
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
#
Paul Wehage
#
Louis Mayeur: Grande Fantaisie
#
Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.534137 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 50 ...
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Concert Band - Level 4 - SKU: A0.534137 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 50 pages. Musik Fabrik Music Publishing #3133405. Published by Musik Fabrik Music Publishing (A0.534137). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and solo part only for the concert band version. Versions are available from Musik Fabrik for piano, for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$25.95
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and concert b
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
1871, Mayeur was also named Sa
#
Louis Adolphe Mayeur
#
Paul Wehage
#
Louis Mayeur: Grande Fantaisie
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.534138 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 204...
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Concert Band - Level 4 - SKU: A0.534138 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 204 pages. Musik Fabrik Music Publishing #3133407. Published by Musik Fabrik Music Publishing (A0.534138). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and complete parts for the concert band version. Versions are available from Musik Fabrik for piano, for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$90.95
HELP!
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Orchestre d'harmonie
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DÉBUTANT
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Jonathan L Nelson
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HELP!
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Jonathan Nelson
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1504098 Composed by Jonathan L Nelson. Contemporary,Contest,Festival. 60 pages. Jonathan Nelson #1079553. Published by ...
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Concert Band - Level 1 - SKU: A0.1504098 Composed by Jonathan L Nelson. Contemporary,Contest,Festival. 60 pages. Jonathan Nelson #1079553. Published by Jonathan Nelson (A0.1504098). When we have episodes of tremendous sadness and loss of interest in things that we’ve loved for a lifetime – sometimes it’s a silent cry for HELP!- When we have unexplained anger, anxiety, and irritability may not be “anger issues” - sometimes it may be a cry for HELP!- When we feel as if we don’t have the energy to make it through the day, and thinking, “I am worthless, nothing in my life is going to get better” - sometimes it may be a cry for HELP!- When we just want to be alone and we actually work hard to avoid people - sometimes this may be a cry for HELP!- When we are the most creative and productive - sometimes we may be crying out for HELP!
$65.00
HELP!
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Orchestre d'harmonie
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FACILE
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Jonathan L Nelson
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HELP!
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Jonathan Nelson
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1379251 Composed by Jonathan L Nelson. Contest,Festival. 60 pages. Jonathan Nelson #963931. Published by Jonathan Nelso...
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Concert Band - Level 2 - SKU: A0.1379251 Composed by Jonathan L Nelson. Contest,Festival. 60 pages. Jonathan Nelson #963931. Published by Jonathan Nelson (A0.1379251). - When we have episodes of tremendous sadness and loss of interest in things that we’ve loved for a lifetime – sometimes it’s a silent cry for HELP!- When we have unexplained anger, anxiety, and irritability may not be “anger issues†- sometimes it may be a cry for HELP!- When we feel as if we don’t have the energy to make it through the day, and thinking, “I am worthless, nothing in my life is going to get better†- sometimes it may be a cry for HELP!- When we just want to be alone and we actually work hard to avoid people - sometimes this may be a cry for HELP!- When we are the most creative and productive - sometimes we may be crying out for HELP!
$65.00
Waltz by Moonlight by David Catherwood for Band/Orchestra (flexible instrumentation)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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David Catherwood
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Waltz by Moonlight by David Ca
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.739436 Composed by David Catherwood. Instructional,Multicultural,Standards,World. Score and parts. 17 pages. Opus 3 Mus...
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Concert Band - Level 3 - SKU: A0.739436 Composed by David Catherwood. Instructional,Multicultural,Standards,World. Score and parts. 17 pages. Opus 3 Music #3512547. Published by Opus 3 Music (A0.739436). Waltz by Moonlight for Band/Orchestra/Ensemble (flexible instrumentation)This waltz was originally written as incidental music for a play set at the beginning of the 20th Century. So would be ideal in that context for setting the scene.It may be used in an educational setting for teaching typical waltz rhythms or it may simply be used as part of a general recital or concert.The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass bandAs with all music available from Opus 3 Music this arrangement has been well tried and tested in performanceA full set contains a score and a generous set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Oboe,Flute, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)Percussion
$9.50
Series 3 from Strange Myths and Wondrous Images - A Comic Book Chronicle for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason Gary McChristian
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Series 3 from Strange Myths an
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886158 Composed by Jason Gary McChristian. Contemporary. Score and parts. 243 pages. Jason Gary McChristian #4354563. P...
