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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Remember When
Non classifié
88
Piano & claviers
Piano seul
117
Piano, Voix
49
Piano, Voix et Guitare
45
Piano Facile
19
Instruments en Do
6
Orgue
3
Accompagnement Piano
2
Piano grosses notes
1
Accordéon
1
1 Piano, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
11
Guitare
7
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
6
Paroles et Accords
4
Ukulele
1
Dulcimer
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
54
Chorale 2 parties
13
Chorale 3 parties
11
Chorale Unison
7
Voix duo, Piano
7
Chorale TTBB
4
Voix seule
1
Voix Soprano, Piano
1
+ 3 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
10
Clarinette
4
Quatuor de Flûtes : 4 flûtes
4
Flûte, Hautbois, Clarinette, Basson
3
Clarinette (partie séparée)
3
Hautbois (partie séparée)
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois, Piano (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Tenor
1
Saxophone Alto
1
Flute (partie séparée)
1
Cor Anglais
1
Saxophone Alto et Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Ensemble de Flûtes
1
Saxophone (partie séparée)
1
Clarinette et Piano
1
2 Saxophones (duo)
1
Flûte traversière
1
Saxophone et Piano
1
Cor anglais, Piano
1
+ 17 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
3
Cor
3
Quatuor de Cuivres
3
Cor (partie séparée)
2
Trombone (partie séparée)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette
2
Trombone basse et Piano
2
Cor et Piano
1
Tuba (partie séparée)
1
2 Euphoniums et 2 Tubas
1
Cor Anglais
1
Tuba
1
Cor anglais, Piano
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12
Violon
5
Violoncelle, Piano
2
Contrebasse (partie séparée)
2
Violon (partie séparée)
2
Alto, Piano
2
Alto seul
1
Violon et Piano
1
Alto et Harpe
1
Violoncelle
1
Quatuor à cordes: 4 violons
1
Alto (partie séparée)
1
Violon, Violoncelle (duo)
1
+ 8 instrumentations
Retracter
Orchestre & Percussions
Orchestre
21
Orchestre d'harmonie
17
Orchestre à Cordes
11
Ensemble Jazz
4
Jazz combo
3
Percussion (partie séparée)
2
Orchestre de chambre
2
Cloches
2
Ensemble de cuivres
2
Batterie
2
Ensemble de Percussions
1
Fanfare
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Musicnotes
Note4Piano
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Vous avez sélectionné:
Remember When
Orchestre d'harmonie
Partitions à imprimer
17 partitions trouvées
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1
When I Look In The Mirror...
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Aaron Fonzi
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a loser and a failure
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When I Look In The Mirror...
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Publis...
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Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Published by Aaron Fonzi (A0.998358). A breathtaking new addition to wind band literature, Aaron Fonzi has composed a piece that will take your audience on an incredible, emotional journey. Inspired by his grandmother, Jacquie, Mr. Fonzi recalls:I remember vividly the conversations I had with Grandma Jacquie as a boy. She had a kind, gentle way of showing her steadfast resilience and passion for that which is good and just in the world. She didn't think it good and just that I always felt the need to make myself my worst enemy. One day, she asked me who I see in the mirror. I told her I saw an ugly boy who couldn't do anything right; a loser and a failure. She told me that she saw a handsome young man who can do anything and become whatever he puts his mind to, and that everyday I ought to look in the mirror and find that person.It took me almost 20 years to fully understand what she meant. But it's true: we can only bring the light out of others once we've truly brought it out within ourselves. So, this is for all of us who look in the mirror and see a monster or a failure. You are not a failure and your are not a monster. Let this piece remind you that you can do anything you put your mind to if you put faith in the person looking back at you.Give your ensemble and your audience an experience they will remember with this powerful work, When I Look In The Mirror....
$30.00
It's Raining Frogs!
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Orchestre d'harmonie
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DÉBUTANT
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Contemporain
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Neille Williams
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It's Raining Frogs!
