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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Pass It On
Non classifié
409
Piano & claviers
Piano seul
380
Piano, Voix et Guitare
362
Piano, Voix
81
Piano Facile
60
Instruments en Do
33
Orgue
30
1 Piano, 4 mains
9
Accordéon
7
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
1
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare
57
Guitare notes et tablatures
32
Piano, Guitare (duo)
8
2 Guitares (duo)
5
Ukulele
5
4 Guitares (Quatuor)
3
Basse electrique
3
Paroles et Accords
2
Ligne De Mélodie, (Paroles) et Accords
2
Ensemble de guitares
1
Dulcimer
1
Mandoline
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
158
Chorale 3 parties
39
Chorale SSAA
28
Chorale TTBB
26
Chorale 2 parties
16
Voix Alto, Piano
12
Chorale Unison
11
Voix Soprano, Piano
10
Voix duo, Piano
6
Pack Instrumental pour Chorale
5
Chorale SSAATTBB
3
Voix duo
3
Voix seule
2
Chorale SSATB
1
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
Voix haute
1
Voix Baryton, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
33
2 Saxophones (duo)
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Quatuor de Saxophones: 4 saxophones
29
2 Flûtes traversières, Piano
25
Flûte traversière
19
Flûte, Hautbois, Clarinette, Basson
18
Clarinette
18
Saxophone Alto
17
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone Soprano et Piano
15
Hautbois, Piano (duo)
15
Saxophone Alto et Piano
13
Clarinette et Piano
13
2 Flûtes traversières (duo)
12
Ensemble de Flûtes
11
3 Saxophones (trio)
11
Saxophone Tenor
11
Saxophone Tenor et Piano
10
Ensemble de Clarinettes
10
Quintette de Saxophone: 5 saxophones
9
2 Clarinettes (duo)
9
Hautbois (partie séparée)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Baryton, Piano
7
Quintette de Clarinettes: 5 clarinettes
6
2 Hautbois (duo)
6
Flûte, Hautbois, Clarinette (trio)
5
Saxophone, Clarinette (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Saxophone (partie séparée)
4
Hautbois, Basson (duo)
4
Clarinette Basse, Piano
4
Ensemble de saxophones
4
Cor anglais, Piano
4
Clarinette, Violon (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte et Guitare
3
Saxophone Soprano
2
Saxophone Baryton
2
Flûte, Alto (duo)
2
Hautbois
2
Clarinette, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
Hautbois, Flûte
2
Flûte, Violon
2
3 Clarinettes (trio)
2
Clarinette Basse
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Guitare (duo)
1
Hautbois, Violoncelle
1
Flûte à bec Soprano
1
Clarinette et Alto
1
Flûte, Saxophone (duo)
1
Saxophone
1
Saxophone, Tuba (duo)
1
Clarinette, Violoncelle (duo)
1
Clarinette, Basson (duo)
1
Ocarina
1
Flûte, Violoncelle
1
Flûte, Trompette (duo)
1
Clarinette, Harpe (duo)
1
Clarinette, Guitare (duo)
1
Piccolo, Piano
1
Flûte, Hautbois, Piano (trio)
1
+ 60 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Trompette
25
Trombone
18
Trombone et Piano
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Tuba
12
Cor et Piano
12
Cor
11
Euphonium, Piano (duo)
10
Tuba et Piano
10
Trompette, Piano
9
2 Trompettes (duo)
7
2 Trombones (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
2 Cors (duo)
4
Trompette, Saxophone (duo)
4
Quatuor de cuivres: 4 cors
4
Cor anglais, Piano
4
Quatuor de Cuivres
3
Ensemble de Trombones
2
Quatuor de cuivres: 4 trombones
2
2 Tubas (duo)
2
Trombone basse
2
Trompette, Trombone (duo)
2
Trompette (partie séparée)
2
Ensemble de Trompettes
1
Cor, Violoncelle (duo)
1
4 Tubas
1
Euphonium
1
Trombone, Orgue
1
3 Trompettes (trio)
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
94
Violon et Piano
39
Violon
35
Violoncelle, Piano
32
Harpe
23
Violon, Violoncelle (duo)
22
Violoncelle
19
Trio à Cordes: violon, alto, violoncelle
15
Alto, Piano
15
Alto seul
13
2 Violons (duo)
12
Trio à Cordes: 2 violons, violoncelle
11
2 Violoncelles (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Contre Basse
7
2 Altos (duo)
6
Violon, Alto (duo)
5
Contrebasse, Piano (duo)
5
4 Violoncelles
4
Alto (partie séparée)
4
2 Contrebasses (duo)
2
Violon, Basson (duo)
2
Trio à cordes: 3 violins
1
Violon, Guitare (duo)
1
Contrebasse (partie séparée)
1
Harpe, Voix
1
2 Violoncelles, Piano
1
4 Contrebasses
1
4 Harpes
1
Alto et Basson
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Flûte (duo)
1
Violon (partie séparée)
1
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
153
