Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Not As We
Non classifié
846
Piano & claviers
Piano seul
391
Piano, Voix
184
Piano Facile
108
Piano, Voix et Guitare
76
Piano grosses notes
68
Orgue
34
Instruments en Do
21
Accompagnement Piano
19
1 Piano, 4 mains
15
Piano Trio: piano, violon, violoncelle
14
Piano Quatuor: piano, violon, alto, violoncelle
6
2 Pianos, 4 mains
4
Orgue, Piano (duo)
3
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
3
1 Piano, 6 mains
1
Clavecin
1
Accordéon
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 15 instrumentations
Retracter
Guitares
Mandoline
263
Guitare notes et tablatures
99
Guitare
46
Basse electrique
20
Ukulele
8
Guitare (partie séparée)
4
2 Mandolines (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
4 Guitares (Quatuor)
1
2 Ukuleles
1
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
Piano, Guitare (duo)
1
Ensemble de guitares
1
2 Guitares (duo)
1
Banjo
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
233
Chorale 3 parties
48
Chorale 2 parties
36
Chorale TTBB
20
Chorale Unison
15
Chorale SSAA
13
Voix Alto, Piano
10
Voix Soprano, Piano
9
Voix duo, Piano
8
Voix duo
5
Voix haute
4
Voix Baryton, Piano
3
Voix Tenor, Piano
3
Chorale SSATTB
2
Voix Tenor
2
Voix seule
2
Voix basse
1
Chorale SSATB
1
Chorale SSAATTBB
1
Chorale
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
100
2 Saxophones (duo)
91
Quintette de Saxophone: 5 saxophones
74
Quatuor de Saxophones: 4 saxophones
66
Flûte traversière et Piano
50
Flûte, Hautbois, Clarinette, Basson
46
Clarinette et Piano
44
3 Saxophones (trio)
41
Saxophone Alto et Piano
35
Hautbois, Piano (duo)
35
Quatuor de Clarinettes: 4 clarinettes
30
2 Flûtes traversières (duo)
27
Clarinette
27
2 Clarinettes (duo)
27
Saxophone Tenor et Piano
25
Flûte traversière
24
2 Flûte à bec (duo)
23
Saxophone Soprano et Piano
22
Quatuor de Flûtes : 4 flûtes
19
Saxophone Baryton, Piano
19
Saxophone Alto
18
Flûte, Hautbois, Clarinette (trio)
18
2 Hautbois (duo)
15
Ensemble de Clarinettes
15
Flûte, Clarinette (duo)
15
Hautbois, Clarinette, Basson (trio d'anches)
14
Saxophone (partie séparée)
13
Ensemble de saxophones
12
Saxophone Tenor
12
Flûte à bec Soprano
11
Hautbois
11
Ensemble de Flûtes
10
Saxophone Baryton
10
Cor anglais, Piano
9
Saxophone Soprano
9
Hautbois (partie séparée)
7
Saxophone, Clarinette (duo)
6
Flûte, Clarinette et Basson
6
Piccolo, Piano
6
Quintette de Flûte : 5 flûtes
5
Clarinette, Violon (duo)
5
Ensemble De Flûte à bec
5
Hautbois, Clarinette (duo)
5
Flûte à bec Alto, Piano
4
3 Flûtes à bec (trio)
4
Flûte à bec Alto
4
Clarinette, Basson (duo)
4
Ocarina
4
Flûte à Bec
4
Trio de Flûtes: 3 flûtes
4
Hautbois, Basson (duo)
4
3 Clarinettes (trio)
3
Flûte, Hautbois, Basson
3
Clarinette, Trompette (duo)
3
Harmonica
3
Clarinette et Alto
3
Clarinette Basse, Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Hautbois (duo)
2
Hautbois, Flûte
2
Flûte, Alto (duo)
2
Flûte à bec Tenor
2
Flûte, Alto et Piano
2
Ensemble à vent
2
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Soprano, Piano
2
4 Hautbois
2
Flûte, Violon, Piano
1
Cor Anglais
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Flûte et Guitare
1
Flute (partie séparée)
1
Flûte, Violon
1
Hautbois, Guitare (duo)
1
Flute, harpe et violon
1
Flûte et Trio à cordes
1
2 Flûtes traversières, Piano
1
Quatuor de Flûtes à bec
1
Clarinette, Violoncelle (duo)
1
2 Clarinettes, Piano
1
2 Cors Anglais Et Pianoforte
1
5 Flûtes à bec
1
Clarinette Basse
1
+ 79 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
66
Quatuor de Cuivres: 2 trompettes, Cor, trombone
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Trombone et Piano
29
Trompette
26
Trompette, Piano
26
Cor et Piano
23
Tuba et Piano
23
2 Trompettes (duo)
22
2 Trombones (duo)
22
2 Cors (duo)
20
Trombone
19
Tuba
19
Cor
16
Quatuor de cuivres: 4 trombones
16
Trompette, Trombone (duo)
14
Trombone (partie séparée)
