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Never Be The Same
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7
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15
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
Hautbois, Piano (duo)
1
Clarinette, Basson (duo)
1
Flute, harpe et violon
1
2 Clarinettes, Piano
1
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1
Flûte, Violon
1
Saxophone Tenor et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Quatuor de Flûtes à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 33 instrumentations
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7
Trompette
4
Tuba et Piano
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1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor anglais, Piano
1
Cor anglais, Guitare (duo)
1
Ensemble de Trompettes
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
Tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Cors
1
+ 11 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
5
Violon et Piano
3
Violon, Violoncelle (duo)
3
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2
Violon, Alto (duo)
2
4 Violoncelles
2
Violon
2
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
Violoncelle
1
Alto, Violoncelle (duo)
1
2 Violons (duo)
1
Trio à Cordes: 3 violoncelles
1
Harpe
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
Alto seul
1
Quatuor à cordes: 4 violons
1
+ 13 instrumentations
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Orchestre d'harmonie
4
Orchestre
2
Ensemble Jazz
2
Orchestre à Cordes
1
Jazz combo
1
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1
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
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Never Be The Same
Orchestre d'harmonie
Partitions à imprimer
4 partitions trouvées
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The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Te...
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Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
National Anthem of ROC Taiwan (for Band): San Min Chu I
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Orchestre d'harmonie
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FACILE
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Patriotique
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Ch'eng Mao-yün 1900-1957
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Colin Kirkpatrick
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National Anthem of ROC Taiwan
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1089002 Composed by Ch'eng Mao-yün 1900-1957. Arranged by Colin Kirkpatrick. Patriotic. Score and parts. 27 pages. C...
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Concert Band - Level 2 - SKU: A0.1089002 Composed by Ch'eng Mao-yün 1900-1957. Arranged by Colin Kirkpatrick. Patriotic. Score and parts. 27 pages. Colin Kirkpatrick Publications #693217. Published by Colin Kirkpatrick Publications (A0.1089002). This anthem should not be confused with the National Anthem of the People's Republic of China, known as March of the Volunteers which is the anthem of mainland China including its special administrative regions of Hong Kong and Macau. The national anthem of ROC Taiwan was first used as the anthem for the whole of China when the country was controlled by the Kuomintang. However, in 1949 the Kuomintang government was ousted and relocated to the island of Taiwan to continue their government, using the same symbols of state that they used in mainland China. The anthem is informally known as San Min Chu I or San Min Zhu Yi (Three Principles of the People), though this name is never used in formal or official occasions. This band set comprises the following: Full Score (20 staves) plus parts for Flutes, Oboe 1, Oboe 2, Clarinet 1, Clarinet 2, Clarinet 3, Bassoons, Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, Horn 1 in F, Horn 1 in E flat, Horn 2 in F, Horn 2 in E flat, Trombone 1, Trombone 2, Baritone BC and TC (same part as Trb 1), Tuba, Timpani and Percussion (3 players).
$19.95
Monody
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Vid...
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Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
Wipe Out
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Orchestre d'harmonie
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DÉBUTANT
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The Surfaris
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John PW Hudson
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Wipe Out
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John P.W. Hudson #953041.
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1368670 By The Surfaris. By The Surfaris. Arranged by John PW Hudson. 20th Century,Contemporary,Contest,Festival,Histor...
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Concert Band - Level 1 - SKU: A0.1368670 By The Surfaris. By The Surfaris. Arranged by John PW Hudson. 20th Century,Contemporary,Contest,Festival,Historic,Rock. 29 pages. 'Published by John P.W. Hudson #953041. Published by 'Published by John P.W. Hudson (A0.1368670). This arrangement for mixed ability elementary concert band has been a hit in my school! Arranged to be well within the limits of first, second and third year players, this raucus tune will give your drummers a highlight they'll never forget! A real audience pleaser, too! Â Not all band classes are at the same ability or grade level in elementary school. This arrangement has the first three notes players learn in most parts. Because the tune is so popular, syncopated rhythms are easy to teach. Only the piano and bass parts are at a higher level. Â Enjoy!
$49.99
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Never Be The Same