Orchestre à Cordes
46
Orchestre
42
Ensemble Jazz
30
Orchestre de chambre
25
Ensemble de cuivres
22
Ensemble de Percussions
12
Cloches
10
Ensemble d'École
5
Fanfare
3
Marimba
2
Jazz combo
2
Piano et Orchestre
1
Orchestre, Violon
1
Vibraphone
1
Batterie
1
+ 11 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
Noviscore
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SheetMusicPlus
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Vous avez sélectionné:
Pass It On
Orchestre d'harmonie
Partitions à imprimer
153 partitions trouvées
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151
Variations on a Canarian Hymn
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Gregory Fritze
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Variations on a Canarian Hymn
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.917393 Composed by Gregory Fritze. Contemporary. Score and parts. 161 pages. Musica Nova USA #4780761. Published by Mus...
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Concert Band - Level 3 - SKU: A0.917393 Composed by Gregory Fritze. Contemporary. Score and parts. 161 pages. Musica Nova USA #4780761. Published by Musica Nova USA (A0.917393). Variations on a Canarian Hymn grade 4, duration 11:00 was commissioned and composed for the Banda Muncipal of Tenerife, Spain, Filipe Neri, conductor. They premiered it on June 25, 2017. The American premiere was March 21, 2019 by the University of Wisconsin River Falls Symphony Band, Kristin Tjornehoj, Conductor.The Canary Islands is a region of Spain. The anthem used in the Canaries for local official occasions is an adaptation of a local folk song called Arrorró (Lullaby) by Teobaldo Power (1848 – 1884). Tenerife is the largest and most populated island of the seven Canary Islands. Tenerife has a special relation to Columbus and the New World as he first stopped in Tenerife on each of his passages before sailing to the New World. There is a plaque in the center of Tenerife city depicting this.Variations on a Canarian Hymnis in the classictheme and variations form, startingwith a presentation of the folk song in its entirety, then following with six variations of the folk song. Each variation displays different colors and moods of the symphonic band. The triumphal ending depicts the strength of the Canarian people. The piece features several instruments, some with extended solos including: flute, oboe, alto saxophone, horn, trumpet, trombone, clarinet, English horn and timpani. There are several cues in the parts to cover certain instruments that may not be available, such as English horn.
$70.00
STOMPIN' AT THE BYPASS
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Orchestre d'harmonie
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DÉBUTANT
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Jazz
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Vincent Vitale
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STOMPIN' AT THE BYPASS
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Vincent Vitale
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.835520 Composed by Vincent Vitale. Jazz. Score and parts. 23 pages. Vincent Vitale #31695. Published by Vincent Vitale ...
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Concert Band - Level 1 - SKU: A0.835520 Composed by Vincent Vitale. Jazz. Score and parts. 23 pages. Vincent Vitale #31695. Published by Vincent Vitale (A0.835520). Looking for a real top tapper. Well here it is and it's every young band's favorite. As I laid in bed recuperating from a triple bypass the theme for this tune came to mind. I concluded that ‘Stompin At The Bypass’ would be an appropriate title. That is exactly what your audience will be doing after your band performs this number… stomping their feet to the beat and humming the tune on the way out the door. A real crowd pleaser and guaranteed to get your band a standing ovation every time. It's amazing how good this easy, well written piece will make your beginning band sound. Perfect instrument ranges and lack of technical difficulties make it a winner. Complete with full score and parts for flute, oboe, clarinet, bass clarinet, alto and tenor sax, f horn, trumpet, trombone, tuba, bells and percussion. Give it a try and you will not be disappointed. If you are I'll volunteer for another bypass.