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Neille Williams
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1005902 Composed by Neille Williams. Contemporary. Score and parts. 39 pages. Neille Williams #6704559. Published by Ne...
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Concert Band - Level 1 - SKU: A0.1005902 Composed by Neille Williams. Contemporary. Score and parts. 39 pages. Neille Williams #6704559. Published by Neille Williams (A0.1005902). For Concert Band - GRADE 1.5. It's a monsoon to remember when frogs start raining down from the sky! A plague of merry little amphibians hop and croak their way all through this piece, then disappear into the storm for concert bands and minstrels to tell the tale.*This piece comes with conductor's notes including program notes, rehearsal notes and an 'about the composer' section.
$39.95
Among My Souvenirs (Humoresque) - #2 Brass & Percussion Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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way of an old Sousa concert pr
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John Philip Sousa
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Kevin R
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Among My Souvenirs
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Freedom Band Press
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.987645 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 61 pages. Freedom Band P...
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Concert Band - Level 4 - SKU: A0.987645 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 61 pages. Freedom Band Press #45615. Published by Freedom Band Press (A0.987645). John Philip Sousa shall forever be regarded as the March King. However, his body and scope of work extend well beyond the marches which made him so famous. In a rough accounting of Sousa’s body of work, marches make up only the second most numerous of his efforts – some 135 march compositions versus over 320 arrangements and transcriptions for Band. Outside of his marches, most of the Sousa catalog, including his humoresques, remains unpublished and largely unheard today. By way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs. In it, the Nichols song Among My Souvenirs is lengthened into a sketch. Among his souvenirs is a photograph, letters and a broken heart. As he meditates, he goes back to a time before he was broken-hearted and remembers when he and his beloved were softly singing Twinkling Stars are Laughing, Love. Next, his mind reverts to the time when he was Seeing Her Home, recalling the songs of years gone by at Aunt Dinah’s Quilting Party – he was Seeing Nellie Home. After this, he travels to the Far East, and visions of The Road to Mandalay come to him. From there, he meditates on the Sweet Mysteries of Life and, finally, arrives at the closing picture in which he is once more Among my Souvenirs.
$35.00
Among My Souvenirs (Humoresque) - #1 Woodwind Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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way of an old Sousa concert pr
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John Philip Sousa
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Kevin R
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Among My Souvenirs
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Freedom Band Press
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.987644 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 66 pages. Freedom Band P...
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Concert Band - Level 4 - SKU: A0.987644 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 66 pages. Freedom Band Press #45613. Published by Freedom Band Press (A0.987644). John Philip Sousa shall forever be regarded as the March King. However, his body and scope of work extend well beyond the marches which made him so famous. In a rough accounting of Sousa’s body of work, marches make up only the second most numerous of his efforts – some 135 march compositions versus over 320 arrangements and transcriptions for Band. Outside of his marches, most of the Sousa catalog, including his humoresques, remains unpublished and largely unheard today. By way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs. In it, the Nichols song Among My Souvenirs is lengthened into a sketch. Among his souvenirs is a photograph, letters and a broken heart. As he meditates, he goes back to a time before he was broken-hearted and remembers when he and his beloved were softly singing Twinkling Stars are Laughing, Love. Next, his mind reverts to the time when he was Seeing Her Home, recalling the songs of years gone by at Aunt Dinah’s Quilting Party – he was Seeing Nellie Home. After this, he travels to the Far East, and visions of The Road to Mandalay come to him. From there, he meditates on the Sweet Mysteries of Life and, finally, arrives at the closing picture in which he is once more Among my Souvenirs.
$35.00
Rocky Mountain Vista
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Orchestre d'harmonie
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FACILE
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Folklorique/Traditionel
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Stephen R Dalrymple
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Stephen R Dalrymple
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hear the wind blow
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Rocky Mountain Vista
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.818279 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages....