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Concert Band - Level 4 - SKU: A0.886158 Composed by Jason Gary McChristian. Contemporary. Score and parts. 243 pages. Jason Gary McChristian #4354563. Published by Jason Gary McChristian (A0.886158). This series contains four issues. Each issue may be performed separately or may be performed as a whole. The Prologue, sold separately, may also be performed at the beginning of the series. Each issue represents an element, either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, suggesting the traditional symphonic form. Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained.
$100.00
Series 1 from Strange Myths and Wondrous Images - A Comic Book Chronicle for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Series 1 from Strange Myths an
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886153 Composed by Jason McChristian. Contemporary. Score and parts. 338 pages. Jason Gary McChristian #4349071. Publis...
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Concert Band - Level 4 - SKU: A0.886153 Composed by Jason McChristian. Contemporary. Score and parts. 338 pages. Jason Gary McChristian #4349071. Published by Jason Gary McChristian (A0.886153). This series contains four issues. Each issue may be performed separately or may be performed as a whole. The Prologue, sold separately, may also be performed at the beginning of the series. Each issue represents an element, either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, suggesting the traditional symphonic form. Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained.
$100.00
Series 2 from Strange Myths and Wondrous Images - A Comic Book Chronicle for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Series 2 from Strange Myths an
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886155 Composed by Jason McChristian. Contemporary. Score and parts. 348 pages. Jason Gary McChristian #4351469. Publis...
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Concert Band - Level 4 - SKU: A0.886155 Composed by Jason McChristian. Contemporary. Score and parts. 348 pages. Jason Gary McChristian #4351469. Published by Jason Gary McChristian (A0.886155). This series contains four issues. Each issue may be performed separately or may be performed as a whole. The Prologue, sold separately, may also be performed at the beginning of the series.Each issue represents an element, either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, suggesting the traditional symphonic form. Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained.
$100.00
O Little Town of Bethlehem A flexible ensemble version with easy piano arranged David Catherwood
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Orchestre d'harmonie
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Noël
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Traditional
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David Catherwood
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O Little Town of Bethlehem A f
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Opus 3 Music
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SheetMusicPlus
Concert Band - SKU: A0.739454 Composed by Traditional. Arranged by David Catherwood. Christmas. Score and parts. 8 pages. Opus 3 Music #3879871. Publish...
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Concert Band - SKU: A0.739454 Composed by Traditional. Arranged by David Catherwood. Christmas. Score and parts. 8 pages. Opus 3 Music #3879871. Published by Opus 3 Music (A0.739454). O Little Town of Bethlehem  A flexible ensemble version of the popular carol. Easy piano part - the melody line plus just one other note in the right hand combined with just a single note in left hand The full chord symbols are included so that the music may also be useful for more advanced players able to fill out the chords. (This also has the advantage of allowing a guitar to be added if desired) The arrangement is also available on Sheet Music Plus for piano solo Flexible ensemble containing the following parts (making it useful for School and Church ensembles)Melody in C  - Flute, Oboe, ViolinMelody in Bb  - Clarinet, TrumpetHarmony part in C - Flute, Oboe, ViolinHarmony part in Bb  - Clarinet, Trumpet
$7.50
Marche Militaire No. 3
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Schubert
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Ted R
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Marche Militaire No. 3
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Ted R. Marcus
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1416281 Composed by Franz Schubert. Arranged by Ted R. Marcus. 19th Century,Classical,March,Romantic Period. 82 pages. ...