10
Quatuor de Cuivres
9
Cor anglais, Piano
9
Trompette (partie séparée)
8
2 Tubas (duo)
8
Trompette, Cor (duo)
7
Euphonium, Piano (duo)
7
Ensemble de Trombones
6
Trombone, Tuba (duo)
5
Trompette, Saxophone (duo)
4
Ensemble de Trompettes
4
Trompette, violon (duo)
3
Quatuor de cuivres: 4 cors
3
Trompette, Tuba (duo)
2
Cor, Tuba (duo)
2
3 Trombones (trio)
2
Ensemble de Cors
2
Trombone, Cor (duo)
2
3 Tubas (trio)
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
Trompette, Euphonium (duo)
1
Cor Anglais
1
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Bass Clef Instruments
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
127
Violon et Piano
46
Quintette à cordes: 2 violons, alto, violoncelle, basse
45
Alto, Piano
40
Violoncelle, Piano
38
Trio à Cordes: violon, alto, violoncelle
38
Violon
37
Harpe
28
2 Violons (duo)
23
2 Violoncelles (duo)
21
Violoncelle
20
Alto seul
20
Violon, Violoncelle (duo)
20
Violon, Alto (duo)
20
2 Altos (duo)
19
Contrebasse, Piano (duo)
16
Contre Basse
15
Piano Trio: Violon, Alto, Piano
7
4 Violoncelles
5
Trio à Cordes: 2 violons, violoncelle
5
Ensemble de Violons
4
Violoncelle, Contrebasse (duo)
4
Ensemble d'Altos
4
Trio à Cordes: 3 violoncelles
4
Harpe, Voix
4
Alto (partie séparée)
4
2 Contrebasses (duo)
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 altos
2
4 Contrebasses
2
Quatuor à cordes : 4 altos
2
2 Violons, Piano
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
Contrebasse (partie séparée)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Violoncelle, Clarinette
1
Harpe, Violon (duo)
1
Alto et Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
2 Violoncelles, Piano
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
105
Orchestre
65
Ensemble de cuivres
60
Orchestre à Cordes
58
Ensemble Jazz
26
Cloches
26
Orchestre de chambre
20
Ensemble de Percussions
10
Jazz combo
9
Fanfare
5
Marimba
4
Batterie (partie séparée)
2
Batterie
2
Orchestre, Violon
1
Piano et Orchestre
1
Percussion (partie séparée)
1
2 Marimbas
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
777
Partitions Numériques
105
Librairie Musicale
1 985
Matériel de Musique
11 903
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Not As We
Orchestre d'harmonie
Partitions à imprimer
105 partitions trouvées
<
1
26
51
....
101
We'll Meet Again
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Contemporain
#
Hughie Charles and Ross Parker
#
Wesley Carroll
#
We'll Meet Again
#
Wesley Carroll
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1414041 Composed by Hughie Charles and Ross Parker. Arranged by Wesley Carroll. 20th Century. 43 pages. Wesley Carroll ...
(+)
Concert Band - Level 3 - SKU: A0.1414041 Composed by Hughie Charles and Ross Parker. Arranged by Wesley Carroll. 20th Century. 43 pages. Wesley Carroll #995810. Published by Wesley Carroll (A0.1414041). This is a big band style an arrangement of We'll Meet Again that will be provide an effective addition to any ensembles repertoire, big or small. There are one or two tricky rhythms, but rhythmic patterns are repeated so that an effective performance can be achieved quickly.  Although the presentation of the music will be enhanced by having a full band, the music has been arranged with 5 parts, thus could be performed by as few as 5 musicians.A wide variety of instruments and transpositions are included in for each part which should be able to cover all bases, however if you require a transposition that is not included then please contact the arranger at wesleycarroll @ icloud.com  we and he will be able to organise this for you.
$49.99
We All Stand Together
#
Orchestre d'harmonie
#
FACILE
#
Paul McCartney
#
Scaver
#
We All Stand Together
#
Scaver
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1367955 By Paul McCartney. By Paul McCartney. Arranged by Scaver. Christmas,Pop. 60 pages. Scaver #952332. Published by...