$16.00
The Far North Land: Passages for Wind Ensemble
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Greg Bartholomew
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The Far North Land: Passages f
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Burke & Bagley
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.787312 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Score and parts. 42 pages. Burke & Bagley #50...
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Concert Band - Level 3 - SKU: A0.787312 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Score and parts. 42 pages. Burke & Bagley #50567. Published by Burke & Bagley (A0.787312). Scored for Piccolo, Flute 1 & 2, Oboe, Clarinet in Bb 1, 2 & 3, Bass Clarinet in Bb, Bassoon, Alto Saxophone 1 & 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2 & 3, Horn in F 1 & 2, Trombone 1 & 2, Bass Trombone, Euphonium, Tuba, Timpani, Snare Drum and Marimba. Also available in arrangements for string quartet, string orchestra, clarinet quartet, clarinet choir and flute quartet. My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was The Far North Land. Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of her movies. I recently transcribed the song from that recording and used it as the foundation for this piece. My aunts tell me they recall my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as Fletch’s song. It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes in the border lakes region where Minnesota meets Canada. A Back to School 2015 feature.
$19.99
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
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Orchestre d'harmonie
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DÉBUTANT
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Austin Ralphson
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'It's Time For Reggae' for cla
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Austin Ralphson
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #368...
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Concert Band - Level 1 - SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at  https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4. Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
Looking On Heaven's Scenes
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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United States Marines
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Seth Almond
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Looking On Heaven's Scenes
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Seth Almond
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1019876 Composed by Seth Almond. Standards. Score and parts. 44 pages. Seth Almond #6686837. Published by Seth Almond (...
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Concert Band - Level 4 - SKU: A0.1019876 Composed by Seth Almond. Standards. Score and parts. 44 pages. Seth Almond #6686837. Published by Seth Almond (A0.1019876). This original composition for Concert Band by Seth Almond entitled Looking on Heaven's Scenes, is a piece written in remembrance of Staff Sergeant Jordan P. Snow. Seth Almond had the honor of serving with Jordan in the Quantico Marine Corps Band in Quantico, VA. After serving four years in the Marine Corps, Jordan Snow enlisted into the Vermont National Guard as a member of the 40th Army Band. In the summer of 2021, Jordan passed and it was a total shock to have lost such a joyful soul, great husband, Marine, and friend. Select melodic lines throughout the piece feature certain instruments who some of Jordan's close friends played during their time serving with him. This piece’s title pays homage to the final lines of the Marines' Hymn:If the Army and the NavyEver look on Heaven's scenes;They will find the streets are guardedBy United States Marines.Duration: 4:10
$49.99
Victory On My Parade
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Orchestre d'harmonie
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Amphibia Cultural Legacy
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Victory On My Parade
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Amphibia Cultural Legacy
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SheetMusicPlus
Concert Band - SKU: A0.1202805 Composed by Amphibia Cultural Legacy. Broadway,Classical,Film/TV,March,Multicultural,Musical/Show,World. Score and Parts....
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Concert Band - SKU: A0.1202805 Composed by Amphibia Cultural Legacy. Broadway,Classical,Film/TV,March,Multicultural,Musical/Show,World. Score and Parts. 3 pages. Amphibia Cultural Legacy #801569. Published by Amphibia Cultural Legacy (A0.1202805). Victory On My Parade is a beautiful instrumental cover that has been remixed with an orchestra by Amphibia Cultural Legacy. The piece is based on the end credits from JumpStart 1st Grade Reading, a popular educational game for young children. This remix serves as a testament to how music can be used to inspire and uplift people.The instrumentation of Victory On My Parade is truly remarkable, with each instrument blending seamlessly into the next. The orchestra breathes new life into this classic tune, creating an electrifying atmosphere that leaves listeners wanting more. Whether you are a fan of orchestral music or not, it's hard not to appreciate the passion and skill that went into creating this remix.In conclusion, Victory On My Parade by Amphibia Cultural Legacy is an exceptional piece of music that showcases the power of collaboration between talented musicians.
$80.00
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
The Cross Kirk and the lang walk
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Ha...
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Concert Band - Level 3 - SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
Love For Laina
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Horatio Sp afford / Philip Bli
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Jonathan L Nelson
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Love For Laina
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Jonathan Nelson
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1504087 Composed by Horatio Sp afford / Philip Bliss. Arranged by Jonathan L Nelson. Contest,Festival,Religious. 122 pa...
