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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Out Here on My Own
Sheetmusicplus
Non classifié
654
Piano & claviers
Piano seul
495
Piano, Voix et Guitare
440
Piano grosses notes
213
Piano, Voix
208
Piano Facile
116
Orgue
91
Instruments en Do
24
Piano Trio: piano, violon, violoncelle
14
Accompagnement Piano
12
1 Piano, 4 mains
11
2 Pianos, 4 mains
10
Clavier
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Basse electrique
307
Guitare
43
Guitare notes et tablatures
36
4 Guitares (Quatuor)
10
Ligne De Mélodie, (Paroles) et Accords
6
2 Guitares (duo)
6
Mandoline
4
Dulcimer
3
Paroles et Accords
2
Piano, Guitare (duo)
2
Ukulele
2
Ensemble de guitares
2
Banjo
1
3 Guitares (trio)
1
+ 9 instrumentations
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Voix
Chorale SATB
146
Chorale 3 parties
41
Chorale TTBB
25
Chorale 2 parties
24
Voix Soprano, Piano
21
Chorale SSAA
21
Voix Tenor, Piano
19
Voix Baryton, Piano
18
Voix Alto, Piano
18
Voix duo, Piano
9
Pack Instrumental pour Chorale
7
Chorale Unison
7
Voix haute
4
Voix duo
4
Voix seule
2
Chorale
2
Chorale SSATTB
1
Voix Soprano
1
+ 13 instrumentations
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Vents
2 Saxophones (duo)
97
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Quintette de Saxophone: 5 saxophones
51
Quatuor de Saxophones: 4 saxophones
51
2 Flûtes traversières (duo)
44
Clarinette et Piano
39
Flûte, Hautbois, Clarinette, Basson
35
Flûte traversière et Piano
32
2 Clarinettes (duo)
29
Clarinette
28
Flûte traversière
28
Hautbois, Piano (duo)
25
Saxophone Alto et Piano
24
Saxophone, Clarinette (duo)
21
Quatuor de Clarinettes: 4 clarinettes
18
Hautbois (partie séparée)
17
3 Clarinettes (trio)
15
Clarinette, Violon (duo)
14
Saxophone Tenor et Piano
14
Saxophone Alto
13
Clarinette, Trompette (duo)
13
Saxophone Tenor
11
Ensemble de Clarinettes
11
Saxophone Soprano et Piano
11
Ensemble de Flûtes
11
2 Hautbois (duo)
10
Saxophone Baryton, Piano
9
2 Flûte à bec (duo)
8
Quatuor de Flûtes : 4 flûtes
8
Flûte, Clarinette (duo)
8
Flûte, Violon
7
Hautbois, Clarinette (duo)
7
Flûte et Guitare
7
Clarinette et Alto
7
Flûte irlandaise
6
Clarinette, Guitare (duo)
6
Saxophone (partie séparée)
6
Cor anglais, Piano
5
Hautbois, Guitare (duo)
5
Clarinette Basse, Piano
5
Flûte, Trompette (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte, Saxophone (duo)
5
Flûte, Alto (duo)
5
Hautbois
4
Saxophone Soprano
4
Hautbois, Flûte
4
Hautbois, Basson (duo)
4
Saxophone Baryton
3
Ensemble de saxophones
3
Flute (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Saxophone
3
Cor anglais, Guitare (duo)
3
Flûte, Harpe et Violoncelle
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
3 Saxophones (trio)
2
Cor Anglais
2
Clarinette Basse
2
Flûte, Hautbois (duo)
1
Flûte, Violon et Violoncelle
1
Flûte à bec Soprano, Piano
1
Flûte à bec Soprano
1
2 Saxophones, Piano
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violon, Piano
1
Clarinette, Trombone (duo)
1
Saxophone et Orgue
1
Harmonica
1
+ 67 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trompette
23
Trompette, Piano
21
Trompette, Saxophone (duo)
17
Trombone et Piano
15
Trombone
15
2 Trompettes (duo)
14
Cor et Piano
13
Quatuor de cuivres: 4 trombones
13
Cor
12
2 Trombones (duo)
11
Trompette, Trombone (duo)
11
Tuba et Piano
11
Tuba
10
Ensemble de Trombones
8
Cor anglais, Piano
5
Trompette (partie séparée)
4
Quatuor de Cuivres
4
Cor anglais, Guitare (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de cuivres: 4 cors
3
2 Tubas (duo)
2
Cor Anglais
2
Ensemble de Trompettes
2
2 Cors (duo)
2
Tuba et Orgue
2
3 Trombones (trio)
2
Bass Clef Instruments
1
Euphonium, Piano (duo)
1
Trombone basse et Piano
1
2 Cors Anglais Et Pianoforte
1
Trio de Cuivres
1
Ensemble de Tubas
1
4 Tubas
1
2 Euphoniums (duo)
1
+ 31 instrumentations
Retracter
