English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
588
Partitions
Numériques
9 180
Librairie
Musicale
10 960
Matériel
de Musique
4 958
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
8804
PIANO & CLAVIERS
Piano seul
3328
Piano, Voix
1620
Piano Facile
545
Piano, Voix et Guitare
478
Instruments en Do
352
Orgue
271
Accompagnement Piano
207
1 Piano, 4 mains
100
Piano Trio: piano, violon, violoncelle
87
2 Pianos, 4 mains
31
Piano Quatuor: piano, 2 violons, violoncelle
28
Orgue, Trompette (duo)
21
Piano (partie séparée)
19
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano grosses notes
15
Clavecin
11
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Clavier
9
Accordéon
5
Orgue, Piano (duo)
4
1 Piano, 6 mains
3
2 Pianos, 8 mains
3
Concertina
2
Orgue et Orchestre
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
254
Guitare notes et tablatures
164
Ligne De Mélodie, (Paroles) et Accords
67
Ukulele
38
2 Guitares (duo)
34
Piano, Guitare (duo)
28
Guitare (partie séparée)
25
4 Guitares (Quatuor)
24
Basse electrique
19
3 Guitares (trio)
18
Banjo
13
Mandoline
12
Guitare, Violon, Violoncelle (trio)
4
Dulcimer
4
Ensemble de guitares
2
Mandoline, Piano (duo)
1
Dobro
1
Mandoline, Guitare (duo)
1
2 Ukuleles
1
Orchestre à Plectres
1
Partitions De Groupes
1
Guitare, Orchestre
1
Paroles et Accords
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
1695
Chorale 3 parties
907
Chorale 2 parties
723
Chorale TTBB
266
Chorale Unison
241
Voix duo, Piano
194
Chorale SSAA
123
Chorale
115
Voix duo
102
Voix Soprano, Piano
71
Voix haute
51
Voix moyenne, Piano
23
Voix Tenor, Piano
23
Voix Alto, Piano
23
Voix Tenor
16
Voix seule
16
Voix basse, Piano
9
Voix basse
6
Voix Soprano
5
Chorale SSATTB
4
Chorale SSAATTBB
2
Chorale SSAB, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix, Guitare
1
Voix Soprano, Orchestre
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
847
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
628
Saxophone (partie séparée)
590
Flûte traversière et Piano
540
Quatuor de Saxophones: 4 saxophones
496
Clarinette (partie séparée)
449
2 Clarinettes (duo)
393
Hautbois, Piano (duo)
387
Clarinette et Piano
385
Flûte, Hautbois, Clarinette, Basson
383
2 Flûtes traversières (duo)
378
Saxophone Tenor et Piano
370
Saxophone Alto et Piano
353
Clarinette
332
Quatuor de Clarinettes: 4 clarinettes
330
Saxophone Soprano et Piano
303
Quintette de Saxophone: 5 saxophones
276
Flûte traversière
233
Saxophone, Clarinette (duo)
231
Quatuor de Flûtes : 4 flûtes
216
Clarinette, Violon (duo)
191
Flûte, Clarinette (duo)
189
2 Hautbois (duo)
182
Ensemble de saxophones
165
Ensemble de Clarinettes
163
Hautbois (partie séparée)
160
Clarinette, Trompette (duo)
147
3 Saxophones (trio)
138
3 Clarinettes (trio)
127
Flute (partie séparée)
115
Hautbois, Clarinette (duo)
102
Saxophone Alto
100
Hautbois, Basson (duo)
98
Quintette de Clarinettes: 5 clarinettes
96
Flûte, Saxophone (duo)
93
Flûte, Violon
93
Saxophone Baryton, Piano
92
Clarinette et Alto
91
Trio de Flûtes: 3 flûtes
90
2 Flûte à bec (duo)
87
Ensemble de Flûtes
84
Flûte, Alto (duo)
69
Flûte, Trompette (duo)
69
Hautbois, Flûte
63
Cor anglais, Piano
60
Flûte, Hautbois, Clarinette (trio)
58
Hautbois
57
Flûte, Violon et Violoncelle
