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--INSTRUMENTS--
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AUTOHARPE
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CORNET
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Natural Light
Non classifié
44
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41
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Vous avez sélectionné:
Natural Light
Orchestre d'harmonie
Partitions à imprimer
5 partitions trouvées
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Rays of Light
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Kevin Walters
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Rays of Light
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Kevin Walters
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1147785 Composed by Kevin Walters. Contemporary,Contest,Festival,Spiritual,Standards. Score and parts. 46 pages. Kevin ...
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Concert Band - Level 4 - SKU: A0.1147785 Composed by Kevin Walters. Contemporary,Contest,Festival,Spiritual,Standards. Score and parts. 46 pages. Kevin Walters #747982. Published by Kevin Walters (A0.1147785). The title of the piece, Rays of Light, exemplify the inspiration for the work. I was inspired by the beauty of sun rays piercing through the clouds in the sky, and how every combination of these light beams are unique in shape and size. These sun rays are represented through beautiful dissonances, extended fermatas, and subtle staggered percussion entrances. The piece has natural progression towards a noticeable peak, with very slight accelerations, and then slowly fades to an ending similar to that of the beginning. This is a wonderful piece to showcase the beauty in dissonance, the significance of subtlety, and offers several solo moments for every section of the band, starting with the horn and ending with the vibraphone.
$55.00
In Your Slumber
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Orchestre d'harmonie
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DÉBUTANT
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971....
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Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
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Orchestre d'harmonie
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Contemporain
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Neal Endicott
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Isn't It Enough to Think...Wit
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Neal Endicott Music
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SheetMusicPlus
Concert Band - SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott...
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Concert Band - SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
$25.00
Homecoming
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Classique
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Keiron Anderson
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Homecoming
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Songburd Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1411125 Composed by Keiron Anderson. Classical,Contemporary. 68 pages. Songburd Music #993449. Published by Songburd Mu...
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Concert Band - Level 5 - SKU: A0.1411125 Composed by Keiron Anderson. Classical,Contemporary. 68 pages. Songburd Music #993449. Published by Songburd Music (A0.1411125). Homecoming is a calming and contemplative work written for wind orchestra that melodically depicts scenes of one’s delight and relief upon returning home, as it also explores the natural mix of evolving emotions felt when one realizes that things are not exactly as they once were, all of which leads to the eventual resolution as one comes to accept the changes.
$90.00
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