Cordes
Harpe
249
Quatuor à cordes: 2 violons, alto, violoncelle
145
Violon et Piano
57
Violon
55
Violoncelle
31
Violoncelle, Piano
29
2 Violons (duo)
28
Violon, Violoncelle (duo)
24
Alto, Piano
21
Alto seul
16
2 Violoncelles (duo)
13
Violon, Alto (duo)
12
2 Altos (duo)
11
Trio à Cordes: violon, alto, violoncelle
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Contre Basse
9
Contrebasse, Piano (duo)
9
Harpe, Flûte (duo)
8
Alto (partie séparée)
6
Violoncelle , Guitare (duo)
4
Ensemble de Violons
4
Ensemble d'Altos
4
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Voix
3
Violon (partie séparée)
2
2 Violons, Piano
2
4 Violoncelles
2
Trio à cordes: 3 violins
2
Alto, Guitare (duo)
1
Contrebasse (partie séparée)
1
Violoncelle, Orchestre
1
Violoncelle, Contrebasse (duo)
1
Violon, Guitare (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Violoncelle, Orgue
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
65
Ensemble Jazz
57
Orchestre
40
Orchestre à Cordes
32
Orchestre de chambre
24
Ensemble de cuivres
18
Jazz combo
12
Ensemble de Percussions
7
Xylophone, Piano
4
Cloches
4
Batterie
3
Fanfare
2
Piano et Orchestre
1
Ensemble d'École
1
Vibraphone
1
+ 10 instrumentations
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COR ANGLAIS
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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HARPE
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LUTH, THEOR…
MANDOLINE
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PAS DE PART…
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PERCUSSION
PIANO
SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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JAZZ
JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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65 partitions trouvées
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51
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
Somewhere In My Heart
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Orchestre d'harmonie
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FACILE
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Aztec Camera
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John Ivor Holland
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Somewhere In My Heart
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1393874 By Aztec Camera. By Roddy Frame. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop,Rock,Singer/Songwriter...
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Concert Band - Level 2 - SKU: A0.1393874 By Aztec Camera. By Roddy Frame. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop,Rock,Singer/Songwriter. 44 pages. John Ivor Holland #977342. Published by John Ivor Holland (A0.1393874). Somewhere in My Heart is a song by Scottish band Aztec Camera. It was released as the third single from their third studio album, Love (1987). Released as a single in 1988, the track peaked at number three on the UK Singles Chart and became a top-40 hit in Australia and Ireland. Songwriter Roddy Frame said in 2014 that the song has been great for him, but at the time of creating the album, the song was not in keeping with the other songs. Around this time, Frame had become somewhat of a recluse, living in a remote wooden shack in Hollywood, Marple Bridge, in the hills above Manchester, going through periods of good and bad mental health, while continuing to write music, including the lyric from Westwood to Hollywood in the song. The distinctive saxophone sound is retained and towards the end is an opportunity for your star alto and tenor to solo or battle, to close out the song in the way that it is often performed live by Aztec Camera. The song is featured prominently in the 2019 film '47 Meters Down: Uncaged' and the 2020 Netflix series 'I Am Not Okay with This'.