(+)
Concert Band - Level 2 - SKU: A0.1367955 By Paul McCartney. By Paul McCartney. Arranged by Scaver. Christmas,Pop. 60 pages. Scaver #952332. Published by Scaver (A0.1367955). We All Stand Together is often associated with Christmas due to its release and the animated film for which it was created. The song was released in 1984, and its whimsical and festive feel, along with the inclusion of animated characters like Rupert the Bear, has led to its inclusion in Christmas playlists and celebrations. Additionally, the themes of unity and togetherness in the song align with the spirit of the holiday season, making it a popular choice for Christmas-related events and gatherings. While not originally intended as a Christmas song, its joyful and uplifting nature has contributed to its connection with the festive season.This version is for (young) concert band.Instrument list:FluteOboeBassoonClarinet 1,2,3Bass ClarinetAlt Saxophone 1,2Tenor SaxophoneBariton SaxophoneTrumpet 1,2,3Horn F 1,2Trombone 1,2,3Euphonium Bb 1,2C BassBb BassTimpaniGlockenspielDrumsSuspended cymbalsBarchimes.
$59.99
Angels We Have Heard On High/ Ding Dong Merrily On High
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Traditional
#
Sy Brandon
#
Angels We Have Heard On High/
#
Sy Brandon
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.754877 Composed by Traditional. Arranged by Sy Brandon. Christmas,Sacred. Score and parts. 57 pages. Sy Brandon #312635...
(+)
Concert Band - Level 4 - SKU: A0.754877 Composed by Traditional. Arranged by Sy Brandon. Christmas,Sacred. Score and parts. 57 pages. Sy Brandon #3126353. Published by Sy Brandon (A0.754877). This arrangement combines these two carols by alternate phrases from each and by having sections of the carols occur simultaneously. There are also free sections of imitative counterpoint interspersed. All this occurs over a syncopated ostinato rhythm that has the eight eighth notes of the 4/4 measure grouped as 3,3,2 resulting in a very festive arrangement for concert use.
$29.99
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
A
#
Stephen Davies
#
"Clarinet Concert Concert
#
Stephen Davies
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
(+)
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
Here's To You
#
Orchestre d'harmonie
#
FACILE
#
Film/TV
#
Joan Baez
#
Joan Baez, Ennio Morricone
#
Lorenzo Bocci
#
Here's To You
#
Lorenzo Bocci
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1310533 By Joan Baez. By Ennio Morricone and Joan Baez. Arranged by Lorenzo Bocci. Film/TV. 54 pages. Lorenzo Bocci #89...
(+)
Concert Band - Level 2 - SKU: A0.1310533 By Joan Baez. By Ennio Morricone and Joan Baez. Arranged by Lorenzo Bocci. Film/TV. 54 pages. Lorenzo Bocci #899595. Published by Lorenzo Bocci (A0.1310533). For Concert Band - Grade 2,5 -  Composed by Joan Baez, Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With optional Choir (SATB) (not present in the score). Score and parts. Duration 3'42''. Published by Lorenzo Bocci.Here's to You is a song by Ennio Morricone and Joan Baez, released in 1971 as part of the soundtrack of the film Sacco & Vanzetti, directed by Giuliano Montaldo. The song is a tribute to two anarchists of Italian origin, Nicola Sacco and Bartolomeo Vanzetti who were sentenced to death by a United States court in the 1920s. The lyrics for Here's to You make use of a statement attributed to Vanzetti by Philip D. Strong, a reporter for the North American Newspaper Alliance, who visited Vanzetti in prison in May 1927, three months before his execution.  «If it had not been for these things, I might have lived out my life talking at street corners to scorning men. I might have died, unmarked, unknown, a failure. Now we are not a failure. This is our career and our triumph. Never in our full life we could have hoped to do such work for tolerance, for justice, for man's understanding of man as we now do by accident. Our words—our lives—our pains—nothing! The taking of our lives—lives of a good shoemaker and a poor fish peddler—all! That last moment belongs to us—that agony is our triumph!.»Here's to you, Nicola and BartRest forever here in our heartsThe last and final moment is yoursThat agony is your triumph..
$89.00
Do You Hear How Many You Are?
#
Orchestre d'harmonie
#
FACILE
#
Contemporain
#
Keane Southard
#
Do You Hear How Many You Are?
#
Spindrift Pages
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spin...
(+)
Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00
Merry! Don't You Know?
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Noël
#
David Ahrens
#
Merry! Don't You Know?
