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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
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14
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1
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51
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3
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89
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64
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63
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24
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11
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10
Clarinette
8
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6
Saxophone Tenor et Piano
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2 Saxophones (duo)
5
Saxophone Alto et Piano
5
Quatuor de Saxophones: 4 saxophones
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Hautbois, Piano (duo)
4
Saxophone Alto
4
Saxophone Baryton, Piano
4
2 Flûtes traversières (duo)
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Saxophone Soprano et Piano
4
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4
Flûte traversière
4
Cor anglais, Piano
3
Clarinette Basse, Piano
3
2 Clarinettes (duo)
3
Saxophone Tenor
2
Saxophone (partie séparée)
2
Trio de Flûtes: 3 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois (partie séparée)
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2 Flûte à bec (duo)
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2 Hautbois (duo)
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Quatuor de Flûtes : 4 flûtes
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
64
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Ensemble de Trombones
24
Quatuor de Cuivres
14
Ensemble de Trompettes
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Trompette
7
Trombone et Piano
6
Ensemble de Cors
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Euphonium, Piano (duo)
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Cor anglais, Piano
3
2 Cors (duo)
3
Trombone
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2 Euphoniums (duo)
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Cor
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Quatuor de cuivres: 4 trombones
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2 Trompettes (duo)
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Tuba et Piano
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2 Trombones (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
26
Trio à Cordes: violon, alto, violoncelle
15
Ensemble d'Altos
14
Ensemble de Violons
13
Harpe
10
Violon
10
Violon, Violoncelle (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violon et Piano
7
2 Violons (duo)
5
Violoncelle
5
Alto, Piano
4
Violoncelle, Piano
3
4 Violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Alto seul
2
2 Violoncelles (duo)
1
Quatuor à cordes: 4 violons
1
Ensemble de Violoncelles
1
Contre Basse
1
Quatuor à cordes : 4 altos
1
Violon, Alto (duo)
1
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Ensemble Jazz
26
Orchestre à Cordes
14
Orchestre d'harmonie
12
Orchestre
5
Jazz combo
5
Ensemble de cuivres
2
Marimba
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Batterie
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Vibraphone
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Quintette de Cuivres: autres combinaisons
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Fanfare
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Now I'm Here
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1
What We Used To Know
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1153086 Composed by Javien Keenan…
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Concert Band - Level 4 - Digital Download SKU: A0.1153086 Composed by Javien Keenan. Classical. Score and parts. 28 pages. Javien Keenan #753331. Published by Javien Keenan (A0.1153086). I've Always had a soft spot for slow pieces. A brighter version of one of my other pieces The Corruption, This shows a brighter side of life and the fondness of life or the things we used to know. I'm tired of hearing people say slow pieces are easy because there slow or there boring because they don't have fast notes. With this piece I hope to change people opinion on slower pieces. What We Used To Know was inspired for my reason I love slow pieces and I hope everyone finds a reason to adore them like I have.
$25.99
23.57 €
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Orchestre d'harmonie
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Javien Keenan
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What We Used To Know
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Javien Keenan
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SheetMusicPlus
Feels Like I'm Going Home(Concerto No.2, 3rd movement)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.854877 Composed by Joseph Pugh. C…
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Concert Band - Level 3 - Digital Download SKU: A0.854877 Composed by Joseph Pugh. Christian,Pop. Score and parts. 6 pages. Joseph Pugh #5219157. Published by Joseph Pugh (A0.854877). Here' an arrangement for Chorus and Band. From the Woodwind Concerto No. 2, of the same name,3rd movement . A little tune we used to sing around the piano with my daughter and one of her friends. Little did I know it would someday turn out like this. Love the horns and Harp. Get all three for your woodwind quintet.1st movement Flow Gently. 2nd movement Opus#1 In C Minor. 3rd movement, Feels Like I'm Going Home (woodwinds)
$3.99
3.62 €
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Orchestre d'harmonie
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Joseph Pugh
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Feels Like I'm Going Home(Concerto No.2, 3rd movement)
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Joseph Pugh
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SheetMusicPlus
Abraham’s Daughter: March from the Civil War
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By…
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Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
17.23 €
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Orchestre d'harmonie
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Stephen R Dalrymple
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but no daughters
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Abraham’s Daughter: March from the Civil War
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Stephen R Dalrymple
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SheetMusicPlus
James Hewitt's The Star Spangled Banner
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.723171 Composed by Hewitt, James.…
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Concert Band - Level 3 - Digital Download SKU: A0.723171 Composed by Hewitt, James. Arranged by Jacklich, Joel. Holiday,Patriotic,Romantic Period. Score and parts. 26 pages. Joel Jacklich #6222869. Published by Joel Jacklich (A0.723171). In 1817, James Hewitt set Francis Scott Key's poem The Defence of Fort M'Henry (which we now better know as The Star Spangled Banner). Hewitt's original song gained some local popularity; however, throughout most of the country, people began singing the poet's words to a popular drinking song then known to many Americans, English composer John Stafford Smith's To Anacreon in Heaven (originally written for a popular gentleman's club of amateur musicians in London, the Anacreontic Society). Whereas John Stafford Smith's music was borrowed for the poem, Hewitt's music was especially composed for the poem. I was asked by Mitch Sturman, the band director of the Wilson Junior High School Warrior Band in El Centro, California, to arrange the original piano music for his band to play at his annual spring Concert of Premieres where he presented new works he had commissioned for his band from well-known band composers, and arrangements of neglected works he felt were worthy of performance. This was one of those neglected worthy pieces by an American composer for an American poem. It is orchestrated for flute, oboe, clarinets 1-3, bass clarinet, alto sax, tenor sax, baritone sax, bassoon, French horn, trumpets 1-2, baritone horn, trombone, tuba, timpani, snare drum, bass drum, cymbals, and glockenspiel. .