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Concert Band - Level 3 - SKU: A0.1504087 Composed by Horatio Sp afford / Philip Bliss. Arranged by Jonathan L Nelson. Contest,Festival,Religious. 122 pages. Jonathan Nelson #1079545. Published by Jonathan Nelson (A0.1504087). A Message from her father, Leander (Andy) Bridges III would not have you to be ignorant brethren concerning them who are asleep as we do not sorrow as those who have no hope. It is with this paradoxical emotion that we present a commissioned work that is dear to our hearts.On May 20, 2022, our lives were changed forever as our daughter, Laina Michelle Bridges, passed away in a car accident. My wife and I as well as our extended family have chosen to not focus on the tragic passing of our daughter but on the exceptional eleven years that she graced us with her presence.It is as a result of her dynamic life that the title of this commissioned piece is so aptly appropriate. Love for my daughter has caused a transcendence beyond race, ethnicity, religious and political affiliation. And with the paradoxical emotion of sorrow filled joy, I humbly present a commissioned work by Dr. Jonathan Nelson in honor of the late Laina Michelle Bridges, Love for Laina.
$90.00
Love For Laina
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Horatio Sp afford / Philip Bli
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Jonathan L Nelson
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Love For Laina
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Jonathan Nelson
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1379250 Composed by Horatio Sp afford / Philip Bliss. Arranged by Jonathan L Nelson. Contest,Festival,Spiritual. 122 pa...
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Concert Band - Level 3 - SKU: A0.1379250 Composed by Horatio Sp afford / Philip Bliss. Arranged by Jonathan L Nelson. Contest,Festival,Spiritual. 122 pages. Jonathan Nelson #963930. Published by Jonathan Nelson (A0.1379250). A Message from her father, Leander (Andy) Bridges III would not have you to be ignorant brethren concerning them who are asleep as we do not sorrow as those who have no hope. It is with this paradoxical emotion that we present a commissioned work that is dear to our hearts.On May 20, 2022, our lives were changed forever as our daughter, Laina Michelle Bridges, passed away in a car accident. My wife and I as well as our extended family have chosen to not focus on the tragic passing of our daughter but on the exceptional eleven years that she graced us with her presence.It is as a result of her dynamic life that the title of this commissioned piece is so aptly appropriate. Love for my daughter has caused a transcendence beyond race, ethnicity, religious and political affiliation. And with the paradoxical emotion of sorrow filled joy, I humbly present a commissioned work by Dr. Jonathan Nelson in honor of the late Laina Michelle Bridges, Love for Laina.
$90.00
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - ...
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Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Mu...
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Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
Star Trek(R) - The Inner Light
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Film/TV
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Jay Chattaway
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Lorenzo Bocci
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Star Trek(R) - The Inner Light
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1476098 Composed by Jay Chattaway. Arranged by Lorenzo Bocci. Film/TV. 64 pages. Lorenzo Bocci #1053630. Published by L...
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Concert Band - Level 3 - SKU: A0.1476098 Composed by Jay Chattaway. Arranged by Lorenzo Bocci. Film/TV. 64 pages. Lorenzo Bocci #1053630. Published by Lorenzo Bocci (A0.1476098). STAR TREK®: The Inner Light - From The Paramount Television Series Star Trek: The Next Generationfor Concert Band - Grade 3 - - More Star Trek MusicComposed by Jay Chattaway. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 3'09''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone 1, 2, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.The Inner Light is the 125th episode overall and the 25th and penultimate episode of the fifth season of the American science fiction television series Star Trek: The Next Generation. The episode was written by freelance writer Morgan Gendel based on his original pitch. It was partly inspired by the Beatles' song The Inner Light, written by George Harrison and based on verses in the Tao Te Ching. In this episode, Captain Jean-Luc Picard (Patrick Stewart) is struck unconscious by an energy beam from an alien probe. While minutes pass for the rest of the crew, the probe makes Picard experience 40 years of lifetime as Kamin, a humanoid scientist whose planet is threatened by the nova of its sun. The probe is later found to contain a flute, which Picard keeps as a memento for the remainder of the series and in Star Trek: Picard. The flute melody, featured prominently in the episode, was composed by Jay Chattaway and has since been re-arranged for a full orchestra. The episode is widely considered by critics and fans as one of the best episodes of the entire Star Trek franchise.Subscribe to my YouTube Channel to stay updated on new releases.