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Concert Band - Level 4 - SKU: A0.1416281 Composed by Franz Schubert. Arranged by Ted R. Marcus. 19th Century,Classical,March,Romantic Period. 82 pages. Ted R. Marcus #997962. Published by Ted R. Marcus (A0.1416281). Many of us may not be aware that Franz Schubert's famous Marche Militaire in D is only the first in a set of three military marches for piano duet published in 1826. This is a colorful arrangement the third Marche Militaire in E-flat for concert band. It's a little gem with enough delightful melody, high spirits, and audience appeal to stand proudly beside its renowned sibling.This arrangement interprets Schubert's march for a modern band, but it alludes to the sound of early 20th century European marches. The horns have interesting and important parts rather than the usual pecking afterbeats! Â Written for an adult community band, this arrangement is suitable for a good high school concert band (American Grade 3.5).Duration: approx. 5:35 with all repeats.Instrumentation: Piccolo / Flute 1-2 / Oboe 1-2 / E-flat Clarinet / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Â Bassoon 1-2 / Alto Saxophone 1-2 / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 (3rd is Bass Trombone) / Euphonium / Baritone T. C. / Tuba / String Bass / Percussion (Snare Drum, Crash Cymbals) / Bells / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$40.00
Amusez-vous (Wind Orchestra - Parts)
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Orchestre d'harmonie
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Contemporain
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Emily Gray
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Amusez-vous
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Emily Gray
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SheetMusicPlus
Concert Band - SKU: A0.727875 Composed by Emily Gray. Contemporary. Score and parts. 35 pages. Emily Gray #3229667. Published by Emily Gray (A0.727875)....
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Concert Band - SKU: A0.727875 Composed by Emily Gray. Contemporary. Score and parts. 35 pages. Emily Gray #3229667. Published by Emily Gray (A0.727875). Amusez-vous is a cheerful, dance-like piece, reminiscent of summertime happiness. It is for intermediate-to-advanced wind orchestra. This is the set of parts. A full score is also available.Parts included: piccolo, flutes 1-2, oboes 1-2, bassoons 1-2, E-flat clarinet, B-flat clarinets 1-2-3, alto clarinet, bass clarinet, alto saxophones 1-2, tenor saxophone, baritone saxophone, horns 1-2-3-4, trumpets 1-2-3, trombones 1-2, bass trombone, euphonium, tuba, bass, piano, timpani, xylophone, triangle, tambourine, cymbals, bass drum. Cues have been provided in some parts so that the piece may still be played if some of the less-common instruments are absent.
$8.99
When I Survey the Wondrous Cross (Folk Tune - O Waly, Waly) arr. David Catherwood for Flex. ensemble
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Traditional
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David Catherwood
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When I Survey the Wondrous Cro
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.739479 Composed by Traditional. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,World. Score and parts....
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Concert Band - Level 3 - SKU: A0.739479 Composed by Traditional. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,World. Score and parts. 19 pages. Opus 3 Music #5030855. Published by Opus 3 Music (A0.739479). This arrangement of the well loved English Folk song O Waly, Waly will work equally well as an accompaniment for Choirs or Congregations singing When I survey the Wondrous Cross or it may also be used as an effective instrumental item during the Easter period.For secular use the folk song would also work well for smaller groups playing at weddings or other functions.The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass bandAs with all music available from Opus 3 Music this arrangement has been well tried and tested in performanceA full set contains a score and a generous set of parts (with permissionto copy to suit your own requirements) for the following instruments:Part 1 in C (Oboe 1, Violin 1)Part 1 in C (Flute)Part 1 in Bb (Clarinet 1 in Bb, Trumpet/Cornet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet/Cornet 2 in Bb)Part 2 in Eb (Ato Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone/Baritone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb Bb Bass Tuba (treble clef)Extra optional part in Bb (Euphonium (treble clef)PercussionWhen I survey the wondrous crossOn which the Prince of glory diedMy richest gain I count but lossAnd pour contempt on all my pride
$9.50
Amazing Grace - 4 Part Flexible Ensemble (plus optional percussion) by David Catherwood
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Traditional American Hymn
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David Catherwood
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Amazing Grace - 4 Part Flexibl
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.739499 Composed by Traditional American Hymn. Arranged by David Catherwood. Folk,Patriotic,Sacred. Score and parts. 18 ...