57
Quintette de Flûte : 5 flûtes
52
Clarinette Basse, Piano
50
Quatuor de Flûtes à bec
45
Flûte, Clarinette et Basson
45
Flûte, Clarinette, Piano (trio)
40
Flûte, Hautbois, Basson
32
Hautbois, Clarinette, Basson (trio d'anches)
31
Flûte, trombone et piano
30
Clarinette, Basson (duo)
29
Saxophone Tenor
28
Flûte à bec Soprano
28
Cor Anglais
27
Flûte à Bec
26
Clarinette, Violoncelle, Piano (trio)
26
Flûte, Hautbois (duo)
24
Flûte et Guitare
24
Saxophone Soprano
22
5 Flûtes à bec
21
Flûte, Violoncelle, Piano (trio)
20
Flûte, Hautbois, Piano (trio)
19
3 Flûtes à bec (trio)
19
4 Hautbois
18
Saxophone Baryton
18
Flûte, Alto et Piano
18
2 Clarinettes, Piano
17
2 Saxophones, Piano
16
2 Flûtes traversières, Piano
15
Flûte, Violon, Piano
14
Flûte, Violon, Violoncelle et Piano
13
2 Cors Anglais Et Pianoforte
13
Clarinette Basse
13
Hautbois, violon (duo)
13
Clarinette, trompette et piano
13
Piccolo
13
Flûte, Basson et Piano
13
Clarinette, Trombone (duo)
12
Flûte, Violoncelle
12
Clarinette, Guitare (duo)
11
3 Hautbois
10
Saxophone et Orgue
9
Clarinette, Violoncelle (duo)
9
Piccolo, Piano
9
Flûte à bec Alto
9
2 Clarinettes, Basson
8
Flûte à bec Soprano, Piano
7
Clarinette, Basson, Piano (trio)
6
Flûte à bec Alto, Piano
6
Saxophone
6
Flute, harpe et violon
6
Ensemble De Flûte à bec
6
Flûte à bec Tenor
6
Hautbois, Guitare (duo)
5
Harmonica
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Flûte traversière, Orgue (duo)
4
Flûte, Violoncelle, Guitare
4
Flûte, Clarinette, Violon (trio)
4
Flûte, Harpe et Violoncelle
3
Flûte et Trio à cordes
3
Clarinette, Alto et Piano (trio)
3
Clarinette, Orchestre
3
Flûte, alto et harpe
2
Instruments en Mib
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Hautbois, Clarinette et Piano (Trio)
2
Clarinette, Harpe (duo)
2
Ensemble de Hautbois
2
Flûte, Violon, Guitare
2
Ensemble à vent
2
Flûte, Hautbois, Violon
1
Clarinette, Orgue
1
Hautbois, Violoncelle
1
Flûte à bec Soprano, Basse continue
1
Flute, Cor (duo)
1
3 Flûtes à bec, Piano
1
Flûte à Bec, Piano
1
Flûte à bec Alto, Basse continue
1
Flûte traversière, Orchestre
1
Flûte traversière, Basse continue
1
Saxophone et Guitare
1
Flûte irlandaise
1
Hautbois, Harpe
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violon, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois et Orchestre
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone (partie séparée)
462
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
428
Trombone et Piano
389
Quatuor de Cuivres : 2 trompettes, trombone, tuba
371
Trompette, Piano
341
Trompette (partie séparée)
319
Trompette
250
2 Trompettes (duo)
241
Cor et Piano
235
2 Trombones (duo)
234
Cor (partie séparée)
206
Quatuor de Cuivres: 2 trompettes, Cor, trombone
182
Trompette, Saxophone (duo)
176
Tuba (partie séparée)
151
Trompette, Trombone (duo)
142
Cor
135
2 Cors (duo)
113
Trombone
92
Tuba et Piano
88
Euphonium, Piano (duo)
77
Quatuor de cuivres: 4 trombones
76
Quatuor de Cuivres
76
Ensemble de Trompettes
64
Ensemble de Trombones
60
Cor anglais, Piano
60
Tuba
58
Trompette, Cor (duo)
50
Quatuor de cuivres: 4 cors
44
2 Tubas (duo)
37
2 Euphoniums (duo)
34
Cor Anglais
27
3 Trombones (trio)
23
Cornet A Pistons
21
Trombone, Tuba (duo)
18
Quatuor de cuivres: 4 trompettes
18