$49.99
Fantasy on a March
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Gary Friedman
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Fantasy on a March
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Gary Friedman
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.889876 Composed by Gary Friedman. Contemporary. Score and parts. 42 pages. Gary Friedman #11447. Published by Gary Frie...
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Concert Band - Level 4 - SKU: A0.889876 Composed by Gary Friedman. Contemporary. Score and parts. 42 pages. Gary Friedman #11447. Published by Gary Friedman (A0.889876). With frequent changes between major and minor, the stirring march themes reappear as romantic melodies. Of special interest are the trumpet and piano solos, and a section for oboe, clarinet, horn, bassoon and piano, in homage to Mozart and Beethoven, who wrote beautiful quintets for this combination of instruments. Not all parts are necessary. They were included so as not to leave out members of a band I was playing in. For example, the alto clarinet part duplicates the third B flat clarinet part. There are tenor sax cues in the alto sax part for the solo in measures 46 and 47 in case a tenor sax is not available. A PIANO IS REQUIRED. I don't have a good band sound clip but you can listen to the piece arranged for wind quintet and piano. It is the 1st movement of my Sextet for Winds and Piano. This audio is attached to that piece here or on my music website, www.garyfriedmanmusic.net. Duration 5 minutes. Year 2000.
$40.00
Nearer My God To Thee (Titanic) for Young Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Musique Sacrée
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Keith Terrett
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Keith Terrett
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Nearer My God To Thee
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett....
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Concert Band - Level 3 - SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Multicultural,Praise & Worship,Sacred,Traditional,World. 20 pages. Keith Terrett #615015. Published by Keith Terrett (A0.1009356). Nearer, My God, to Thee arranged for Young Concert Band, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
Always On My Mind
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Orchestre d'harmonie
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FACILE
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The Pet Shop Boys
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John Ivor Holland
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Always On My Mind
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1410260 By The Pet Shop Boys. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by John Ivor Holland. 20t...
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Concert Band - Level 2 - SKU: A0.1410260 By The Pet Shop Boys. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by John Ivor Holland. 20th Century,Country,Disco,Film/TV,Pop. 49 pages. John Ivor Holland #992678. Published by John Ivor Holland (A0.1410260). Always on My Mind was originally conceived as a ballad written by Wayne Carson, Johnny Christopher, and Mark James and first recorded by country artist Brenda Lee in 1972. The song has been a crossover hit, charting in both country and pop categories. Elvis Presley's recording was the first commercially successful version of the song, followed by a 1987 hi-NRG/synth-pop interpretation from Pet Shop Boys (which reached UK number one and made US Top Ten). This version by PSB came about in 1987 as part of an anniversary show called 'Love Me Tender', to mark 10 years since the death of Elvis Presley (who had also charted well with the song) - in November 2004, The Daily Telegraph placed the version at number two in a list of the 50 best cover versions of all time and ten years later, a public poll compiled by the BBC saw the song voted the all-time best cover version. The PSB cover has recenbtly been used in the acclaimed British film 'All Of Us Strangers', launching it back into popularity again - this arrangement features, towards the end, an ad lib repeated section where your lead alto sax can really bring down the house!
$49.99
Variations on a Theme in D Flat
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Orchestre d'harmonie
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FACILE
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Contemporain
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Kendra Brown
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Variations on a Theme in D Fla
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Kendra Brown
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323)....
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Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
Got To Get You Into My Life
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Orchestre d'harmonie
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AVANCÉ
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Soul/R&B
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Earth Wind and Fire
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Michael Pilley
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Got To Get You Into My Life
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Michael Pilley Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1077464 By Earth Wind and Fire. By John Lennon and Paul McCartney. Arranged by Michael Pilley. Hip-Hop,Pop,R & B. Score...