$94.00
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael...
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Concert Band - Level 5 - SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael Barrera #1042149. Published by Michael Barrera (A0.1463453). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-scoreTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$29.99
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Set of Parts)
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michae...
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Concert Band - Level 5 - SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michael Barrera #1042150. Published by Michael Barrera (A0.1463454). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-partsTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$79.99
Accentus
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Orchestre d'harmonie
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Gary Gazlay
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Accentus
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Imagine Music - Digital
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SheetMusicPlus
Concert Band - SKU: IZ.CBW221 Composed by Gary Gazlay. Score and Parts. 61 pages. Imagine Music - Digital #CBW221. Published by Imagine Music - Digital ...
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Concert Band - SKU: IZ.CBW221 Composed by Gary Gazlay. Score and Parts. 61 pages. Imagine Music - Digital #CBW221. Published by Imagine Music - Digital (IZ.CBW221). 9 x 12 inches.Some years back, during a series of retreats, prayerful reflection on the “servantpassages from the book of the prophet Isaiah (Is. 40-53) coalesced into what wouldbecome an eight-movement cantata entitled: The Servant of Yahweh.“How Beautiful on the Mountain represents movement three of that larger work - aLenten cantata highlighting key aspects of the life, death, and resurrection of Jesus,viewed through the lens of the aforementioned servant passages.“How Beautiful on the Mountain (from Is.52 ff) attempts to capture in two sections thejoyful vision of God's people being led back to Zion from exile in Babylon. Israel'sdeliverer is near, proclaiming peace, bearing good news, announcing salvation, leadingIsrael back to Jerusalem. The New Testament likewise speaks of deliverance frombondage – bondage from sin, and healing of the breach between God and humanity. It isthrough the passion, death, and resurrection of Jesus that this deliverance isaccomplished. In both cases, there is cause for great joy.Musically, movement from the more subdued preface (part 1) to the festive Latin groove(part 2) conveys the transition from journey to jubilation.The present rendition, written for SATB choir and piano with optional flute and oboemarks the latest evolution in the work's arrangement history. The originalaccompaniment included guitar, bass, drum, flute and electric violin. However, in 2009,through a collaboration with bassist/arranger, Perry Orfanella, a full orchestral score wasdeveloped. Most recently, in order to make the piece more accessible to church choirsand other choral groups, Phil Sims (musician/arranger and partner of Imagine MusicPublishing) reduced the orchestral score and completed the present arrangement forpiano and SATB choir.
$50.00
Freedom To Fly
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jørgen Hernborg
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Freedom To Fly
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Jørgen Hernborg
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1489546 By Jørgen Hernborg. By Jørgen Hernborg. Classical. 41 pages. Jørgen Hernborg #1066410. Published by Jørgen ...
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Concert Band - Level 4 - SKU: A0.1489546 By Jørgen Hernborg. By Jørgen Hernborg. Classical. 41 pages. Jørgen Hernborg #1066410. Published by Jørgen Hernborg (A0.1489546). “Freedom To Fly” is a Concert Band piece composed by Jørgen Hernborg. The piece resembles the feeling of freedom, and the wish to fly, like a bird.In the piece you will find several chords, and melodies, that can be the echoes of birds, and the sound of the wind. The variations and many ideas do not only create an interesting piece, but it symbolizes how quickly things can pass in a matter of seconds and just fly away with the wind.When the brass play signal, the saxes play lyrical solis, and the woodwinds are floating on top, that’s the feeling of flying, the feeling of easiness, the freedom to fly.
$150.00
Vienna
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Billy Joel
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Jeffrey Bowen
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Vienna
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Music Arrangement Services Inc.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1486340 By Billy Joel. By Billy Joel. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 42 pages. Music Arrangement Serv...