Ensemble de Cors
18
Trio de Cuivres
17
Euphonium
16
Quatuor de cuivres: 2 trompettes, 2 trombones
14
4 Tubas
14
2 Cors Anglais Et Pianoforte
13
2 Euphoniums et 2 Tubas
13
3 Trompettes (trio)
12
Tuba et Orgue
9
Tuba ou Euphonium ou Saxhorn
8
Trombone basse
8
Trombone, Orgue
6
Trombone basse et Piano
6
Euphonium, Tuba (duo)
6
2 Trompettes, Clavier (piano ou orgue)
5
Trombone, Cor (duo)
5
3 Cors (trio)
5
3 Tubas (trio)
4
Instruments en Sib
4
Trombone et orchestre
3
Cor et Orgue
3
Cor et Basson (duo)
3
2 Trombones, Piano
3
Cor, Tuba (duo)
3
Bass Clef Instruments
2
Trompette, Violoncelle et Piano
2
Cor, Violoncelle (duo)
2
Trompette, Tuba (duo)
2
Trompette, Trombone, Piano
2
Cor, Trompette, Trombone (trio)
1
Ensemble de Tubas
1
Cornet et orchestre
1
Clarinette, Cor (duo)
1
Trompette, Violoncelle (duo)
1
Trompette, Basson (duo)
1
Cor, Violoncelle et Piano
1
Trompette, Orchestre
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1075
Violon et Piano
648
Violon
406
Alto, Piano
403
Violoncelle, Piano
402
Violon, Violoncelle (duo)
302
2 Violoncelles (duo)
249
2 Violons (duo)
247
2 Altos (duo)
207
Violon (partie séparée)
199
Violon, Alto (duo)
192
Harpe
187
Trio à Cordes: violon, alto, violoncelle
180
Violoncelle (partie séparée)
164
Alto seul
154
Violoncelle
133
Contrebasse (partie séparée)
103
Contre Basse
80
4 Violoncelles
77
Alto (partie séparée)
68
Quintette à cordes: 2 violons, alto, violoncelle, basse
67
Contrebasse, Piano (duo)
63
Piano Trio: Violon, Alto, Piano
56
Quatuor à cordes: 4 violons
46
Trio à Cordes: 2 violons, violoncelle
46
Alto, Violoncelle (duo)
45
Quatuor à cordes : 4 altos
35
Trio à cordes: 3 violins
29
2 Contrebasses (duo)
28
Ensemble de Violons
28
Ensemble d'Altos
23
Trio à Cordes: 3 violoncelles
23
4 Contrebasses
20
Trio à cordes: 3 altos
19
Harpe, Flûte (duo)
16
Violoncelle, Contrebasse (duo)
14
Violon, Guitare (duo)
12
3 Contrebasses
9
Violon, Clarinette, Piano (trio)
9
Violoncelle , Guitare (duo)
8
Alto, Guitare (duo)
8
2 Harpes (duo)
8
Harpe, Violon (duo)
7
Harpe, Voix
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
2 Violons, Piano
5
Trio à Cordes: 2 violons, alto
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Alto et Basson
4
Violoncelle, Orgue
4
Ensemble de Violoncelles
4
Harpe, Violon, Violoncelle
3
Harpe, Violoncelle (duo)
3
Violon, Violoncelle, Clarinette
2
Alto et Harpe
2
Alto et orchestre
2
2 Violoncelles, Piano
1
Alto, Orgue
1
Violoncelle, Orchestre
1
Harpe (partie séparée)
1
Violoncelle, Basse continue
1
Harpe, Quatuor à cordes
1
Violon, Orgue
1
Harpe et Piano
1
Violon, Trompette et Piano
1
Trio à cordes
1
Violon, Basse continue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
9180
Orchestre à Cordes
1022
Percussion
960
Orchestre
904
Ensemble de cuivres
376
Orchestre de chambre
336
Percussion (partie séparée)
324
Cloches
238
Ensemble Jazz
212
Ensemble de Percussions
105
Timbales (partie séparée)
57
Jazz combo
55
Fanfare
39
Batterie
39
Marimba
16
Batterie (partie séparée)
16
Timbales
11
Vibraphone
10
Xylophone, Piano
8
Xylophone
5
Instrumentation Flexible
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Piano et Orchestre
3
Orchestre, Violon
3
2 Xylophones
2
Quintette de Cuivres: autres combinaisons
2
Vibraphone et Marimba
2
2 Marimbas
