English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music Practice Log
Non classifié
113
Piano & claviers
Piano seul
68
Piano Facile
27
Piano, Voix et Guitare
25
Piano, Voix
7
Orgue
3
Instruments en Do
1
1 Piano, 4 mains
1
+ 2 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
7
Guitare
4
Guitare notes et tablatures
3
Ukulele
3
Basse electrique
2
Banjo
1
+ 1 instrumentations
Retracter
Voix
Chorale 2 parties
6
Chorale SATB
2
Chorale Unison
1
Vents
Ensemble de saxophones
24
Quatuor de Saxophones: 4 saxophones
12
Flûte, Hautbois, Clarinette, Basson
11
Quintette de Saxophone: 5 saxophones
8
Flûte traversière et Piano
8
Ensemble de Clarinettes
6
Clarinette et Piano
6
Flûte à bec Soprano
5
Quatuor de Clarinettes: 4 clarinettes
4
Hautbois, Piano (duo)
4
Quatuor de Flûtes : 4 flûtes
3
Ensemble de Flûtes
2
Flûte traversière
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
4 Hautbois
2
Saxophone Alto et Piano
2
Saxophone Tenor et Piano
2
Clarinette
1
Flûte à bec Alto, Piano
1
Saxophone
1
Flûte, Violon, Piano
1
Quintette de Flûte : 5 flûtes
1
3 Clarinettes (trio)
1
Flûte à bec Alto
1
Saxophone Tenor
1
Hautbois, Clarinette (duo)
1
Saxophone Soprano et Piano
1
+ 22 instrumentations
Retracter
Cuivres
Quatuor de Cuivres
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trombone et Piano
6
Ensemble de Trompettes
4
Ensemble de Trombones
4
Trompette
4
Cor et Piano
4
Trompette, Piano
4
Ensemble de Cors
3
Trombone
2
Quatuor de cuivres: 4 trompettes
2
Euphonium
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 trombones
1
Tuba
1
4 Euphoniums
1
Trompette, Trombone (duo)
1
+ 12 instrumentations
Retracter
Cordes
Violon et Piano
17
Violon
5
Violoncelle, Piano
3
Alto, Piano
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Violon, Violoncelle (duo)
1
Harpe
1
Violoncelle
1
Alto seul
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Orchestre
2
Orchestre d'harmonie
2
Xylophone, Piano
1
Orchestre de chambre
1
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
52
Partitions Numériques
2
Librairie Musicale
6
Matériel de Musique
60
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Music Practice Log
Orchestre d'harmonie
Partitions à imprimer
2 partitions trouvées
<
1
Time Out
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.1402009 Composed by James Smith. …
(+)
Concert Band - Level 1 - Digital Download SKU: A0.1402009 Composed by James Smith. Contest,Festival,Instructional. 26 pages. James Smith #985205. Published by James Smith (A0.1402009). Chill out with this selection intended for first-year players, Time Out. Written with the first 4 notes of the A minor blues scale in mind, and using only 6 different notes, younger players will find instant success when learning its catchy bass line and repeated rhythms.Time Out can be performed by a minimal concert ensemble of flutes, clarinets, alto saxophones, trumpets, trombones, and percussion, and uses the A minor blues scale (A, C, D, Eâ™). I am incredibly excited to offer this selection to you in a effort to diversify concert band music repertoire for younger player that avoids using typical key signatures, but does not veer too far away from standard practices. It is suggested that players practice playing the first few notes of the concert Bâ™ scale (Bâ™, C, D, Eâ™), then swapping out concert Bâ™ for concert A. Make sure measures 1-3 are accurately learned by the wind players before learning the rest of the piece. In measure 39, there is a glissando, or “fall†that might be seen in jazz music. (The playback does not support accurate sounds for this effect.) Have players find a random high note, then all descend to the low register of their instruments within 4 beats through fingerings, slides, etc.View more of my catalog here at linktr.ee/jamessmithmusic.
$49.99
46.09 €
#
Orchestre d'harmonie
#
James Smith
#
Time Out
#
James Smith
#
SheetMusicPlus
Our Flirtations
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip S…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99
13.82 €
#
Orchestre d'harmonie
#
John Philip Sousa
#
Wesley Besancon
#
Our Flirtations
#
Wesley Besancon
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Music Practice Log 