#
Baseline Music Publishing
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1314114 Composed by David Ahrens. 21st Century,Advent,Christian,Christmas,Holiday. 74 pages. Baseline Music Publishing ...
(+)
Concert Band - Level 3 - SKU: A0.1314114 Composed by David Ahrens. 21st Century,Advent,Christian,Christmas,Holiday. 74 pages. Baseline Music Publishing #902847. Published by Baseline Music Publishing (A0.1314114). Composer's web store: https://www.sounded.us/baseline/product/merry-dont-you-know-by-david-ahrens-wind-band/“God Rest You Merry, Gentlemen†is a traditional English Christmas carol dating to the mid 17th Century. It was referenced by Charles Dickens in his 1843 novella “A Christmas Carol†but with the lyric:“God bless you, Merry Gentleman!May nothing you dismay!â€The phrase “God rest you merry†historically meant “may God grant you peace and happinessâ€. “Rest you merry†was used both in Shakespeare’s “As You Like It†and “Romeo and Julietâ€. Over time, there has been confusion over this title due to changes in common language usage. The word ‘merry’ is an adverb of rest and not an adjective of Gentlemen.“Pat-A-Pan†is a traditional Burgundian French Christmas carol written by Bernard de La Monnoye and published in 1720. The text calls for the bringing of a drum and flute to play for newborn Jesus Christ in worship. The title is onomatopoeic for the sound of a drum, as is the additional lyric “tu-re-lu-re-lu†for the sound of a flute.“Yigdal†is a Jewish hymn and prayer that is a poetic adaptation of Maimonides’ 13 principles of faith. The text is attributed to 14th century poet Daniel ben Judah. The melody dates to the 17th century or earlier. It is traditionally sung for morning prayer and as the conclusion of Shabbat evening services. Upon hearing Yigdal, English Methodist Thomas Olivers adapted this melody for use in his Christian hymn “The God of Abraham Praiseâ€, which is a paraphrase of the ben Judah doxology, and was first published in 1772.“Merry! Don’t You Know?†is a playful melding of these sacred songs, acting as a reminder that Christmas is a time to be merry and joyful as we celebrate the nature, power, and love of God.
$74.99
Love For Laina
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Horatio Sp afford / Philip Bli
#
Jonathan L Nelson
#
Love For Laina
#
Jonathan Nelson
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1504087 Composed by Horatio Sp afford / Philip Bliss. Arranged by Jonathan L Nelson. Contest,Festival,Religious. 122 pa...
(+)
Concert Band - Level 3 - SKU: A0.1504087 Composed by Horatio Sp afford / Philip Bliss. Arranged by Jonathan L Nelson. Contest,Festival,Religious. 122 pages. Jonathan Nelson #1079545. Published by Jonathan Nelson (A0.1504087). A Message from her father, Leander (Andy) Bridges III would not have you to be ignorant brethren concerning them who are asleep as we do not sorrow as those who have no hope. It is with this paradoxical emotion that we present a commissioned work that is dear to our hearts.On May 20, 2022, our lives were changed forever as our daughter, Laina Michelle Bridges, passed away in a car accident. My wife and I as well as our extended family have chosen to not focus on the tragic passing of our daughter but on the exceptional eleven years that she graced us with her presence.It is as a result of her dynamic life that the title of this commissioned piece is so aptly appropriate. Love for my daughter has caused a transcendence beyond race, ethnicity, religious and political affiliation. And with the paradoxical emotion of sorrow filled joy, I humbly present a commissioned work by Dr. Jonathan Nelson in honor of the late Laina Michelle Bridges, Love for Laina.
$90.00
Love For Laina
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Horatio Sp afford / Philip Bli
#
Jonathan L Nelson
#
Love For Laina
#
Jonathan Nelson
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1379250 Composed by Horatio Sp afford / Philip Bliss. Arranged by Jonathan L Nelson. Contest,Festival,Spiritual. 122 pa...
(+)
Concert Band - Level 3 - SKU: A0.1379250 Composed by Horatio Sp afford / Philip Bliss. Arranged by Jonathan L Nelson. Contest,Festival,Spiritual. 122 pages. Jonathan Nelson #963930. Published by Jonathan Nelson (A0.1379250). A Message from her father, Leander (Andy) Bridges III would not have you to be ignorant brethren concerning them who are asleep as we do not sorrow as those who have no hope. It is with this paradoxical emotion that we present a commissioned work that is dear to our hearts.On May 20, 2022, our lives were changed forever as our daughter, Laina Michelle Bridges, passed away in a car accident. My wife and I as well as our extended family have chosen to not focus on the tragic passing of our daughter but on the exceptional eleven years that she graced us with her presence.It is as a result of her dynamic life that the title of this commissioned piece is so aptly appropriate. Love for my daughter has caused a transcendence beyond race, ethnicity, religious and political affiliation. And with the paradoxical emotion of sorrow filled joy, I humbly present a commissioned work by Dr. Jonathan Nelson in honor of the late Laina Michelle Bridges, Love for Laina.