1
Marimba et Orgue
1
Caisse Claire
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
3
Théorie de la musique
1
Vous avez sélectionné:
Once For All
Orchestre d'harmonie
Partitions à imprimer
9 180 partitions trouvées
<
1
26
51
....
9176
The Home Coming March (1908) - Concert Band Score and Parts PDF
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
27.55 €
#
Orchestre d'harmonie
#
E
#
Brendan Elliget MAGA 537
#
The Home Coming March
#
BJE Music
#
SheetMusicPlus
Elegy Sentimentale for Concert Band
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contempor…
(+)
Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749). Here at last is my ’’Elegy sentimentale’’ for Concert Band, and an original composition.I hope it makes an excellent piece for amateur and professional bands alike; with some challenging and interesting woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
27.55 €
#
Orchestre d'harmonie
#
Keith Terrett
#
Elegy Sentimentale for Concert Band
#
Keith Terrett
#
SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.03 €
#
Orchestre d'harmonie
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.03 €
#
Orchestre d'harmonie
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.03 €
#
Orchestre d'harmonie
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
#
jmsgu3
#
SheetMusicPlus
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett.…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
27.54 €
#
Orchestre d'harmonie
#
Keith Terrett
#
Scipio
#
The Royal Hussar
#
Keith Terrett
#
SheetMusicPlus
Kalla
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.987813 Composed by Allan Gilliland. Contemp…
(+)
Concert Band - Digital Download SKU: A0.987813 Composed by Allan Gilliland. Contemporary,Jazz. Score and parts. 117 pages. Allan Nimmo Gilliland #42353. Published by Allan Nimmo Gilliland (A0.987813). The word Kalla is Norwegian for call, a theme that appears both in the inspiration for this piece and the structure of the work itself. Commissioned by the 2009 National Youth Band of Canada and funded through a grant from MacEwan University’s Centre for the Arts Research and Scholarly Activity Fund, the work was premiered May 13, 2009 by the National Youth Band of Canada under the direction of Dr. Shelley Jagow, featuring Dean McNeill as the soloist. For me Kalla is a crossover piece stylistically for the soloist. It draws upon both classical and jazz inspired techniques including traditional cadenzas with virtuosic runs and triple tonguing and contrasting sections featuring jazz plunger techniques, a unique sound not often heard in band music. The trumpet culture at turn of the century (late 19th century-early 20th century) in New Orleans was the inspiration for Kalla. Trumpet players would go down to the river and play a note to see how long it took the echo to come back. Soon, another trumpet would answer, higher and louder, and the game of one-upsmanship would begin. Trumpet calls and answers from across the city would sound. Kalla is based on this concept of call and response with the opening trumpet call coming physically from three different places in the concert hall. As the piece develops call and response continues between the soloist and ensemble.