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Concert Band - Level 4 - SKU: A0.1486340 By Billy Joel. By Billy Joel. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 42 pages. Music Arrangement Services Inc. #1063402. Published by Music Arrangement Services Inc. (A0.1486340). Performed by Billy Joel. This Concert Band Scores accompanies the SAB/Piano Score with parts for Horn in F, 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. This song is about slowing down to enjoy life before it passes by. The song refers to slowing down, crazy child, ambition, being afraid, being in a hurry, burn out, so many hours in a day, truth being told, getting what you want or getting old, kicking off early, Vienna, doing fine, the life you lead, being ahead of yourself, forgetting what you need, being wrong, being right, passion, pride, only fools are satisfied, dreaming on, taking the phone off the hook, disappearing. This arrangement is designed for high school or college show choir, concert choir or community choir. SAB/Piano Score also available. Performance time is approximately 3:40.
$49.99
All Is Full Of Love
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Bjork
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John Ivor Holland
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All Is Full Of Love
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1261594 By Bjork. By Bjork Gudmundsdottir. Arranged by John Ivor Holland. 20th Century,Pop,Singer/Songwriter. Score and...
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Concert Band - Level 3 - SKU: A0.1261594 By Bjork. By Bjork Gudmundsdottir. Arranged by John Ivor Holland. 20th Century,Pop,Singer/Songwriter. Score and Parts. 41 pages. John Ivor Holland #854673. Published by John Ivor Holland (A0.1261594). All Is Full of Love is a song by Icelandic musician Björk from her third studio album, Homogenic (1997). The lyrics were inspired by love in spring and Ragnarök of Norse mythology; released as a single with a music video directed by Chris Cunningham. The video depicts Björk as a robot being assembled in a factory, who passionately kisses another identical robot. The video is often cited as one of the best of all time and a milestone in computer animation; it has been displayed in art exhibitions and was on display at the Museum of Modern Art in New York City. This version draws upon the original version of the song, but also upon other choral and instrumental versions of the song to create a new arrangement for concert band.
$49.99
Las Avispas
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Orchestre d'harmonie
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AVANCÉ
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Juan Luis Guerra
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Elisa Rangel Hill
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Las Avispas
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Cunaguaro Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1248037 By Juan Luis Guerra. By Juan Luis Guerra. Arranged by Elisa Rangel Hill. Latin,Multicultural,World. Score and P...
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Concert Band - Level 5 - SKU: A0.1248037 By Juan Luis Guerra. By Juan Luis Guerra. Arranged by Elisa Rangel Hill. Latin,Multicultural,World. Score and Parts. 80 pages. Cunaguaro Music #842601. Published by Cunaguaro Music (A0.1248037). 'Las Avispas' is a true gem that fuses the infectious rhythms of merengue with the sophistication of symphonic orchestration. This energetic and joyful piece captures the essence of Caribbean culture, taking listeners on a rhythmic journey filled with vibrant melodies and lively percussion.The Symphonic Band version of 'Las Avispas' brings the vivacity and grandeur of Guerra's original composition to life in a new and exciting way. With its lush harmonies, dynamic brass fanfares, sweeping woodwind passages, and intricate percussion rhythms, this arrangement allows bands to showcase their technical prowess and musical expression.Whether you're a seasoned band director or a passionate musician looking to explore new horizons, 'Las Avispas' for Symphonic Band offers an exceptional opportunity to infuse your performances with the infectious spirit of Latin music. It's a perfect choice for concerts, festivals, or educational events, captivating audiences of all ages and backgrounds.This professionally crafted arrangement of 'Las Avispas' guarantees a thrilling and memorable musical experience for both performers and listeners alike. Let the irresistible rhythms and rich melodies transport you to the vibrant world of Juan Luis Guerra's music.
$49.99
Andaluza
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Manuel de Falla
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Robert Myers
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Baritone T.C. 1, 2
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Andaluza
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WheatMyer Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. Whea...
