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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Move Like That
Non classifié
529
Piano & claviers
Piano seul
174
Piano, Voix
62
Piano Facile
27
Orgue
11
Piano, Voix et Guitare
11
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
3
Instruments en Do
3
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
27
Guitare notes et tablatures
14
Basse electrique
6
2 Guitares (duo)
5
Guitare, Flûte, Clarinette
2
Ukulele
2
Mandoline
1
Piano, Guitare (duo)
1
Ensemble de Ukulélés
1
Ligne De Mélodie, (Paroles) et Accords
1
Cithare
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
54
Chorale 3 parties
10
Chorale TTBB
8
Chorale SSAA
4
Voix Baryton, Piano
2
Voix seule
1
Voix Alto, Piano
1
Chorale SSATTB
1
Chorale Unison
1
Chorale 2 parties
1
+ 5 instrumentations
Retracter
Vents
Ensemble de saxophones
39
Quatuor de Saxophones: 4 saxophones
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Quintette de Saxophone: 5 saxophones
31
Flûte traversière et Piano
29
2 Flûtes traversières, Piano
25
Clarinette et Piano
23
Hautbois, Piano (duo)
21
Flûte, Hautbois, Clarinette, Basson
17
Ensemble de Clarinettes
15
Saxophone Soprano et Piano
13
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Tenor et Piano
13
Quatuor de Flûtes : 4 flûtes
11
Saxophone Baryton, Piano
11
Clarinette Basse, Piano
11
Saxophone Alto et Piano
11
Cor anglais, Piano
10
Ensemble de Flûtes
8
2 Saxophones (duo)
8
Clarinette
8
Quintette de Clarinettes: 5 clarinettes
7
2 Flûtes traversières (duo)
7
Quintette de Flûte : 5 flûtes
6
2 Clarinettes (duo)
4
3 Saxophones (trio)
4
Flûte traversière
4
Quatuor de Flûtes à bec
3
2 Flûte à bec (duo)
3
Clarinette, Basson (duo)
3
Hautbois (partie séparée)
3
3 Clarinettes (trio)
2
Saxophone Tenor
2
Hautbois, Harpe
2
Flûte à Bec
2
2 Hautbois (duo)
2
Saxophone Alto
2
3 Flûtes à bec (trio)
2
Hautbois, Basson (duo)
1
Flûte, Violon, Piano
1
Flûte et Guitare
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Basson et Piano
1
Flûte, Clarinette (duo)
1
Cor anglais et Harpe (duo)
1
Saxophone (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Flûte irlandaise
1
Harmonica
1
5 Flûtes à bec
1
Flute (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Soprano, Piano
1
Flûte à bec Soprano
1
Hautbois, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
Flûte, Hautbois (duo)
1
+ 54 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
58
Ensemble de Trompettes
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trombone et Piano
20
Euphonium, Piano (duo)
16
Ensemble de Trombones
12
Quatuor de Cuivres
11
Cor anglais, Piano
10
Cor et Piano
10
Trompette, Piano
8
Trompette
8
Tuba et Piano
8
Cor
6
Tuba
5
Ensemble de Cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone
4
Quatuor de cuivres: 4 trompettes
3
Trompette, Trombone (duo)
2
3 Trompettes (trio)
2
Trompette (partie séparée)
2
2 Euphoniums et 2 Tubas
2
4 Tubas
2
Quatuor de cuivres: 4 cors
1
Cor anglais et Harpe (duo)
1
2 Cors (duo)
1
Tuba et Orgue
1
2 Cors Anglais Et Pianoforte
1
2 Trombones (duo)
1
Euphonium
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
2 Trompettes (duo)
1
3 Euphoniums
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
67
Violon et Piano
37
Trio à Cordes: violon, alto, violoncelle
24
Violoncelle, Piano
19
Violon
15
Alto, Piano
15
Violon, Basson (duo)
11
2 Violons (duo)
8
Violoncelle
7
Violon, Violoncelle (duo)
6
Harpe
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble d'Altos
5
Ensemble de Violons
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Flûte (duo)
4
Contre Basse
4
Violon, Alto (duo)
3
2 Altos (duo)
3
Contrebasse, Piano (duo)
3
Violon (partie séparée)
2
Alto (partie séparée)
2
Alto seul
2
Trio à Cordes: 3 violoncelles
2
4 Violoncelles
2
2 Violoncelles (duo)
2
4 Contrebasses
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes : 4 altos
1
Ensemble de Violoncelles
1
Harpe, Voix
1
Violoncelle, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe et Piano
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
97
Orchestre
54
Orchestre à Cordes
27
Orchestre de chambre
12
Ensemble Jazz
10
Ensemble de cuivres
9
Ensemble de Percussions
6
Jazz combo
5
Cloches
3
Batterie
2
Marimba
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Conga
1
Xylophone, Piano
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
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Vous avez sélectionné:
Move Like That
Orchestre d'harmonie
Partitions à imprimer
97 partitions trouvées
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76
SOULFUL PEACE (with When Peace Like A River, It is Well With My Soul)
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Orchestre d'harmonie
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FACILE
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Christopher Durigg, Horatio Sp
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Christopher Durigg
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SOULFUL PEACE
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Christopher Durigg
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.934822 Composed by Christopher Durigg, Horatio Spafford, and Philip Bliss. Arranged by Christopher Durigg. Contemporary...