$100.00
91.83 €
#
Orchestre d'harmonie
#
Allan Gilliland
#
Kalla
#
Allan Nimmo Gilliland
#
SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
(+)
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
45.9 €
#
Orchestre d'harmonie
#
A
#
Stephen Davies
#
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
#
Stephen Davies
#
SheetMusicPlus
Rhapsody for Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. …
(+)
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
18.37 €
#
Orchestre d'harmonie
#
July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
#
Brock Lupton
#
Rhapsody for Concert Band
#
Brock Lupton
#
SheetMusicPlus
Formations for Wind Ensemble
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1023994 Composed by Kyle Wernke. …
(+)
Concert Band - Level 5 - Digital Download SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113. Published by Kyle Wernke Publishing (A0.1023994). Formations, is a celebration of the cosmos; a celebration of the tiniest of particles to the largest galaxies and everything in between. Since I was a child I've looked up at the sky and seen a world full of wonder, beauty, and mystery. The same wonder that filled my heart when I was in elementary school still takes hold when I look up now, decades later. I chose the formation of things for a specific reason. When I was a kid I had a habit of asking my parents where everything came from. It wasn't enough that a star was there, I needed to know how it got there and if possible why it was there. As I grew up I developed an immense appetite for almost all things science and history and with that came some of the answers I needed. The reality of how these things came to be was so much more interesting and astounding than my imagination that all these years later I am still captivated by the idea of an exploding star or the Big Bang. So lets take a journey, you and I. First we'll see the death of an immense star and watch as its own gravity rips it apart and forms a black hole. We'll see it feed on matter and light around it until it too finally dies. Next we'll go back 13.7 billion years and watch as tiny particles dance in and out of existence in the endless nothingness that once was. We'll see one of these tiny bits expand in an instant and give rise to everything that ever has been or will be. Watch hydrogen form and gravity pull it into the first stars. Those stars will form galaxies and we'll see glimpses of the Universe as it exists now. Finally, we will travel to the end of time, a trillion years or more into the future. There we will witness the dissipation of the galaxies, the death of stars, and the final moments as even tiny electrons are pulled apart into the nothing from which we all came. Parts of this piece are violent, but we will see that at the end of time, the formation of nothing is just as beautiful as the formation of a star. Everything has its time and everything ends. Premiered by the Hartt Wind Ensemble - Glen Adsit, Conductor.
$150.00
137.74 €
#
Orchestre d'harmonie
#
Kyle Wernke
#
Formations for Wind Ensemble
#
Kyle Wernke Publishing
#
SheetMusicPlus
The Fog Meets the Storm for small wind band and percussion
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnso…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
45.91 €
#
Orchestre d'harmonie
#
James M Johnson
#
The Fog Meets the Storm for small wind band and percussion
#
Myles Music James Johnson
#
SheetMusicPlus
Symbology for Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.755270 Composed by Sy Brandon. 20…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Published by Sy Brandon (A0.755270). This composition is inspired by the symbology present in the suits of a deck of cards. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money’s sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A dissonant chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between forces. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again. The score prints on legal size paper and the parts on letter.