$19.95
18.09 €
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Orchestre d'harmonie
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Hewitt, James
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Jacklich, Joel
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James Hewitt's The Star Spangled Banner
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Joel Jacklich
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SheetMusicPlus
Never Enough
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1265062 By Boyce Avenue. By Benj …
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Concert Band - Level 4 - Digital Download SKU: A0.1265062 By Boyce Avenue. By Benj Pasek and Justin Paul. Arranged by Jason Howard. Broadway,Film/TV,Musical/Show,Pop. Score and Parts. 40 pages. Jason Howard #857689. Published by Jason Howard (A0.1265062). Thank you for you're interest in my arrangement one of The Greatest Showman's greatest hits! This arrangement of Never Enough is for concert band with an optional vocal soloist.The work starts out with the simple piano arpeggios that really hooked my ear on the original, before leading into an intimate blend of woodwind timbres and flowing percussive melodies for the first verse. Low Brass lead the work into the first chorus, where a Horn solo carries the emotion to the first full ensemble hit that pushes through until the end of the work where sudden silence and soft, warm extended chord punctuates the piece.This piece was written with advanced high school and higher level musicians in mind. Though the pieces isn't incredibly difficult overall, the range asked of some of the performers and the raw emotion that this work represents demands a level of training. The score will likely be better printed on Legal sized paper to help with readability, but the parts are all easily printable on standard 8.5x11 copy paper.Instrumentation:Flute 1 & 2*Oboe*Bb Clarinet 1 & 2Bb Clarinet 3*Bass ClarinetAlto Saxophone 1Alto Saxophone 2Tenor SaxophoneBaritone SaxophoneBb Trumpet 1 & 2Bb Trumpet 3Horn in F 1 & 3*Horn in F 2 & 4*Trombone 1Trombone 2Eupnonium*TubaOptional Solo VoicePianoGlockenspielChimesXylophoneMarimbaConcert Bass DrumSuspended Cymbal*Part includes a solo sectionI hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$49.99
45.33 €
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Orchestre d'harmonie
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Boyce Avenue
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Jason Howard
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Never Enough
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Jason Howard
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SheetMusicPlus
The Fog Meets the Storm for small wind band and percussion
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnso…
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Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
45.34 €
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Orchestre d'harmonie
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James M Johnson
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The Fog Meets the Storm for small wind band and percussion
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Myles Music James Johnson
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SheetMusicPlus
The Palatka Port March - Score Only
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stew…
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Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00
9.07 €
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Orchestre d'harmonie
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David M
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The Palatka Port March - Score Only
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DMStewart Music
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SheetMusicPlus
The Palatka Port March
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stew…
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Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!
$50.00
45.34 €
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Orchestre d'harmonie
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David M
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The Palatka Port March
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DMStewart Music
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SheetMusicPlus
Monody
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. …
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Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
54.39 €
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Orchestre d'harmonie
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Rhythms of the Spirit
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Co…
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Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).
$140.00
126.94 €
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Orchestre d'harmonie
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James M
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Rhythms of the Spirit
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Jim Stephenson Music, Inc.
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SheetMusicPlus
Infant Holy
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1254410 Composed by Becky McGlade…
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Concert Band - Level 2 - Digital Download SKU: A0.1254410 Composed by Becky McGlade, DP, and Edith M Reed. Arranged by John Ivor Holland. 21st Century,Christmas,Holiday,Religious,Sacred. Score and Parts. 38 pages. John Ivor Holland #847985. Published by John Ivor Holland (A0.1254410). Becky was born in 1974 and grew up in Cornwall. She studied music at Royal Holloway, University of London, and after graduating, returned to Cornwall where she now leads a busy musical life as a composer, cellist, and piano and cello teacher. Becky developed a love of singing at an early age and her interest in sacred choral music grew during her time as a member of the Royal Holloway Chapel Choir. She now composes mainly choral music and draws much of her inspiration from her Christian faith. In the composer's own words, 'it was an obvious choice of text for a carol composition. I attempted to write an uncomplicated melody highlighting the lowliness of the stable scene and thus the verses open with a gently lilting tune, with simple harmony, which intensifies chromatically as the piece progresses.' Arranged as a project to bring more work by women composers into the concert band repertoire, this would make a lovely new addition to your Christmas concert.
$49.99
45.33 €
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Orchestre d'harmonie
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Becky McGlade, DP, and Edith M Reed
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John Ivor Holland
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Infant Holy
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John Ivor Holland
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SheetMusicPlus
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