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Concert Band - Level 5 - SKU: A0.1077464 By Earth Wind and Fire. By John Lennon and Paul McCartney. Arranged by Michael Pilley. Hip-Hop,Pop,R & B. Score and parts. 112 pages. Michael Pilley Music #681655. Published by Michael Pilley Music (A0.1077464). From one of the greatest writing duos to ever exist, coupled with one of the greatest RnB bands ever, Got To Get You Into My Life is a toe-tapping tune with catchy melodies and a energetic shuffle feel. For full Wind Band including many of the optional instruments that are often left out (Cor Anglais, Eb Clarinet and Soprano Saxophone), this arrangement features each section of the band on the tune, and really captures the original EWF groove. Jazz articulations and an ability to play the nuances in the tune are important here, so really dig into your bands groovy side to bring out the funk. Pay careful attention to note lengths, especially in the bass line and let your drummer drive the rhythms. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
Endless Routes
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Joseph Hasper
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Endless Routes
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Joseph Hasper
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1153134 Composed by Joseph Hasper. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score and parts....
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Concert Band - Level 3 - SKU: A0.1153134 Composed by Joseph Hasper. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 93 pages. Joseph Hasper #753375. Published by Joseph Hasper (A0.1153134). There are five main sections in this piece, each lasting exactly 21 measures. Why this unlikely number? I chose this number because the percussion parts, which are the driving force behind the piece, are based repeating patterns of 6, 7, and 8 eighth notes. It works out that these patterns only line up every 168 half-beats—which happens only at the end of 21 measures! The title for this piece was provided by Armstrong High School student Aaron Baker and was used as inspiration for the work. The phrase “endless routes†guided my decision to have several main themes instead of just one or two. The themes are widely different in character but share the feature that they each go to the same place—the very last half of the last beat of every twenty-first measure. The Minimalist style of music often features short musical fragments that are repeated many times in different combinations, and I used that technique to create a seemingly “endless†effect in the percussion parts. The percussion parts also use a colotomic structure, a technique often used in gamelan music of the far East. Unlike Western music, which generally has a strong accent on the first beat of a phrase, colotomic music accents the last beat of a phrase. You can hear this in Endless Routes when the percussion parts all become aligned and hit a simultaneous accent at the end of each section. This piece was commissioned and premiered by the Armstrong High School, under the direction of Jason Venesky. Mr. Venesky is a veteran teacher with over twenty years of experience in the Armstrong School District. He is a graduate of Carnegie Mellon University with a Bachelor of Fine Arts in Music Performance (Tuba) and Music Education Certification and an active performer as Principal Tuba for the Butler County Symphony Orchestra; tubaist for the Armstrong Brass Quintet and Windsor Brass Quintet; and Bass Trombonist for the Gibbons Big Band. Mr. Venesky is currently Instructor of Tuba at Grove City College and Music Director for the Kittanning Community Band. Includes a full score and complete set of parts.
$40.00
Among My Souvenirs (Humoresque) - #2 Brass & Percussion Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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way of an old Sousa concert pr
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John Philip Sousa
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Kevin R
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Among My Souvenirs
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Freedom Band Press
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.987645 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 61 pages. Freedom Band P...
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Concert Band - Level 4 - SKU: A0.987645 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 61 pages. Freedom Band Press #45615. Published by Freedom Band Press (A0.987645). John Philip Sousa shall forever be regarded as the March King. However, his body and scope of work extend well beyond the marches which made him so famous. In a rough accounting of Sousa’s body of work, marches make up only the second most numerous of his efforts – some 135 march compositions versus over 320 arrangements and transcriptions for Band. Outside of his marches, most of the Sousa catalog, including his humoresques, remains unpublished and largely unheard today. By way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs. In it, the Nichols song Among My Souvenirs is lengthened into a sketch. Among his souvenirs is a photograph, letters and a broken heart. As he meditates, he goes back to a time before he was broken-hearted and remembers when he and his beloved were softly singing Twinkling Stars are Laughing, Love. Next, his mind reverts to the time when he was Seeing Her Home, recalling the songs of years gone by at Aunt Dinah’s Quilting Party – he was Seeing Nellie Home. After this, he travels to the Far East, and visions of The Road to Mandalay come to him. From there, he meditates on the Sweet Mysteries of Life and, finally, arrives at the closing picture in which he is once more Among my Souvenirs.