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Concert Band - Level 3 - SKU: A0.739499 Composed by Traditional American Hymn. Arranged by David Catherwood. Folk,Patriotic,Sacred. Score and parts. 18 pages. Opus 3 Music #5968559. Published by Opus 3 Music (A0.739499). Amazing Grace arranged for 4 Part Flexible Ensemble (plus optional percussion)This arrangement of the well loved American Hymn Amazing Grace will work equally well as an accompaniment for Choirs or Congregations singing John Newton's famous words or it may also be used as an effective instrumental item.For secular use the arrangement would also work well for smaller groups playing at weddings or other functions.The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass bandAs with all music available from Opus 3 Music this arrangement has been well tried and tested in performanceA full set contains a score and a generous set of parts (with permissionto copy to suit your own requirements) for the following instruments:Part 1 in C (Flute, Oboe 1, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet/Cornet 1 in Bb)Part 2 in C (Violin 2)Part 2 in alto clef (Viola)Part 2 in F (Horn in F)Part 2 in Bb (Clarinet 2 in Bb, Trumpet/Cornet 2 in Bb)
$9.50
Sommarsang (Summer Song) for Concert Band (Parts)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Wilhelm Olof Peterson-Berger
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Emily Gray
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Sommarsang
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Emily Gray
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.727855 Composed by Wilhelm Olof Peterson-Berger. Arranged by Emily Gray. Romantic Period. Score and parts. 40 pages. Em...
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Concert Band - Level 3 - SKU: A0.727855 Composed by Wilhelm Olof Peterson-Berger. Arranged by Emily Gray. Romantic Period. Score and parts. 40 pages. Emily Gray #3025069. Published by Emily Gray (A0.727855). This piece, originally for piano, is evocative of summer days. It is arranged here for concert band.This is the set of parts - piccolo, flutes 1-2, oboes 1-2, bassoons 1-2, clarinets 1-2-3, bass clarinet, alto saxophones 1-2, tenor saxophone, baritone saxophone, trumpets 1-2-3, horns 1-2-3-4, trombones 1-2, bass trombone, euphonium, baritone T.C., tuba, double bass, glockenspiel, timpani, triangle, cymbals, bass drum. A full score is also available.Many of the instruments that are not always found in a concert band have been cued into the parts of more common instruments, so that the piece may still be performed if some instruments are missing.
$18.99
Amusez-vous (Wind Orchestra - Score)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Emily Gray
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Amusez-vous
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Emily Gray
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.727874 Composed by Emily Gray. Contemporary. Score and parts. 5 pages. Emily Gray #3229665. Published by Emily Gray (A0...
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Concert Band - Level 4 - SKU: A0.727874 Composed by Emily Gray. Contemporary. Score and parts. 5 pages. Emily Gray #3229665. Published by Emily Gray (A0.727874). Amusez-vous is a cheerful, dance-like piece, reminiscent of summertime happiness. It is for intermediate-to-advanced wind orchestra. This is the full score. A set of parts is also available.Instrumentation: piccolo, flutes 1-2, oboes 1-2, bassoons 1-2, E-flat clarinet, B-flat clarinets 1-2-3, alto clarinet, bass clarinet, alto saxophones 1-2, tenor saxophone, baritone saxophone, horns 1-2-3-4, trumpets 1-2-3, trombones 1-2, bass trombone, euphonium, tuba, bass, piano, timpani, xylophone, triangle, tambourine, cymbals, bass drum. Cues have been provided in some parts so that the piece may still be played if some of the less-common instruments are absent (cues are shown in the set of parts only, not the full score.).
$19.99
Variations on a Canarian Hymn
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Gregory Fritze
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Variations on a Canarian Hymn
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.917393 Composed by Gregory Fritze. Contemporary. Score and parts. 161 pages. Musica Nova USA #4780761. Published by Mus...