$39.99
36.72 €
#
Orchestre d'harmonie
#
Sy Brandon
#
Symbology for Concert Band
#
Sy Brandon
#
SheetMusicPlus
A Canadian Ballad: B-flat Bass Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014549_BC B-flat Bass Clarinet
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014549_BC B-flat Bass Clarinet. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014549_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014549_BC). UPC: 038081385655.The traditional Newfoundland lyric ballad, She's Like a Swallow, is presented for band with all the passion and emotion it deserves. This tragic tale has many interpretations, but in all its forms is certainly a story of love and loss. A Canadian Ballad provides young bands with an opportunity to play with great color and expression, bringing a moment of repose and lyricism to any concert performance. This title is available in SmartMusic. Correlates to Sound Innovations for Concert Band, Book 2, Level 2.Concert/Contest.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Robert Sheldon
#
A Canadian Ballad: B-flat Bass Clarinet
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Canadian Ballad: 1st B-flat Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014549_C1 1st B-flat Clarinet…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014549_C1 1st B-flat Clarinet. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014549_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014549_C1). UPC: 038081385655.The traditional Newfoundland lyric ballad, She's Like a Swallow, is presented for band with all the passion and emotion it deserves. This tragic tale has many interpretations, but in all its forms is certainly a story of love and loss. A Canadian Ballad provides young bands with an opportunity to play with great color and expression, bringing a moment of repose and lyricism to any concert performance. This title is available in SmartMusic. Correlates to Sound Innovations for Concert Band, Book 2, Level 2.Concert/Contest.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Robert Sheldon
#
A Canadian Ballad: 1st B-flat Clarinet
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Canadian Ballad: 1st B-flat Trumpet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014549_T1 1st B-flat Trumpet.…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014549_T1 1st B-flat Trumpet. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014549_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014549_T1). UPC: 038081385655.The traditional Newfoundland lyric ballad, She's Like a Swallow, is presented for band with all the passion and emotion it deserves. This tragic tale has many interpretations, but in all its forms is certainly a story of love and loss. A Canadian Ballad provides young bands with an opportunity to play with great color and expression, bringing a moment of repose and lyricism to any concert performance. This title is available in SmartMusic. Correlates to Sound Innovations for Concert Band, Book 2, Level 2.Concert/Contest.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Robert Sheldon
#
A Canadian Ballad: 1st B-flat Trumpet
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Canadian Ballad: Piano Accompaniment
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014549_K Piano Accompaniment.…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014549_K Piano Accompaniment. Arranged by Robert Sheldon. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014549_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014549_K). UPC: 038081385655.The traditional Newfoundland lyric ballad, She's Like a Swallow, is presented for band with all the passion and emotion it deserves. This tragic tale has many interpretations, but in all its forms is certainly a story of love and loss. A Canadian Ballad provides young bands with an opportunity to play with great color and expression, bringing a moment of repose and lyricism to any concert performance. This title is available in SmartMusic. Correlates to Sound Innovations for Concert Band, Book 2, Level 2.Concert/Contest.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Robert Sheldon
#
A Canadian Ballad: Piano Accompaniment
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Canadian Ballad: B-flat Tenor Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014549_TX1 B-flat Tenor Saxophone…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014549_TX1 B-flat Tenor Saxophone. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014549_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014549_TX1). UPC: 038081385655.The traditional Newfoundland lyric ballad, She's Like a Swallow, is presented for band with all the passion and emotion it deserves. This tragic tale has many interpretations, but in all its forms is certainly a story of love and loss. A Canadian Ballad provides young bands with an opportunity to play with great color and expression, bringing a moment of repose and lyricism to any concert performance. This title is available in SmartMusic. Correlates to Sound Innovations for Concert Band, Book 2, Level 2.Concert/Contest.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Robert Sheldon
#
A Canadian Ballad: B-flat Tenor Saxophone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Canadian Ballad: 1st Trombone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014549_TN1 1st Trombone. Arra…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014549_TN1 1st Trombone. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014549_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014549_TN1). UPC: 038081385655.The traditional Newfoundland lyric ballad, She's Like a Swallow, is presented for band with all the passion and emotion it deserves. This tragic tale has many interpretations, but in all its forms is certainly a story of love and loss. A Canadian Ballad provides young bands with an opportunity to play with great color and expression, bringing a moment of repose and lyricism to any concert performance. This title is available in SmartMusic. Correlates to Sound Innovations for Concert Band, Book 2, Level 2.Concert/Contest.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Robert Sheldon