$35.00
Among My Souvenirs (Humoresque) - #1 Woodwind Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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way of an old Sousa concert pr
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John Philip Sousa
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Kevin R
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Among My Souvenirs
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Freedom Band Press
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.987644 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 66 pages. Freedom Band P...
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Concert Band - Level 4 - SKU: A0.987644 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 66 pages. Freedom Band Press #45613. Published by Freedom Band Press (A0.987644). John Philip Sousa shall forever be regarded as the March King. However, his body and scope of work extend well beyond the marches which made him so famous. In a rough accounting of Sousa’s body of work, marches make up only the second most numerous of his efforts – some 135 march compositions versus over 320 arrangements and transcriptions for Band. Outside of his marches, most of the Sousa catalog, including his humoresques, remains unpublished and largely unheard today. By way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs. In it, the Nichols song Among My Souvenirs is lengthened into a sketch. Among his souvenirs is a photograph, letters and a broken heart. As he meditates, he goes back to a time before he was broken-hearted and remembers when he and his beloved were softly singing Twinkling Stars are Laughing, Love. Next, his mind reverts to the time when he was Seeing Her Home, recalling the songs of years gone by at Aunt Dinah’s Quilting Party – he was Seeing Nellie Home. After this, he travels to the Far East, and visions of The Road to Mandalay come to him. From there, he meditates on the Sweet Mysteries of Life and, finally, arrives at the closing picture in which he is once more Among my Souvenirs.
$35.00
Be Thou My Vision - Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional Irish Melody: Slan
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Brendan Elliget MAGA 537
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Be Thou My Vision - Concert Ba
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750755 Composed by Traditional Irish Melody: Slane. Arranged by Brendan Elliget MAGA 537. Christian,Praise & Worship,Sa...
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Concert Band - Level 3 - SKU: A0.750755 Composed by Traditional Irish Melody: Slane. Arranged by Brendan Elliget MAGA 537. Christian,Praise & Worship,Sacred. Score and parts. 45 pages. BJE Music #3543433. Published by BJE Music (A0.750755). Be Thou my Vision, O Lord of my heart; Naught be all else to me, save that Thou art. Thou my best Thought, by day or by night, Waking or sleeping, Thy presence my lightBe Thou My Vision is a traditional Christian hymn, which can be traced to Ireland but is now sung in English-speaking churches around the world and is often sung around St. Patrick’s Day. The music is the Irish folk song, Slane referring to Slane Hill. Slane Hill is about ten miles from Tara in County Meath. It was on Slane Hill around 433 AD that St. Patrick defied a royal edict by lighting candles on Easter Eve. High King Logaire of Tara had decreed that no one could light a fire before Logaire began the pagan spring festival by lighting a fire on Tara Hill. Logaire was so impressed by Patrick’s devotion that, despite his defiance (or perhaps because of it), he let him continue his missionary work. The rest is history.This arrangement is for a concert band with optional String parts if would like an orchestral arrangement! There is also a full orchestral arrangement.The MP3 was recorded with NotePerformer 3 [Updated August 2021]Grade = 3 Duration = 2:20 mins.
$20.00
Estonia National Anthem: Mu Isamaa (My Fatherland)
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Orchestre d'harmonie
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FACILE
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Patriotique
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Fredrik Pacius
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Colin Kirkpatrick
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Estonia National Anthem: Mu Is
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - SKU: A0.522128 Composed by Fredrik Pacius (1809 - 1891). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 35 pag...