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Concert Band - Level 2 - SKU: A0.818279 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages. Stephen R Dalrymple #4854631. Published by Stephen R Dalrymple (A0.818279). Rocky Mountain Vista ♫ American Folk Song ♫ “Rocky Mountain High†with “Down in the Valley†and “Home on the Range†♫ arranged for concert band by Stephen R Dalrymple ♫ What would you see if you climbed to the rim of the Rocky Mountains (or the Appalachians)? I arranged 2 American folk songs of unknown authorship, Rocky Mountain and Down in the Valley, plus Home on the Range (by Brewster Higley (lyrics 1874) and Daniel Kelly (melody pre 1905) to portray our western mountains and range land. ♫ [2021 Update: Actually, modern theory says Rocky Mountain came from the Appalachian Mountains and describes the rocky mountains of the Appalachians, not the Rockies. But for many the song evokes memories of the Rocky Mountains. So if you look to the west or the east for high mountains, you're covered.] ♫ Rocky mountain, rocky mountain, rocky mountain high, When you’re on that rocky mountain, hang your head and cry. Loo, loo, loo, loo, Do remember me. Loo, loo, loo, loo, Do remember me. ♫ Down in the valley the valley so low, Hang your head over; hear the wind blow. Hear the wind blow dear; hear the wind blow. Hang your head over; hear the wind blow. ♫ Oh, give me a home where the buffalo roam, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ Home, home on the range, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ How often at night, when the heavens were bright, With the light of the twinkling stars, Have I stood here amazed, and asked as I gazed, If their glory exceeds that of ours! ♫ sequenced by the arranger ♫ arrangement © 2001, 2019 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute/Oboe, Clarinet 1, Clarinet 2, Clarinet 3, Bass Clarinet, Alto Clarinet/Alto Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, French Horn, Trombone/Bass Clef Baritone/Bassoon, Treble Clef Baritone, Tuba, Electric Bass, Snare Drum/Bass Drum, Triangle/Cymbal, and Bells. ♫ The YouTube video contains the full recording.
$19.00
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
The Bow Rider
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Shane Vickery
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Shane Vickery
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The Bow Rider
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Bandapalooza
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1462828 By Shane Vickery. By Shane Vickery. Arranged by Shane Vickery. 21st Century,Contemporary,Instructional. 41 page...
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Concert Band - Level 4 - SKU: A0.1462828 By Shane Vickery. By Shane Vickery. Arranged by Shane Vickery. 21st Century,Contemporary,Instructional. 41 pages. Bandapalooza #1041584. Published by Bandapalooza (A0.1462828). I was inspired to write The Bow Rider after sharing camping stories with my brother recently. When I was four years old my family lived in Oregon and our family would go camping with several other families at Shasta Lake in California. Some of the most vivid memories I have from those trips involve riding in our boat (we named it Whoops Wow). I remember riding on the bow of the boat and finding that to be a thrilling and slightly terrifying experience at the time. I gave myself the task of telling the story of this experience through music for concert band. I sincerely hope you enjoy reliving this experience with me. Shane Vickery.
$15.00
Winter Wonderland: 2nd Percussion
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Orchestre d'harmonie
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Methodes
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Michael Story
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Winter Wonderland: 2nd Percuss
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0002301_PC2 2nd Percussion. Arranged by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Mu...
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Concert Band - SKU: AX.00-PC-0002301_PC2 2nd Percussion. Arranged by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0002301_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002301_PC2). UPC: 029156937497.No matter where you live, in the south or the north, the mind's eye sees beautiful, fluffy white snow at holiday time. When audiences want to remember the seasons past, there is just nothing finer than serenading them with a tasty slice of familiar melody. For your least experienced musicians, this is the vehicle. Play this for your audience, and watch the smiles! (1:30).
$3.00
Winter Wonderland: Tuba
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Orchestre d'harmonie
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Methodes
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Michael Story
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Winter Wonderland: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0002301_TB1 Tuba. Arranged by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC...
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Concert Band - SKU: AX.00-PC-0002301_TB1 Tuba. Arranged by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0002301_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002301_TB1). UPC: 029156937497.No matter where you live, in the south or the north, the mind's eye sees beautiful, fluffy white snow at holiday time. When audiences want to remember the seasons past, there is just nothing finer than serenading them with a tasty slice of familiar melody. For your least experienced musicians, this is the vehicle. Play this for your audience, and watch the smiles! (1:30).
