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Right As Rain
Orchestre d'harmonie
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Oldest and Finest Concert March (Score)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.796594 Composed by Gary D. Belsha…
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Concert Band - Level 4 - Digital Download SKU: A0.796594 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 24 pages. DR GARY D BELSHAW #2958021. Published by DR GARY D BELSHAW (A0.796594). Conductor's Score. 24 pages, letter format sheets. Composed for the U. S. Naval Academy Band, the Navy's oldest band, and the third oldest military ban in the United States. The march is a tribute to the ensemble in honor of its 150th Anniversary and premiered at their gala Sesquicentennial concert in 2003. In 6/8 meter, the march features a chromatic Introduction built on a 12-tone row. The First and Second strains (in F Major) are lively, bright, and completely tonal. The incipit of the trio (in B-flat) consists of the first four notes of Anchors Aweigh. This is significant for the USNA Band because it was composed by Lt. Charles A. Zimmermann, selected as Bandmaster of the ensemble in 1887 at the age of 26, and Midshipman First Class Alfred Hart Miles, supposed while seated at the Naval Academy Chapel organ. The trio is played three times; the first is interrupted by the Break Strain. The Introduction then serves to both conclude the Break Strain and to transition into the first repeat of the Tiro, this time featuring the saxophone section on the countermelody. One more Break Strain and Introduction builds to the final statement of the Trio, with coda and triplet stinger.The set of parts is also available right here in Sheet Music Plus.
$8.00
7.39 €
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Orchestre d'harmonie
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Gary D
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Oldest and Finest Concert March
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DR GARY D BELSHAW
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SheetMusicPlus
Oldest and Finest Concert March (Complete)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.796595 Composed by Gary D. Belsha…
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Concert Band - Level 4 - Digital Download SKU: A0.796595 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 196 pages. DR GARY D BELSHAW #2958023. Published by DR GARY D BELSHAW (A0.796595). Set of Parts. 194 pages, letter format sheets, intended to be printed in booklet format; blank sheets are included to make each part come out with the appropriate number of pages.Composed for the U. S. Naval Academy Band, the Navy's oldest band, and the third oldest military ban in the United States. The march is a tribute to the ensemble in honor of its 150th Anniversary and premiered at their gala Sesquicentennial concert in 2003. In 6/8 meter, the march features a chromatic Introduction built on a 12-tone row. The First and Second strains (in F Major) are lively, bright, and completely tonal. The incipit of the trio (in B-flat) consists of the first four notes of Anchors Aweigh. This is significant for the USNA Band because it was composed by Lt. Charles A. Zimmermann, selected as Bandmaster of the ensemble in 1887 at the age of 26, and Midshipman First Class Alfred Hart Miles, supposed while seated at the Naval Academy Chapel organ. The trio is played three times; the first is interrupted by the Break Strain. The Introduction then serves to both conclude the Break Strain and to transition into the first repeat of the Tiro, this time featuring the saxophone section on the countermelody. One more Break Strain and Introduction builds to the final statement of the Trio, with coda and triplet stinger.The conductor's score is available separately right here in Sheet Music Plus.
$65.00
60.03 €
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Orchestre d'harmonie
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Gary D
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Oldest and Finest Concert March
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DR GARY D BELSHAW
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SheetMusicPlus
Fantasy on "The Itsy Bitsy Spider"
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1028182 Composed by Rawn Boulden.…
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Concert Band - Level 3 - Digital Download SKU: A0.1028182 Composed by Rawn Boulden. 20th Century,Children,Contemporary. Score and parts. 69 pages. R. Boulden #3417495. Published by R. Boulden (A0.1028182). A programmatic piece depicting the tale of the Itsy Spider. The composition starts out very bright and joyful (the itsy bitsy spider climbed up the water spout). Quickly, it becomes darker, as the clouds and thunder emerge (down came the rain and washed the spider out). After the period of darkness and melancholy, the song's key gets brighter and brighter, symbolizing the clouds slowly dissipating and sunlight emerging (out came the sun and dried up all the rain). The song ends joyously (and the itsy bitsy spider climbed out the spout again), celebrating the spider's survival of the perilous weather. Fantasy on Itsy Bitsy Spider has the following instrumentation: Flue/Piccolo, Oboe, Clarinet, French Horn, Trumpet, Trombone, Euphonium, Tuba, Timpani, Bass Drum, Snare Drum, Cymbal. The song features an oboe solo, in the middle. I hope you enjoy this thrilling piece that is sure to be a pleasure to perform and hear!