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Large Ensemble - Level 2 - SKU: A0.522128 Composed by Fredrik Pacius (1809 - 1891). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 35 pages. Colin Kirkpatrick Publications #3382783. Published by Colin Kirkpatrick Publications (A0.522128). Colin Kirkpatrick’s National Anthems Express ESTONIA: Mu Isamaa This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a two-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$4.99
Abraham’s Daughter: March from the Civil War
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen R Dalrymple
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but no daughters
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Abraham’s Daughter: Marc
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and...
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Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
Ninja Sun Flexi Arrangement
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Orchestre d'harmonie
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FACILE
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Alexander Bosru Karlsen
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Ninja Sun Flexi Arrangement
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Alexander Bosrup Karlsen
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.974014 Composed by Alexander Bosru Karlsen. Dance,Pop. Score and parts. 24 pages. Alexander Bosrup Karlsen #6021907. Pu...
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Concert Band - Level 2 - SKU: A0.974014 Composed by Alexander Bosru Karlsen. Dance,Pop. Score and parts. 24 pages. Alexander Bosrup Karlsen #6021907. Published by Alexander Bosrup Karlsen (A0.974014). My own composition, Ninja Sun. It's a four part+drums arrangement. All parts are in C, Bb, Eb and Bass Clef. The song is inspired by modern instrumental pop music, like Lucky Chops, Youngblood Brass Band+++Check out my other arrangements, backing tracks etc, and don’t hesitate to contact me on email: alexander.bosrup@gmail.comFeel free to contact me on alexander.bosrup@gmail.com if you got any questions.Check out my other arrangements here:https://www.sheetmusicplus.com/publishers/alexander-bosrup-karlsen-sheet-music/3016025?ac=1Backingtracks: https://www.youtube.com/channel/UCW_SF7NifB-ms_TTNhfRxuQ?disable_polymer=trueInstagram: @bosrup, @bossesbongoband
$15.00
The Raft of the Medusa
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Orchestre d'harmonie
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Concert band - SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CB...
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Concert band - SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CBW205-S). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$12.00
The Raft of the Medusa
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Orchestre d'harmonie
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Concert band - SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital ...
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Concert band - SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital (IZ.CBW205). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$60.00
Red - From Primary Colors Suite
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Orchestre d'harmonie
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AVANCÉ
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Drew Morris
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Red - From Primary Colors Suit
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Yellow Envelope Publications
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1272833 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 73 pages. Yello...
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Concert Band - Level 5 - SKU: A0.1272833 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 73 pages. Yellow Envelope Publications #865031. Published by Yellow Envelope Publications (A0.1272833). Red is the third movement of my first suite for concert band, “Primary Colorsâ€. But it also stands as a piece on its own.This piece uses angular rhythms, disjunct melody lines, and big chords to convey what the color red means to me. There are moments of intricate and independent percussion lines that swell into the full band acting as percussion with short, crisp notes on their instruments as well as moments of dark wind chords. And it wouldn’t be a piece about the color red without a little homage to a  heartbeat.If you like this piece, check out the full suite, “Primary Colorsâ€.InstrumentationPiccolo, 2 Flute, Oboe, Bassoon, 3 Clarinet, Bass Clarinet,2 Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 4 Trumpet, 4 French Horn, 2 Trombone, Bass Trombone,Euphonium, Treble Clef Euphonium, Tuba8 Percussionists - Timpani, Snare Drum, Concert Toms (4), Bass Drum, Tam-tam,Suspended Cymbal, Splash Cymbal, China Cymbal, Hi-hat, Crash Cymbals,Glockenspiel, Chimes, Xylophone, Vibraphone, Marimba
$85.00
CONCERTO FOR HORN - S. R. Mercadante - solo horn part only (full band accomp. available separately)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Saverio Raffaele Mercadante
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Brian Harris
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CONCERTO FOR HORN - S. R. Merc
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Bandroom.com Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.859735 Composed by Saverio Raffaele Mercadante (1795? - 1870). Arranged by Brian Harris. 19th Century,Classical,Romanti...
