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New Rules - Euphoium
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--INSTRUMENTS--
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Vous avez sélectionné:
New Rules - Euphoium
Orchestre d'harmonie
Partitions à imprimer
3 partitions trouvées
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No Restrictions
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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RAY MC CULLOCH
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RAY MC CULLOCH
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No Restrictions
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Turtle Music Company
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1265088 By RAY MC CULLOCH. By RAY MC CULLOCH. Arranged by RAY MC CULLOCH. 21st Century,Contemporary,Historic. Score and...
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Concert Band - Level 4 - SKU: A0.1265088 By RAY MC CULLOCH. By RAY MC CULLOCH. Arranged by RAY MC CULLOCH. 21st Century,Contemporary,Historic. Score and Parts. 7 pages. Turtle Music Company #857931. Published by Turtle Music Company (A0.1265088). This was initially intended as a release from Covid. However as I came closer to completion I realized that it could be a release from ANY restraining situation. There is first, a realization of the confinement then second, the joy of restrictions being released and the third an awareness of our NEW situation and that it ALSO has its set of restrictions. We have the newfound freedom but we're STILL bound just in a different way with different 'rules.' I used to teach it like Same thing just different..
$49.99
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
Suite
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Orchestre d'harmonie
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FACILE
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Rachel Portman
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John Ivor Holland
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Suite
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1403054 Composed by Rachel Portman. Arranged by John Ivor Holland. 21st Century,Film/TV,Wedding. 77 pages. John Ivor Ho...
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Concert Band - Level 2 - SKU: A0.1403054 Composed by Rachel Portman. Arranged by John Ivor Holland. 21st Century,Film/TV,Wedding. 77 pages. John Ivor Holland #986254. Published by John Ivor Holland (A0.1403054). 'Mona Lisa Smile' is a 2003 American drama film directed by Mike Newell and starring Julia Roberts, Kirsten Dunst, Julia Stiles, and Maggie Gyllenhaal. The title is a reference to the Mona Lisa, the famous painting by Leonardo da Vinci, and to the song of the same name, originally performed by Nat King Cole, which was covered by Seal for the movie. Julia Roberts received a record $25 million for her performance, the highest ever earned by an actress at that time. Rachel Portman's score for the film is in a similar vein to her others for 'The Cider House Rules' and 'Chocolat', but the lovely flute theme in this suite works nicely for concert band and the combination of piano and vibraphone (originally harp) lend a pulsating texture throughout. Perfect for a quiet moment in a concert of film music and, of course, important music by a woman composer in a crowded market of male writers. Arranged as part of an ongoing project to bring more music by women into the worldwide concert band repertoire.
$59.99
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New Rules - Euphoium 