$30.00
27.71 €
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Orchestre d'harmonie
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Rawn Boulden
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Fantasy on "The Itsy Bitsy Spider"
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R. Boulden
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SheetMusicPlus
Sunshine On My Shoulders
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.751041 By John Denver. By Dick Kn…
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Concert Band - Level 3 - Digital Download SKU: A0.751041 By John Denver. By Dick Kniss, John Denver, and Mike Taylor. Arranged by Brendan Elliget MAGA 537. Rock. Score and parts. 36 pages. BJE Music #6487663. Published by BJE Music (A0.751041). Sunshine On My Shoulders – Concert Band Sunshine on my shoulders makes me happy Sunshine in my eyes can make me cry Sunshine on the water looks so lovely Sunshine almost always makes me high Sunshine on My Shoulders (sometimes titled simply Sunshine) is a song recorded and co-written by American singer-songwriter John Denver. It was originally released as an album track on 1971's Poems, Prayers & Promises and later, as a single in 1973. Denver wrote this song on an early spring day in Minnesota when the rain was gently falling. He found himself looking forward to spending more time outdoors and enjoying the sunshine. He said of the song, On one level it was about the virtues of love. On another, more deeply felt level, it reached for something the whole world could embrace. This is an arrangement for Concert Band with an optional Piano part...Grade = 3 Duration = 2:45 mins The MP3 and Video audio was recorded with NotePerformer 3. Copyright © 1971; Renewed 1999 BMG Ruby Songs, My Pop's Songs, Dino Park Publishing, Jesse Belle Denver and Reservoir Media Music in the U.S. All Rights for BMG Ruby Songs Administered by BMG Rights Management (US) LLC All Rights for My Pop's Songs and Dino Park Publishing Administered by Kobalt Songs Music Publishing All Rights for Jesse Belle Denver Administered by WB Music Corp. All Rights for Reservoir Media Music Administered by Reservoir Media Management, Inc. (Publishing) and Alfred Music (Print) All Rights Reserved Used by Permission
$49.99
46.17 €
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Orchestre d'harmonie
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John Denver
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Brendan Elliget MAGA 537
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Sunshine On My Shoulders
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BJE Music
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SheetMusicPlus
The Four Seasons in the Basque Country
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Cen…
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
92.35 €
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque Country
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Musica Nova USA
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SheetMusicPlus
Catching Fireflies
Orchestre d'harmonie
Concert Band - Digital Download SKU: IZ.HAS03-S Composed by Daniel Burwasser. Score…
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Concert Band - Digital Download SKU: IZ.HAS03-S Composed by Daniel Burwasser. Score. 31 pages. Imagine Music - Digital #HAS03-S. Published by Imagine Music - Digital (IZ.HAS03-S). Sometimes the composer may point us to the meaning of a piece, without actually providing it. Says Daniel Burwasser: “Catching Fireflies is an ode to the tender memories and joys of childhood. The thematic material and structure of the work reflects the immediacy and innocent fascination of a time when everything is new and exciting, and something as simple as the flashing of a firefly can capture the imagination. The opening indeed creates visions of sprightly fireflies. An animated seven-note figure, first introduced by the strings then taken up by the brass and woodwinds, suggests a dazzling nocturnal scene of children scurrying after the elusive insects. The theme rapidly transmogrifies, aided by echoing dialogues between instruments as well as abrupt percussive effects. Then, a placid lyrical interlude begins with contemplative strains. Have the catchers settled back to view the stars? Like youth itself, the segment doesn’t last and is pushed aside by a subdued version of the lead theme. This time, a lyrical melody pro- vides a whiff of melancholia, but one limned by kaleidoscopic xylophone notes. Then, a longer adagio theme develops, and while it reflects the original lyrical interlude, it soon assumes a nostalgic aura reminiscent of fifties film music. Perhaps it evokes the romantic theme from an old movie the composer attended as a youth. But the night is not over and as the tempo increases, the brass sounds a variation of the opening melody, there is a brief parenthesis of calm, then a crashing tutti puts an end to the evening activities.