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Concert Band - Level 3 - SKU: A0.859735 Composed by Saverio Raffaele Mercadante (1795? - 1870). Arranged by Brian Harris. 19th Century,Classical,Romantic Period,Standards. 4 pages. Bandroom.com Publications #553447. Published by Bandroom.com Publications (A0.859735). Written around 1820 by Italian composer Saverio Raffaele Mercadante, this engraving of his CONCERTO FOR HORN is in the original key and has been meticulously edited. Consisting of two sections, the beautiful, plaintive opening slow section (Larghetto alla Siciliano) is about 2.5 minutes in length and works well as a stand-alone feature to showcase the sonority of the horn. It would be perfect for a talented high school player. The concluding fast section (Allegretto brillante) is bubbly, delightful, and quite technically challenging in a few spots. The concert band / wind ensemble accompaniment (available separately) is scored to prevent overpowering the soloist and will work with smaller groups for senior recitals, etc. NOTE: This download is for the 4-page SOLO PART ONLY. If you wish to purchase the band parts and full score, please visit www.bandroom.com. This SOLO PART will also work with the Kuyper setting for piano accompaniment. The score and parts are error-free, as I spent considerable time in editing and making corrections to the parts while it was prepared for performance. This SOLO PART has tightly-cropped margins so it will print as large as possible on letter-sized paper. You can view the conductor score and sample parts as well as listen to a live recording of the work on my website (URL above) or on YouTube at https://youtu.be/NuMFb5p5Kfk____________________________ ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years. Many of his arrangements and compositions are available here as digital downloads and from www.bandroom.com ____________________________
$10.00
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
FRACAS ATTACKAS
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Orchestre d'harmonie
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DÉBUTANT
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Methodes
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Frank Pugh
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FRACAS ATTACKAS
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Frank Pugh
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.942740 Composed by Frank Pugh. Instructional. Score and parts. 26 pages. Frank Pugh #6871981. Published by Frank Pugh (...
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Concert Band - Level 1 - SKU: A0.942740 Composed by Frank Pugh. Instructional. Score and parts. 26 pages. Frank Pugh #6871981. Published by Frank Pugh (A0.942740). Fracas Attackas is a fun piece for beginning band that is composed using the first five notes of the concert Bb scale. There are two basic wind parts doubled throughout the instruments, and the mallets closely follow the winds up until the bridge of the piece. There are four more percussion parts, but the piece may be performed with only snare drum and bass drum. If you have the players, add the crash cymbals and then the toms to fill out the parts. A fracas is defined as a noisy quarrel or brawl. Attackas is, of course, just a made-up word, but it rhymes quite nicely! I hope you and your band have a lot of fun with this piece! Be sure to check out my other works here on Sheet Music Plus, and don't forget to look up my original works at Five Stone Music. You can email Five Stone Music at five5stonemusic@gmail.com, and please visit the Five Stone Music website at https://five5stonemusic.wixsite.com/productions You can also stop by our Facebook page: @5stonemusicThanks for listening!
$45.00
In Your Slumber
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Orchestre d'harmonie
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DÉBUTANT
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971....
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Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
A Promise to Stand By:
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Orchestre d'harmonie
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Contemporain
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published...
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Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99
Creature
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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George Willson
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Creature
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George Willson
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.927173 Composed by George Willson. 20th Century,Contemporary. Score and parts. 98 pages. George Willson #4601563. Publi...