#
A Canadian Ballad: 1st Trombone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Canadian Ballad: Flute
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014549_F1 Flute. Arranged by …
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014549_F1 Flute. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014549_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014549_F1). UPC: 038081385655.The traditional Newfoundland lyric ballad, She's Like a Swallow, is presented for band with all the passion and emotion it deserves. This tragic tale has many interpretations, but in all its forms is certainly a story of love and loss. A Canadian Ballad provides young bands with an opportunity to play with great color and expression, bringing a moment of repose and lyricism to any concert performance. This title is available in SmartMusic. Correlates to Sound Innovations for Concert Band, Book 2, Level 2.Concert/Contest.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Robert Sheldon
#
A Canadian Ballad: Flute
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Canadian Ballad: 2nd B-flat Trumpet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014549_T2 2nd B-flat Trumpet.…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014549_T2 2nd B-flat Trumpet. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014549_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014549_T2). UPC: 038081385655.The traditional Newfoundland lyric ballad, She's Like a Swallow, is presented for band with all the passion and emotion it deserves. This tragic tale has many interpretations, but in all its forms is certainly a story of love and loss. A Canadian Ballad provides young bands with an opportunity to play with great color and expression, bringing a moment of repose and lyricism to any concert performance. This title is available in SmartMusic. Correlates to Sound Innovations for Concert Band, Book 2, Level 2.Concert/Contest.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Robert Sheldon
#
A Canadian Ballad: 2nd B-flat Trumpet
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Canadian Ballad: 2nd E-flat Alto Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014549_AX2 2nd E-flat Alto Saxoph…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014549_AX2 2nd E-flat Alto Saxophone. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014549_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014549_AX2). UPC: 038081385655.The traditional Newfoundland lyric ballad, She's Like a Swallow, is presented for band with all the passion and emotion it deserves. This tragic tale has many interpretations, but in all its forms is certainly a story of love and loss. A Canadian Ballad provides young bands with an opportunity to play with great color and expression, bringing a moment of repose and lyricism to any concert performance. This title is available in SmartMusic. Correlates to Sound Innovations for Concert Band, Book 2, Level 2.Concert/Contest.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Robert Sheldon
#
A Canadian Ballad: 2nd E-flat Alto Saxophone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Canadian Ballad: 1st F Horn
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014549_H1 1st F Horn. Arrange…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014549_H1 1st F Horn. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014549_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014549_H1). UPC: 038081385655.The traditional Newfoundland lyric ballad, She's Like a Swallow, is presented for band with all the passion and emotion it deserves. This tragic tale has many interpretations, but in all its forms is certainly a story of love and loss. A Canadian Ballad provides young bands with an opportunity to play with great color and expression, bringing a moment of repose and lyricism to any concert performance. This title is available in SmartMusic. Correlates to Sound Innovations for Concert Band, Book 2, Level 2.Concert/Contest.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Robert Sheldon
#
A Canadian Ballad: 1st F Horn
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Canadian Ballad: Bells
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014549_B Bells. Arranged by R…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014549_B Bells. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014549_B. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014549_B). UPC: 038081385655.The traditional Newfoundland lyric ballad, She's Like a Swallow, is presented for band with all the passion and emotion it deserves. This tragic tale has many interpretations, but in all its forms is certainly a story of love and loss. A Canadian Ballad provides young bands with an opportunity to play with great color and expression, bringing a moment of repose and lyricism to any concert performance. This title is available in SmartMusic. Correlates to Sound Innovations for Concert Band, Book 2, Level 2.Concert/Contest.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Robert Sheldon
#
A Canadian Ballad: Bells
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Canadian Ballad: E-flat Baritone Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0014549_BTX E-flat Baritone Saxoph…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014549_BTX E-flat Baritone Saxophone. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014549_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014549_BTX). UPC: 038081385655.The traditional Newfoundland lyric ballad, She's Like a Swallow, is presented for band with all the passion and emotion it deserves. This tragic tale has many interpretations, but in all its forms is certainly a story of love and loss. A Canadian Ballad provides young bands with an opportunity to play with great color and expression, bringing a moment of repose and lyricism to any concert performance. This title is available in SmartMusic. Correlates to Sound Innovations for Concert Band, Book 2, Level 2.Concert/Contest.
$3.00
2.75 €
#
Orchestre d'harmonie
#
Robert Sheldon
#
A Canadian Ballad: E-flat Baritone Saxophone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
<
1
26
51
....
9176
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