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Concert Band - Level 2 - SKU: A0.934822 Composed by Christopher Durigg, Horatio Spafford, and Philip Bliss. Arranged by Christopher Durigg. Contemporary,Folk. Score and parts. 31 pages. Christopher Durigg #6267033. Published by Christopher Durigg (A0.934822). PRODUCT INFORMATIONPUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: www.cdurigg.com/cdb003C. DURIGG MUSIC ID FOR THIS PIECE: CDB-003GRADE LEVEL: SOARING BAND SERIES (Grade 2)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced students in a very small band program? Are your students ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back? My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:According to the Merriam-Webster Dictionary, soulful is defined as full of or expressing feeling or emotion. In a soulful manner, the piece begins with the familiar song When Peace Like a River. This soulful hymn insists on finding peace, regardless of the world’s sorrows. The music then moves to a majestic trumpet processional. Entitled Soulful Peace, this tune honors those who made it possible for us to feel peace: parents, caregivers, family members, mentors, teachers, friends, and veterans who have served our country. Whether we feel the soulful melody in honor of them or in their memory, they remain an important part of our peace. After shifting to a calming woodwind verse, the processional then crescendos to a very emotive, full band verse. After the climax, the processional settles and gives way to a delicate chorus of It is Well With My Soul. The hymn tune begins delicately in the flutes, yet the brass echo the stately processional. The hymn majestically builds toward its own climax, accompanied by a trumpet fanfare. This triumphant piece reminds us that it can indeed be Well With My Soul!.
$30.00
Texas Symphony, Movement IV. West Texas, Fort Davis
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Kathryn Ellis
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Texas Symphony, Movement IV. W
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Ellis
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.885228 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 74 pages. Ellis #3620139. Published ...
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Concert Band - Level 3 - SKU: A0.885228 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 74 pages. Ellis #3620139. Published by Ellis (A0.885228). West Texas, Fort Davis, is the fourth movement of A Texas Symphony, and depicts a day in the life of a Texas Buffalo cavalry soldier, riding out on patrol. The music opens with a trumpet solo, representing an original bugle theme. The opening music is rhythmic with overlapping themes that depict activity on the parade field of the fort. As the soldiers ride out, the percussion switches from snare to claves and tambourine, and the rhythm switches from march-like to gigue-like symbolizing the cavalry riding out. At one point, a chase ensues, then the opening themes return with the soldiers' return to the fort. Length is approximately 12 minutes.
$50.00
like a very big twisty, turny thing
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Orchestre d'harmonie
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INTERMÉDIAIRE
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John Ivor Holland
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like a very big twisty, turny
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1308723 Composed by John Ivor Holland. 21st Century,Classical. Score and Parts. 107 pages. John Ivor Holland #897964. P...