$3.00
Winter Wonderland: Bells
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Orchestre d'harmonie
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Methodes
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Michael Story
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Winter Wonderland: Bells
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0002301_B Bells. Arranged by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-...
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Concert Band - SKU: AX.00-PC-0002301_B Bells. Arranged by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0002301_B. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002301_B). UPC: 029156937497.No matter where you live, in the south or the north, the mind's eye sees beautiful, fluffy white snow at holiday time. When audiences want to remember the seasons past, there is just nothing finer than serenading them with a tasty slice of familiar melody. For your least experienced musicians, this is the vehicle. Play this for your audience, and watch the smiles! (1:30).
$3.00
The Opening of the West
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Orchestre d'harmonie
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FACILE
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Judith Katz
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The Opening of the West
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 2 - SKU: IZ.CBW196-S Composed by Judith Katz. Score. 14 pages. Imagine Music - Digital #CBW196-S. Published by Imagine Music - Digi...
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Concert band - Grade 2 - SKU: IZ.CBW196-S Composed by Judith Katz. Score. 14 pages. Imagine Music - Digital #CBW196-S. Published by Imagine Music - Digital (IZ.CBW196-S). 9 x 12 in inches.As an ardent fan of film, I have found myself increasingly attracted to full-fledged scores for cinema. No matter if it's an arrangement of a specific piece, or an original composition, I find myself wanting to view a movie merely for the score.When I was growing up, Westerns were a ubiquitous genre in Hollywood. In addition, New York City had a number of television stations that offered them as well. What all of these films and television programs had in common was, that they always had a strong, catchy and folksy theme. Prime examples were the themes to Bonanza, Wyatt Earp, Wanted Dead or Alive, etc.I wrote The Opening of The West with the goal of having some catchy, folksy and iconic themes that people would remember. I would like to think that this could eventually become an iconic western score.
$12.00
Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
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Orchestre d'harmonie
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DÉBUTANT
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Austin Ralphson
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Crazy Latin! for classrooms an
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Austin Ralphson
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.563350 Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages. Austin Ralphso...
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Concert Band - Level 1 - SKU: A0.563350 Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages. Austin Ralphson #3561245. Published by Austin Ralphson (A0.563350). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-extra-value-bundle-of-music-for-school-groups-digital-sheet-music/20768644?ac=1&aff_id=559837 ** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. CRAZY LATIN! is the second piece in this series, and has additional parts for Latin percussion commonly found in the classroom. Suggested percussion rhythms are also provided with phrases by which students can remember the rhythms. You are obviously free to alter these in any way, or add additional instruments however. Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
SOUTHERN HYMN
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Orchestre d'harmonie
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DÉBUTANT
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Unknown
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Mark Danner
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SOUTHERN HYMN
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Mark Danner
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1166852 Composed by Unknown. Arranged by Mark Danner. Contest,Festival,Folk,Sacred,Spiritual,Traditional. Score and par...
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Concert Band - Level 1 - SKU: A0.1166852 Composed by Unknown. Arranged by Mark Danner. Contest,Festival,Folk,Sacred,Spiritual,Traditional. Score and parts. 28 pages. Mark Danner #767230. Published by Mark Danner (A0.1166852). I am sure your parents and grandparents remember this when they attend church. This adaptation is a simple and quiet lyrical and a great tempo change from a fast peice.
$40.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ri...
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Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
Rosemary - "That's for remembrance...."
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Joel Jacklich (A
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Rosemary - "That's for re
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Joel Jacklich
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1035592 Composed by Edward Elgar. Arranged by Joel Jacklich (A.S.C.A.P.). Romantic Period. Score and parts. 76 pages. J...