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Concert Band - Level 3 - SKU: A0.917393 Composed by Gregory Fritze. Contemporary. Score and parts. 161 pages. Musica Nova USA #4780761. Published by Musica Nova USA (A0.917393). Variations on a Canarian Hymn grade 4, duration 11:00 was commissioned and composed for the Banda Muncipal of Tenerife, Spain, Filipe Neri, conductor. They premiered it on June 25, 2017. The American premiere was March 21, 2019 by the University of Wisconsin River Falls Symphony Band, Kristin Tjornehoj, Conductor.The Canary Islands is a region of Spain. The anthem used in the Canaries for local official occasions is an adaptation of a local folk song called Arrorró (Lullaby) by Teobaldo Power (1848 – 1884). Tenerife is the largest and most populated island of the seven Canary Islands. Tenerife has a special relation to Columbus and the New World as he first stopped in Tenerife on each of his passages before sailing to the New World. There is a plaque in the center of Tenerife city depicting this.Variations on a Canarian Hymnis in the classictheme and variations form, startingwith a presentation of the folk song in its entirety, then following with six variations of the folk song. Each variation displays different colors and moods of the symphonic band. The triumphal ending depicts the strength of the Canarian people. The piece features several instruments, some with extended solos including: flute, oboe, alto saxophone, horn, trumpet, trombone, clarinet, English horn and timpani. There are several cues in the parts to cover certain instruments that may not be available, such as English horn.
$70.00
Merry! Don't You Know?
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Noël
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David Ahrens
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Merry! Don't You Know?
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Baseline Music Publishing
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1314114 Composed by David Ahrens. 21st Century,Advent,Christian,Christmas,Holiday. 74 pages. Baseline Music Publishing ...
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Concert Band - Level 3 - SKU: A0.1314114 Composed by David Ahrens. 21st Century,Advent,Christian,Christmas,Holiday. 74 pages. Baseline Music Publishing #902847. Published by Baseline Music Publishing (A0.1314114). Composer's web store: https://www.sounded.us/baseline/product/merry-dont-you-know-by-david-ahrens-wind-band/“God Rest You Merry, Gentlemen†is a traditional English Christmas carol dating to the mid 17th Century. It was referenced by Charles Dickens in his 1843 novella “A Christmas Carol†but with the lyric:“God bless you, Merry Gentleman!May nothing you dismay!â€The phrase “God rest you merry†historically meant “may God grant you peace and happinessâ€. “Rest you merry†was used both in Shakespeare’s “As You Like It†and “Romeo and Julietâ€. Over time, there has been confusion over this title due to changes in common language usage. The word ‘merry’ is an adverb of rest and not an adjective of Gentlemen.“Pat-A-Pan†is a traditional Burgundian French Christmas carol written by Bernard de La Monnoye and published in 1720. The text calls for the bringing of a drum and flute to play for newborn Jesus Christ in worship. The title is onomatopoeic for the sound of a drum, as is the additional lyric “tu-re-lu-re-lu†for the sound of a flute.“Yigdal†is a Jewish hymn and prayer that is a poetic adaptation of Maimonides’ 13 principles of faith. The text is attributed to 14th century poet Daniel ben Judah. The melody dates to the 17th century or earlier. It is traditionally sung for morning prayer and as the conclusion of Shabbat evening services. Upon hearing Yigdal, English Methodist Thomas Olivers adapted this melody for use in his Christian hymn “The God of Abraham Praiseâ€, which is a paraphrase of the ben Judah doxology, and was first published in 1772.“Merry! Don’t You Know?†is a playful melding of these sacred songs, acting as a reminder that Christmas is a time to be merry and joyful as we celebrate the nature, power, and love of God.
$74.99
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Orchestre d'harmonie
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FACILE
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Gregory Fritze
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Sinfonietta - A Symphony in Th
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pa...
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Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
Andaluza
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Manuel de Falla
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Robert Myers
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Baritone T.C. 1, 2
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Andaluza
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WheatMyer Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. Whea...