$90.00
Medioevo By Jannes Jacobs
#
Orchestre d'harmonie
#
Contemporain
#
Jannes Jacobs
#
Medioevo By Jannes Jacobs
#
Jannes Jacobs
#
SheetMusicPlus
Concert Band - SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (...
(+)
Concert Band - SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.
$15.00
November
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Ernie E Biggs
#
November
#
Ernie E Biggs
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1349404 By Ernie E Biggs. By Ernie E Biggs. Contemporary,Contest,Festival,Instructional. 62 pages. Ernie E Biggs #93415...
(+)
Concert Band - Level 3 - SKU: A0.1349404 By Ernie E Biggs. By Ernie E Biggs. Contemporary,Contest,Festival,Instructional. 62 pages. Ernie E Biggs #934154. Published by Ernie E Biggs (A0.1349404). November is the beginning of the winter holiday season. IndianSummer where the weather is warm but is not permanent.Last of the fall colors. Perhaps the first snow. And as we close outNovember the most well-known happening, Thanksgiving, we closeout November and our music!“November†is a tone poem that explores musical textures andrhythms of the modern concert band. Entrances and articulationsas well as dynamics of each instrument is essential.FlutesOboeBassoonClarinet in B􀈌 1, 2, 3Bass Clarinet in B􀈌Alto Sax 1, 2Tenor SaxBaritone SaxTrunpet in B􀈌 1, 2, 3Horn in F 1, 2Trombone 1, 2, 3EuphoniumTubaTimpaniPercussion 1, 2CymbalsSnare drumBass drumHigh/Low WoodblocksHigh/Low Toms.
$65.00
The True Heroes
#
Orchestre d'harmonie
#
AVANCÉ
#
Contemporain
#
Classique
#
Keiron Anderson
#
The True Heroes
#
Songburd Music
#
SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1411069 Composed by Keiron Anderson. Classical,Contemporary. 124 pages. Songburd Music #993415. Published by Songburd M...
(+)
Concert Band - Level 5 - SKU: A0.1411069 Composed by Keiron Anderson. Classical,Contemporary. 124 pages. Songburd Music #993415. Published by Songburd Music (A0.1411069). Keiron Anderson brings us music for the moment, and perhaps no other moment yet in the 21st Century has revealed the vulnerable nature of humanity, and the interconnectedness of our world more than the COVID-19 pandemic, officially announced on March 11, 2020 by the World Health Organization.  The True Heroes is a piece that tells a part of the dramatic story of the struggles, heartaches and triumphs of the world’s medical professionals, and all who were a part of the health care industry to whom this piece is dedicated.  Using a dissonance in the chords, structured upon two perfect fifths a semi-tone apart, Anderson opens the story with suddenness and a pushed tempo that conveys an urgency and anxiety about the growing pandemic, and depicts how the health care workers are not people with super-powers, but rather individuals who are committed to self-sacrifice in using their skills to save the lives of others. The crisis is not over as we reach the middle of the piece where the tempo slows to a more thoughtful pace, allowing the health care worker (and the listener) a moment to rest, to reflect and to meditate, and to give enough time for the emotions to mend and energy to rebuild while the pandemic rages on around them.  Then the music once again resumes its original pace with growing fanfare for the health care worker and their resilience in the face of a momentous task, leading to a more dramatic and triumphal sound and force to conclude the piece.
$125.00
A Million Dreams
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Comédie Musicale
#
Pink
#
Musiscorz
#
A Million Dreams
#
Musiscorz
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1363534 By Pink. By Benj Pasek and Justin Paul. Arranged by Musiscorz. Broadway,Musical/Show,Pop. 133 pages. Musiscorz ...