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Concert Band - Level 3 - SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. WheatMyer Music #6621545. Published by WheatMyer Music (A0.976737). Andaluza, taken from Manuel de Falla’s piano suite Cuatro Piezas Españolas, is aimed at the mainstream high school band in the United States at the grade 4 level. Boisterous tuttis, intimate solos, and passionate melodies make for an engaging excursion into Spanish folk music that allows students to explore the adventurous harmonies of de Falla's impressionistic vocabulary. The variety of colors and energy in the modern concert band amplify the life, drama, and humanity de Falla poured into his piano version. Andaluza will thus prove a thrill for both performers and audience as it celebrates this life, drama, and humanity.Soprano Sax is called for on an expressive solo but is fully cued in oboe. The absence of this instrument need not prevent an integral performance of the music.Optional parts are provided for Eb Clarinet, Treble Clef Baritone, and Double Bass for those bands having these available.View a full preview score of Andaluza at my website (wheatmyermusic.com/product/andaluza) or drop an email and I'll provide a pdf of the score for your perusal.Andaluza is the fourth member of Manuel de Falla’s Cuatro Piezas Españolas for solo piano first published in 1909. My imagination runs wild contemplating what may be pictured in de Falla’s music. It certainly seems to be a civic gathering: perhaps a wedding, a baptism, a dedication, or a feast taking place in the civic square of perhaps on a hacienda. There are scenes that may be dancing, speeches, passionate sonnets, arguments, celebrations, all ending in a lingering mysterious question with a tinge of hopefulness. Whatever Falla may have have had in mind it is full of life, drama, and humanity.I first became aware of de Falla’s work, particularly Andaluza, in the summer of 2021 during an online orchestration seminar. Each of Cuatro Piezas’s movements expresses Spanish folk music idioms through an impressionistic lens reflecting Debussy’s influence on de Falla. Andaluza immediately struck me as music that would shine in the realm of the concert band. It was a joy to explore de Falla’s music, transforming the implications of the piano stylings into the nuances and colors available to the modern wind ensemble. It was just as much if not more challenging to develop this arrangement than creating my own original music typically proves to be. But it was so rewarding to have done so and I hope you find the rewards of listening just as much worth your effort.Robert MyersS.D.G.INSTRUMENTATION:PiccoloFlute 1, 2OboeBassoon 1,2Bb Clarinet 1, 2Bb Bass ClarinetBb Soprano SaxophoneEb Alto Saxophone 1, 2Bb Tenor SaxophoneEb Baritone SaxophoneBb Trumpet 1, 2, 3Horn in F 1, 2, 3, 4Trombone 1, 2Bass TromboneEuphonium TubaTimpani (4) Mallets: Xylophone, Glockenspiel, Vibraphone, MarimbaPercussion 1: Almglocken/Cowbell, Suspended Cymbal, Marimba, Snare Drum, Glockenspiel, Triangle, XylophonePercussion 2: Hand Cymbals, Suspended Cymbals, Snare Drum, Bongos, Mark TreePercussion 3: Tambourine, Castanets, Hand Cymbals, Rainstick, Gong, Tam, TamPercussion 4: Bass Drum, Suspended Cymbal, Gong, Tam Tam, WoodblocksOptional Parts: Eb Clarinet; Baritone T.C. 1, 2; Double Bass
$75.00
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for band
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Orchestre d'harmonie
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FACILE
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Francisca Gonzaga
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Idalmo Santos
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Gaúcho - Corta-Jaca By
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Idalmo Santos
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World...
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Concert Band - Level 2 - SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World. Score and parts. 23 pages. Idalmo Santos #6679863. Published by Idalmo Santos (A0.978107). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
$13.33
Take Me Back To Dear Old Blighty - Concert Band Score and Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Patriotique
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Arthur J
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Brenndan Elliget MAGA 537
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Take Me Back To Dear Old Bligh
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750841 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916. Arranged by Brenndan Elliget MAGA 537. Patr...
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Concert Band - Level 3 - SKU: A0.750841 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916. Arranged by Brenndan Elliget MAGA 537. Patriotic. Score and parts. 49 pages. BJE Music #3872321. Published by BJE Music (A0.750841). Take Me Back to Dear Old Blighty is a music hall song written by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916. It was popular during the First World War and tells a story of three fictional soldiers on the Western Front suffering from homesickness and their longing to return to Blighty - a slang term for Britain.Fred Godfrey wrote the song with Bennett Scott and A.J. Mills after passing a music hall in Oxford where a show called Blighty was showing. He recounts: One of us suddenly said What an idea for a song! Four hours later it was all finished, and the whole country was singing it soon afterwards. I got - not very much.The chorus lyric Take me back to dear old Blighty/Put me on a train to London town was included in The Oxford Dictionary of Quotations. [Wikipedia}This arrangement is for Concert Band with optional Piano part (not on the score) and Vocal Lead Sheet.There are parts for Eb and F Horns, and parts for Trombones 1 and 2 in BC and TC.The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 2:30 mins
$25.00
The Love of God
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Frederick M
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Leandro Bizama
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The Love of God
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Leandro Bizama Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.933695 Composed by Frederick M. Lehman. Arranged by Leandro Bizama. Christian,Christmas,Easter,Jewish,Sacred. Score and...