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Concert Band - Level 3 - SKU: A0.1308723 Composed by John Ivor Holland. 21st Century,Classical. Score and Parts. 107 pages. John Ivor Holland #897964. Published by John Ivor Holland (A0.1308723). Originally composed in 2006 for 9-piece wind ensemble, it was expanded for symphonic winds in 2013. A short, but frantic, movement suitable for occasions of extreme silliness or indeed, highbrow seriousness… Inspired by the little twisty, turny things in life that make it seem more fun, like rollercoasters, country roads or fusilli. Double wind quintet version available from Forton Music (https://fortonmusic.co.uk/product/like-a-twisty-turny-thing/).
$49.99
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Orchestre d'harmonie
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
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Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
Killarney Carnivale
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John P
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Killarney Carnivale
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John P.W. Hudson #872903.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W....
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Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.
$60.00
The Four Seasons in the Basque Country
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Publishe...
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Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
Medallion March
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Orchestre d'harmonie
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FACILE
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Brian Ackley
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Medallion March
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Brian P. Ackley
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1478921 Composed by Brian Ackley. 21st Century,Contest,Festival,March. 22 pages. Brian P. Ackley #1055174. Published by...
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Concert Band - Level 2 - SKU: A0.1478921 Composed by Brian Ackley. 21st Century,Contest,Festival,March. 22 pages. Brian P. Ackley #1055174. Published by Brian P. Ackley (A0.1478921). This uplifting march is perfect for any young band! If you are looking for a piece that will push your students to the next level while having fun at the same time, this is the march for you! Its catchy tune will be an ear worm to your students and audiences alike with its flowing melodic lines and layered harmonies. A guaranteed hit with your students, Medallion March showcases each instrument throughout this piece. Every instrument takes a turn playing the featured melodies. This is especially great for your low brass and low woodwinds, whose parts are very active throughout. The trumpets and flutes lead the way with a victorious theme as the clarinets and saxes harmonize below with parallel rhythms. As we move through the first section, the trumpets and clarinets swap parts to give an even thicker sound. The driving rhythms of the 5-part percussion section keeps everyone moving in forward motion as the middle section’s melody is heard in the low brass and low woodwinds. As the conductor, Medallion March gives you the ability to incorporate phrasing, dynamic contrast and articulation that is seen throughout. Written in the key of Bb, each instrument’s parts can be played with ease, including the clarinets who are below written below the break. The percussionists have many opportunities to shine, as the colorfulness of the cymbals and triangles compliment the pulsating rhythms of the snare drum and bass drum. There is also an option for your flute players to play the 2nd line C above the staff in the repeated trio section, doubled by the bells. Medallion March makes for a great concert opener with its big sound and is also great for a concert finale. Your students will feel like they won a medal and leave your audiences wanting more!
$20.00
Themes from the Beach 2nd Alto Saxophone
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach 2nd Alto
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011727 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449475. Published ...
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Concert Band - Level 4 - SKU: A0.1011727 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449475. Published by Peter's Publishing House (A0.1011727). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for 2nd Alto Saxophone that is 5 pages long and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will require separate purchases.
$3.99
Themes from the Beach 2nd Horn in F
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach 2nd Horn
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011733 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449489. Published ...
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Concert Band - Level 4 - SKU: A0.1011733 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449489. Published by Peter's Publishing House (A0.1011733). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for 2nd Horn in F with no offbeats throughout.(Score Sold Separately). 5 pages long and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will need separate purchases.
$3.99
Themes from the Beach Bass Clarinet in B flat
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach Bass Cla
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011723 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449467. Published ...
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Concert Band - Level 4 - SKU: A0.1011723 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449467. Published by Peter's Publishing House (A0.1011723). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for Bass Clarinet in B flat (Score Sold Separately) which is 6 pages long and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will require separate purchases.
$3.99
Themes from the Beach Baritone Saxophone
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach Baritone
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011728 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449479. Published ...
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Concert Band - Level 4 - SKU: A0.1011728 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449479. Published by Peter's Publishing House (A0.1011728). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for Baritone Saxophone and is 6 pages long scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will need separate purchases.
$3.99
Themes from the Beach Tuba
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach Tuba
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011741 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449681. Published ...
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Concert Band - Level 4 - SKU: A0.1011741 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449681. Published by Peter's Publishing House (A0.1011741). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.Themes from the Beach Tuba Part is 5 pages long and is listed in the following movements. I - Atmospheres, II - Strolling in Paradise, III - Chillin Ballad, IV - Exposed to the Sunlight. Of Moderate to Advanced Difficulty. Separate part only (conductors Score purchased separately).