(+)
Concert Band - Level 3 - SKU: A0.1363534 By Pink. By Benj Pasek and Justin Paul. Arranged by Musiscorz. Broadway,Musical/Show,Pop. 133 pages. Musiscorz #947941. Published by Musiscorz (A0.1363534). The classic song from The Greatest Showman arranged for Concert Band or ensemble that allows the opportunity to add strings and 3 Keyboards to a standard Concert Band setup. I have added some hand held percussion to the Vibraphone and Timpani which adds some depth. The Drum Kit part gives this song some a great groove and we are having fun rehearsing it at the moment. In addition, there are parts for Strings as we are preparing for a Tour which combines a Sinfonia and Junior concert band making a big sound. The keyboard parts have the chords written and notation for both approaches and I arranged a shortened version for our House Music Competition and it worked really well. The arrangement works without the 2nd or 3rd parts as the piano picks up the harmonies along with the strings. Sheet music parts include: A3 Sized Full Score Flute 1&2 Oboe 1&2 Clarinet 1,2&3 Bassoon Alto Sax 1&2 Tenor Saxophone Baritone Saxophone French Horn 1&2 Trumpet 1,2&3 Baritone in Bb 1 Baritone 2 (doubles Trombone 1) Trombone 1&2 Tuba Electric Organ Piano Keyboard Strings Violin 1&2 Viola Cello Bass Drums Vibraphone Timps Triangle Shaker Tambourine.
$50.00
JOURNEY OF THE MAGI ("We Three Kings") - young concert band, easy - score, parts & license to copy)
#
Orchestre d'harmonie
#
DÉBUTANT
#
Traditional
#
Brian Harris
#
Clarinets remain below break
#
JOURNEY OF THE MAGI
#
HMS Music
#
SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1431754 Composed by Traditional. Arranged by Brian Harris. Christmas,Holiday,Instructional,Sacred,Traditional. 34 pages...
(+)
Concert Band - Level 1 - SKU: A0.1431754 Composed by Traditional. Arranged by Brian Harris. Christmas,Holiday,Instructional,Sacred,Traditional. 34 pages. HMS Music #1012229. Published by HMS Music (A0.1431754). _______________________JOURNEY OF THE MAGI is a tasteful, restrained, and plaintive arrangement of We Three Kings in A-A-B form. Simple harmonization, limited ranges, and basic rhythms ensure success and enjoyment for both the musicians and the audience.The work creates a musical picture of a slow-moving camel caravan crossing a desert. This is a work you will continue to use for years to come. And with the license to copy all the parts you ever need, you can let the students keep their parts as souvenirs and just print new ones the next time!LEVEL: Appropriate for 2nd-/3rd-year players or advanced beginners. (BcP-YB) PROGRAMMING:Winter/Christmas concertModerately slow tempo provides nice contrast with faster works. FEATURES:Melody distributed through all wind parts.Simple but effective percussion parts.Programmatic nature of the work allows students to begin learning expressiveness. CHALLENGES:Dynamics (long crescendo and decrescendo challenges young players to support the tone and intonation)Legato playingBalanceSolos (Two solos, each consisting of 2 quarter-notes, are optionally doubled with other instruments)Multi-percussion playing KEY and RANGES: C minor and E-flat majorStandard 1st-year ranges: Flute to B-flat above staff; Clarinets remain below break; Trumpet to third-space C; Horn from 2nd-line G to low G; Trombone to B-flat on top of staff; Tuba to C below staff. Clarinet is divided into separate 1st and 2nd parts; all others (except percussion) are undivided. MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, Clarinet, Trumpet, Bass Line*, and 3 Percussion (easy rhythms) *At least one of the following: Bassoon, Bass Clarinet, Horn, Trombone, Baritone, or Tuba PERCUSSION: Utilizes three separate multi-percussion set-ups:Percussion 1 = Bells, Finger Cymbals, Tom-tomPercussion 2 = Tambourine, Suspended Cymbal 1, Bass DrumPercussion 3 = Triangle, Suspended Cymbal 2, Bass Drum (can share same bass drum with Perc. 2). These percussion parts are simple, using only quarter-, half-, and dotted-half notes (slow eighth-notes in the Tambourine), and provide the rhythmic ostinato upon which the work progresses. The parts can easily be divided to provide playing opportunities for up to 8 percussionists. Or use three sets of finger cymbals (sounds even better) and accommodate up to 10 players!- - - - - - - - - - - - - - - -COMPOSER/ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a public school and college band director for over 30 years. ___________________________Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________
$31.99
Formations for Wind Ensemble
#
Orchestre d'harmonie
#
AVANCÉ
#
Contemporain
#
Kyle Wernke
#
Formations for Wind Ensemble
#
Kyle Wernke Publishing
#
SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113...