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Concert Band - Level 3 - SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. WheatMyer Music #6621545. Published by WheatMyer Music (A0.976737). Andaluza, taken from Manuel de Falla’s piano suite Cuatro Piezas Españolas, is aimed at the mainstream high school band in the United States at the grade 4 level. Boisterous tuttis, intimate solos, and passionate melodies make for an engaging excursion into Spanish folk music that allows students to explore the adventurous harmonies of de Falla's impressionistic vocabulary. The variety of colors and energy in the modern concert band amplify the life, drama, and humanity de Falla poured into his piano version. Andaluza will thus prove a thrill for both performers and audience as it celebrates this life, drama, and humanity.Soprano Sax is called for on an expressive solo but is fully cued in oboe. The absence of this instrument need not prevent an integral performance of the music.Optional parts are provided for Eb Clarinet, Treble Clef Baritone, and Double Bass for those bands having these available.View a full preview score of Andaluza at my website (wheatmyermusic.com/product/andaluza) or drop an email and I'll provide a pdf of the score for your perusal.Andaluza is the fourth member of Manuel de Falla’s Cuatro Piezas Españolas for solo piano first published in 1909. My imagination runs wild contemplating what may be pictured in de Falla’s music. It certainly seems to be a civic gathering: perhaps a wedding, a baptism, a dedication, or a feast taking place in the civic square of perhaps on a hacienda. There are scenes that may be dancing, speeches, passionate sonnets, arguments, celebrations, all ending in a lingering mysterious question with a tinge of hopefulness. Whatever Falla may have have had in mind it is full of life, drama, and humanity.I first became aware of de Falla’s work, particularly Andaluza, in the summer of 2021 during an online orchestration seminar. Each of Cuatro Piezas’s movements expresses Spanish folk music idioms through an impressionistic lens reflecting Debussy’s influence on de Falla. Andaluza immediately struck me as music that would shine in the realm of the concert band. It was a joy to explore de Falla’s music, transforming the implications of the piano stylings into the nuances and colors available to the modern wind ensemble. It was just as much if not more challenging to develop this arrangement than creating my own original music typically proves to be. But it was so rewarding to have done so and I hope you find the rewards of listening just as much worth your effort.Robert MyersS.D.G.INSTRUMENTATION:PiccoloFlute 1, 2OboeBassoon 1,2Bb Clarinet 1, 2Bb Bass ClarinetBb Soprano SaxophoneEb Alto Saxophone 1, 2Bb Tenor SaxophoneEb Baritone SaxophoneBb Trumpet 1, 2, 3Horn in F 1, 2, 3, 4Trombone 1, 2Bass TromboneEuphonium TubaTimpani (4) Mallets: Xylophone, Glockenspiel, Vibraphone, MarimbaPercussion 1: Almglocken/Cowbell, Suspended Cymbal, Marimba, Snare Drum, Glockenspiel, Triangle, XylophonePercussion 2: Hand Cymbals, Suspended Cymbals, Snare Drum, Bongos, Mark TreePercussion 3: Tambourine, Castanets, Hand Cymbals, Rainstick, Gong, Tam, TamPercussion 4: Bass Drum, Suspended Cymbal, Gong, Tam Tam, WoodblocksOptional Parts: Eb Clarinet; Baritone T.C. 1, 2; Double Bass
$75.00
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - ...
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Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Mu...
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Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
Issue 3, Series 1 - Henchmen from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 3, Series 1 - Henchmen f
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886120 Composed by Jason McChristian. Contemporary. Score and parts. 124 pages. Jason Gary McChristian #550943. Publish...
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Concert Band - Level 4 - SKU: A0.886120 Composed by Jason McChristian. Contemporary. Score and parts. 124 pages. Jason Gary McChristian #550943. Published by Jason Gary McChristian (A0.886120). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Henchmen - ...FOUR BRUTES WREAK HAVOC ON THE INNOCENT. THEY CONJURE TERROR AS THEY MOVE THROUGH THE STREETS WITH OMIINOUS GLEE....
$40.00
Issue 2, Series 1 - Secret Identity from Strange Myths and Wondrous Images - A Comic Book Chronicle
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 2, Series 1 - Secret Ide
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886119 Composed by Jason McChristian. Contemporary. Score and parts. 67 pages. Jason Gary McChristian #550939. Publishe...
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Concert Band - Level 4 - SKU: A0.886119 Composed by Jason McChristian. Contemporary. Score and parts. 67 pages. Jason Gary McChristian #550939. Published by Jason Gary McChristian (A0.886119). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Secret Identity - ...CONCEALED IN THE CROWD, A STRANGER FEELS AN UNUSUAL RESONANCE SURGING FROM WITHIN....
$40.00
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