$3.99
Themes from the Beach 1st Horn in F
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach 1st Horn
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011732 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449487. Published ...
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Concert Band - Level 4 - SKU: A0.1011732 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449487. Published by Peter's Publishing House (A0.1011732). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for 1st Horn in F with no offbeats through the piece. (Score Sold Separately). 5 pages long and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will need separate purchases.
$3.99
Themes from the Beach E flat Clarinet
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Orchestre d'harmonie
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Contemporain
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Peter Westin
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Themes from the Beach E flat C
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Peter's Publishing House
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SheetMusicPlus
Concert Band - SKU: A0.1011719 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449459. Published by Peter's...
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Concert Band - SKU: A0.1011719 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449459. Published by Peter's Publishing House (A0.1011719). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for Clarinet in E flat (Score Sold Separately) which is 5 pages long and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will require separate purchases.
$3.99
Themes from the Beach Flute
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach Flute
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011714 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449451. Published ...
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Concert Band - Level 4 - SKU: A0.1011714 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449451. Published by Peter's Publishing House (A0.1011714). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for Flute which is 4 pages long and is scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will require separate purchases.
$3.99
Themes from the Beach 3rd Trumpet in B flat
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach 3rd Trum
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011731 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449485. Published ...
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Concert Band - Level 4 - SKU: A0.1011731 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449485. Published by Peter's Publishing House (A0.1011731). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for 3rd Trumpet in B flat (Score Sold Separately). 5 pages long and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will need separate purchases.
$3.99
Themes from the Beach Tenor Saxophone
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach Tenor Sa
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011726 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449477. Published ...
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Concert Band - Level 4 - SKU: A0.1011726 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449477. Published by Peter's Publishing House (A0.1011726). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for Tenor Saxophone which is 5 pages long and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will need separate purchases.
$3.99
Themes from the Beach 2nd Oboe
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach 2nd Oboe
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011716 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449455. Published ...
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Concert Band - Level 4 - SKU: A0.1011716 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449455. Published by Peter's Publishing House (A0.1011716). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for 2nd Oboe (Score Sold Separately)which is 6 pages long and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will require separate purchases.
$3.99
Themes from the Beach 2nd Trumpet in B flat
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach 2nd Trum
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011730 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449483. Published ...
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Concert Band - Level 4 - SKU: A0.1011730 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449483. Published by Peter's Publishing House (A0.1011730). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for 2nd Trumpet in B flat (Score Sold Separately). 5 pages long and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will need separate purchases.
$3.99
Themes from the Beach Bass Trombone
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter's Publishing House
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Themes from the Beach Bass Tro
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011736 Composed by Peter's Publishing House. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449675...
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Concert Band - Level 4 - SKU: A0.1011736 Composed by Peter's Publishing House. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449675. Published by Peter's Publishing House (A0.1011736). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.The Bass Trombone Part is 5 pages long and is listed in the following movements. I - Atmospheres, II - Strolling in Paradise, III - Chillin Ballad, IV - Exposed to the Sunlight. Of Moderate to Advanced Difficulty. Separate part only (conductors Score purchased separately).
$3.99
Themes from the Beach 1st Tenor Trombone
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach 1st Teno
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011734 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449671. Published ...
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Concert Band - Level 4 - SKU: A0.1011734 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449671. Published by Peter's Publishing House (A0.1011734). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.The 1st Tenor Trombone Part is 5 pages long and is listed in the following movements. I - Atmospheres, II - Strolling in Paradise, III - Chillin Ballad, IV - Exposed to the Sunlight. Of Moderate to Advanced Difficulty.
$3.99
Themes from the Beach Marimba
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach Marimba
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011743 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449685. Published ...
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Concert Band - Level 4 - SKU: A0.1011743 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449685. Published by Peter's Publishing House (A0.1011743). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.Themes from the Beach Marimba Part is 5 pages long and is listed in the following movements. I - Atmospheres, II - Strolling in Paradise, III - Chillin Ballad, IV - Exposed to the Sunlight. Of Moderate to Advanced Difficulty. Separate part only (conductors Score purchased separately).
$3.99
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