(+)
Concert Band - Level 5 - SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113. Published by Kyle Wernke Publishing (A0.1023994). Formations, is a celebration of the cosmos; a celebration of the tiniest of particles to the largest galaxies and everything in between. Since I was a child I've looked up at the sky and seen a world full of wonder, beauty, and mystery. The same wonder that filled my heart when I was in elementary school still takes hold when I look up now, decades later. I chose the formation of things for a specific reason. When I was a kid I had a habit of asking my parents where everything came from. It wasn't enough that a star was there, I needed to know how it got there and if possible why it was there. As I grew up I developed an immense appetite for almost all things science and history and with that came some of the answers I needed. The reality of how these things came to be was so much more interesting and astounding than my imagination that all these years later I am still captivated by the idea of an exploding star or the Big Bang. So lets take a journey, you and I. First we'll see the death of an immense star and watch as its own gravity rips it apart and forms a black hole. We'll see it feed on matter and light around it until it too finally dies. Next we'll go back 13.7 billion years and watch as tiny particles dance in and out of existence in the endless nothingness that once was. We'll see one of these tiny bits expand in an instant and give rise to everything that ever has been or will be. Watch hydrogen form and gravity pull it into the first stars. Those stars will form galaxies and we'll see glimpses of the Universe as it exists now. Finally, we will travel to the end of time, a trillion years or more into the future. There we will witness the dissipation of the galaxies, the death of stars, and the final moments as even tiny electrons are pulled apart into the nothing from which we all came. Parts of this piece are violent, but we will see that at the end of time, the formation of nothing is just as beautiful as the formation of a star. Everything has its time and everything ends. Premiered by the Hartt Wind Ensemble - Glen Adsit, Conductor.
$150.00
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
(+)
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Variations on a Theme in D Flat
#
Orchestre d'harmonie
#
FACILE
#
Contemporain
#
Kendra Brown
#
Variations on a Theme in D Fla
#
Kendra Brown
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323)....
(+)
Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
Creature
#
Orchestre d'harmonie
#
AVANCÉ
#
Contemporain
#
George Willson
#
Creature
#
George Willson
#
SheetMusicPlus
Concert Band - Level 5 - SKU: A0.927173 Composed by George Willson. 20th Century,Contemporary. Score and parts. 98 pages. George Willson #4601563. Publi...
(+)
Concert Band - Level 5 - SKU: A0.927173 Composed by George Willson. 20th Century,Contemporary. Score and parts. 98 pages. George Willson #4601563. Published by George Willson (A0.927173). Creature began as a joke in high school between a friend of mine and me where we described the radical mood swings of our band directors as a creature coming forth from inside of them. Think about the alien from Alien 3 where it opened its mouth and its tongue was a little alien head with teeth of its own. I thought it would be fun to write a piece of music around this creature, so I wrote a short series of story beats and then some music around it. The full story is, unfortunately, lost to history, but the music survived the twenty-five years since its original composition, and in honor of my young self, I merely edited any typos and left it just as I wrote it when I was a seventeen-year-old high school senior. This was my first, solo-written, full band composition, and one can hear that I was a huge fan of Igor Stravinsky. This is not an easy piece to play. It has time changes aplenty, fast runs in the upper woodwinds, very exposed parts in nearly every section, large interval leaps, and spares hardly anyone's range. The eighth note remains constant across the 4 and 8 time signatures, and the breakdown of the complex time signatures is apparent in how the eighth notes are barred. As a conductor, it will be challenging as well, but I survived it on two occasions as both a senior in high school and in front of a military band, so it can be done. So enjoy the musical story of a creature who attacks people in its rage and hunger before it is chased and defeated by an angry mob ... but did it really die? George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$35.00
HELP!
#
Orchestre d'harmonie
#
DÉBUTANT
#
Jonathan L Nelson
#
HELP!
#
Jonathan Nelson
#
SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1504098 Composed by Jonathan L Nelson. Contemporary,Contest,Festival. 60 pages. Jonathan Nelson #1079553. Published by ...
(+)
Concert Band - Level 1 - SKU: A0.1504098 Composed by Jonathan L Nelson. Contemporary,Contest,Festival. 60 pages. Jonathan Nelson #1079553. Published by Jonathan Nelson (A0.1504098). When we have episodes of tremendous sadness and loss of interest in things that we’ve loved for a lifetime – sometimes it’s a silent cry for HELP!- When we have unexplained anger, anxiety, and irritability may not be “anger issues” - sometimes it may be a cry for HELP!- When we feel as if we don’t have the energy to make it through the day, and thinking, “I am worthless, nothing in my life is going to get better” - sometimes it may be a cry for HELP!- When we just want to be alone and we actually work hard to avoid people - sometimes this may be a cry for HELP!- When we are the most creative and productive - sometimes we may be crying out for HELP!