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Concert Band - Level 3 - SKU: A0.933695 Composed by Frederick M. Lehman. Arranged by Leandro Bizama. Christian,Christmas,Easter,Jewish,Sacred. Score and parts. 44 pages. Leandro Bizama Music #2907105. Published by Leandro Bizama Music (A0.933695). The Love of God, for Concert Band, Grade Level 2.5, dur. 4 mins.The lyrical nature of the tune combined with the powerful poem about God's love make this one of the greatest hymns ever. This arrangement maintains the power of the tune and represents the beauty of the poetry musically. Each verse has its own special setting corresponding to the words of the hymn. Starting in a mysterious, martial and subdued style, The Love of God develops into a strong but respectful to the hymn type of finale, complete with musical representations of the waves of the sea. It is accessible to High School groups but also appropriate for Community or College ensembles. Because of its history (see below) it can appeal to a wide range of faiths and inspire unity and peace. Audiences and performers alike are sure to find it inspiring and uplifting.---A little about the history of the hymn:Could we with ink the ocean fill, and were the skies of parchment made;Were every stalk on earth a quill, and every man a scribe by trade;To write the love of God above would drain the ocean dry;Nor could the scroll contain the whole, though stretched from sky to sky.These timeless words inspired Lehman to write The Love of God after they were found edged on the wall of an asylum patient's room. They are an adaptation and translation of a poem originally written in Aramaic by the Jewish Rabbi of Worms, Germany around the year 1050. This poem in turn is similar to a passage in the Qur'an. What an incredible journey for these great words: an ancient poem that has its roots in the Qur'an, later adapted by a Rabbi, written on the wall of an insane asylum by a patient, and finally taken up by a Christian to be the basis of a beautiful song. Surely God's love and music are the only two things powerful enough in our World to bring unity and respect in the face of pride and violence.For more about the arranger, visitwww.leandrobizama.comSources:http://www.hymnary.org/text/the_love_of_god_is_greater_farhttp://library.timelesstruths.org/music/The_Love_of_God/http://www.tanbible.com/tol_sng/sng_theloveofgod.htm
$30.00
March Slav (Concert Band Transcription) - Tsarist Edition
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Orchestre d'harmonie
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Classique
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Peter Ilyich Tchaikovsky
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Marc Oliver
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March Slav
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733069 Composed by Peter Ilyich Tchaikovsky. Arranged by Marc Oliver. Romantic Period. Score and parts. 179 pages. Ayotte Custom ...
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Concert Band - SKU: A0.733069 Composed by Peter Ilyich Tchaikovsky. Arranged by Marc Oliver. Romantic Period. Score and parts. 179 pages. Ayotte Custom Musical Engravings #2968245. Published by Ayotte Custom Musical Engravings (A0.733069). Tchaikovsky referred to the piece as his Serbo-Russian March while writing it. It was premiered in Moscow on November 17 1876, conducted by Nikolai Rubinstein. The march is highly programmatic in its form and organization. The first section describes the oppression of the Serbs by the Turkish. It uses two Serbian folk songs, Sunce jarko, ne sijaš jednako (Bright sun, you do not shine equally), by Isidor Ćirić and Rado ide Srbin u vojnike (Gladly does the Serb become a soldier), by Josip Runjanin - giving way to the second section in the relative major key, which describes the Russians rallying to help the Serbs. This is based on a simple melody with the character of a rustic dance which is passed around the orchestra until finally it gives way to a solemn statement of the Russian national anthem God Save the Tsar. The third section of the piece is a repeat of Tchaikovsky's furious orchestral climax, reiterating the Serbian cry for help. The final section describes the Russian volunteers marching to assist the Serbs. It uses a Russian tune, this time in the tonic major key and includes another blazing rendition of God Save the Tsar prophesying the triumph of the Slavonic people over tyranny. The overture finishes with a virtuoso coda for the full orchestra. The piece shares a few refrains with the 1812 Overture, with which it is frequently paired in performance. This is the Tsarist (i.e., non-Soviet) Version.
$100.00
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