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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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XYLOPHONE
Rude - Trumpet 2
Non classifié
42
Piano & claviers
Piano, Voix
37
Piano seul
14
Piano Facile
8
Piano, Voix et Guitare
4
Orgue
4
Instruments en Do
3
1 Piano, 4 mains
1
Piano grosses notes
1
+ 3 instrumentations
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Guitares
Guitare notes et tablatures
7
Ligne De Mélodie, (Paroles) et Accords
6
Guitare
6
Ukulele
6
Mandoline
1
Voix
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12
Chorale TTBB
4
Pack Instrumental pour Chorale
2
Chorale 3 parties
2
Chorale 2 parties
1
Voix duo, Piano
1
Chorale SSAA
1
Voix Tenor, Piano
1
Voix Soprano, Piano
1
Voix seule
1
+ 5 instrumentations
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Vents
Saxophone (partie séparée)
6
Flûte traversière et Piano
4
Quatuor de Saxophones: 4 saxophones
3
Clarinette et Piano
3
Flûte traversière
3
Quintette de Saxophone: 5 saxophones
3
Clarinette (partie séparée)
2
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Tenor
1
Flûte, Clarinette et Basson
1
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1
Hautbois (partie séparée)
1
Flûte et Guitare
1
Cor anglais, Piano
1
Clarinette
1
Saxophone Alto et Piano
1
2 Flûtes traversières, Piano
1
2 Flûte à bec (duo)
1
Saxophone Alto
1
Quatuor de Clarinettes: 4 clarinettes
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Soprano
1
Flute (partie séparée)
1
Saxophone Soprano et Piano
1
+ 19 instrumentations
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Cuivres
Trombone (partie séparée)
4
Tuba et Piano
2
Cor anglais, Piano
1
Trombone et Piano
1
Trombone
1
Cor
1
+ 1 instrumentations
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Cordes
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18
Violon et Piano
5
Violoncelle, Piano
3
Violon
3
Alto, Piano
2
Violoncelle
2
Violon, Violoncelle (duo)
1
2 Violons (duo)
1
2 Altos (duo)
1
Alto seul
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contre Basse
1
Violon, Basson (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
2 Violoncelles (duo)
1
+ 10 instrumentations
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Orchestre & Percussions
Orchestre
6
Ensemble de cuivres
4
Orchestre d'harmonie
4
Cloches
2
Orchestre à Cordes
2
Vibraphone
1
Ensemble de Percussions
1
Orchestre de chambre
1
Batterie
1
Percussion (partie séparée)
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Vous avez sélectionné:
Rude - Trumpet 2
Orchestre d'harmonie
Partitions à imprimer
4 partitions trouvées
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Rude - Baritone T.C.
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Orchestre d'harmonie
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FACILE
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MAGIC! Arranged by Robert Long
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Robert Longfield
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Rude - Baritone T.C.
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Hal Leonard - Digital
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SheetMusicPlus
Concert band Baritone T.C. - Level 2 - SKU: HX.303724 By MAGIC! Arranged by Robert Longfield. Pop,Reggae. Individual instrument part. 1 pages. Hal Leona...
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Concert band Baritone T.C. - Level 2 - SKU: HX.303724 By MAGIC! Arranged by Robert Longfield. Pop,Reggae. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.303724).
$6.00
The Best Hymns of All Time (for Wind Instruments) Book 2
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin K...
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Concert Band - Level 2 - SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin Kirkpatrick Publications #5726781. Published by Colin Kirkpatrick Publications (A0.522171). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 123-page PDF file for instant download. Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland) Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflügen); Lead Us, Heavenly Father, Lead Us (Mannheim). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
Onward Christian Soldiers (for Band)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Arthur S
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Joseph Pugh
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Onward Christian Soldiers
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Joseph Pugh
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.855131 Composed by Arthur S. Sullivan (1842-1900)- St. Gertrude. Arranged by Joseph Pugh. Christian,Romantic Period,Sac...
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Concert Band - Level 4 - SKU: A0.855131 Composed by Arthur S. Sullivan (1842-1900)- St. Gertrude. Arranged by Joseph Pugh. Christian,Romantic Period,Sacred,Standards. Score and parts. 64 pages. Joseph Pugh #6246599. Published by Joseph Pugh (A0.855131). Onward, Christian Soldiers is a 19th-century English hymn. The words were written by Sabine Baring-Gould in 1865, and the music was composed by Arthur Sullivan in 1871. Sullivan named the tune St Gertrude, after the wife of his friend Ernest Clay Ker Seymer, at whose country home he composed the tune. The Salvation Army adopted the hymn as its favored processional. The piece became Sullivan's most popular hymn. The hymn's theme is taken from references in the New Testament to the Christian being a soldier for Christ, for example II Timothy 2:3: Thou therefore endure hardness, as a good soldier of Jesus Christ. This is Joseph Pugh's stirring arrangement of the Hymn. Download it TODAY.!
$19.99
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for band
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Orchestre d'harmonie
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FACILE
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Francisca Gonzaga
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Idalmo Santos
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Gaúcho - Corta-Jaca By
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Idalmo Santos
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World...
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Concert Band - Level 2 - SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World. Score and parts. 23 pages. Idalmo Santos #6679863. Published by Idalmo Santos (A0.978107). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
$13.33
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