$65.00
HELP!
#
Orchestre d'harmonie
#
FACILE
#
Jonathan L Nelson
#
HELP!
#
Jonathan Nelson
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1379251 Composed by Jonathan L Nelson. Contest,Festival. 60 pages. Jonathan Nelson #963931. Published by Jonathan Nelso...
(+)
Concert Band - Level 2 - SKU: A0.1379251 Composed by Jonathan L Nelson. Contest,Festival. 60 pages. Jonathan Nelson #963931. Published by Jonathan Nelson (A0.1379251). - When we have episodes of tremendous sadness and loss of interest in things that we’ve loved for a lifetime – sometimes it’s a silent cry for HELP!- When we have unexplained anger, anxiety, and irritability may not be “anger issues†- sometimes it may be a cry for HELP!- When we feel as if we don’t have the energy to make it through the day, and thinking, “I am worthless, nothing in my life is going to get better†- sometimes it may be a cry for HELP!- When we just want to be alone and we actually work hard to avoid people - sometimes this may be a cry for HELP!- When we are the most creative and productive - sometimes we may be crying out for HELP!
$65.00
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
#
Orchestre d'harmonie
#
FACILE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
(+)
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
America's Favorite Christmas Carols - Wind Instruments
#
Orchestre d'harmonie
#
FACILE
#
Musique Sacrée
#
Various
#
Colin Kirkpatrick
#
America's Favorite Christmas C
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522188 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Christmas,Praise & Worship. Score and parts. 190 p...
(+)
Concert Band - Level 2 - SKU: A0.522188 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Christmas,Praise & Worship. Score and parts. 190 pages. Colin Kirkpatrick Publications #6403623. Published by Colin Kirkpatrick Publications (A0.522188). This essential collection may be all you ever need for your wind instruments at Christmas. It's a bargain price too! These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. The publication consists of a four-staff score in concert pitch together with fifteen separate parts in various transpositions plus a simplified optional keyboard part. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. These four-part arrangements use flexible instrumentation so that you can exercise considerable control over the instrumental voicing or use them for non-standard ensembles. You can also create interesting instrumental tone color by omitting groups of instruments. If the ensemble is large enough you could omit brass instruments in the quieter sections, or use a solo trumpet against a woodwind background. There are endless possibilities.The complete set includes: Part 1 in B flat, E flat and C; Part 2 in B flat, E flat and C; Part 3 in B flat, E flat, F and C and Part 4 in B flat, E flat and C. Parts 1 and 2 in C have been printed an octave higher than the pitch shown in the score because invariably the parts lie too low for flute or oboe. For elementary players, a Part 1 in C (low) is included at concert (score) pitch. Parts 3 and 4 in C are in the bass clef. The arrangements could be played by virtually any combination of conventional wind band instruments. Using the optional keyboard part they could also be used as solos, duets or trios. The scores and all the parts are contained in a single 190-page PDF file. Please note that these arrangements are not necessarily compatible with other Kirkpatrick arrangements published by Glyn Joseph Editions. The collection incuers the following favorite carols: Angels We Have Heard On High (Gloria); Lo, How a Rose E’er blooming (Es ist ein Ros entsprungen); O Come, O Come Emmanuel (Veni Emmanuel); The First Noel; Ding Dong! Merrily on High (Bransle de l’Officiel); O Come All Ye Faithful (Adeste Fidelis); Hark! The Herald Angels Sing (Mendelssohn); Go Tell It on the Mountain; O Little Town of Bethlehem (St. Louis); O Holy Night (Cantique de Noël); Silent Night (Stille Nacht); Away in a Manger (Mueller); Joy to the World (Antioch); O Christmas Tree (Tannenbaum); We Three Kings (Kings of Orient); I Heard the Bells on Christmas Day (Waltham); What Child is This? (Greensleeves); God Rest You Merry, Gentlemen; Good King Wenceslas (Tempus Adest Floridum) and We Wish You a Merry Christmas.
$19.99
Monody
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Christian F
#
Stephen Cai
#
Monody
#
Stephen Cai
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Vid...
(+)
Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
The Fog Meets the Storm for small wind band and percussion
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
James M Johnson
#
The Fog Meets the Storm for sm
#
Myles Music James Johnson
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Publis...
(+)
Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
<
1
26
51
....
101
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Not As We