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Concert Band - Level 5 - SKU: A0.927173 Composed by George Willson. 20th Century,Contemporary. Score and parts. 98 pages. George Willson #4601563. Published by George Willson (A0.927173). Creature began as a joke in high school between a friend of mine and me where we described the radical mood swings of our band directors as a creature coming forth from inside of them. Think about the alien from Alien 3 where it opened its mouth and its tongue was a little alien head with teeth of its own. I thought it would be fun to write a piece of music around this creature, so I wrote a short series of story beats and then some music around it. The full story is, unfortunately, lost to history, but the music survived the twenty-five years since its original composition, and in honor of my young self, I merely edited any typos and left it just as I wrote it when I was a seventeen-year-old high school senior. This was my first, solo-written, full band composition, and one can hear that I was a huge fan of Igor Stravinsky. This is not an easy piece to play. It has time changes aplenty, fast runs in the upper woodwinds, very exposed parts in nearly every section, large interval leaps, and spares hardly anyone's range. The eighth note remains constant across the 4 and 8 time signatures, and the breakdown of the complex time signatures is apparent in how the eighth notes are barred. As a conductor, it will be challenging as well, but I survived it on two occasions as both a senior in high school and in front of a military band, so it can be done. So enjoy the musical story of a creature who attacks people in its rage and hunger before it is chased and defeated by an angry mob ... but did it really die? George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$35.00
Revelations 5 (Mvt. II)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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John Dorhauer
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Revelations 5
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John J Dorhauer
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Publi...
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Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Published by John J Dorhauer (A0.1024060). Back to School 2015 This standalone movement balances chaotic, breakneck ensemble writing with placid, luscious quieter moments. Inspired by the fifth chapter of the Book of Revelation, the music vividly depicts the duality of the lion/lamb character (hence the plurality of the title), and the ample use of mixed meter and solo opportunities (particularly for flute and percussion) will offer an engaging challenge to most high school ensembles. Although this is the middle movement of a three-movement work, it works in its own self-contained world. Contact information: johnjdorhauer@gmail.com PRO: ASCAP Social Media: https://www.facebook.com/JohnDorhauer?fref=ts / https://twitter.com/JohnDorhauer Duration: 9 minutes Year of Release: 2011 Program Notes: This composition is intended to function on two different levels: it is simultaneously a programmatic depiction of the events that unfold in Revelation 5 and a musical representation of the duality found in the scripture. It was this sense of duality that persuaded me to keep the s at the end of Revelation in the title – it is as if there are multiple revelations to be found within both the scripture and my musical interpretation of it. In the book of Revelation, the prophet John is sharing an apocalyptic vision to a group of churches in Asia as a means of hope – even though these people were being persecuted for their beliefs, John promises the rapture in which God will save the believers and destroy the nonbelievers. The fifth chapter begins with John’s ascension to heaven, and it concludes just before the Christ-like Lion of Judah breaks the seals of the scroll that will unleash the rapture. While this is intended to be a message of hope, it will also bring about cataclysmic death and destruction. Herein lies the duality – how can a message of hope come as the result of such a violent outcome? Movement II (of three) corresponds with only verse 6, and it is more of a character study than a programmatic narrative. It examines the Lion of Judah character, which is portrayed at first as an overwhelming and aggressive figure after it approaches from the distance in the hazy beginning section. This character is also depicted in the scripture as a lamb, though, and this is reflected in the piece’s latter half, which is a softer reimagining of the Lion character’s material. The Lion and the Lamb are not two different characters but, rather, different sides of the same character. It is this duality that drives the movement, and it explains the connections between these otherwise distinct sections. This movement was originally performed by the CCPA Wind Ensemble in April 2010 when it received first place in CCPA’s wind ensemble composition contest.
$50.00
Chorale
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Orchestre d'harmonie
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Contemporain
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Joseph Stribrny
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Chorale
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Joseph Stribrny
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SheetMusicPlus
Concert Band - SKU: A0.496600 Composed by Joseph Stribrny. Contemporary. Score and parts. 24 pages. Published by Joseph Stribrny (A0.496600). ...
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Concert Band - SKU: A0.496600 Composed by Joseph Stribrny. Contemporary. Score and parts. 24 pages. Published by Joseph Stribrny (A0.496600). This is a piece of music I composed for my high school alma mater. As of this upload however, there are no performances of this piece that have taken place. What sets this apart is the use of a sort of 'cantus firmus' melody in the third section with a familiar chord progression, as well as a woodwind fade out instead of a downbeat finish. Included in this purchase is a pdf of the full score as well as the parts for your band. An updated conductor's score will include a change in the staff sizes to fit the full page rather than to include two systems on one page.
$100.00
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Out Here on My Own