$20.00
18.47 €
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Orchestre d'harmonie
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Daniel Burwasser
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Catching Fireflies
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Imagine Music - Digital
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SheetMusicPlus
Abraham’s Daughter: March from the Civil War
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By…
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Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
17.55 €
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Orchestre d'harmonie
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Stephen R Dalrymple
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but no daughters
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Abraham’s Daughter: March from the Civil War
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Stephen R Dalrymple
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SheetMusicPlus
Mexican Hat Dance - Orchestra/Concert Band
Orchestre d'harmonie
Full Orchestra - Level 2 - Digital Download SKU: A0.1232375 By Brendan James Ellige…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1232375 By Brendan James Elliget. By Traditional Mexican Melody. Arranged by Brendan James Elliget. Patriotic. Score and Parts. 44 pages. BJE Music #828065. Published by BJE Music (A0.1232375). Mexican Hat Dance – OrchestraThe Jarabe TapatÃo is a Mexican folk dance, often called the national dance of Mexico, and better known internationally as the “Mexican Hat Danceâ€.This bright arrangement is for the Orchestra - It has extra optional parts for Concert Band including Alto Saxophones, Tenor Saxophone, Baritone Saxophone, Euphonium TC and BC, and a chorded Piano Accompaniment part. It could be played by either group or a combined ensemble. Percussion parts include Xylophone, Timpani, and Drum Set.The last strain is played 3 times with increasing tempo each time!The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 1:30 mins.
$25.00
23.09 €
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Orchestre d'harmonie
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Brendan James Elliget
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Brendan James Elliget
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Mexican Hat Dance - Orchestra/Concert Band
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BJE Music
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SheetMusicPlus
March Slav (Concert Band Transcription) - Tsarist Edition
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.733069 Composed by Peter Ilyich Tchaikovsky…
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Concert Band - Digital Download SKU: A0.733069 Composed by Peter Ilyich Tchaikovsky. Arranged by Marc Oliver. Romantic Period. Score and parts. 179 pages. Ayotte Custom Musical Engravings #2968245. Published by Ayotte Custom Musical Engravings (A0.733069). Tchaikovsky referred to the piece as his Serbo-Russian March while writing it. It was premiered in Moscow on November 17 1876, conducted by Nikolai Rubinstein. The march is highly programmatic in its form and organization. The first section describes the oppression of the Serbs by the Turkish. It uses two Serbian folk songs, Sunce jarko, ne sijaš jednako (Bright sun, you do not shine equally), by Isidor Ćirić and Rado ide Srbin u vojnike (Gladly does the Serb become a soldier), by Josip Runjanin - giving way to the second section in the relative major key, which describes the Russians rallying to help the Serbs. This is based on a simple melody with the character of a rustic dance which is passed around the orchestra until finally it gives way to a solemn statement of the Russian national anthem God Save the Tsar. The third section of the piece is a repeat of Tchaikovsky's furious orchestral climax, reiterating the Serbian cry for help. The final section describes the Russian volunteers marching to assist the Serbs. It uses a Russian tune, this time in the tonic major key and includes another blazing rendition of God Save the Tsar prophesying the triumph of the Slavonic people over tyranny. The overture finishes with a virtuoso coda for the full orchestra. The piece shares a few refrains with the 1812 Overture, with which it is frequently paired in performance. This is the Tsarist (i.e., non-Soviet) Version.
$100.00
92.35 €
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Orchestre d'harmonie
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Peter Ilyich Tchaikovsky
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Marc Oliver
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March Slav
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Ayotte Custom Musical Engravings
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SheetMusicPlus
1917: The Halifax Disaster
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
21.23 €
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Orchestre d'harmonie
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Daddy's Little Girl
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1046909 By Al Martino. By Bobby B…
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Concert Band - Level 3 - Digital Download SKU: A0.1046909 By Al Martino. By Bobby Burke and Horace Gerlach. Arranged by Brendan James Elliget MAGA 537. Contemporary,Pop,Wedding. Score and parts. 43 pages. BJE Music #651407. Published by BJE Music (A0.1046909). Daddy's Little Girl is a classic song typically played at white weddings while a bride dances with her father. The song's lyrics and music were first written by Robert Harrison Burke and Horace Gerlach in 1949. The song was recorded by British balladeer Steve Conway in 1950, and later by other artists, such as Al Martino on his 1967 Capitol Records release. [Wikipedia] “You're the end of the rainbow, my pot of gold You're Daddy's Little Girl to have and hold A precious gem is what you are You're Mommy's bright and shining star. You're the spirit of Christmas; my star on the tree You're the Easter Bunny to Mommy and me. You're sugar, you're spice, you're everything nice and you're Daddy's Little Girl.†This is an arrangement for Solo Euphonium TC or BC and Concert Band. There is also an Optional Piano Part (Not shown on the score). The Solo part could also be for a Trumpet or Trombone. © 1949 (Renewed) CHERIO CORP.
$50.00
46.18 €
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Orchestre d'harmonie
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Al Martino
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Daddy's Little Girl
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BJE Music
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SheetMusicPlus
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