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Concert Band - Level 3 - SKU: A0.1035592 Composed by Edward Elgar. Arranged by Joel Jacklich (A.S.C.A.P.). Romantic Period. Score and parts. 76 pages. Joel Jacklich #640816. Published by Joel Jacklich (A0.1035592). PROGRAM NOTE: Rosemary - That's for remembrance.... In 1882, Sir Edward Elgar jotted down in his musical notebook a piano piece he titled Douce Pensée (Sweet Thought). There it remained until 1913 when he got it out again, revised it slightly, re-titled it Rosemary - That's for remembrance, and published it for the first time. The title comes from Ophelia's Garland Speech in Shakespeare's Hamlet, where she says, There's rosemary, that's for remembrance. Pray you, love, remember. In 1915, the First World War had been raging in Europe for a year, and many British composers and poets had turned to artistic means to mourn those who died in the trenches of across the Channel. Elgar orchestrated the work at that time. In 1925, London publisher W. Paxton published arrangements by C. Jenkins made for brass and reed band and for military band; however, these are now out of print and no longer available. In the fall of 2015, Mitch Sturman, director of the Wilson Junior High School Warrior Band in El Centro, California, asked me to make an arrangement of Rosemary for the Eighth Annual Concert of Premieres, a series Sturman had begun in 2008, commissioning new works by known composers, and commissioning new arrangements of pieces he felt were worthy works in the public domain that were no longer in print and/or were written for ensembles containing instruments no longer part of the standard modern band or orchestra. INSTRUMENTATION: Flute I (4), Flute II (4), Oboe (1), Clarinet I (4), Clarinet II (4), Clarinet III (4), Bass Clarinet (1), Bassoon (1), Alto Saxophone (4), Tenor Saxophone (2), Baritone Saxophone (1); Trumpet I (3), Trumpet II (3), French Horn (2), Baritone Horn T.C. (2), Baritone Horn B.C. (2), Trombone (6), Tuba (2); Timpani [F2, B-flat 2] (1), Snare Drum (1),Triange (1), Suspended Cymbal (1), Bass Drum (1), Glockenspiel (1). Joel Jacklich May 21, 2015 El Centro, California.
$50.00
Oh Joy, out for a run
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Orchestre d'harmonie
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FACILE
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Pete Cross
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Oh Joy, out for a run
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Robert Peter Cross
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1125179 Composed by Pete Cross. Comedy,Contemporary,Holiday. Score and Parts. 9 pages. Robert Peter Cross #725952. Publ...
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Concert Band - Level 2 - SKU: A0.1125179 Composed by Pete Cross. Comedy,Contemporary,Holiday. Score and Parts. 9 pages. Robert Peter Cross #725952. Published by Robert Peter Cross (A0.1125179). I was reflecting the times I had to go out for a run, and I remember saying when I didn't feel like a run I used to say Oh joy, out for a run. So I have composed this piece to reflect those times. The trombone solo is saying I'm out of breath...
$50.00
The Opening of the West
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Orchestre d'harmonie
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FACILE
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Judith Katz
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The Opening of the West
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 2 - SKU: IZ.CBW196 Composed by Judith Katz. Score and Parts. 58 pages. Imagine Music - Digital #CBW196. Published by Imagine Music ...
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Concert band - Grade 2 - SKU: IZ.CBW196 Composed by Judith Katz. Score and Parts. 58 pages. Imagine Music - Digital #CBW196. Published by Imagine Music - Digital (IZ.CBW196). 9 x 12 in inches.As an ardent fan of film, I have found myself increasingly attracted to full-fledged scores for cinema. No matter if it's an arrangement of a specific piece, or an original composition, I find myself wanting to view a movie merely for the score.When I was growing up, Westerns were a ubiquitous genre in Hollywood. In addition, New York City had a number of television stations that offered them as well. What all of these films and television programs had in common was, that they always had a strong, catchy and folksy theme. Prime examples were the themes to Bonanza, Wyatt Earp, Wanted Dead or Alive, etc.I wrote The Opening of The West with the goal of having some catchy, folksy and iconic themes that people would remember. I would like to think that this could eventually become an iconic western score.
$70.00
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